Art by Steinlen (42 results)

Paperback. Condition: New. Dover Publications 1980 New/ Very Fine. Illustrated with detailed drawings.

Paperback (Saddle Stitched). Condition: Very Good. Unmarked throughout. Cats were Steinlen.

Condition: New. Series: Dover Fine Art, History of Art. Num Pages: 48 pages, 66ill. BIC Classification: AGB; WNGC. Category: (G) General (US: Trade). Dimension: 282 x 210 x 7. Weight in Grams: 180. . 1980. Paperback. . . . . Books ship from the US and Ireland.

Condition: New. Series: Dover Fine Art, History of Art. Num Pages: 48 pages, 66ill. BIC Classification: AGB; WNGC. Category: (G) General (US: Trade). Dimension: 282 x 210 x 7. Weight in Grams: 180. . 1980. Paperback. . . . .

Paperback. Condition: New.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Condition: Good. 8 Septembre 1895 Gil Blas (10 pages) with cover illustration by Theophile Steinlen. Browning to edge of pages with small nicks along spine. Bookseller since 1995 (LL-1-middle-flat) rareviewbooks.

Soft cover. Condition: Good. Complete 1895 Gil Blas illustrated French magazine (8 pages) with Theophile Steinlen cover art front and back. Paul Balluriau illustration "Trottin" inside. Moderate browning/foxing to edge - spine has small splits/nicks - should be opened with care. Bookseller since 1995 (LL-7-top) rareviewbooks.

Soft cover. Condition: Good. Complete 22 Mars 1896 issue of Gil Blas (8 pages)Front and back covers illustrated by the great Theophile Steinlen. Inside illustration by Paul Balluriau. Browning/foxing to edge with small splits/nicks along spine. Should be opened with care. Bookseller since 1995 (LL-7-top) rareviewbooks.

No Binding. Condition: Good. Original cover from a 1895 Gil Blas - COVER ONLY! Illustrated by Theophile Steinlen. Measures W10 x H15 inches including border. Light toning/browning at borders edge. Bookseller since 1995 (LL-7-TS-flat) rareviewbooks.

Couverture souple. Condition: Très bon état. In-8 broché 24 cm sur 20. 191 pages, couverture illustrée. Ouvrage illustré. Très bon état d'occasion. Sommaire, liste d'oeuvres.

Hardcover. Condition: Good. No Jacket. Twenty Four Cartoons Tipped In At All Four Corners, All In Great Condition. The Text Block Is Still Very Solid And Clean. Illustrated Buckram Covered Boards With The Street Accordion Player And The Lady Collecting Monies. Very Little Wear And Tear On The Boards , However The Spine Is Not Attached To The Front Board And The Rear Spine Edge Has A 4" Split. It Is Repairable. Oversized Book So May Require Extra Shipping Dependent Upon Destination.

Couverture en bon état, intérieur en très bon état.

Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von 1898. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from 1898. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de 1898. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von ca. 1896. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from c. 1896. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de environ 1896. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 25.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 68. A perfect gift for your loved ones. Reprinted from 1912 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 68.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 74. A perfect gift for your loved ones. Reprinted from 1911 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 74.

unknown_binding. Condition: Acceptable. Ex-Library hardcover book no dust jacket, usual library marks, has some light reader wear; spine of book has been repaired but shows signs of damage;

paperback. Condition: Gut. Seiten; Artikel stammt aus Nichtraucherhaushalt! F3-1060 Sprache: Deutsch Gewicht in Gramm: 500.

Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von ca. 1896. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from c. 1896. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de environ 1896. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von ca. 1896. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from c. 1896. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de environ 1896. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 25.

Hardcover. Condition: Fair. First Edition. Folio 12pp 24 full page plates. Uncommon. No spine front board detached. Book.

, 12 pages, followed by 24 plates including some in colour, with a critical introduction and descriptive notes (unsigned) First Edition , rebound ex-library copy with two small stamps on rear of title page, small stamps at lower corner of some plates but the illustrations remain nice and clean, binding clean and tight, just a little rubbed at spine ends, book in very good condition , blue buckrum with gilt titles to spine 39.5 x 28 cm Hardback ISBN:

Hardcover. Condition: Good. No Jacket. Steinlen (illustrator). 1st Edition. Good. Spine joint split to upper board. 'With a critical introduction and descriptive notes'.

Hardcover. Condition: Fine. Steinlen (illustrator). This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima.

Hardcover. Condition: Very good. No jacket. Covers rebound.

Original full yellow cloth boards. ?Steinlen? in red lettering on upper cover, featuring large colour engraving of cartoon depicting man with accordion and woman in headscarf. Green paste-in and free endpapers., Theophile Steinlen (1859?1923) was a Swiss-born French Art Nouveau painter and printmaker., Size : Folio(390x282 mm). , A collection of Steinlen?s art reflecting on political and social ills and scenes.24 plates in total, tipped-in at corners. With a critical introduction and descriptive notes. Some fraying to top of spine, but interior is good, plates clean and crisp.

Hardback. Condition: Fair. No Jacket. Steinlen, Theophile-Alexandre (illustrator). Circa 1911. Fair condition with no wrapper. Large format. Pictorial cloth. Illustrations tipped-in on all four corners. With a critical introduction and descriptive notes. Backstrip missing. Rear board detached, front board fragile at binding. All plates present. Fraying to cloth edges. Rippling to cloth on front cover. 1 plate has a large closed tear. Odd margin mark. Packaged with care and promptly dispatched!

Couverture souple. Condition: Bon. Edition originale. 66 numéros de la revue L'Art et les Artistes sous couvertures marron clair imprimées et illustrées en noir ou en sépia, in-4, 30x21 cm environ, importante iconographie en noir, chaque numéro contient une épreuve d'art en couleurs ou un hors texte en couleurs [George Barbier - Henri Rivière - Auguste Renoir - Jean-François Raffaëlli - Étienne Dinet - Jean-Louis Forain - Édouard Manet - Jean-Baptiste Isabey - Théophile Alexandre Steinlen - Johannes Ver Meer ou Vermeer ou Jan Van der Meer - Raphaël - Octave Morillot - Peter Paul Rubens - Corot - Gustave Moreau - Daniel Vierge - Gustav-Adolf Mossa - Albert Besnard - Hans Holbein - Arthur Rackham - Le Greco - Pierre-Eugène Vibert - Le Nain - Girodet - Renefer - Alphonse de Neuville - Joshua Reynolds - Henry d'Estienne - Mathurin Méheut - Léon Carré - Etc.], *** quelques rousseurs sur les serpentes seulement, *** sous titre à partir du N° 77 : Art Ancien - Art Moderne - Art Décoratif, publicités quelques-fois sur papier de couleurs, publicités au second plat de couverture : Michelin par Poulbot, E. L. Cousyn, etc., quelques feuillets volants, *** 66 numéros complets, il manque les 4 numéros suivants : 50, 95, 103 et 109. *** Moins d'une dizaine d'exemplaires ont des couvertures défraîchies, le reste est en parfait état. *** Entre 40 et 50 pages par numéro. ***** Détail des numéros : Voir sur notre site professionnel Bookinerie(point)com (manque de place ici), ou sur demande par email. *** Poids de l'ensemble : près de 20 kilogrammes.

Softcover. Condition: Sehr gut. Sehr dekoratives Litho im Format 18 x 12 cm, gedruckt auf cremefarbener Pappe und wiederum aufgelegt auf brauner Pappe im Format 31 x 24 cm, seltenst, jpgs on demand,

Bruxelles, Éditions ''Art Belge '' , Noël 1921, grande in-4°, 32 x 24 cm, ca. 160 pp nn, avec nombr. illustrations noir/blanc et plusieurs ills. en couleur montées, et des lithographies originales. Broché, couverture souple d'origine. bon exemplaire. Contient entre autre 8 lithographies originales ; Steinlen, Fernand Khnopff , Fabry , Lebasque , Alfred Delaunois, Jules de Bruycker , Henri Duhem et Rassenfosse. Prestigeux témoin de la renaissance de l'art belge après la desastreuse Premier Guerre Mondiale. Pour honorer l'amitié Franco-Belge l'éditeur a inclus aussi des artistes français.