Brooklyn Bridge, Signed (32 results)

hardcover. Condition: Very Good. Signed. First Edition. SIGNED by the author. Inscribed. Minimal wear.

hardcover. Condition: Very Good. Dust Jacket Condition: DJ: Very Good. 307 pp. 6 3/8 x 9 1/2. Gray boards with qtr black cloth, stamped in silver on spine. Black glossy pictorial dj. Bent corners at foot, minor edgewear on dj at head/foot. Author inscription on half title page. Author.

Paperback. Condition: Very Good. SIGNED by Phil Yeh, the illustrator for this book. Small amount of sticker residue on back cover, also very minor shelf wear to cover edges. Otherwise a clean, bright, unmarked copy. (sku-386). Signed.

Soft cover. Condition: Very Good. Very Good/ soft cover. Warmly inscribed and signed by both authors with a small drawing by Phil Yeh. Slight shelf wear but binding is tight and interior is clean. Edition is not stated, probable first. Inscribed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Curlee, Lynn (illustrator). Atheneum Books for Young Readers, New York, 2001. Hardcover, 35 pp. 11th printing. Describes the planning, construction, and history of the Brooklyn Bridge. A celebration of one of the great landmarks of New York. Fine condition. Signed by author with last name only. See photos. Signed by Author.

Hardcover. Condition: Fine. Dust Jacket Condition: As New. 1st Edition. Empire State Editions hardcover in dust jacket, 2016, 1st edition, unused and carefully stored, inscription on title page SIGNED by Joanne Witty else unmarked and defect free (Fine/as New). We will add a custom fitted mylar cover, bubble-wrap the book and ship it in a BOX with delivery confirmation/tracking. Inscribed by Author(s).

Original Wraps. Condition: Very Good in Wraps. Dust Jacket Condition: dj. First Edition. First Edition. Original Wraps. "Hours of Fun for the Ambitious Modeler" was code that the model would take on the order of 40 hours (as opposed to "So Easy an Adult Can Do It" which meant it would take about 12 hours). A totally functional copy of this wonderful model. This copy from the author/artist's personal collection and can be signed upon request. Light shelf/edge wear, small moisture wick marks at bottom edge (does not appear to penetrate any decorative element), else tight, bright and unmarred. 4to. Illus. (color and b/w plates). Three copies available, two first printings and one second printing.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Signed and personally inscribed by McCullough. Covers, minorly rubbed, have minor wear to corners, edges, crown, and heel. Interior clean, tight, and unmarked. DJ, with 40th Anniversary Edition sticker, has minor rubbing and creasing. International shipping billed at cost. Photos upon request. ; 8vo 8" - 9" tall; 608 pages 40th Anniversary Edition; Third Printing.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Hernandez DuVall, Teo (illustrator). 1st Edition. 1st printing. Book is unread; DJ shows a touch of shelfwear. Inscribed by Peter Tomasi to p/o on front endpaper with, "Always be building!" A full-color graphic-novel story of the building of the Brooklyn Bridge. Startlingly uncommon signed. 202 pages. Inscribed by Author(s).

Soft cover. Condition: Near Fine. No Edition Or Printing Indicated. A Short Non Descriptive Note, Signed By The Author, On The Back Of The Front Cover. Illustrative Wraps With White Lettering. Minor Wear. Inscribed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Good+. First Edition; First Printing. Tight crisp unmarked book in bright dust jacket with several short edgetears. Inscribed and signed by St George to half-title page. ; 8.90 X 8 X 0.70 inches; Signed by Author.

Hardcover. Condition: As New. Dust Jacket Condition: As New. Unknowen (illustrator). 1st Edition. 1st. Edition , 1982 , Hardcover in the dust jacket , 125 page book with black & white illustrations . This copy is also signed by Ms. St.George on the title page . Condition : As New . Size: 4to - over 9¾ - 12" tall. Signed by Author(s). Book.

Hardcover. Condition: Near Fine. Dust Jacket Included. 1st Ed. Fine in Near Fine price-clipped dust jacket. An account of the building of the Brooklyn Bridge & of the Roebling family who combined in a heroic effort to create a heroic bridge. Illustrated with B&W photographs. SIGNED, inscribed & dated by the Author on half-title page. Bridges, Signed. Signed by Author(s).

Pamphlet. 15p., illustrated with a half-dozen b&w vignette photos and an excellent cover, first edition 8.5x5.5 inch pamphlet, staple-fastened, neatly trimmed and in as-new condition except that it is autographed (titlepage, legible). No limitation is offered, but two fiches with contact info are fixed to copyright page and to back cover. Remarkable interesting; Ryan lucked into a high apartment close to the thing and was, and still is, overwhelmed. Apparently more magnetic than San Francisco's Golden Gate.

40th Anniversary Edition. Minimal wear to book and jacket, price intact on jacket flap. Inscribed and signed by McCullough on the colophon page. Laid in front is an autograph letter signed from McCullough plus other items related to the book and McCullough.

No Binding. Condition: Good. About the print: Framed print, image measures approximately 8/12 by 11. Signed and dated by artist. Print appears to be in good condition. Cheaply framed. Artist's address affixed on cardboard backing, which has started to warp slightly. Additional photos available upon request. Additional shipping charges may apply. Signed by Author(s).

First edition, third printing (stated) of David McCullough's epic account of the construction of the Brooklyn Bridge, deemed by a reviewer in the Los Angeles Times as "?a book so compelling and complete as to be a literary monument? McCullough has written that sort of work which brings us to the human center of the past." Published in 1973 by Simon and Schuster. Thick 8vo (6.5" x 9.5"), hardcover with pictorial dust jacket, 636 pages, b/w illustrations interspersed. Signed in black ink by the author above the word Bridge on the title page. Remainder price on FFE and black marker line on the tail. Light bumping and rubbing to extremities. Bumping and rubbing to dj, with creasing and small closed tears to edges. 3" closed tear to top of rear cover.

HARD BACK BLUE. Condition: FAIR. JACKET: TORN DJ. FIRST PRINTING. Signed by Author; Dust Jacket unclipped with price of $2.75, dust jacket has 1" of bottom spine missing, 1/4" top of spine on dust jacket chipped away, rubbing to extremities of dust jacket; book has slightly bumped corners, pages discolored from age novel the building of the Brooklyn Bridge in 1877 DATE PUBLISHED: 1944 EDITION: FIRST PRINTING 385 PGS.

PAPERBACK. Condition: Very Good. Paperback edition. Later printing, Signed by McCullough. 636pp, octavo. minor crease to lower portion of front cover, old price sticker top front corner, covers clean otherwise, tight binding, minor toning to inner cover wraps, owner sticker to ffep, text clean throughout, Very Good. signed by author.

Hardcover. Condition: Fine. Max Pollock (illustrator). 1st Edition. a very fine impression of an original aquatint with hand color of his view of lower Manhattan, entitled Ivy Road or the Brooklyn Bridge 12 by 20 inches image, in a custom frame. Pollock was an Austrian artist famous for his portrait of Dr. Sigmund Freud in 1915, a member of the Viennese new art movement who escaped Europe after World War I to seek New York and the New World. a fine impression well framed. By the Artist.

Condition: Good. Folio. 36 x 45 cm. portfolio size. Original leather case, professionally restored. One of 45 sets on Kaiserlich Japan paper. 4pp. title, contents, and limitation page; followed by forty-four lithographs, each mounted and matted (33 x 44cm. mat size) , each signed in pencil by Struck; Struck's subjects include views in New York City, high-rises in Manhattan and Brooklyn; the Flatiron building; Grant's Tomb; the Brooklyn Bridge; the Metropolitan Opera House; the Statue of Liberty; Central Park; the Hudson River; the White House and Capitol Building in Washington, DC; the Longfellow house in Cambridge; views of Boston; Philadelphia; Chicago; Niagara Falls; Palm Beach, Florida; and Cuba; among others; OCLC Number: 714073093Hermann Struck (mit hebräischem Namen Chaim Aharon ben David; * 6. März 1876 in Berlin; ? 11. Januar 1944 in Haifa) war ein deutsch-jüdischer Zeichner, Maler, Radierer und Lithograf.

Condition: Good. Original woodcut. One of 12 signed and numbered impressions. 9.5 x 12.5 inches sheet size.Reproduced in "With Graver and Woodblock over American Highways, " New York: William Edwin Rudge, 1930. Ref. Edan Milton Hughes, "Artists in California, 1786-1940," Third Edition, p. 547Exhibited: Year in Review: 1969. The Cleveland Museum of Art (January 27-February 22, 1970). Betty Lark-Horovitz (1894-1995) was an accomplished graphic artist. She was commissioned to do etchings of several buildings at Purdue University in 1930. There were only 100 sets, each numbered and signed by the artist. That same year her engraved views of American cities and views With graver and woodblock over American Highways, was published. ( New York: William Edwin Rudge, 1930.) She was a master of both architectural views as well as views of flora. Betty was the wife of Dr. Karl Lark-Horovitz who was the head of the Department of Physics at Purdue from 1929 to the 1950s. After his death in 1958, she moved to Berkeley, CA. These wood-engravings depict the flora in the Berkeley Hills.Provenance: From the estate of the artist .

Condition: Fine. Drypoint etchings, signed "W Walcot" (lower right), in pencil. With original letterpress prospectus with woodblock headpiece illustration. Plates approx. 8-1/2 x 10. A series of 5 etchings of New York City scenes by the Russian-Scottish artist and architect William Walcot (1874-1943) William Walcot was a Scottish-Russian architect, architectural draftsman, graphic artist, and etcher known for his adoption of the Art Nouveau style and the many buildings he designed in Russia and the series of highly skilled architectural illustrations he created in London. Hinged and matted, housed in cloth portfolio Drypoint etchings, signed "W Walcot" (lower right), in pencil. With original letterpress prospectus with woodblock headpiece illustration. Plates approx. 8-1/2 x 10.

small square folio. handbound by Donald Glaister in quarter gray Nigerian goatskin over frosted aluminum, with aluminum onlays on the covers, stored in an elegant aluminum case. unpaginated. Limited to 60 copies (fifty signed and ten out-of-series), of which this is signed and numbered by the printer, Donald Glaister. A fine copy in fine clamshell box of this Avant Garde style production. Printed on 0.25mm aluminum sheets and set with paper hinges for ease of opening. Endpapers of coarse black textured paper. The book is housed in a felt-lined aluminum box. There are collages of the Brooklyn Bridge, both in construction and in its entirety. The median is silkscreen printing as well as paint with acrylics on sanded aluminum, bound with wire aluminum tape, laminated polyester film and sand. Selected for inclusion in Wellesley College exhibition and catalogue RESONANCE AND RESPONSE (2005). The Brooklyn Bridge has, since its opening in 1883, inspired many writers and artists: Hart Crane and Walker Evans perhaps the most famous of these. The bridge was, on completion, the first Steel Cable Suspension Bridge, the longest suspension bridge in the world, and the first major bridge to use multiple pneumatic caissons. Designed by John Roebling and completed by his son, Washington Roebling, the bridge still inspires, perhaps more so as the country's vision of one of their national monuments changed on September 11, 2001. Before this production, Donald Glaister, one of the world's pre-eminent designer bookbinders, focused on unique Artists' Books. This production, Brooklyn Bridge, is his first multi-edition work, and it is a beauty. In materials that are not what one would expect for a book - but completely in keeping with the subject of the book - it is contemporary book art of the very highest quality. The text of Brooklyn Bridge: The Bridge spans. Brooklyn to Manhattan. Ancient to modern. Heavy mass to lacy space. Stone to steel. The Bridge moves. Vertical to horizontal to diagonal, joined in a dizzying dance by sweeping lines inspired by natural grace. The Bridge defines. Bold and practical. A vital invention. An icon for the nation, built by dreamers. The Bridge endures. She has seen it all. Peace and war, plenty and need, vice and honor, the sublime and the horrific. She stands watch and does not yield. The gracious lady stands in the river and does not yield. handbound by Donald Glaister in quarter gray Nigerian goatskin over frosted aluminum, with aluminum onlays on the covers, stored in an elegant aluminum case.

No Binding. Condition: Very Good. 1st Edition. A three colored woodcut is hand SIGNED by the artist Richard Bosman; published by Print Club of N.Y.; paper size: 22x16in, image size: 13-3/8x 20in; signed in pencil, numbered limited edition of 200 (#25/200); printed on a fine pulp paper; OF INTEREST: the print is in the permanent collections of the following museums : Museum of Modern Art of N.Y. and The Whitney Museum and other institutions; AUCTION RESULTS: from Swann Galleries: Sale 2216, "AMERICAN ART-CONTEMPORARY ART" June 11, 2010, Lot 218 went for: $960; CONDITION: because of the fine pulp paper there are some pulp pulls in the paper's margins done when while it was printed (one at top right margin and another one at bottom right edger), pulls are just close to edges; otherwise the image in VERY GOOD COND. Signed by Author(s).

Condition: sehr guter Zustand. Springer, Reinhard. Brooklyn Bridge I.2016. Radierung / Strichätzung & Kaltnadel, auf Büttenpapier. Originale Künstlergrafik, von Reinhard Springer. Auflage Exemplar Nr. 1/10. 14,5 x 9,5 cm (Darstellung / Platte), 39,2 x 26,8 cm (Blatt).Tadellos. Sehr guter Erhaltungszustand.Reinhard Springer (*1953 Dresden, lebt und arbeitet in Dresden). Deutscher Maler und Grafiker. 1976-79 Abendstudium. 1979-85 Studium an der Hochschule für Bildende Künste Dresden bei Gerhard Kettner, Ursula Rzodeczko und Günter Tiedecken. Seit 1985 Mitglied im VBK und im Sächsischen Künstlerbund. 1980-89 periodisch als Pfleger im Rehabilitationszentrum Katharinenhof tätig. In seinen Werken setzt er sich mit den Erlebnissen als Pfleger auseinander. Es entstehen erste Folgen wie Begegnung mit Behinderten' oder Werden und Vergehen'. Arbeitsreisen auf die Insel Rügen. 1991 Studienaufenthalt im Sektionssaal des Pathologischen Instituts Darmstadt. 1989-92 Mischtechnikfolgen Abrißhäuser in der Neustadt Dresden', 'Menschenbilder', 'Rügenlandschaften', Radierfolgen Dresdner Brücken', 'An meinen Sohn.' 1992 Studienreise nach Norwegen. 1995 Ehrendiplom The 2nd International Grafik Art Exhibition, Stockholm. 2002 Grafikpreis 100 Sächsische Grafiken. Wiederkehrendes Motiv in seinen Arbeiten ist der Verfall als Folge von Lieblosigkeit der die Vergänglichkeit und Zerbrechlichkeit des Lebens offenbart. Rechts unten in Bleistift signiert und datiert. Links Auflagenbezeichnung. Mittig Tittel. 14,5 x 9,5 cm (Darstellung / Platte), 39,2 x 26,8 cm (Blatt).

Mielatz, Charles (American, born Germany, 1864-1919) UNDER THE BROOKLYN BRIDGE, EAST RIVER. Published by the New York Etching Club, circa 1893. Signed in the plate only, as issued. 5 x 7 inches (plate), 9 3/8 x 12 3/8 inches (sheet). In excellent condition.

Mielatz, Charles (American, born Germany, 1864-1919) UNDER THE BROOKLYN BRIDGE, EAST RIVER. Published by the New York Etching Club, circa 1893. Signed in the plate only, as issued. 5 x 7 inches (plate), 9 3/8 x 12 3/8 inches (sheet). In excellent condition.

Gelatin silver print, image: 7 1/2 x 12 in. Captioned in holograph and signed by Allen Ginsberg. Fine condition.

Pennell, Joseph. BROOKLYN BRIDGE. Lithograph,1910. Not in Wuerth. Signed and dated in the stone. 13 x 9 5/8 inches (sheet). In excellent condition.