Artscribe, Used (52 results)

Soft cover. Condition: Good. Periodical, softcover, 11 3/4 by 8 1/4 inches, 63 pages, illustrated. Articles include: interview with bruce Lacey and Jill Bruce, Hodgkin interview, Max Beckmann, Hungarian scene, Geeta Kapur. Covers have only slight wear, a little curling for about 2 inches of bottom edge.

Soft cover. Condition: Fine. First Edition. Fine in original wrappers.

Soft cover. Condition: Fine. First Edition. Fine in wrappers. This issue also contains an interview with Donald Judd.

Paperback. Condition: Very Good. ARTSCRIBE No. 6 edited by James Faure Walker with pieces by Searle, Adrian; Finlayson, Ann; Taylor, Bramon; Born, Carrie; Rippon, Peter, Maloon, Terence and others. Cover by John Edwards. 48 pages, paper, black and white reproductions. 11 3/4" x 8 1/4". Small stain to back cover otherwise very good condition.

Original Wrappers. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition; First Edition. Artscribe No 50. 1985. 79 pages, illustrated articles, including ; - Malcolm Morley, interviewed by Matthew Collings, John Hilliard interviewed by Paul Bonaventura. Stubbs and Laocoon, by tom Godfrey. 2 full page Drawings by Ina Barfuss, and an article on Francesco Clemente's Pastels, by Andrea Hill, etc. There are a few pen underlinings in the text, but otherwise a very good copy. ; Book; Quarto.

Soft cover. Condition: Good. Good copy with b/w images . 0.

Condition: Bueno. 21x30. 68pp. Ilustraciones en negro. Algunas señales de uso. Ejemplar aceptable.

Soft cover. Condition: Fine. First Edition. Fine in wrappers.

Soft cover. Condition: Very Good. Billy Childish (illustrator). 1st Edition. 4to. 104pp. Paper wrappers. Articles include: Hanging Man; Billy Childish; It;s a Maggot Farm: :The B Boys and Fly Girls of British Art; Snakes and Ladders. The Archive of Dr.Willi Bongard. Light wear on covers, else good.

Soft cover. Condition: Fine. First Edition. Fine in original wrappers.

Soft cover. Condition: Fine. First Edition. Fine in original wrappers.

Soft cover. Condition: Fine. First Edition. Fine in original wrappers.

Soft cover. Condition: Fine. First Edition. Fine in original wrappers.

Bi-monthly softcover. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout. covers by Markus Lupertz pp.63 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout. covers by pp.71 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout. covers by Eric Fischl pp71 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout. covers by Ian McKeever pp71 Condition Fine see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout. covers by Karel Appel pp.67 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout. covers by Bill Woodrow pp72 see images for content. Condition As New Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout, covers by Adrian Berg. see images for content. pp65. Condition As New Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout. covers by Malcolm Morley pp77 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout. covers by Jorg Immendorf pp.69 Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

Bi-monthly softcover. stapled. illustrated throughout. pp71. covers by Julian Schnabel. pp4 Illustrated insert for Manuel Alvarez Bravo exhibition Dreams-Visions-Metaphors , The National Museum of Photography, Film & TV, Bradford and The Photographers Gallery, London. Condition As New see images for content. Artscribe made a major contribution to the vigorous debates in the London Art scene during the 1980s. Plotting a course focussing on the qualities of the purely visual under James Faure Walker's editorship it differentiated itself from the new figuration championed by Norman Rosenthal and Nicholas Serota, or Peter Fuller's focus on craft and English identity, or the social engagement promulgated by John Berger. Subsequently, with Matthew Collings as editor it became more international in focus, often commissioning covers from A R Penck, Julian Schnabel and Karel Appel, for example.

96 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1989 issue of Artscribe International, edited by Stuart Morgan. Contents include: interview between Regina Cornwell and Yoko Ono, "View;" "True Fictions: Barbara Bloom," by Nancy Spector; "Past Present Future: Count Giuseppe Panza di Biumo," interviewed by Stuart Morgan; "Not all about death: Jenny Holzer," interviewed by Steven Evans; "Pitz Files," by Hermann Pitz," photographs by Florian Kleinefenn; "3000 Years: Carl Andre," interviewed by David Batchelor; "Some Other Sense: Art & Language," by Charles Harrison; "Oktober 1977: Gerhard Richter," by Bettina Semmer; "Reviews" and "Books." Good. Light edgewear. Page five has separated from binding. Light yellowing of page edges. Contents otherwise clean and unmarked.

Soft cover. Condition: Very Good. 1st Edition. Oblong 8vo. Original paper wrappers, stapled. Essay by Ben Jones and James Faure Walker andf David Sweet. Each artist with biography and b/w plate. incs Graham Crowley, Jennifer Durrant, Noel Forster, Jeff Lowe, Nicholas Pope, Adrian Searle, Trevor Sutton, Gary Wragg etc.

Soft cover. Condition: Good. Good copy with b/w images .

Soft cover. Condition: Good. Good copy with b/w images .

Soft cover. Condition: Good. Good copy with b/w images .