Connect by Shearman John (68 results)

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Good. First Edition. Corners are slightly bent. Used - Good.

Hardcover. Condition: Fine. Very Good Dust Jacket. First Edition. 4to. 308 pages. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly.

Softcover. Condition: Good. Corners bumped lightly. Clean pages tightly bound.

Paperback. Size: 7.5x10 inches, 281pp., illus. Ink signature and date else very good plus condition with text clean and binding sound.

hardcover. Condition: very good. Dust Jacket Condition: very good. Illustrated (color and b/w). 281 pages. 4to., brown cloth (damp-stained at bottom of spine and dust wrapper but internally clean). Washington, D.C.: The National Gallery of Art, (1992). Very good. The A.W. Mellon Lectures in the Fine Arts, 1988. Bollingen Series XXXV.…

Hardcover. Brown cloth over boards; Color pictorial dj.; 281 pp.; 25 color plates, 201 bw figures. The 37th volume in the A.W. Mellon Lectures in the Fine Arts; From the jacket: ". . . the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning." VG- (Fine interior; Light wear to dj. extremities; fading to dj cover; previous owner's name written on first page; remainder mark on bottom).…

Condition: New.

Paperback. Condition: New. A leading art historian's plea for a more engaged reading of Italian Renaissance artOnly Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman's concern is mostly with anterior relationships with the viewer-that is, relationships conceived and constructed as part of a work's design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention. Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.…

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback or Softback. Condition: New. Only Connect: Art and the Spectator in the Italian Renaissance. Book.

Condition: New.

Condition: new.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. First Edition. Near Fine in a Very Good Minus dust jacket. Book is unmarked and with no notable flaws. Jacket has some wear along top edge, including two minute tears. 281 pages.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New. 2023. paperback. . . . . .

hardcover. Condition: Good. National Gallery of Art, Princeton University Press, c.1992, 1st., 7-3/4"x10-1/4", cloth, 281pp., illusts., ex-lib.- spine label, pocket, stamps, ow VG $.

Condition: New.

Condition: New.

Softcover. The A.W. Mellon Lectures in the Fine Arts -- 1988. xvii, 281 pp. The A.W. Mellon Lectures in the Fine Arts, 1977, at the National Gallery of Art in Washington, D.C. Bollingen Series. XXXV: 37. Softcover. LCC: 9127246 Good condition; touches of wear on covers; very light yellowing on perimeters of pages and of inside surfaces of covers.…

Condition: New. 2023. paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively in time and space. xvii, 281 p., ill., xxv col. plates ; 26 cm. First edition, first impression. Brown cloth boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Good. No Jacket. Ex library paperback in plastic sleeve; usual stamps/markings. Published in 1992 by Princeton University Press, NJ. Light wear to covers & page edges little grubby otherwise a good, clean copy. Extensively illustrated throughout. Heavy book will ship overseas for extra postage. Ready for immediate despatch from UK. BS-6F*.…

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.