Bruegel, Signed (21 results)

in-8°, 218 pages, illustre hors texte N/B, broche, couverture illustree plastifiee. Belle dEdicace de l'auteur. Bel exemplaire. [TX-16][CA31-3][CA2vf].

14 x 20, 186 pp., 66 reproductions (dont 6 en couleurs), broché, bon état. envoi de l'auteur, abattu par la Résistance en 1943.

Soft cover. Condition: New. NEW PB: SIGNED by RUDY RUCKER on Title Page [No Inscription]. NO remainder mark. | SHIPS AIRMAIL INTERNATIONALLY!. Signed by Author(s).

HANNAERT, Louis. PROPOS SUR BRUEGEL. (Extrait de B.N.B., revue du personnel de la Banque Nationale de Belgique, 1957). 8vo., off-white wraps stamped in black. First Edition. Signed presentation by Hannaert, in French, on front endpaper. Very Good (covers soiled). $25.00.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. SIGNED and Inscribed by the Author on the title page. 2002. 1st edition. 1st printing. Hardcover book with the dust jacket. Includes a new archival dust jacket cover. Sturdy binding. Sharp corners. The text part of the book is clean and unmarked. Sealed in Shrink Wrap for protection in storage and shipping. Expertly packed. *PROFESSIONAL BOOKSELLER* Returns accepted. Refunds given. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Printing. Clean, bright, crisp and tight. Signed and inscribed by Shafer on the title page. A little shelfwear. Looks nice in new mylar. Signed. Children's Illustrated.

Cloth. Condition: Very Good. Dust Jacket Condition: Good. First Edition. First printing, warmly inscribed by author. DJ has small tears/chips, edge wear, creases, scratches, rubbed corners/spine, slightly soiled. Boards have edge wear, rubbed corners/spine. A few bent page corners. Very minor dirt/stains on edge. No writing in text. Signed by Author(s).

Hardcover. Condition: As New. Dust Jacket Condition: As New. In-4º 335 pp. E. Dedicatória do autor. Profusamente ilustrado a negro, em separado, numa aprofundada biografia artística. Com capas de brochura e encadernação editorial em tela com ferros próprios. Signed by Author(s). Book.

34pp.+ planches en couleurs hors-texte avec descriptions, signé avec dédicace par l'auteur, reliure cart., jaq.illustrée, 24cm., bon état, S85254.

Condition: Gut. 319 Seiten Zustand: Einband etwas berieben, Papier gebräunt // Mit zahlreichen Illustrationen des Autors. Signiert vom Autor. Druck in Fraktur. Ohne Angabe zum Erscheinungsjahr Sprache: Deutsch Gewicht in Gramm: 500 8°, 21 x 13 cm, Hardcover in Leinwand.

Hardback. Colour tipped-in plates, including some folding out. Very Good in Very Good- dust jacket (DJ bears some closed tears). Presented in Very Good slipcase. From the library of MP Denis Healey, and signed by him. Oversize; Postage & Packing may cost extra.

129, (1), 127, (1) S. Orig.-Broschuren (= Henns Pädagogische Taschenbücher 31/32). - Sehr guter Zustand innen und außen. - Band 1 auf dem Schmutztitel vom Verfasser signiert und mit Widmung versehen.

Gr. 8, 7 Bll. (S. 340 - 352), Orig.-Karton. Sonderdruck aus 'Archiv für Kulturgeschichte' 61. Band 1979 Heft 2.- Mit einem maschinengeschriebenen Brief des Kunsthistorikers Heinrich Strauss (1899 - ?), datiert Jerusalem, 7.9.82, an den ehemaligen Direktor der Kunsthalle Bremen Günter Busch. Strauss nimmt Bezug auf eine 'Meinungsverschiedenheit' im Zusammenhang mit Liebermann und gratuliert gleichzeitig zum Neubau der Kunsthalle. Auf erstem Blatt vom Autor mit einer persönlichen Widmung für Busch.- Ecke unten links mit winziger Knickspur.

Hard Cover. Condition: Near Fine Plus. Dust Jacket Condition: Fine. First Edition. cloth, hard cover in dust jacket., front free endpaper has a gift inscription from the author to a noted bruegel scholar. that recipient added his name date and location on same page plus a very faint circular blindstamp to the title page., no other markings anywhere. clean. no wear or flaws. tight binding.; xiii-173pp., 69 b/w illustrations. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

8vo. pp 220. Signed presentation copy by on of the contributing publishers, Pieter van der Berg, who writes on Mondrain:" Michael Conran, who speaks what he feels, not what he ought to say, greetings. Pieter van der Berg. 28.7 93." ISBN:902651369 Fine in near fine dust wrapper. First Edition. Hardback. Dust Jacket.

26 cm x 34 cm. Portrait frontispiece, 233 pages. 97 paintings, 28 drawings and 6 plates. Some fold-out illustrations. Hardcover [publisher's original brown buckram boards] with gilt lettering on white spine. Gilt design on front board. Pastedowns and endpapers beautifully illustrated with rustic scenes. Very good condition with only minor signs of external wear. Interior is in excellent condition that allows for the proper consideration of the lavishly produced and stunningly presented illustrations, many of which are tipped-in. Includes, for example, the following: Preface by Felix Timmermans / Foreword / The Sources / The Century - A Teeming World - The Century of the Hapsburg / The Man - Myth and History -The Heart and the Spirit - The Eye and the Hand / Chronological Table / General Bibliography / List of Illustrations. Published by the Fonds Mercator, Antwerp, on the occassion of the 400th anniversary of the Death of Peter Buegel The Elder, under the auspices of the Banque de Paris et Des Pays-Bas Belgium, the present book has been composed in monophoto bembo 16-body and came on June 1969 off the press of the Saint Augustine Printshop, in Bruges, on special fidelith 2 paper manufactured by the photogravure de Schutter, Antwerp. The lay-out is by L. Van Den Eede. The binding is by the Saint Augustine shop. This work is published simultaneously in French, Dutch and German. The present version in English is by M. Haakon Chevalier. Pieter Bruegel the Elder (c.15251530 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker from Brabant, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. Only towards the end of the decade did he switch to make painting his main medium, and all his famous paintings come from the following period of little more than a decade before his early death, when he was probably in his early forties, and at the height of his powers. As well as looking forwards, his art reinvigorates medieval subjects such as marginal drolleries of ordinary life in illuminated manuscripts, and the calendar scenes of agricultural labours set in landscape backgrounds, and puts these on a much larger scale than before, and in the expensive medium of oil painting. He does the same with the fantastic and anarchic world developed in Renaissance prints and book illustrations. He is sometimes referred to as "Peasant Bruegel", to distinguish him from the many later painters in his family, including his son Pieter Brueghel the Younger (15641638). From 1559, he dropped the 'h' from his name and signed his paintings as Bruegel; his relatives continued to use "Brueghel" or "Breughel". (source: Wikipedia) Sprache: english.

530, (2) S. Orig.-Leinenband mit ill. Orig.-Umschlag. - Umschlag leicht gerändert; Buchblock etwas verzogen. Ansonsten gut erhaltenes Exemplar. - Von der Übersetzerin auf der ersten Seite signiert und mit Widmung versehen. Deutsche Übertragung der flämischen Übersetzung des französischen Originaltexts.

Paperback, 3 volume set in cardboard box, 1061 pp., 230 x 290 mm, Languages: English, As new (signed and dedication by both authors on first page) ISBN 9782930054148. The fascination exerted by the works of the illustrious Pieter Bruegel the Elder in the decades following his death in 1569 is matched only by the intense interest they generate today. At the end of the sixteenth century and in the first half of the seventeenth, the most ambitious art collectors fought over the few paintings by the master that were still on the market. This setting was the catalyst for the appearance of copies and pastiches ? and even deliberate forgeries. It was then that the elder son of Pieter Bruegel, known as Pieter Brueghel the Younger (whose name is spelled ?Brueghel? here, conforming to the signature that he adopted during the initial phase of his career) emerged as a legitimate successor, producing astonishingly faithful replicas of his father?s paintings. This was all the more surprising given that they were often made after works that were by then dispersed in diverse and sometimes inaccessible private collections. Operating within the context of a sizeable workshop, Brueghel supplied the market with hundreds of copies of variable quality according to demand. This enterprise merited re-evaluation from a technical point of view: how were such vast numbers of copies produced in practice? This three-volume book explores the intriguing Brueg[H]el phenomenon through the two artists? painting practices. The technical aspects of their works are investigated in a detective-like manner and are strikingly elucidated with a wealth of colour illustrations. The reader will come to understand the accomplished practitioner behind the genius that is Bruegel the Elder and the working procedures of his foremost emulator?s workshop. Furthermore, Brueghel the Younger?s exceptional qualities as a painter are singled out from those of his workshop production. The book also reveals fresh discoveries on the father?s creative process through the study of his son?s copies. 0 g.

4to. pp. 6 p.l., 403. profusely illus. biblio. index. cloth. dw. Fine copy. Signed Presentation copy to American-Canadian social & cultural historian Natalie Zemon Davis. First Edition.

Portfolio. Condition: New. Ilse Schreiber Noll (illustrator). Twenty pages with ten double-page woodcuts including collage. Signed and dated on the inside of the back cover. Handmade slipcover. The scenes depict peasant life as the artist, Pieter Bruegel. Conceived, printed, and bound by the artist. A unique hand made book, one of a kind by Ilse Schreiber-Noll. Book size (closed) 4 1/16 x 2 1/2" (10.3 x 6.6 cm). Inventory 95009. Signed by Illustrator(s).