Bologna, Signed (114 results)

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Signed. A very good hardcover in a very good dust jacket. Inscribed and signed by the author.

Condition: As New. Signed Copy . Very Good dust jacket. Signed/Inscribed by authors on half title page.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. SIGNED! Inscribed, personalized (See Photos)! Packed in a BOX with cardboard backing and padding. (See Photos!) Pages: not written on, clean, bright, odor free. Dust Jacket: clean, bright, light bumping and rubbing to back edges. Same or next day shipping (weekdays and Saturdays)! Ships from California. ABOUT THIS: When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From blue jeans in central Europe to Elvis Presley's face on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon, but here Robert W. Rydell and Rob Kroes prove that its roots are far deeper. Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Rydell and Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies developed after the Civil Wartools central to hastening the reconstruction of the countryactually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the world's fairs, the exporting of Buffalo Bill's Wild West show to Europe, the release of The Birth of a Nation, and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. Inscribed by Author(s).

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Printing, First Edition. 190 pages. Inscribed on half-title page "To Joanne & Jenny, Berau Appetita, Loretta Paganini." Size: 4to - over 9¾" - 12" tall. Inscribed By Author.

Paperback. Condition: Very Good. Inscribed by L. R. Lind on half title page. Softcover. Good binding and cover. Shelf wear. Small marks on cover and title page. *Autographed by author.* From the library Dr. Owen Hannaway. Hannaway was director of the Center for the History and Philosophy of Science at Johns Hopkins University. He authored numerous books and served as an editor of academic magazines in the history of science. Partial list of publications: Chemists and the Word: The Didactic Origins of Chemistry (1975); Observation, Experiment, and Hypothesis in Modern Physical Science (1985); The Evolution of Technology (1989); Science and the Practice of Medicine in the Nineteenth Century (1994); and The Foundations of Modern Science in the Middle Ages: Their Religious, Institutional and Intellectual Contexts (1996). Signed.

Soft cover. Condition: Very Good. Title printed in pen on book spine. Mild yellowing to text. Errata slip tipped in at rear. Inscribed by author to Prof. John Scarborough, School of Pharmacy and Department of Classics, University of Wisconsin-Madison on half-title page. Inscribed by Author(s).

Paperback. Condition: As New. . . . . 4. ed. 8vo, paperback. Fine condition. Presentation copy, SIGNED by Armando Chiarini on the Introduction pg. Bright, crisp & clean inside and out. 40 pp., illus. Text in Italian. Signed.

Paperback. Inscribed and signed by the author. Sunned wrappers, otherwise good. 299 pp.

Reprinted. Very good pamphlet copy; wrappers slightly edge-dulled. Pages tanned as with age. Remains particularly well-preserved overall. SIGNED by the author. Physical description; pp. 70-94. Subjects; Spain. History. University. Bologna. 3 Kg.

Hardcover. Condition: Fine condition. Dust Jacket Condition: Near Fine dust jacket. NOT a library discard (illustrator). First Printing of the First Edition. New York: St. Martin's Press, 2000. SIGNED by the AUTHOR: "Buon appetito! Loretta Paganini" directly on the half title page. Fine condition in a bright and shiny Near Fine dust jacket (only a little rubbed). The jacket is protected by a removable Brodart clear-plastic sleeve. NOT price clipped ($23.95). NO chips. NO creases. NO fading. Sharp corners. Previous owner's name on the endpaper. Pages are otherwise crisp, clean and unmarked. NO underlining. NO highlighting. NO margin notes. 2000. First Printing with "First Edition" so stated and full number line (10 987654321) on the copyright page. Bound in the original black boards, stamped in bright gold on the spine. From the dust jacket: "Loretta Paganini had the good fortune to be raised in Bologna, the kitchen of Italy, by two generations of Italian chefs. In BOLOGNA MIA, she has gathered together over ninety of her family's treasured recipes, each one evoking vivid memories of the kitchens she spent time in during her childhood. Each of these recipes comes with a story. Paganini shares with us her paternal grandmother's famed pasta recipes (Paganini believes it was her magical tortelloni that helped her to charm her husband), the wisdom of her maternal grandmother's delicate hands, and the recipes for her mother's Cordon Bleu award-winning specialty pastries, tortes and appetizers. The Bolognese are known for having a knack for taking simple ingredients and combining them to create uniquely flavorful dishes. In BOLOGNA MIA, Paganini captures the exciting flavor of the Bolognese culture, the incredible flavor of its dishes, as well as the passion her family feels for food.". SIGNED by the AUTHOR. First Printing of the First Edition. Hardcover. Fine condition/Near Fine dust jacket. Illus. by NOT a library discard. xviii, 190pp. Great Packaging, Fast Shipping.

Reprinted. Very good pamphlet copy; wrappers slightly edge-dulled. Pages tanned as with age. Remains particularly well-preserved overall. SIGNED by the author. Physical description; pp. 70-94. Subjects; Spain. History. University. Bologna. 1 Kg.

Hardcover. Condition: Good. No Jacket. 1st Edition. very good condition hard cover no dust jacket gently read pages clean signed by Translated by Saul Jarcho. on the title page some scuffs to cloth. Signed by Author(s).

First Edition. Good paperback copy only; edges somewhat slightly dust-dulled and nicked. Remains particularly well-preserved overall despite minor wear and tear. Signed. Physical description; VIII, 197 p ; 8°. Subject; Bologna. 3 Kg.

In 8°, bross., pp. 246. Dedica autografa dell'Autrice.

in-8°, pp. 16. Bross. edit. Dedica autografa dell'autore all'interno.

Hardcover/Hardback. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Fine unread condition first edition signed by author on title page. Binding very VERY tight. Faint smudge base textblock. Else as new. Dust jacket bears original "special price" sticker on cover. In protective archival sleeve. signed by author or artist.

Soft cover. Condition: Very Good. ENGLISH/ITALIAN TEXT. INSCRIBED & SIGNED BY AUTHOR: "TO SEDA & PATRAY, WITH WARM REGARDS.". Inscribed by Author(s).

Brossura. Condition: ottimo. senza sovraccoperta. Formato in 16°;23 pagine. Brossura editoriale: dedica dell'Autore alla copertina anteriore e timbro di appartenenza. Dedica dell'autore.

Elizabeth Whitehouse Sopran Oper Bologna, Darmstadt, SalzburgEigenhändiger Briefkarte m.Datum, Unterschrift signiert 5.6.1989kurzes Dankschreiben.

First Edition. Good paperback copy only; edges somewhat slightly dust-dulled and nicked. Remains particularly well-preserved overall despite minor wear and tear. Signed. Physical description; VIII, 197 p ; 8°. Subject; Bologna. 1 Kg.

In 8°, bross. ill., pp. 244, con 22 disegni e 150 ill. fotog. in nero nel t., dedica autografa del curatore in antip.

In 8°, bross. con minime tracce d'uso, pp. 14. Dedica autografa dell'A. alla cop. anteriore.

Soft cover. Condition: Near Fine. A paperback first edition collection of farm-country newspaper colums (Union Farmer publication of Farmers Union, Huron, South Dakota). Signed and inscribed by author on title page. Entire book is very clean with light edge wear to exterior, othewise square and tightly bound. Signed by Author(s).

Paperback. Condition: Very Good. Inscribed by Frederic Lawrence Holmes to noted medical scholar Owen Hannaway. Softcover. Good binding and cover. Shelf wear. Clean, unmarked pages. ii, 144 pages : illustrations ; 23 cm. *Autographed by author.* Frederic Lawrence Holmes was the Avalon Professor of the History of Medicine at Yale School of Medicine and a world authority on the history of science and medicine. From the library Dr. Owen Hannaway. Hannaway was director of the Center for the History and Philosophy of Science at Johns Hopkins University. He authored numerous books and served as an editor of academic magazines in the history of science. Partial list of publications: Chemists and the Word: The Didactic Origins of Chemistry (1975); Observation, Experiment, and Hypothesis in Modern Physical Science (1985); The Evolution of Technology (1989); Science and the Practice of Medicine in the Nineteenth Century (1994); and The Foundations of Modern Science in the Middle Ages: Their Religious, Institutional and Intellectual Contexts (1996). Signed.

21 x 15cm. Paperback exhibition catalogue, [6pp]. Text in Italian. Contains the essay 'Uno sguardo sempre nuovo sul mondo' by Pierre Restany, accompanied by black and white photographs of Arman's sculptural works: fusions of hammers and pistols ("accumulations"), and a cut-up tea set. Born in Nice in 1928, Armand Pierre Fernandez (1928-) signed his early work with his first name only, but after a printer's error in 1958 he decided to retain 'Arman' for the rest of his career. After studies at the Ecole Nationale des Arts Decoratifs in Nice, Arman moved to Paris to study art history at the Ecole du Louvre. His work in these early years focused on abstract paintings inspired by the work of Nicolas de Stael. Arman's output ranges from drawings and prints to monumental public sculpture to his famous "accumulations" of found objects. His work is strongly influenced by Dada, and in turn Pop Art. Very good condition.

Vol. due in-8° pp. a numerazione continua da 403 a 1198, bross. edit. Dedica autografa dell'autore all'interno.

Brossura. Condition: discrete. Cm.21,2x14,2. Pg.74. Lievi fioriture alla brossura editoriale. Dedica autografa dell'autore. 200 gr.

Hardcover. Condition: Very Good. 1st Edition. VG/-, 1st edn, inscribed by author on fep, 102pps with important f/o chart + index, scarce and important work and bibliography for this period of book publication. Inscribed by Author(s).

Condition: Gut. Erstauflagen. * Extrakt - Extraits - Estratto Sprache: Italienisch Gewicht in Gramm: 210 Kl.-4°, Gr.-8°, 8°, O(varia)-Leichtkarton./Broschur oder Papier/Heft (Teils Klammern) mit Schwarzgepr.-Titel. Gut erhalten insges.

Hardcover. Condition: As New. Dust Jacket Condition: Very Good. 1st Edition. SHEPARDSON BOOKSTALL, 20+ YEARS OF EXCELLENCE. Winner of First Prize FIERA DI BOLOGNA 1991. DJ unclipped; covered in mylar; is intact but has wrinkling and little dent marks on front. STORY: This story is based on a traditional Russian country tale about a beautiful young girl who is wooed and won at the Sorotchintzy fair by a dashing suitor who uses the villagers', and his future father-in-law's superstitions to overcome the obstacles to the hand of his lady love. Signed by Illustrator(s).