Beast Two Backs (21 results)

Paperback. Condition: Good. This is THE SCRIPT! Some shelf wear to the covers. Clean looking ACTING EDITION. The dialogue flows clearly. Enjoy this presentable Acting Script useful for performance.

Softcover. Condition: Near Fine. Stiff unmarked book in crisp covers. ; 95 pages.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Fine. First Edition. About new book but for excised front endpaper.

Paperback. Condition: New. /NEW/I HAVE THOUSANDS OF PLAYS AND MUSICALS IN MY LISTINGS/.

First printing in wrappers, issued simultaneously with hardcover. Short novels by two young Canadian writers - includes 'The Beautiful Uncut Hair of Graves' by Mason and 'Hans Denck, Cobbler' by Rigelhof. First book appearance of Rigelhof. Review copy with publisher's slip laid in. Very good in stiff wrappers (some light soiling to the white background on the covers.).

Wrappers. Condition: Near Fine. First Edition. Light sunning to spine, otherwise fine. Prospectus laid-in. Inscribed by Rigelhof. Book.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:0887504140.

Wrappers. Condition: Near Fine. First Edition. Light sunning to spine, otherwise fine. Prospectus laid-in. Inscribed by Rigelhof. Book.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust Jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:0887504132.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Black cloth hard covers, in dust jacket. Jacket slightly toned at spine, and with one short closed tear to top front edge. Otherwise clean, tight and unmarked. Very neat -- a sound and handsome copy.

First edition. [20 pp]. Near fine in printed wrappers with one bumped corner. One of 250 copies.

[0-88750-414-0] [00no date]. (Mass market paperback) Very good. 95pp. 8vo. Signed. Includes two novels: 'The Beautiful Uncut Hair of Graves' by Mike Mason and Hans Denck, Cobbler by T. F. Rigelhof. Inscribed by Rigelhof to the first page. Back corners softly bumped. Internally clean and bright.

Soft cover. Condition: Very Good+. 1st Edition. Ssigned by Tony Rigelhof on title page, Pages clean, good condition. White card cover. VG+. Signed by Author(s). Book.

[0-88750-413-2] 1981. (hardcover) Fine in near fine dust jacket. 95pp. 8vo. Association copy, inscribed to esteemed Canadian Prairie poet, novelist, and playwright, Ken Mitchell by Terry Rigelhof. Includes two novels: 'The Beautiful Uncut Hair of Graves' by Mike Mason and Hans Denck, Cobbler by T. F. Rigelhof. Jacket is lightly sunned at the rear panel. A fine copy in a near fine jacket.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 2,0, Johannes Gutenberg University Mainz, language: English, abstract: This term paper seeks to dislocate traces of racism within the characters of Iago, Othello, and Desdemona in Shakespeare's 'Othello'. By scrutinizing both overt and covert forms of xenophobia, it tries to explain how and why the play came to its tragic ending.In 1994, Nelson Mandela wrote in his autobiography that 'no one is born hating another person because of the color of his skin, or his background, or his religion' and that, consequently, 'people must learn to hate'. By itself, this is a simple statement but it is also egregious in the way it makes us understand. There is nothing it could not explain, no dispute it could not illuminate. And even though Mr. Mandela had originally formulated his statement with regard to Apartheid, it fits extraordinarily well to racism in Shakespeare's 'Othello'.Judging from Michael Neill's investigations into the subject of notions of human difference in early modern societies, 16th century Venice had a considerably open attitude towards foreigners of any kind, with a great deal of cultural exchange taking place between people of every colour and every religion. By the beginning of the 17th century, however, this started to change: as the number of encounters with foreign cultures increased, 'color emerg[ed] as the most important criterion for defining otherness' (Neill). As Mandela would have put it, Venetians started to learn hating others in behalf of their skin colour. And precisely this kind of development is illustrated in Othello: the Moor, who is actually a prime example for successful integration, has to endure an increasing degree of enmities and discriminations as racist sentiments begin to emerge in Venetian society - sentiments even Othello himself cannot resist.

First Edition. First edition. Small softcover. [20 pages.] Dacey's first book, a a slim collection of poems printed in an edition of only 250 copies. A very near fine copy in stapled wrappers. Signed and warmly inscribed by Dacey on the title page to fellow poet Karl Elder. Uncommon. Signed.

Condition: New. Print on Demand pp. 20.

Hardcover. Condition: Very Good. Dust Jacket Condition: Poor. 1st Edition. The boards are a bit sunned and rubbed. A few spots. Tightly bound. Seemingly 1st. Our orders are shipped using tracked courier delivery services.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 2,0, Johannes Gutenberg University Mainz, language: English, abstract: This term paper seeks to dislocate traces of racism within the characters of Iago, Othello, and Desdemona in Shakespeare's 'Othello'. By scrutinizing both overt and covert forms of xenophobia, it tries to explain how and why the play came to its tragic ending.In 1994, Nelson Mandela wrote in his autobiography that 'no one is born hating another person because of the color of his skin, or his background, or his religion' and that, consequently, 'people must learn to hate'. By itself, this is a simple statement but it is also egregious in the way it makes us understand. There is nothing it could not explain, no dispute it could not illuminate. And even though Mr. Mandela had originally formulated his statement with regard to Apartheid, it fits extraordinarily well to racism in Shakespeare's 'Othello'.Judging from Michael Neill's investigations into the subject of notions of human difference in early modern societies, 16th century Venice had a considerably open attitude towards foreigners of any kind, with a great deal of cultural exchange taking place between people of every colour and every religion. By the beginning of the 17th century, however, this started to change: as the number of encounters with foreign cultures increased, 'color emerg[ed] as the most important criterion for defining otherness' (Neill). As Mandela would have put it, Venetians started to learn hating others in behalf of their skin colour. And precisely this kind of development is illustrated in Othello: the Moor, who is actually a prime example for successful integration, has to endure an increasing degree of enmities and discriminations as racist sentiments begin to emerge in Venetian society - sentiments even Othello himself cannot resist. 20 pp. Englisch.

Condition: Very Good. Publisher: Werner Laurie, London, 1951. First Edition, First Printing. VERY GOOD hardcover book in NEAR FINE- dust-jacket. Price-clipped. A slight spine lean. Edgewear. NOT remainder marked. NOT faded. NOT a book club edition. NOT an ex-library copy. All of our books with dust-jackets are shipped in fresh, archival-safe mylar protective sleeves.

Taschenbuch. Condition: Neu. "The Beast with Two Backs". Race and Racism in Shakespeare's "Othello" | Ann-Kathrin Latter | Taschenbuch | 20 S. | Englisch | 2017 | GRIN Verlag | EAN 9783668412170 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand.