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Condition: Good. Good condition. Revised edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
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Also find Softcover
Published by Harper & Row, New York
Seller: Lowry's Books, Three Rivers, MI, U.S.A.
Signed
Paperback. Condition: Good. No Jacket. Cover is yellowed with some small stains. Some corner bumping and edgewear. Ownership mark in pen on FEP. Some yellowing/minor staining through out book. Size: 8vo - over 7¾" - 9¾" tall. `.
Published by Cleveland Museum of Art,The,U.S.
Seller: HPB Inc., Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by ICON EDITIONS, NY, 1977
Seller: ARD Books, Cleveland, OH, U.S.A.
Book
Soft cover. Condition: Near Fine. Dust Jacket Condition: NoNE. PHOTOS (illustrator). REVISED. SOLID CLEAN BRIGHT AND UNMARKED ICON EDITIONS IN 10 A STUDY OF CHINESE ART FROM THE HEAD OF THE CLEVELAND ART MUSEUM.
Published by Cleveland Museum of Art, 1962
Seller: Friendly Books, Lakewood, OH, U.S.A.
Condition: Good. Hardcover with dust jacket showing wear to edges with some tears. Olive green cover with black spine. Gold gilt lettering. Illustrated. Name has been cut off of ffep.
Published by Cleveland Museum/Harry Abrams, New York
Seller: Andre Strong Bookseller, Blue Hill, ME, U.S.A.
Hardcover. Condition: Good +. Second revised. 9 x 11 in. Cloth and paper boards. Condition is GOOD+ ; minor wear, cloth damp-spotted, spine very sunned. Binding tight and text unmarked. Art. Stax.
Published by Cleveland Museum of Art, 1962
ISBN 10: 0910386021ISBN 13: 9780910386029
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Good. No Jacket. Color & B&w (illustrator). Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.95.
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Also find Hardcover
Published by Cleveland Museum of Art / Harry Abrams, 1962
Seller: Diamond Island Books, Gorham, ME, U.S.A.
Book
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good +. 2nd Edition. Second revised edition. Previous owner's name on front flyleaf, rear panel of dust jacket with a small edge teat top edge. A very clean and tight copy. PayPal accepted.
Published by The Burlington Magazine, London, 1972
Seller: Cosmo Books, Shropshire., United Kingdom
Magazine / Periodical First Edition
Disbound. Condition: Very Good. First Edition. 43 pages, with illustrations. Note; this is an original article separated from the volume, not a reprint or copy. Size: Quarto. Quantity Available: 1. Category: The Burlington; Inventory No: 421408. Cosmo Books : 26 years selling on ABE; 26 years of taking care of customers on ABE; A seller you can rely on.
Published by Cleveland Museum of Art, Cleveland OH, 1954
Seller: Andre Strong Bookseller, Blue Hill, ME, U.S.A.
Hardcover. Condition: Very good. 7 3/4 x 10 1/4 inches. 169 pages + Errata sheet. Condition is Very Good; spine lightly faded, text and illustrations very clean and unmarked. STK.
Published by The Cleveland Museum of Art / Harry N. Abrams, Inc, Cleveland, Ohio, 1962
Hardcover. second edition, extensively revised. olive marbled boards w/ black cloth spine w/ gilt script; gilt printed spine. 159 pgs w/ bw & color illustrations; one fold-out plate. glossy, illustrated dustjacket. Pages have light edge tanning, but clean. VG-. ex-libris w/ plate to cover flyleaf; flyleafs have aged tape residue. scuffs to spine cloth. spine rattled, but textblock attached & firm. shelf-wear to lower corners. dustjacket has edge-wear, rubbing to corners & spine edges.
Published by Cleveland/New York (The Cleveland Museum of Art/ Harry N. Abrams), [1962]., 1962
Seller: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
(8), 158, (2)pp. Prof. illus. 4to. Boards, 1/4 cloth. Front endpaper slightly stained.
Published by The Cleveland Museum of Art, Cleveland, OH, 1954
First Edition
Hardcover. Condition: Good. First Edition. Cleveland, OH: The Cleveland Museum of Art, 1954. First edition, 1954. Navy blue cloth, no dustjacket, illustrated throughout in black and white. Light external rubbing, good hinges, sound text block, clean pages with lightly pencilled underlines and occasional check marks in margins, all in pencil, no names or other markings. First Edition. Hard Cover. Good. 8vo - over 7¾" - 9¾" tall.
Published by Cleveland Museum of Art, 1954
Seller: SmarterRat Books, Chagrin Falls, OH, U.S.A.
Book First Edition
Condition: Good. Good. 1954 Cleveland Museum of Art, Cleveland, Ohio. First Edition. 1954 printing stated on last page. No additional printings listed. NOT ex-library. Softcover. Somewhat oversized, 7.5 x 10 inches. Black and white illustrations. Binding tight. Covers have moderate edge and surface wear. Spine NOT creased. Name in ink at the top outer corner of front cover. Some underlining, markings and marginalia in pencil throughout first 27 pages and the two-page bibliography at end. No markings on other pages. Pages lightly and uniformly tanned but still supple. 169 pages. Based on an exhibition sponsored by the Cleveland Museum of Art. Carefully packed, shipped in a box.
Paperback. Condition: VG. First. Illustrated card wraps with red moon and lettering on front cover and black lettering on spine. 169 pp. with 137 bw illustrations. Catalogue from the exhibition held at Cleveland Nov. 5 - Dec. 26, 1954. Includes an introduction, and essay on The Beginnings of Landscape, information about the various dynasties, schools, and painters, the catalogue, addenda, and an index of painters. A thorough, well-annotated catalogue. This is the first, uncorrected edition.
Brossura. Condition: buone. Testo inglese. Cm.23,4x18. Pg.160. Brossura editoriale. Lievi fioriture. Con 108 illustrazioni nel testo. 400 gr.
Published by Cleveland, Cleveland Museum of Art [1962]., 1962
4°. 158 p, 133 illustrations, some in color, publ. halfcloth w. dustjacket, owners inscription on titlepage.
Published by Harper & Row
Seller: Buchliebe-shop I Buchhandlung am Markt, Lütjenburg, Germany
Association Member: BOEV
Taschenbuch. Condition: Gebraucht. Gebraucht - Gut Einband nachgedunkelt und berieben, Schnitt leicht nachgedunkelt Deutsch.
Published by White Lotus Press, London, 1970
Seller: SEATE BOOKS, APO, AP, U.S.A.
Paperback. Condition: Good. Dust Jacket Condition: no dj. Chinese Landscape Painting. Book.
Published by Cleveland Museum of Art, Cleveland, OH, 1954
Seller: AFTER WORDS OF ANN ARBOR, Ann Arbor, MI, U.S.A.
Book First Edition
Cloth. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Very good, clean, tight, and square first edition bound in black cloth with titles gilt on spine and blind-stamped on front cover. Sunned 1/4" at top and bottom edge of front cover, otherwise unmarked and fine. Dust jacket is unclipped, protected in removable mylar, with five triangular tears on top and bottom edges, and worn at forecorners, head and foot of spine. Lee's first book, written when he was Curator of Oriental Art at the Cleveland Museum, was based on an exhibition of material from American collections. Text and catalog form a survey of stylistic development in Chinese landscape painting. 169 pages includes 142 B&W illustrations, index of artists.
Published by The Cleveland Museum Of Art, Cleveland, Ohio, 1954
Seller: Rareeclectic, Pound ridge, NY, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. This is a very rare dust jacketed First Edition (NAP, Errata sheet with 13 corrections). 142 illustrations. 169 pages. This was Sherman E. Lee's first book. Lee was an American academic, writer, art historian and expert on Asian art whose "sensational acquisitions transformed the Cleveland Museum of Art in all fields." In 1952, Lee began work at the Cleveland Museum of Art as Chief Curator of Oriental Art. He was named Director in 1958, and served in this capacity until 1983. He advised Mr. and Mrs. John D. Rockefeller on building their renowned collection of Asian art. As you can see from the photos, the blue covers are exceptionally clean. They are also remarkably free of wear. None at all on the corners or edges. The top of the spine has a slight fading of the blue. The gilt lettering on the spine is very bright and unworn. The spine is very slightly slanted forward. The book is exceptionally well-bound with perfectly tight pages, absolutely no binding issues. The inside covers and end papers are perfectly clean and unworn. The page edges are perfectly clean. And, most importantly those two words accurately describe the pages in the book. I'm not seeing any soiling at all. The pages are also in excellent condition. There is no significant creasing, the very tip of the top corners of four consecutive pages have tiny creases (no loss). I've flattened them out. There are no markings of any kind in the book. There are no attachments. Not ex-library. And no one has written their name or anything else anywhere in the book. I've had the dust jacket in a fitted protective cover for as long as I've owned the book. It doesn't have much wear, only a bit of loss at both spine ends and a little bit at the front top right-hand corner. However, it has suffered from some foxing along the spine and just adjacent to that on the front. The white rear cover has some darkened areas, doesn't appear to be soiling. No foxing there. The flaps look close to perfect. No soiling or foxing, a vague crease at the bottom corner of the front flap. The jacket is NOT clipped. It was not published with a price. From the front dust jacket flap: 'The greatest achievements and most original contributions of the Chinese painters were the representation of landscape. While landscape elements appeared as early as the fourth century B.C., there was a long development of some fourteen centuries before the emergence of a fully developed and completely expressive landscape style. From this time on landscape was the major category in the subject matter of the Chinese painters in this highly sophisticated art continued through a variety of creative styles until the general exhaustion of the nineteenth century. The first survey of its kind in English is based on the loan exhibition of Chinese Landscape Painting at The Cleveland Museum of Art (November- December, 1954) and Is Illustrated with the over one-hundred paintings shown in that exhibition. Most of the illustrative material is from American collections, and documents the remarkable growth of our holdings in the realm of Chinese landscape painting to a position second only to China itself. Many of the paintings in this book are illustrated for the first time. The text and catalog provide the background to the illustrations in the form of a general survey of the origins and stylistic development of Chinese landscape painting and a detailed transcription of much of the documentary information to be found on the paintings and their attached inscriptions and seals. Comparisons have been indicated, by text and illustration, with European old master drawings, modern masters, and with the typography of China.'.