Cleaver Eldridge, Signed (8 results)

Soft cover. Condition: Good. Rachel Matteson (illustrator). Limited Edition. #388 of 480 copies signed by both author and artist. Tan wraps are unevenly sunned, with light creasing and a 1 1/4" tear to front cover upper edge. Sewn binding sound, interior clean. Two line drawings (one on cover, one inside). No prev owner names, stickers or stamps. Not ex-library. Unpaginated. Signed by Author(s).

Soft cover. Condition: Very Good. 1st Edition. ISBN: 0915124955 Signed Limited 1st Printing. Staple-and-string-bound paperback in heavy card-stock wraps. Signed by author and illustrator on colophon page. Clean, unmarked copy; minimal bumping to edges. Very Good+. Signed by Author(s).

First edition. [24 pp]. Sunning to spine, else near fine in sewn wrappers. Two line drawings by Rachel Matteson. One of 480 numbered copies SIGNED by Hall and Matteson. Morning Coffee Chapbook Nine.

Paperback. Condition: Very Good. Illustrated by Rachel Matteson (illustrator). First Edition; First Printing. First Edition, First Printing (No additional printings stated). #109/480 copies. From the colophon: "These poems were machine-set in Goudy Modern at Mackenzie-Harris Type Foundry. The P. T. Barnum titling was added from our shop. Designed by Allan Kornblum & David Duer, and printed by the latter on Simpson Andorra text. 480 copies were hand-sewn into Fabriano Ingres wrappers and signed by the author& artist." Very Good with light wear to covers and no marks to text. Poetry; 8vo 8" - 9" tall; 24 pages; Signed by Author.

Coffee House Press (illustrator). 8vo. stiff paper wrappers, cord-tied. unpaginated. One of 480 copies. A fine copy. Signed by author and artist. A small collection of Western-Themed poems. Morning Coffee Chapbook: Nine. stiff paper wrappers, cord-tied.

Cleaver signed the s tapled pamphlet published by The Friends of Eldridge Cleaver, San Francisco. His signature shows in full at the end of the "Introduction," which explains why "The Friends" put the pamphlet together. "The material in this pamphlet was selected and reprinted by The Friends of Eldridge Cleaver, a loosely-knit group of residents of the San Francisco/Oakland/Berkeley Bay Are.concerned about.Eldridge.We do not want to see him scapegoated." The group seeks to increase public knowledge of the, "April 6, 1968 clash with the Oakland Police.for which Eldridge will soon stand trial.Many forces have conspired to cover up this era.Research into these dark pages of our history is vitally needed." Cleaver signs, "Eldridge Cleaver." White wrappers, with print and photographs in blue. Cleaver is pictured on the front and on the back cover with his wife and baby. Print and images throughout the booklet are printed in blue.

Later printing. Signed and inscribed by the author Eldridge Cleaver: ÒFor Lynn Scarlett, With best wishes for a bright future! Eldridge Cleaver 8/26/85.Ó Near fine copy with a trace of foxing to the top edge and some minor edge wear in a very good price-clipped dust jacket with a few small chips and tears. A collection of eloquent and powerful essays and open letters written by one of the most prominent leaders of the Black Panther Party, Eldridge Cleaver, while he was in prison. Leroy Eldridge Cleaver (1935 Ğ 1998) was a writer and political activist who helped to craft the black liberation movement and the consciousness of race in the United States and abroad. Soul On Ice was praised by The New York Times Book Review at the time of its publication as "brilliant and revealing.".

[Student Activism][New Left] Indicator, three 1968 issues covering campus politics, the Vietnam War, the Mexico City student killings, and the curricular fight over Black Studies. The October 23, November 6, and November 20, 1968 issues lead with headlines including "BATTLE FOR SURVIVAL," "Liberalism is a Casualty of the War," and "Regents to Meet Here," while interior pages name Ronald Reagan, Eldridge Cleaver, George Wallace, Tran Van Dinh, and the UC Regents, making the paper a direct record of student activism in university governance, antiwar organizing, and Black Power debates in the weeks around the 1968 election. Staff boxes in the October and November issues identify editors and contributors including Paula Cate, Byron King, Cathy Rose, G.R.R. Rowl, Tom Baer, Ilene O'Malley, Sue Adams, and Dick Pray. Indicator. La Jolla, California. October 23 to November 20, 1968. Archive of 3 issues of the UC San Diego alternative student newspaper, each folio-format and printed in tabloid newspaper style, with articles, correspondence, staff lists, cartoons, poetry, local advertising, and extended political commentary focused on Regents policy, student organizing, war politics, and campus curricular struggle. [1] Indicator. La Jolla, California: October 23, 1968. Issue opening with "BATTLE FOR SURVIVAL," pairing coverage of a Regents' meeting with a "Mexico teach-in" and announcing "The students of Mexico City: a chronology of events, page 4." Interior pages include Tom Baer's "On the Tactics of Disruption," electoral analysis under "November 5: is there another answer?," Shirley Powell's translated chronology "¡Viva La Victoria Siempre!," and editorial and correspondence sections that tie UCSD politics to repression in Mexico, the presidential election, and disputes over faculty, curriculum, and student participation. [2] Indicator. La Jolla, California: November 6, 1968. Front page headed "Liberalism is a Casualty of the War," printed from an October 17 speech by Fred Gordon, Internal Education Secretary for the Students for a Democratic Society, and accompanied by a large antiwar illustration. Interior pages include "Now That It's Over.," "Humanities Sequence Survey Reveals Need for Innovation," references to Black control of schools and anti-draft protest, and further correspondence on university regulations and political education; the front cover also bears contemporary pen markings at the upper margin reading "Go to C.I. room tomorrow 11 to Revelle Library." [3] Indicator. La Jolla, California: November 20, 1968. Front page announces "Regents to Meet Here" beneath a split portrait juxtaposing Ronald Reagan and UCSD Chancellor William J. McGill with the caption "Heads I win, tails you lose." Interior contents include "Politics of Separation," a sustained argument over academic freedom, Cleaver, and Social Analysis 139X, alongside "Second Floor: Commodities and More Plastics," a gender critique signed by Ilene O'Malley, and notices for "Tran Van Dinh: Inside Vietnam," "Black Studies," "The 'Emancipated' Male - Which Way to Turn?," and "139X: A History," establishing the issue's concentration on race, war, masculinity, and university power. These three issues were printed in the late 1960s, when student newspapers increasingly served as a forum for local discussion of national and international crises. At UC San Diego, the Regents, Reagan, Black Studies, Humanities Sequence reform, SDS language, anti-draft protest, and the memory of the Mexico City repression all appear here as overlapping and interconnected conflicts. Contents also include polemical essays, correspondence, staff listings, and local advertisements. Very good condition overall; light toning and expected horizontal fold lines from original issue format, with the November 6, 1968 issue bearing contemporary pen markings to the upper front cover. A tight three-issue run from the fall of 1968 capturing UCSD student activism on war, race, curriculum, and institutional authority in real time. Signed.