Brides Book, Signed (8 results)

Trade Paperback. Condition: Very Good-. Dust Jacket Condition: Poor. The author signed her name on the half title page. This is in very good- condition as this is a nice clean book with light to moderate wear. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

Soft cover. Condition: Fine. Author signed on the title page. Blue pictorial covers. 8vo, 207 pages. "Autographed Copy" label on the cover. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Near Fine. Alyssa Winans, dj art (illustrator). First Edition. Signed by the Author(s). The book has a remainder dot to the top of the page block. The dust jacket is unclipped ($19.99). 0 9 8 7 6 5 4 3 2 1 number line. The book is signed by the author on the title page.

Condition: Fine. Signed and inscribed by author.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Alyssa Winans, dj art (illustrator). First Edition. Signed by the Author(s). The dust jacket is unclipped ($19.99). 0 9 8 7 6 5 4 3 2 1 number line. The book is signed by the author on the title page.

First edition. Small octavo (7-1/2" x 5-3/4"). (16)pp. Deep magenta boards lettered in white. Illustrated with 12 reproductions and one original pigment print that is mounted on verso of colophon and signed on the print's verso by Edward Bateman. Edition limited to 500 numbered copies (this is #239). A fine, as new copy. "Presented as a collection of discovered carte de visites, this book documents a forgotten age of mechanical wonders . Bateman uses this history to question the idea that all photographs are bound to a particular moment in time. Combining 19th century imagery with fabricated automatons, he creates images of the past with an iconography that is usually used to depict the future. They invite a comparison between automatons and cameras; for the first time in human history, objects of our creation were looking back at us. He imagines an era where memory and change marched hand in hand, creating the world we live in today and leaving behind worlds that only exist in images."-- Description from publisher's website Nazraeli Press "One Picture Book" Series #58.

First edition. Small octavo (7-1/2" x 5-3/4"). (16)pp. Deep magenta boards lettered in white. Illustrated with 12 reproductions and one original pigment print that is mounted on verso of colophon and signed on the print's verso by Edward Bateman. Edition limited to 500 numbered copies. A fine, as new copy. "Presented as a collection of discovered carte de visites, this book documents a forgotten age of mechanical wonders . Bateman uses this history to question the idea that all photographs are bound to a particular moment in time. Combining 19th century imagery with fabricated automatons, he creates images of the past with an iconography that is usually used to depict the future. They invite a comparison between automatons and cameras; for the first time in human history, objects of our creation were looking back at us. He imagines an era where memory and change marched hand in hand, creating the world we live in today and leaving behind worlds that only exist in images."-- Description from publisher's website Nazraeli Press "One Picture Book" Series #58.

Hardcover. Condition: New. 1st Edition. First edition, first printing. Limited edition of 500 hand-numbered copies, with an original ["toned" black-and-white] archival pigment print tipped in the final page (5-7/8 x 3-5/8 inches), signed in pencil verso by Bateman. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by Edward Bateman. 16 pp., with 12 four-color plates. 7-1/2 x 5-3/4 inches. New. The 58th publication in the Nazraeli Press One Picture Book series. From the publisher: "In the last half of the nineteenth century, cartes de visite were widely traded and collected, with subjects ranging from portraits of everyday people to those of luminaries. Bateman uses this history to question the idea that all photographs are bound to a particular moment in time. Combining 19th century imagery with fabricated automatons, he creates images of the past with an iconography that is usually used to depict the future." Signed by Author.