Clyfford (229 results)

hardcover. Condition: Acceptable. Ex-library with typical library markings/labels. Binding is tight. No Dust Jacket. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Soft cover. Condition: Good. 1st Edition. Softcover, 42 pgs. 14" x 11". Essay, color and b&w images. Moderate rubbing to cover, foxing to ffep.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: New.

Condition: As New. Unread book in perfect condition.

unknown_binding. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. No markings. Spotting to fore-edges and few tears to jacket.

Soft cover. Condition: Very Good. No Jacket. 69 pp. with extensive full-colour illustrations. Light edgewear with bumped upper corners. Shallow, 2" scratch at lower edge of back cover. Includes a chronology and highlights of the collection, as well as descriptions of the archives and research centre, the conservation of the collection, and the architetchure of the museum.

Soft cover. Condition: Good. No Jacket. (1959); Good to Very Good/non dj, thin quarto, 71pp., black & white softcover, both covers lightly speckled & spotted, binding tight, library bookplate but no other markings, nice catalogue for the Exhibition November 5 - December 15, 1959.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 222pp. DJ: Very Good w/ a 1/2x1/2 inch chip on top spine, two about 1inch closed tears. Protected w/ clear plastic cover. The Book: Very Good+++.

hardcover. Condition: very good(+). Dust Jacket Condition: poor. Still, Clyfford (illustrator). First. With 165 illustrations, including 89 in color, some folding. 222 pages. Oblong 4to, black cloth, worn/torn and lightly soiled d.w. New York: Metropolitan Museum of Art/Abrams, (1979). A very good(+) copy in a poor dust wrapper. Records the 1979-80 exhibition at The Metropolitan Museum of Art, and is the most comprehensive book on Still's work.

Gebunden. Condition: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -The Clyfford Still Museum was designed by the leading architectural practice Allied Works and its founder, Brad Cloepfil. The building creates space for the voice and artistic vision of American painter Clyfford Still (1904-1980), housing the vast majority of his creative output over a sixty-year period. The museum's design is inspired by the work of Still and by its monumental context: the site is located at the intersection of prairie and mountains, within an urban district of major cultural buildings, vacant lots, historic housing, and new development. The building looks to the earth as a source of silence and profound connection to the elemental forces the artist explored through his painting. This publication presents the vision and realization of the museum from initial concepts to completion. A rich collection of stories, artifacts, documents, and conversations trace the evolution of the building and Allied Works' unique creative process. New essays and photography examine its significance within contemporary architectural discourse and the singular experience of the completed work. 112 pp. Englisch.

Hardcover. Condition: new. Hardcover. Clyfford Still (1904-1980) is a pioneer of Abstract Expressionism, along with Mark Rothko, Jackson Pollock, Lee Krasner, and Willem de Kooning. This revelatory book, accompanying a groundbreaking exhibition, investigates Clyfford Still s late work, both in painting and in drawing, made after his move to rural Maryland in 1961. This marks a particularly fertile period for Still; he made over 375 works on canvas and a staggering 1,100 works on paper in Maryland before his death in 1980 at the age of 75. Given Still s especially reclusive posture later in life and the fact that none of the artworks in Still s estate were exhibited or made available to anyone before the opening of the Clyfford Still Museum in 2011, a full-scale presentation of these forty paintings and thirty works on paper is especially meaningful. In addition to essays by Dean Sobel and David Anfam, the artists Alex Katz and Dorothea Rockburne contribute texts on the notion of late work. An exclusive look at the late work of one of the most influential and enigmatic painters, whose late-career paintings are virtually unknown to the public and many are published here for the first time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. No markings. Published in conjunction with an exhibition. Oversize. Rubbing and tears to edges of the dust jacket, in a protective cover.

Broschur; Condition: Gut. 20,5 cm x 29,5 cm; 16 Seiten, dabei viele Abbildungen; Künstler Kritisches Lexikon der Gegenwartskunst ist ein periodisch erscheinendes Lexikon, das Künstler der Gegenwart vorstellt. Es wurde herausgegeben von Detlef Bluemler und Lothar Romain. Nach Herrn Romains Tod ist Detlef Bluemler alleiniger Herausgeber. Seit Februar 1988 erscheint es in einem Rhythmus von drei Monaten und umfasst je Ausgabe die Arbeit von jeweils sieben Künstlern. Jedes Heft umfasst 16 Seiten über die Arbeit der Künstler, aus zwei Druckseiten persönlicher Äußerungen der Betreffenden, einem Künstlerporträt sowie aus drei Doppelseiten Abbildungen. Die Redaktion liegt bei Hans-Joachim Müller. Im angebotenen Heft befindet sich noch ein Stempel des Vorbesitzers; ansonsten liegt eine sehr gute Erhaltung vor. Sprache: Deutsch Gewicht in Gramm: 50.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran November 5 through December 13, 1959. Includes 4 color and 33 black and white illustrations, biographical information, and a checklist. An about very good copy in wrappers with some light wear and from the library of the Marlborough Gallery with their marks. Still, a nice copy with an interesting provenance.

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. First Edition. Edited by John P. O'Neill. New York: Metropolitan Museum of Art, distributed by Harry N. Abrams, (1979). First Edition. 11" x 11.75". 222pp, Index. Full black cloth, red letters. Book in near fine condition (front board slightly bowed); dj very good (few short tears and slight wear). 165 illustrations including 89 in full color (some folding). From dj: "the most comprehensive book on Still's work, and thus an important document of twentieth-century art". ISBN 0870992139; 11 x 11.75 inches; 222 pages.

Condition: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Softcover, 56 pages; fair condition, foxing to creased covers, outer page edges and first and last 2 pages; owner's name on first page; no other internal marks. As is. Foreign shipping may be extra.

Hardback. Condition: New. Clyfford Still (1904-1980) is a pioneer of Abstract Expressionism, along with Mark Rothko, Jackson Pollock, Lee Krasner, and Willem de Kooning. This revelatory book, accompanying a groundbreaking exhibition, investigates Clyfford Still s late work, both in painting and in drawing, made after his move to rural Maryland in 1961. This marks a particularly fertile period for Still; he made over 375 works on canvas and a staggering 1,100 works on paper in Maryland before his death in 1980 at the age of 75. Given Still s especially reclusive posture later in life and the fact that none of the artworks in Still s estate were exhibited or made available to anyone before the opening of the Clyfford Still Museum in 2011, a full-scale presentation of these forty paintings and thirty works on paper is especially meaningful. In addition to essays by Dean Sobel and David Anfam, the artists Alex Katz and Dorothea Rockburne contribute texts on the notion of late work.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Trade Paperback. Condition: Used. Limited. Paperback in Poor Condition: significant damage to inside/outside; may include water damage, markings, etc. Front & rear cover have significant folds along the bottom corners. Pages are intact and picutres are still clear and bright. As is $20.00 and overall a fair edition.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Softcover. 8.25" x 11.75". Illustrated wraps with title printed plastic dustjacket. 93 pgs with 45 color tipped-in color plates on grey paper. Des Moines Center Art Library stamp on top edge & fore edge, else near fine in VG dj. Includes a tri-fold exhibition brochure from the 2001 Smithsonian exhibition of paintings from 1944-1960 featuring an essay by Judith Zilczer.

Paper. Condition: Good. Good paper copy auction catalog November 9, 2011, 41 no. pp, 9 pp essay "Clyfford Still: The ARt of His Century" by Leslie Prouty with many illus. in 4/C and 3 B/W photos, 4/C illus. throughout, 7 pp anthology with B/W and 4/C illus. Sold by the City of Denver to benefit the Clyfford Still Museum.

Paperback. Condition: new. Paperback. This groundbreaking study investigates the close and paradoxical relationship of art and race during the Enlightenment. In this text, French art historian Anne Lafont examines the complexities and contradictions in Enlightenment-era ideas about race, focusing on the figurations of Africans and other people of color. Through studies of a wide range of eighteenth-century art, Lafont grounds her analysis in the objects themselves and, by doing so, highlights how visual works can reveal the values of the culture that produced them. While Lafont locatesunsurprisinglyinstances of the marginalization and objectification of Black people, she also draws attention to depictions that present African sitters as subjects in their own right. For example, Anne-Louis Girodet's Portrait of Jean-Baptiste Belley (1797) offers a dignified, individualized representation of this formerly enslaved French politician from Saint-Domingue; and portraits of anonymous sitters show them as actual persons whose costumes and poses demonstrate their agency. Ultimately, Lafont moves beyond artworks to consider the broader intellectual context of the Enlightenment, particularly ideas about freedom, equality, and universal human rights, which were anchored in visual culture and indexed by it. She reveals how these ideals often conflicted with the realities of colonialism and the shifting status of Black people during this era. This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical-and, until now, least studied-major American Abstract Expressionist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.