Class by Creeley Robert, First Edition (7 results)

Soft Cover. Condition: Very Good +. Dust Jacket Condition: No Jacket - As Published. Joe Brainard (illustrator). First Edition. Bound in stiff glossy white wraps, printed in red. This is #130 of 200 that were for sale in the first edition. This book is not signed. 16 pp. Previous owner's neat signature on the front free endpaper. Size: 4to - over 9¾" - 12" tall. Limited Edition.

Softcover. Condition: Fine. First edition. Quarto. Stapled wrappers. Just a touch of wear, else fine. The edition statement states ".exists in an edition of 350 examples of which 200 are for sale. 1-100 signed by author and artist and 101-200 unsigned." The 150 copies not for sale were reportedly reserved for the author and artist, and marked with a P or A. This issue is out-of-series copy, unmarked in any way.

Softcover. Condition: Fine. First edition. Quarto. Stapled printed glossy wrappers. Fine. One of 200 numbered copies, this is one of the unsigned copies.

Saddle-stapled wraps. Condition: Fine. First Edition. A truly fine copy of the first edition of 1973, copy #149 of the 200 unnumbered copies (of 350 issued total). Original white stapled wraps printed in red. Illustrated by Joe Brianerd.

Soft cover. Condition: Fine. 1st Edition. 4to, stapled, decorated wrappers, 148/200 of the unsigned edition.(HP3).

Paperback. Condition: Fine. First Edition. Limited to 200 copies. Illustrations by Joe Brainard. Signed by Creeley on the limitation page. Fine. Bright white wraps with a two staple binding. Square and firmly bound, clean internally. A collaboration between the Black Mountain poet and the New York School artist. Signed.

From a total edition of 350 copies, 200 of which were numbered and offered for sale, 1-100 being signed. The remaining 150 copies were apparently reserved for poet and artist, and numbered accordingly with either a P or an A. This is copy A10, which both Creeley and Brainard have signed on the limitation page at rear (though their signatures are not strictly called for). Although not marked as such to the book itself, this copy from the personal library of noted librettist, artist, and New York School poet Kenward Elmslie, who was the romantic and artistic partner of Brainard for much of his life. Very Good or better, with light toning and soiling to wraps. Saddle-stapled quarto in stiff illustrated wraps. [12]pp, with images printed to recto only.