Order Total (1 Item Items):
Shipping Destination:
Avis Tract (1 results)
Skip to main search results
Search filters
Product Type
- All Product Types
- Books (1)
- Magazines & Periodicals (No further results match this refinement)
- Comics (No further results match this refinement)
- Sheet Music (No further results match this refinement)
- Art, Prints & Posters (No further results match this refinement)
- Photographs (No further results match this refinement)
- Maps (No further results match this refinement)
- Manuscripts & Paper Collectibles (No further results match this refinement)
Condition Learn more
- New (No further results match this refinement)
- As New, Fine or Near Fine (1)
- Very Good or Good (No further results match this refinement)
- Fair or Poor (No further results match this refinement)
- As Described (No further results match this refinement)
Binding
- All Bindings
- Hardcover (No further results match this refinement)
- Softcover (No further results match this refinement)
Collectible Attributes
- First Edition (No further results match this refinement)
- Signed (No further results match this refinement)
- Dust Jacket (No further results match this refinement)
- Seller-Supplied Images (1)
- Not Print on Demand (1)
Language (1)
Price
- Any Price
- Under US$ 25 (No further results match this refinement)
- US$ 25 to US$ 50 (No further results match this refinement)
- Over US$ 50
Free Shipping
- Free Shipping to U.S.A. (No further results match this refinement)
Seller Location
Seller Rating
-
Avis : tract.
Publication Date: 1928
Seller: Librairie Jean-Yves Lacroix, Gouloux, France
Association Member: ILAB
Seller rating 5 out of 5 stars
Pas de couverture. Condition: Très bon. Bruxelles, mars 1928. Un feuillet 27,3 x 21,2 cm, impression en noir sur vélin crème, recto seul. Édition originale de ce tract dirigé contre Giorgio De Chirico et sa réappropriation commerciale des idées surréalistes, à l'occasion de son exposition à la Galerie Le Centaure, 62 avenue Louise à Bruxelles, du 8 au 20 mars 1928. Il lui était notamment reproché d'avoir utilisé sans autorisation des textes de Louis Aragon, Paul Éluard et André Breton pour étoffer le catalogue de l'exposition, catalogue dont le stock fut en conséquence détruit. « De Chirico trahit une pensée qui a depuis longtemps cessé d'être la sienne au profit de ceux-là mêmes qui n'en ont jamais pénétré le mystère ». Signataires : Louis Aragon, André Breton, Camille Goemans et Paul Nougé. [José Pierre, I, pp. 91-92, Mariën, p. 176].
