Brassai, Signed (34 results)

. In-8 br. Importante biographie consacrée à Brassaï. Photographies hors-texte. E.O. Envoi autographe de Serge Sanchez.

Hardcover. Condition: Near Fine. Limited Edition. SIGNED EDITION, Limited and Numbered 100/150. Hand pulled dust-grained photogravure of Henri Matisse drawing from the nude, presented in a separate binding attached/bound to book. ** Volume has handsome patterned covers with bright silver on spine, and features original Lucite fastener at fore edge of attached binding for matted photogravure. Book displays minimal overall wear and looks new. Binding is secure. Signed and matted original photo is protected behind clean, intact tissue guard, neatly secured behind tabs. Interior is minimally toned. Inside pages are free of writing and intentional marks. Plastic wrap is taped along opening, and has limitation copy number on lower corner. ** Fine binding features handsome patterned covers with Lucite fastener at fore edge to secure closure of the hand-pulled dust-grained gravure bound to front cover. Book has retained original plastic wrap with limitation number. Decorative binding was designed by Sage Reynolds and executed at the Four Hands Bindery, New York ** Written as a memoir of his friendships with other artists, this exceptional volume is a tribute to the great painters and sculptors who inspired this famous photographer. These are not only the memoirs of an artist, but also a lens into the life and work of some of the greatest painters and sculptors of the 20th century. Brassai shares the stories of his first encounters with artists such as Georges Braque, Salvador Dali, Le Corbusier, Henri Matisse and Pablo Picasso. Filled with interesting details born of personal knowledge, this volume offers an intimate view into their lives, captured with a master's eye. It is a gem for any art lover. ** Brassai (1899-1984) was a Hungarian-French photographer, sculptor, medalist, writer, and filmmaker who rose to international fame in France in the 20th century. [Wikipedia] ** Lavishly illustrated with B&W photographs. Includes an introduction, as well as an anecdote of first encounters with each artist. ** EDITION POINTS: Limited edition statement is on translucent onion skin paper, along with limitation number and signature. Page also states: "specially selected sheets have been bound in a unique and deluxe style. This limited edition is accompanied by a hand-pulled dust-grained gravure, made by John Goodman and signed by Brassai, of Henri Matisse drawing from the nude, 1939. The binding has been designed by Sage Reynolds and executed at the Four Hands Bindery, New York." The matted print is also numbered and signed in ink. ** 223 pages. 9.75 x 11.75 inches. Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. Signed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: very good. Brassaï (illustrator). First Edition. 7-page text by Paul Morand, who also provides an 11-page section of explanations for each of the 62 full-page duotone photographs, which make up the bulk of the book. 80 pages. Language: French. Hardback with DJ. Inscribed by his wife Madame Gilberte Brassaï to Maria Morris Hambourg, Metropolitan Museum of Art, Department of Prints and Photography, curator and Princeton University & New York University professor. Dust jacket with a few creases and closed tears at the edges. First edition thus. 10¾" - 13". Inscribed by author. book.

Hardcover. Condition: Near Fine. First edition. Folio. Quarter cloth and photographically illustrated papercovered boards; issued without dustwrapper. Corner and bottom of the boards bumped, else near fine. Warmly Inscribed by Tucker to a couple whose support is mentioned in both the inscription and the printed acknowledgments. Lavishly illustrated.

Soft cover. Condition: Very Good. SIGNED BY BRASSAI IN JUNE, 1973. Signed by Author(s).

Paris Éditions Neuf 1952. in-4, cartonnage toilé rouge d'éditeur, portrait photographique contrecollé sur le premier plat, nombreuses reproductions photographiques sur papier couché. Édition originale de ce numéro spécial de la revue Neuf (N° 5, sous la direction artistique de R. Delpire et avec une maquette de P. Faucheux) consacré à Brassaï, avec un texte introductif de Henry Miller. Exemplaire enrichi d'un envoi autographe signé de Brassaï et daté du 22 décembre 1970 : "pour Roger Roumagnac, heureux de l'avoir revu après trente ans". En parfaite condition. Français.

Cloth. Condition: Near Fine. First Edition. SIGNED AND DATED BY BRASSAI on the title page. A very sharp copy to boot of the 1968 1st edition. Clean and Near Fine in a bright, price-clipped, VG+ dustjacket, with light creasing and one small closed tear along the spine crown. Octavo, Introductory essay by the redoubtable Lawrence Durrell. 80 pgs., 61 crisp, beautifully-reproduced black-and-white photos throughout. Signed.

4°. 152 S. u. 90 teils doppelblattgr. Tafeln. Orig.-Leinenband mit illustr. Schutzumschlag. (Collection Neuf). Parr/Badger I, 190 (im Artikel über den Verlag R. Delpire). - Erste Ausgabe, selten. - Mit eigenhändigen Widmungen von D. Aubier und Brassai. - Interessante Reportage der Semana Santa in Sevilla. - "Depuis des siècles, à l'approche du printemps, la fièvre s'empare de Séville. Elle axalte les passions de chaque Sévillan, sa ferveur, sa ferveur, sa soif de mystique et la population et la population tout entière, en proie au délire, s'apprête à se donner en spectacle, La Semaine Sainte, si émouvante, la Feria, débordante de joie, ont fini par devenir l'unique pensée de la cité andalouse, sa raison de vivre même. . Tout à l'opposé, la Feria avec la faste de ses équipages, les virevoltes de ses robes à volants, ses groupes de cavaliers, son rire, ses séguedilles, ses courses de taureaux, est l'apothéose de allegresse sévillane. Fêtes uniques dans leur genre dont Brassai, témoin étonné, ému et amusé, restitue l'atmosphère par ses images saisissantes" (Klappentext). - Sehr schönes sauberes Exemplar. - First edition, rare. - With dedications by D. Aubier and Brassai. - Interesting reportage of the Semana Santa in Seville. - Very nice clean copy. Sprache: französisch.

Hardcover. Condition: Fine. 1st Edition. A portfolio containing ten silver gelatin prints mounted on board Accompanied by title page signed and dated by Brassaï Housed in black cloth slipcase Number 28 from a limited edition of 50 Slipcase size: 17 x 21 ¼ inches Mount board size: 16 x 20 inches Image size: approximately 9 x 12 inches. Signed by Author(s).

Dust Jacket Condition: dj. First Edition. Hardcover. First Edition. INSCRIBED by Brassaï to legendary actress Gloria Swanson in the year of publication, at the home of fashion journalist and "Harper's Bazaar" editor Marie-Louise Bousquet: "Pour Gloria Swanson / avec tout mon admiration / Brassai / Paris, le 17 Juin 1954 / chez Marie-Louise Bousquet." Bousquet and her husband, the playwright Jacques Bousquet, hosted regular Thursday night gatherings at their apartment in Paris, 3 Place du Palais-Bourbon, inviting the brightest creative luminaries of the period. Near Fine in in a Very Good plus dust jacket, with some brief chipping at and around the crown. Signed.

Hardcover - as published. Limited Edition. About fine. Limited edition this being Number 83 of 150 signed by Brassai, includes signed photogravure of Matisse and model also signed. Decorative Cloth. 223 pp.

4°. [42] Bl. mit 55 Tafeln. Orig.-Leinenband mit Deckelbild (Selbstporträt). Koetzle 68 ff. - Erste Ausgabe der ersten Monographie des bedeutenden rumänisch-franz. Fotografen. - Mit eigenhändiger 9-zeiliger Widmung für Jean-Marie Drot von Brassai auf dem Titel, datiert 18. Okt. 1960. - "Eines der populärsten Werke von Brassai und auch ein für ihn sehr typisches ist seine Fotoserie über das nächtliche Paris ("Paris de Nuit", 1932). Die Nacht und der Traum sind Symbole des Schöpferischen, welches das rein Rationale überschreitet. In diesem Sinne ist der Künstler und der Fotograf der 'allumineur de réverbères' (Lanternenanzünder), als der Brassai sein verborgenes Paris der 30er Jahre illuminierte. Seine Kunst erhellt die Nacht und bringt uns zum Staunen. . Brassai war nie ein grafischer Berichterstatter, sondern ein Poet der Kamera" (M. J. Borja-Vittel). - Der französische Schriftsteller und Filmregisseur J.-M. Drot (1929-2015) war von 1985 bis 1994 Nachfolger von Jean Leymarie Direktor der Académie de France in Rom. - Rückendeckel leicht angestaubt, gutes Exemplar. - First edition of the first monograph by the important Romanian-French photographer. Photographer. - With a handwritten 9-line dedication to Jean-Marie Drot by Brassai on the title page, dated Oct. 18, 1960 - "One of Brassai's most popular works and also one that is very typical of him is his series of photographs of Paris at night ("Paris de Nuit", 1932). The night and the dream are symbols of the creative, which transcends the purely rational. In this sense, the artist and photographer is the 'allumineur de réverbères' (lantern-lighter) who illuminated Brassai's hidden Paris of the 1930s. His art lights up the night and amazes us. . Brassai was never a graphic reporter, but a poet of the camera" (M. J. Borja-Vittel). - The French writer and film director J.-M. Drot (1929-2015) succeeded Jean Leymarie as director of the Académie de France in Rome from 1985 to 1994. - Back cover slightly dusty, good copy. Sprache: französisch.

Hardcover without dustjacket, 224 pages; in special binding designed by Sage Reynolds with intact plastic closing pin to protect the matted, loose hand-pulled dust-grained gravure with tissue protection sheet, made by Jon Goodman and signed by Brassai, of Henri Matisse Drawing from the Nude from 1939; both the print and the limitation page are signed by Brassai in a numbered edition 84/150; as new condition; book and print are in fine shape; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Brassai (illustrator). HungarianFrench photographer, Brassai (1899-1984). [Exhibition Catalog], Inscribed by Brassai.This Twenty-seven page volume includes the original cover photograph. Quarto, in orange paper wrapper with attached photograph of a black cat at night, inscribed on front endpaper "Pour Monsieur Farny en amical Souvenir de Brassai Paris le 10 Mai 1963," with original clamshell box. Provenance: Deaccessioned from the John Teti Rare Photography Book Collection, New Hampshire Institute of Art. Inscribed by author. book.

Paris, Éditions du Point du Jour, 1949. Kl.-8°. 89 Seiten. OBroschur. Erste Ausgabe. - Brassai: "Das Auge von Paris" (Henry Miller). Mit datierter Widmung (avec dédication par) Brassais "Pour Madeleine Renaud et Jean Louis Barault (sic!) ce vendredi treize, mois de Maie . En toute sympathie. Brassai. Paris, le 13 mai 1949". Mit anderen Worten: Das Exemplar stammt aus der Bibliothek von Jean Louis Barrault und Mme. Renaud, den beiden wichtigen Theaterleuten Frankreichs und wohlgeschätzt aus "Les enfants des Olymp". Eine außergewöhnliche Pariserische Angelegenheit. Guter Zustand. Tirage limite a 2600 exemplaires. Numerotes sur velin alfa des papeteries de France. First edition. Fine copy. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

pp. 89. Frontispiece etching by Brassaï, signed and numbered by him in pencil.The édition de tête with Brassaï's signed etching. From the edition limited to 2,600 copies, with this one of 126 édition-de-tête copies on 'alfa Alma du Marais' with an original signed etching by Brassaï. Brassaï, born Gyula Halasz in what is now Romania, was a prolific photographer who documented the seamier side of Parisian life. This collection of Brassaï's poetry, introduced by his friend Henry Miller, demonstrates that he was more than just a photographer. Divided into three sections, 'Propos de Marie', 'Le Procès de Marie' and 'Repertoire des Mots-Clés de Marie', the poetry is decidedly surreal in tone. Original publisher's brown printed wrappers with facsimile of Brassai's handwritten title.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Original boards in illustrated dust jacket. 182 pages of tekst, + 56 pages with 59 black and white photographs. Text misprinted on some pages. Dustjacket with light handling wear. Boldly SIGNED on the title page by Brassai. No other marks or inscriptions. Signed by Author(s).

4°, Leinen. 190 Seiten. O-Leineneinband mit O-Schutzumschlag. Mit Widmung des Autors an seinen deutschen Übersetzer auf Titelseit: Pour Haddi Kimming, on ne peut plus amicalement. Brassai. Paris, le 8. Nov. 76. Zusätzlich noch eine Karte von Brassai an den Übersetzer: . Cher Ami, Wir haben einen guten Abend verbracht mit Frau Schoeller etc. Mit besten Wünschen. Brassai. Le 25.12.76. - Zustand: Umschlag am Rücken u. Rand vergilbt u. Rücken am Kopf fehlt ein kleines Stück, ansonsten gut erhaltenes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1550.

First Edition. Thin softcover, very good with light wear. INSCRIBED by Brassai: "Pour Sione et John en toute amitie, Brassai. new york, le 12 Sept. 79". Signed by Illustrator.

Illus. 12pp. 4to. Illus. 12pp. 4to. Inscribed: "Pour Penny Ottor amicalement Brassaï New York le 5 Octobre 1979." Printed wrappers somewhat soiled, with a pencil eraser-sized scuff on the verso.

Original-Broschur. Condition: Gut. auf Vortitel mit Widmung, Ort und Datum (1975) signiert von dem französischen Künstler und Fotografen Brassai (1899-1984), leichte Gebrauchsspuren. Signed by photographer Brassai Size: 8°. Vom Fotografen signiert. Buch.

Original-Broschur. Condition: Gut. auf Vortitel mit Widmung, Ort und Datum (1978) signiert von dem französischen Künstler und Fotografen Brassai (1899-1984), leichte Gebrauchsspuren. Signed by photographer Brassai Size: 8°. Vom Autor signiert. Buch.

Condition: Good. Tls. 1 page. 272 x 210 cm. Printed letterhead. Referencing an exhibition at the château de Montal and photos taken chez Picasso. Provenance: Estate of Jean Leymarie. Lettre tapuscrite corrections et signature autographes, à Jean Leymarie. Belle signature.Èze, 27 juillet 1966 : "J'ai été vraiment enchanté par votre belle et si émouvante lettre. Merci encore. Le passage sur l'exposition de tous ces tableaux du Louvre dans la cour du château de Montal est si vivant et évocateur que je le metterai dans votre bouche tel que. (.) J'aurai aussi le plaisir de vous faire voir les photos faites l'autre jour chez Picasso.Le Figaro le 05/12/2016: Toutes témoignent des liens d'amitiés privilégiés que Jean Leymarie (1919-2006), disparu en 2006, entretint avec les artistes de par ses fonctions au sein de nombreuses institutions. Devenu plus jeune conservateur de musée de France à l'âge de 31 ans en prenant la direction du musée de Grenoble, Jean Leymarie entama une brillante carrière dans le milieu de l'Art. Succédant à Bernard Dorival, il rejoignit la tête du musée d'art moderne de la ville de Paris en 1969, avant de devenir directeur des études à l'école du Louvre, puis de succéder à Balthus, en 1978, comme directeur de l'Académie de France à Rome.Tout au long de sa carrière, il organisa de prestigieuses expositions telle, en 1966, l'«Hommage à Picasso» présenté au Grand et au Petit Palais à Paris et il rédigea de nombreuses monographies d'artistes parmi lesquels Balthus, Picasso, Van Gogh, Braque, Gauguin ou Zao Wou-Ki rencontré quelques années à son arrivée en France. Professionnel talentueux mais aussi homme sensible, Jean Leymarie fut proche de Miró, fréquenté en Espagne et dans le sud de la France mais aussi de Calder qui le recevait avec sa femme Marie-Paule, chez lui à Saché, en Touraine.

First edition of the photographer's first publication, double presentation copy, inscribed by Morand on the first page of text, "à Pierre Cot, Voici un joli décor pour La Patriouille etc. (Chut! chut! chut!) tres fideliement P. Morand Paris, fev. 32", and further inscribed by Brassaï across the following two pages, "Pour Christian-Vincent Matorasso, ce Paris de Nuit perdu et retrouvé avec toute ma sympathie, Brassai, Ete Village, le 7 mai 1965". The first recipient, Pierre Cot (1895-1977), was a politician central to the establishment of the French Air Force, and later of Air France. Morand's inscription alludes to La Patriouille, a display wing of the air force, the French equivalent of the British Red Arrows. Pasted below Morand's inscription is a small photograph of Brassaï in later life, which probably relates to the photographer's subsequent inscription. This is a superb copy of the work in which Brassaï showcases his mastery "at drawing luminosity from the darkness. The swaths of wet paving stones featured on the covers and endpapers of Paris de Nuit gleam like pale beacons in the streetlight. Inside, Brassaï explores the city, beginning with its broad vistas and grand public spaces and gradually moving into the demimonde he knew so intimately" (Roth, p. 76). It remains one of the most influential photobooks; signed copies are rare, and copies inscribed by both author and photographer rarer still. Parr & Badger I, p. 134; Roth, p. 76. Quarto. Illustrated with 62 full-page gravure plates, and 2 double-page plates as endpapers. Spiral bound monochrome photographic wrappers, front cover lettered in red. Housed in a custom black quarter morocco solander box by the Chelsea Bindery. A few punch holes slightly worn, covers lightly creased and rubbed at extremities, a few pages faintly soiled. A very good copy of a notoriously fragile book.

First edition, first printing, one of 324 copies on rives paper, Jacques Brunius's copy of one of Prévert's best known collection of poems. They were first published separately in various magazines from around 1930, and were, partially and amateurishly, collected by students from Rheims at the end of the war. The poems were officially gathered in 1945 and published on 10 May 1946 in this edition. Loosely inserted are two undated letters: one from Jacques Prévert (1900-1977), one of the biggest names of 20th-century French poetry whose poems like "Le cancre" and "Page d'écriture" (both included here) are still given to French pupils to learn off by heart and recite in front of the class. In his letter, the author instructs an unnamed recipient to give him a call at the "Hotel Régent" where he was staying briefly, and to ask for "mister Prévert chambre 901". The other letter, addressed to film director Jacques Brunius (1906-1967), is from the author's brother, Pierre Prévert (1906-1988), also a film director, notably known for L'Affaire est dans le sac and the documentary Mon frère Jacques (1961), in which Brunius features. In this colourful letter, Pierre thanks Brunius for the English book on French and international cinema, admitting that the text is "incomprehensible" to him, "but very good, without a doubt". He also mentions, in connection to a play, Pierre Brasseur (1905-1972), French actor and friend of the Prévert brothers, who also starred in Mon frère Jacques. Prévert concludes with an underlined "Je pense à toi". From the library of John Lyle, surrealist bookseller and collector, who initiated the Exeter surrealist exhibition "The Enchanted Domain" to take place in the spring of 1967. "Brunius welcomed the opportunity to revive activity and enthusiastically took part in the organization of the show in collaboration with Lyle, [and the poet] E. L. T. Mesens" (Richardson). Sadly, Brunius died of a heart attack on 23 April 1967, "on the eve of the realization of one project he had helped to bring to fruition" (ibid.). Michael Richardson (ed.), "The International Encyclopedia of Surrealism", p. 110. Quarto. Original pictorial wrappers, titles in red to front cover, untrimmed. Jacques Prévert's letter: ink on single-sided sheet folded once (approx. 220 x 143 mm). Pierre Prévert's letter: multicolour crayon on single-sided sheet folded thrice (approx. 380 x 270 mm). Ink ownership inscription "Jacques Brunius / 1946" and bookplate of John Lyle, surrealist bookseller and collector, to front free endpaper. Spine ends and front joint chipped, covers a little splayed, otherwise notably unfaded, marginal toning to contents as often, light chipping to fore edge of first few leaves, else internally clean; the letters with a touch of toning, else clean. A very good set.

First Edition. Number 149 of only 150 copies signed by Brassaà and accompanied by a hand-pulled dust-grained gravure, made by John Goodman (also signed by Brassai), of Henri Matisse drawing from the nude, 1939. The binding has been designed by Sage Reynolds and executed at the Four Hands Bindery, New York. An as new copy without previous owners' names or other markings & including the elusive lucite locking pin. 223 pages. 9.75 x 11.75 inches.

Pas de couverture. Condition: Bon. Rare - Page de livre d'or dédicacée en personne à Paris en décembre 1982. + Photo 17x12,5 cm (tirage récent). Format : 20,5x15 cm. État : voir scans svp. Provenance : collection Michel Clare. Authenticité garantie. Signé par l'auteur.

Carte postale (10,5 x 15 cm), années 70. Annonce du documentaire télévisé "Champ visuel Brassaï - 19 décembre 22 h - 2e chaîne couleur". Signé au dos par le photographe.

1 lettre autographe signée 2/3 In-8 22/01/1998 En-tête de la NRF. bon Philippe Sollers refuse de participer à un projet. "J'ai reçu le projet de Laurencin. Mais ce n'est pas du tout mon truc! Peux-tu m'excuser auprès de lui, en douceur?". Et d'ajouter en P.S. : "Je te puis envoyer le Brassaï / Picasso". Écrivain français.

Brassaï remercie vivement son ami Léo pour laide financière quil a bien voulu lui porter : je te remercie de tout cur de ta grande gentillesse. Babeth et toi vous êtes toujours là quand on en a besoin. Ton geste généreux ma ôté un grand souci. Ci-inclus le reçu. Jespère te rembourser le plus tôt possibleIl ajoute un P.S., signé "B." : .Gilberte tenvoie ci-inclus ladresse de M. Mann.