Baalbec by Roberts David (18 results)
Published by King & McGaw, United Kingdom 1970
- Softcover
Seller: Maynard & Bradley, Leicester, , United KingdomMaynard & Bradley
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Softcover. Condition: Very Good. 1997. Â'The Gateway of the Great Temple BaalbecÂ' by David Roberts RA, Royal Academy of Arts, POSTER. Image size 350 x 295 mm, some creases from handling and storage, in very good condition and will be mailed to you in a stout tube. Not 1970 but had to put this to avoid Amazon's ISBN mismatch Why… on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Size: 500 x 400 mm. Item Type: Modern Print. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Lithos & Prints; Britain/UK; 1990s; Pictures of this item not already displayed here available upon request. Inventory No: 52241.
Published by London Cassell c. 1860
Seller: John Trotter Books, london, , United KingdomJohn Trotter Books
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Litho print, 320 x 250mm inc margins. G/Vg.
Published by London Cassell c. 1860
Seller: John Trotter Books, london, , United KingdomJohn Trotter Books
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Litho print, 320 x 250mm inc margins. G/Vg.
Published by London Cassell c. 1860
Seller: John Trotter Books, london, , United KingdomJohn Trotter Books
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Litho print, 320 x 250mm inc margins. G/Vg.
Published by LondonF.G. Moon. -9 1842
- Softcover
- Art Print
Seller: Robert Frew Ltd. ABA ILAB, London, , United KingdomRobert Frew Ltd. ABA ILAB
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50 x 32.5 cm. Original hand-coloured lithograph from the Subscribers' Edition (250 copies), mounted onto later card. Old small inconspicuous tear without loss at lower right corner of image, otherwise in very good condition. Roberts was the first independent, professional British artist to travel so extensively in the Near East.… His tour in 1838-9 produced 272 sketches, a panorama of Cairo and three full sketchbooks, enough material to "serve me for the rest of my life" (Roberts, eastern journal, 28 Jan 1839). Over the next decade he made "a series of intire new drawings" for the large coloured lithographs executed by Louis Haghe for The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, which was originally published by subscription, 1842-9. No publication before this had presented so comprehensive a series of views of the monuments, landscape, and people of the Near East. "Robert's Holy Land was one of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph" (Abbey, Travel). These lithographs were originally published in twenty parts, most parts containing six plates, the price for each part with coloured plates (the most expensive state) being 3 guineas. Yesterday and Today: The Holy Land, 117.
Published by London 1846
- Art Print
Seller: Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.Trillium Antique Prints & Rare Books
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Condition: Fine. David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here… includes beautifully rendered hand-coloring.Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here.David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839.âRobertsâ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with itâ (Ran, 6) . âThese prints are of excellence unsurpassed in Europe⦠The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained⦠[In Robertsâ own words,] âHaghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stoneâ (Abbey, 340-41). --- The work is in good to excellent condition overall. There may be some toned or foxed spots to the work. There may be a few minor imperfections or fox marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 16 3/4" by 23 1/2"; Image Size Varies.
Published by London 1846
- Art Print
Seller: Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.Trillium Antique Prints & Rare Books
Contact seller2-star sellerCondition: Used - Fine
US$ 125.00
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Condition: Fine. David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here… includes beautifully rendered hand-coloring.Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here.David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839.âRobertsâ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with itâ (Ran, 6) . âThese prints are of excellence unsurpassed in Europe⦠The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained⦠[In Robertsâ own words,] âHaghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stoneâ (Abbey, 340-41). --- The work is in good to excellent condition overall. There may be some toned or foxed spots to the work. There may be a few minor imperfections or fox marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 16 3/4" by 23 1/2"; Image Size Varies.
Published by Day & Son, London 1855
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.Argosy Book Store, ABAA, ILAB
Contact seller5-star sellerunbound. View. Color lithograph. Sheet measures 7 7/8" x 11 1/4" From Roberts's octavo edition of "Views in the Holy Land.Egypt and Nubia." Born in Scotland, Roberts (1796-1864) gained renown as a landscape artist from documenting his extensive travels through Spain and the Near and Middle East. His most well known work, "Views…in the Holy Land.Egypt and Nubia" illustrates Roberts' trip in 1838-39. The subsequent publication was issued in 41 parts between 1842 and 1849. This magnificent set was a collaborative project between Roberts and the skilled printer Louis Haghe (1806-1885) and is recognized as one of the most important lithographic works of the 19th century. HAGHE, Louis (illustrator).
More imagesPublished by Baalbek - Giordania
Seller: Sergio Trippini, Gavirate, VA, ItalySergio Trippini
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Veduta generale delle rovine dei templi.
Published by London 1846
- Art Print
Seller: Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.Trillium Antique Prints & Rare Books
Contact seller2-star sellerCondition: Used - Fine
US$ 250.00
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Condition: Fine. David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here… includes beautifully rendered hand-coloring.Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here.David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839.âRobertsâ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with itâ (Ran, 6) . âThese prints are of excellence unsurpassed in Europe⦠The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained⦠[In Robertsâ own words,] âHaghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stoneâ (Abbey, 340-41). --- The work is in good to excellent condition overall. There may be some toned or foxed spots to the work. There may be a few minor imperfections or fox marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 16 3/4" by 23 1/2".
Published by London 1846
- Art Print
Seller: Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.Trillium Antique Prints & Rare Books
Contact seller2-star sellerCondition: Used - Fine
US$ 450.00
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Condition: Fine. David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here… includes beautifully rendered hand-coloring.Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here.David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839.âRobertsâ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with itâ (Ran, 6) . âThese prints are of excellence unsurpassed in Europe⦠The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained⦠[In Robertsâ own words,] âHaghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stoneâ (Abbey, 340-41). --- The work is in good to excellent condition overall. There may be some toned or foxed spots to the work. There may be a few minor imperfections or fox marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 16 3/4" by 23 1/2".
Published by London 1846
- Art Print
Seller: Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.Trillium Antique Prints & Rare Books
Contact seller2-star sellerCondition: Used - Fine
US$ 450.00
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Condition: Fine. David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here… includes beautifully rendered hand-coloring.Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here.David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839.âRobertsâ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with itâ (Ran, 6) . âThese prints are of excellence unsurpassed in Europe⦠The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained⦠[In Robertsâ own words,] âHaghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stoneâ (Abbey, 340-41). --- The work is in good to excellent condition overall. There may be some toned or foxed spots to the work. There may be a few minor imperfections or fox marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 16 3/4" by 23 1/2".
Published by London 1846
- Art Print
Seller: Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.Trillium Antique Prints & Rare Books
Contact seller2-star sellerCondition: Used - Fine
US$ 600.00
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Condition: Fine. David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here… includes beautifully rendered hand-coloring.Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here.David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839.âRobertsâ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with itâ (Ran, 6) . âThese prints are of excellence unsurpassed in Europe⦠The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained⦠[In Robertsâ own words,] âHaghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stoneâ (Abbey, 340-41). --- The work is in good to excellent condition overall. There may be some toned or foxed spots to the work. There may be a few minor imperfections or fox marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 16 3/4" by 23 1/2".
Published by London 1846
- Art Print
Seller: Trillium Antique Prints & Rare Books, Franklin, TN, U.S.A.Trillium Antique Prints & Rare Books
Contact seller2-star sellerCondition: Used - Fine
US$ 900.00
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Condition: Fine. David Roberts' most famous work, Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia, was published by E. G. Moon in London between 1846 and 1849. This work is known for its extremely detailed duotone lithographed plates which depict various scenes of the Holy Land and the Middle East. The lithograph presented here… includes beautifully rendered hand-coloring.Roberts journeyed to the Holy Land in 1838 where he spent much time depicting the architecture, costumes, and landscapes that he found there. The culmination of all his efforts, Views in the Holy Land., is indeed one of the greatest travel works ever completed. George Croly wrote the wonderfully descriptive text, when available, and Louis Haghe turned Roberts' drawings into the magnificent lithographs seen here.David Roberts truly introduced the western world to Egypt and the Middle East through this work. The lithographs were produced from his on-site drawings of temples, landscapes, and historic monuments. He was the first Westerner granted permission to enter many of the sacred mosques or monuments. He completed his sketches over an 11 month journey between 1838 and 1839.âRobertsâ Holy Land has a worldwide reputation; nothing of a similar character has ever been produced that can bear a comparison with itâ (Ran, 6) . âThese prints are of excellence unsurpassed in Europe⦠The firm of Day and Haghe raised lithography to perhaps the highest point it ever attained⦠[In Robertsâ own words,] âHaghe has not only surpassed himself, but all that has hitherto been done of a similar nature. He has rendered the views in a style clear, simple, and unlabored, with a masterly vigor and boldness which none but a painter like him could have transferred to stoneâ (Abbey, 340-41). --- The work is in good to excellent condition overall. There may be some toned or foxed spots to the work. There may be a few minor imperfections or fox marks to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 16 3/4" by 23 1/2".
DOORWAY OF BAALBEC (May 7th, 1839)
BAALBEC - DAVID ROBERTS - Original Antique Lithograph - FOLIO FIRST EDITION
Published by F.C.Moon, London 1844
- First Edition
- Art Print
Seller: M.POLLAK ANTIQUARIAT Est.1899, ABA, ILAB, Tel-Aviv, , IsraelM.POLLAK ANTIQUARIAT Est.1899, ABA, ILAB
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US$ 2,500.00
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No Binding. Condition: Fine. First Edition. Original duotone lithograph from the FOLIO 1st edition. Lithographed by Louis Haghe. Published by F.G.Moon, London, 1844. Full page (vertical). Size of image: 36,5 x 52 cm ( = 14,2 x 20,4 inch) + margins. .UNTRIMMED FULL MARGINS. .Very clean and FINE condition with excellent imprint. O…NE OF ROBERTS' MOST FAMOUS AND DESIRED LITHOGRAPHS. Rare. David Roberts (illustrator).
Published by F.G. Moon 1842-49, London 1843
Seller: Arader Galleries of Philadelphia, PA, Philadelphia, PA, U.S.A.Arader Galleries of Philadelphia, PA
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N/A. Condition: Very Good. The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia David Roberts, R. A. (1796-1864) a successful London-based Scottish artist, in 1838 traveled throughout the Middle East to record the cities, people, landscape, and monuments of the Holy Land and Egypt. Returning to England, he and lithographer Louis…Haghe published a hand-colored six volume set of his works covering Egypt and Nubia and the Holy Land. The plates in these volumes are the most beautiful and accurate depictions of the Near East ever created in the nineteenth century; 'The Holy Land' both instructs and delights, with superb ethnological descriptions, sweeping panoramic landscapes, and detailed architectural studies. Publication City: London Medium: tinted lithographs, finished by hand Dimensions: 23 5/8 x 17 1/4 inches Date: 1842-49.
Published by F.G. Moon c.1843, London 1843
- Art Print
Seller: Alexandre Antique Prints, Maps & Books, Toronto, ON, CanadaAlexandre Antique Prints, Maps & Books
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Condition: Very Good. Title page to volume 2 of the folio sized David Roberts 3 volumes work on the Holy Land. , Image Size : , Platemark Size : , Paper Size : 600x415 (mm), 23.62x16.34 (Inches), Hand Colored, Lithograph.
Published by Moon, F.G., London 1847
- Art Print
Seller: Alexandre Antique Prints, Maps & Books, Toronto, ON, CanadaAlexandre Antique Prints, Maps & Books
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The Prints of David Roberts:Part 1 - The PrinterLouis Haghe (1806-1885) was one of the msot skillful exponents of the tinted lithograph who became a leading reproductive lithographer in England and on the Continent. Haghe's reputation as a lithographer was primarily based upon topographical views, of which Twyman notes "his most… important work of this kind, the translation of Roberts' sketches of the Holy Land, represents the culmination of his art".Part 2 - The Publication of Roberts' Holy Land and EgyptRoberts first sketched in his journals "on the spot" the vaious subjects which, on returning to London, he transcribed into finished paintings and watercolors. These then formed the basis of the lithographs drawn and printed by Louis Haghe. It is interesting to note that in some instances Roberts' original drawings were twice or three times the size of the published print, which indicated the skill of Haghe and his assistants in transferring Roberts' designs onto lithographic stones.Part 3 - A Genesis of Roberts' PrintsDavid Roberts fulfilled a boyhood dream by visiting the East and recording what he saw there; by August 1838 he had resolved to "visit the Holy Land, and make drawings of the scenes of sacred history and the antiquities of Egypt". By this time Roberts had already established himself as a successful topographical artist and published his set of Spanish scenery as tinted lithographs, Picturesque Sketches in Spain, 1837. Eventually he would be elected to the prestigious Royal Academy on the strength of his topographical paintings.Part 4 - The PlatesRoberts' Holy Land and Egypt project has been called "the most ambitious work ever published in England with lithographic plates" (according to Micheal Twyman). Its production involved over 600 lithographic stones used over an eight to nine year period. It is generally agreed the lithographers Day & Haghe were the most efficient for such large scale work, while Louis Haghe himself was a master lithographer.The plate formats strongly influenced their presentation as prints: large full-page and small half-page vignettes representing what Roberts intended to be the difference between finished drawings and sketches. roberts was a good judge of accurate transposition of his watercolors and sketches into lithography.Today historians regard Roberts' Holy Land and Egypt as the last link between the established artist and topographical lithography. Since Roberts' prints were the most costly publishing venture in Britain at the time, undertaken by a publisher "on his own responsibility", Roberts sighed on its completion: " . thank God . that with being blessed with health and backed by my ever esteemed friend Louis Haghe I may also say the most satisfactory."References:Micheal Twyman, Lithography, 1800-1850, London, 1970Katherine Sim, David Roberts, London 1984J.R. Abbey, Travel in aquatint and lithograph 1770-1860, Nos. 272, 385James Ballantine, The Life of David Roberts, Edinburgh, 1866Helen Guiterman, David Roberts, London 1978Barbican Art Gallery (catalogue), David Roberts, London, 1986British Library (BS), Image Size : 344x501 (mm), 13.5x19.75 (Inches), Platemark Size : , Paper Size : 375x541 (mm), 14.75x21.25 (Inches), Hand Colored, Lithograph Good Condition; margins extended.
