Before Woods, First Edition (10 results)

Soft cover. Condition: VF. As new. First Edition. Wrappers Illustrated The Samuel Richey Collection of the Southern Confederacy.

Trade Paperback. Condition: Near Fine. First Edition. 296 pp, illustrations, end notes, bib., index.

hardcover. Condition: Very Good. First Edition. Stated First edition, first printing, full number line starting with "1".Dust jacket intact and in very good condition with minor edgewear. Text block is clean, bright and tight, no markings, corner creases or other defects noted. Providing superior service since 2001. Dropshippers heartily welcomed.

Paperback. 8vo. Stiff glazed pictorial wrappers. xv, 296pp. Numerous illustrations. Fine. Tight and handsome first edition.

Hardcover. Condition: New. Dust Jacket Condition: New. First UK edition. New in new dust jacket. SIGNED by the author on the title page (signature only). 1st UK edition, 1st printing, complete number line. New, unread copy with dust jacket in a protective mylar sleeve. The front edge of the pageblock is decorated with a rose-and-thorn pattern matching the dust jacket. "Signed by the Author" sticker. By the Scribe Award-winning author of "The Beauty of Murder" and (as Alexandra Benedict) "The Christmas Jigsaw Murders". Rare signed. Where possible, all books come with dust jacket in a clear protective plastic sleeve, sealed in a ziplock bag, wrapped in bubble wrap, shipped in a box. Signed by Author(s).

Cloth. Condition: Very Good. 1st edition. 1st edition. A Very Good copy. 12mo., xi, 268 pp. Blue cloth with gilt title on spine. Long gift inscription dated 1893 on the front end paper. edge wear at the spine's crown and tail; tips.

Original Wraps. Condition: Very Good. First Edition. Excellent copy, with only small chip front bottom corner. 34 pgs.

Hardcover. Condition: As New. 1st Edition. Clare Woods (b. 1972) is a British artist whose evocative oil on aluminium paintings range in scale from small, intimate pieces to vast, immersive works. Originally trained as a sculptor, Woods paints flat on a desk, her fluidly sculptural brushwork invoking a tangible sense of gravity. Her work is inherently paradoxical: it pleases the eye, yet a flaw or element of discomfort or vulnerability is ever-present. Her paintings are based on photographs she finds in books, newspapers or online. Her latest works portray cropped details from her daily surroundings. Her flowers in vases and views of dimmed rooms invoke the tedium of long hours spent indoors - an experience that has become familiar to everyone during the pandemic. Marking her Finnish debut, Clare Woods' solo exhibition at the Serlachius Museums provides an overview of her work from the past five years. The articles in this book were authored by Anouchka Grose, Laura Kuurne and Pauli Sivonen. Related to the exhibition Clare Woods: Between Before and After - Menneen ja Tulevan Välissä, 26 March 2022 - 5 March 2023, Serlachius Museum Gösta, Mänttä, Finland. Text in English and Finnish. 79 pp.

Pamphlet staplebound. Condition: Good. First edition. Thin octavo (smaller than standard). Slight wear to edges and corners of covers. Front and back covers has some rubbing, scuffing, and slight staining. Intereiors very good. Staples somewhat rusty but firm. 60 pages. This work is a response from the veterans of these 2 Indiana Regiments of Beatty's Brigade ( 3rd Brigade, 3rd Division, 4th Army Corps, Department of Cumberland ] to the Parks Commission, who were considering a change of markers on the battlefield due to a Nov. 1895 letter from General Turchin and his brigade challening the veracity of some of the marker locations. Howe and van Vorhis offer various arguments and soures to reject Tuchin's argument for a change. A good bit of history that shows the intense feelings of battlefield marker locations, and a bit of the politics involved. Quite uncommon.

Dublin, George Faulkner, 1735-1738. Eight parts in eight. 6mo (16.0 x 9.7 cm). Engraved frontispieces (including two portraits of Swift) in volumes I-IV [with portrait frontispiece and six plates or maps in volume III (Gulliver's Travels)]. Uniform contemporary full calf. Gilt-bordered panels; spines with five raised bands, gilt lines and burgundy morocco label with gilt title. Red speckled edges. = The rare, first corrected edition of Jonathan Swift's collected works, of which the first four volumes - including the complete Gulliver's Travels, with maps - were published during his life-time. The last four volumes were published immediately after Swift's death and contain several works not previously published. It replaces the near simultanously published and more common octavo edition which had several omissions and contained several mistakes, here added and corrected. All works are paginated individually. Leaf L6 in volume IV cancelled (the text and pagination are continuous). Old owner's inscription on the front endpapers, old pictorial bookplate on front flyleaf rectos, contemporary owner's signature on the title page of volume I, a few worm-holes to volume V, otherwise a very good, clean set in an attractive, uniform binding.