Crippa by Crippa Roberto (30 results)

Paperback. Condition: Good. Good Plus, internally clean, solid paperback exhibition catalog, text in English and Italian. Some light stains to the covers. #250 of 500 copies on glossy Kromekote paper printed "sur les presses de la Tipostle de Milan". #.

[14] pp.; 22.4 x 17.4 cm.; accordion; other special feature[s]; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Monograph on the work of Roberto Crippa with texts by Robert Lebel and Franco Russoli in French. Designed by Sergio Tosi. Fair. Rubbing and dusting of covers with gentle bumping of edges and corners. Light yellowing along right side edge of title page. Accordion fold pages have been cut into completely separate sections in five places. 17.3 cm. area of loss to second to last page. Contents otherwise clean and unmarked.

Hardcover. Condition: Near Fine. No Jacket. Crippa, Roberto (illustrator). First Edition. Boards, in near fine condition, very slight browning to bottom of cover and top of first page edge The collection contains 12 full page plates including two in color. Includes an essay by Guido Ballo. The text is in English, French and Italian. Published on the occasion of the exhibition, 26 May to 22 June 1962. Scarce item in this fine condition. Size: 7¾" - 9¾" Tall.

[68] pp.; 20 x 14.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Monograph on the work of Roberto Crippa with essay by Giampiero Giani. Inludes biography and index / exhibition checklist. Text in English. Good. Rubbing, dusting, and yellowing of covers with discoloration and light soiling. 2.2 cm. dog-ear to bottom right corner of recto and 4 cm. crease to top right corner of recto. 1.8 cm. gentle crease to pages and light rippling of endpaper. Contents otherwise clean and unmarked.

Softcover, 18 pages; in French; very good condition; light rubbing to white cover; no internal marks.

Paperback. Condition: Used: Good. Palazzo Reale sala delle Cariatidi; The book is paperback in good overall; there is a bump at the top corner, and some mild edgewear; 2 lbs 1 oz.

[48] pp.; 22.2 x 16.6 cm.; sewn bound; black-and-white & color; edition size 500; unsigned and numbered; offset-printed Monograph on the work of Roberto Crippa with text by André Pieyre de Mandiargues in English, French, and Italian. Very Good. Rubbing of dust-jacket edges. Light yellowing of pages. Contents clean and unmarked. Numbered 294/500.

Hardcover without dustjacket as issued, 112 pages; Italian; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condition: Good. Catalogo di mostra, 21 maggio - 6 giugno 1970. Uno scritto di Franco Passoni. Con 30 illustrazioni in bianco enero. Elenco delle 30 opere esposte . 8vo. pp. 32. . Ottimo (Fine). . . . Book.

Condition: Bon état. plaquette petit in-4, brochée, jaquette illustrée, 10 pp. (jaquette usée), reproductions en noir. Bon état.

paperback. Condition: New. Catalogo della mostra di Seregno, Galleria Civica Ezio Mariani, gennaio - marzo 2009. Con 20 illustrazioni a colori. Testi critici di testi di Luca Tommasi e Nicoletta Colombo  . Cm 24x17. pp. 64. . Nuovo (New). . . . Roberto Gaetano Crippa è stato uno degli artisti più eclettici della seconda metà del Novecento, intersecando con la propria opera le più significative avanguardie sviluppatisi nel secondo dopoguerra, partecipando alla nascita del mac (Movimento Arte Concreta) e del Movimento spaziale con Lucio Fontana, tingendo quindi la propria arte di una intrigante vena di surrealismo, ispiratagli dalla sintonia con i pittori Nucleari e dalla frequentazione personale di Matta, Lam e Brauner.Allo stesso tempo, Roberto Crippa fu un ardimentoso pilota. E fu proprio la passione del volo a decretarne la prematura scomparsa nel 1972, quando precipitò con il proprio velivolo a Bresso nel corso di un'esibizione acrobatica. Book.

Collage; 26 S. Text mit 1 S/W-Porträt, sowie 51 Farbtafeln, Galleria Cortina, Milano 1969, gr-8°, Orig.Broschur, vord. Deckel etwas unfrisch, allg. geringe Gebr.Spuren ** Erstausgabe --- Texte F/I/E >> Versand ab Deutschland möglich << ??? PREIS ZU HOCH ODER ZU TIEF ??? ANGEBOT ERWÜNSCHT !!! 700 Gramm.

loose_leaf. Condition: Very Good. Brochure della 244ma mostra del Cavallino, dedicata a Sei artisti spaziali (Giuseppe Capogrossi, Roberto Crippa, Gianni Dova, Beniamino Joppolo, Roberto Matta, Cesare Peverelli), Venezia, 20-26 settembre 1952. Testo di Berto Morucchio su due facciate . Cm 17x12 (aperto / open 34x24 cm). . . Molto buono (Very Good). . . . Book.

paperback. Condition: Fine. Prima edizione (First Edition). Testo in inglese di Giampiero Giani. Con 17 tavole in bianco e nero fuori testo, 6 immagini in bianco e nero nel testo. Due grafiche originali (xilografie) di Roberto Crippa firmate su lastra, eseguite appositamente per questo catalogo. Con una accurata bibliografia a cura di Milena Milani e Giampiero Giani . Cm 24x18. pp. 20 + 17 tavole. . Ottimo (Fine). . Prima edizione (First Edition). . Book.

First Edition. 22 x 23cm good card-covered publication, some marks to rear off-white covers, some hand-writing at top of the rear cover, minor detachment to front free end paper. The painter-sculptor Roberto Crippa was born in Milan in 1921. He studied at the Brera Art Academy in Milan where he was the fellow student of Aldo Carpi, d Achille Funi and Carlo Carra. At the beginning of his career, like lots of young painters of his generation, Roberto Crippa was influenced by neo-cubism and was thus generalized. His first solo exhibition was at the Bergamini Gallery in Milan in 1947.The artists was one of the first in Italy, to practice gestural painting, which he produced between 1948-1952 his sharply-colored spiral webs. In 1948, Crippa becomes one of the founding members of the Spacialist group, a group founded around Lucio Fontana. Italian text with single page colour reproductions.

Paris, Galerie-Editions du Dragon, 1956, in-8, broché, jaquette illustrée, 14 p. Texte de Jacques Charpier. 4 reproductions hors-texte en noir et blanc. Notes biographiques.

Hardcover. Condition: Very Good. No Jacket. Light blue cloth binding has faint tanning. Written in Italian. Contains numerous full pg illustrations in black-and-white & color. Book.

Haus Lange Verlag. 1963. 4°. 8 Seiten. Mit ganzseitigen Abbildungen auch in Farbe. Broschur. Einband etwas unfrisch, sonst sehr gut. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Card covers. Condition: Good in wraps. First Edition. 17 x 23cm good card-covered publication with French text plus colour reproductions. Minor bumps to corners. The painter-sculptor Roberto Crippa was born in Milan in 1921. He studied at the Brera Art Academy in Milan where he was the fellow student of Aldo Carpi, d Achille Funi and Carlo Carra. At the beginning of his career, like lots of young painters of his generation, Roberto Crippa was influenced by neo-cubism and was thus generalized. His first solo exhibition was at the Bergamini Gallery in Milan in 1947.The artist was one of the first in Italy, to practice gestural painting, which he produced between 1948-1952 his sharply-colored spiral webs. In 1948, Crippa becomes one of the founding members of the Spacialist group, a group founded around Lucio Fontana.

Hardcover. Condition: Very Good. 1st Edition. 8° - 14pp - 2 Lithographs and B/w Plates of Sculptures. Figurations by Roberto Crippa (1921-1972) Italian painter and sculptor. First edition, text in Italian. Original boards. In Very good condition.

Broschiert. Dust Jacket Condition: mit Schutzumschlag. Quart. Unpag. Broschur mit transp. Schutzumschlag. Mit zahlr., teils farb. Abb. auf dem Titelblatt mit einer Orig.-Filzstiftzeichnung (Sonne), handschriftlicher Widmung an Johannes Cladders, Datierung und Signatur von Roberto Crippa - sehr gutes Exemplar. Signatur des Verfassers.

Condition: Ottimo (Fine). 994 Stefanini Gimmi e Crippa jr Roberto Stefanini Gimmi e Crippa jr Roberto, Roberto Crippa. Catalogo generale delle opere. Volume 2., Edizioni Galleria Pace, 2013. MIlano, Edizioni Galleria Pace 2013 italiano, in quarto 395 14300994Stefanini Gimmi e Crippa jr Roberto, Roberto Crippa. Catalogo generale delle opere. Volume 2., Edizioni Galleria Pace, 2013, in-4, rilegato a tutta tela, pp.395, illustrazioni b/n e a colori n.t. Ottime condizioni. Book.

Enrico Baj, Gianni Bertini, Camille Bryen, Marie Carlier, Bill Copley, Corneille, Roberto Crippa, Lucio del Pezzo, Hisao Domoto, Ferró, Lucio Fontana, Roland Giguère, Henri Ginet, Yozo Hamaguchi, Stanley William Hayter, and others (illustrator). Galleria Schwarz, Milan, 1962. A landmark publication of post?war printmaking, The International Avant?Garde?1 captures the dynamic spirit of the early 1960s avant?garde. This limited edition of 60 copies, printed on Rives handmade paper, features 20 original etchings by leading international artists selected by Tristan Sauvage, each signed and numbered in pencil. Included are contributions from celebrated figures such as Enrico Baj, Gianni Bertini, Camille Bryen, Marie Carlier, Bill Copley, Corneille, Roberto Crippa, Lucio del Pezzo, Hisao Domoto, Ferró, Lucio Fontana, Roland Giguère, Henri Ginet, Yozo Hamaguchi, Stanley William Hayter, Horst?Egon Kalinowski, Jacques Lacomblez, Josaku Maeda, Hans Meyer?Petersen, and Jean Tinguely, showcasing a remarkable cross?section of Italian and international modernism. The edition is presented in its original black binding with embossed title. Cover with spine partially detached.

Milano, Galleria Schwarz, collana «Antologia Internazionale dell'incisione contemporanea diretta da Tristan Sauvage. I contemporanei», n. 2, 1962, Edizione originale. Esemplare non numerato appartenente alla tiratura di 75 in ottimo stato di conservazione Elegante volume realizzato dalla milanese Galleria Schwarz nel 1962 con dieci acqueforti originali di Roberto Crippa firmate e testi di Tristan Sauvage (ovvero Arturo Schwarz, scrittore e poeta oltre che editore e gallerista). Un libro a due, in cui le incisioni dell'artista monzese sostengono le parole di Sauvage/Schwarz, a loro volta realizzate - come recita il sottotitolo in francese - «pour mieux comprendre Crippa et moi-même». E un libro, al tempo stesso, doppio, con due diversi frontespizi a introdurre il fruitore/il lettore alla sezione di Crippa - intitolata «Dix eaux-fortes. Illustrées par Tristant Sauvage» - e a quella di Sauvage - «D'une pierre deux coups». Realizzata in 100 esemplari - 75 numerati da 1 a 75 e XXV con cifre romane -, l'opera fa parte della collana «Antologia internazionale dell'incisione contemporanea» diretta dallo stesso Tristan Sauvage, in 8°, tela beige illustrata con titoli neri al piatto e al dorso, astuccio in cartoncino nero, pp. [28], 10 incisioni originali firmate protette da cornici in cartone e acetato. Edizione originale. Esemplare non numerato appartenente alla tiratura di 75 in ottimo stato di conservazione tela beige illustrata con titoli neri al piatto e al dorso, astuccio in cartoncino nero,

Milano, Conchiglia (stampa a mano a cura di Giampiero Giani), 1957, febbraio, Prima edizione. Ex. 36/98, in ottime condizioni. Rarissimo. «Questa poesia di Raffaele Carrieri tradotta in lingua inglese da Roberto Sanesi, edita da «La Conchiglia», in Milano, nel febbraio dell'anno 1957, è dedicata a Charlie Chaplin». I testi sono illustrati dalle suggestive tavole e da disegni di Crippa intercalati nel testo, meravigliosamente stampati. In fine una lettera a Carrieri di Giampiero Giani, il tipografo. Carta di puro straccio Fabriano. Tiratura di 98 esemplari numerati a stampa in diverse serie (nn. 1-12 di testa variamente combinati), oltre 10 copie f.c. in 4°, legatura editoriale di gran pregio in mezza pelle bianca con piatti in carta plastificata, pp. n.n. in carta di pregio con barbe (7 tavole a colori n.t., protette da veline; ill. monocolore nero o rosso nel testo). Prima edizione. Ex. 36/98, in ottime condizioni. legatura editoriale di gran pregio in mezza pelle bianca con piatti in carta plastificata,

Galleria d'Arte Cortina Milano, 1968. 22 x 23 cm. Softcover. With illustrations in color and b/w. Backcover slightly damaged. Very good copy [Art / international artist [Buitenlandse Kunstenaars] ].

Card covers. Condition: Very good. First Edition. 18 x 23cm card-covered catalogue with concertina pages and colour lithographs designed by Sergio Tosi. The painter-sculptor Roberto Crippa was born in Milan in 1921. He studied at the Brera Art Academy in Milan where he was the fellow student of Aldo Carpi, d Achille Funi and Carlo Carra. At the beginning of his career, like lots of young painters of his generation, Roberto Crippa was influenced by neo-cubism and was thus generalized. His first solo exhibition was at the Bergamini Gallery in Milan in 1947.The artist was one of the first in Italy, to practice gestural painting, which he produced between 1948-1952 his sharply-colored spiral webs. In 1948, Crippa becomes one of the founding members of the Spacialist group, a group founded around Lucio Fontana.

CATALOGO D'ARTISTA CON PAGINE A SOFFIETTO ILLUSTRATE IN VARI COLORI, COPERTINA BIANCA CON TITOLO AL PIATTO. TESTI IN LINGUA FRANCESE ED ITALIANA. ROBERT LEBEL PER LA PARTE IN FRANCESE E FRANCO RUSSOLI PER QUELLA IN ITALIANO. LE PAGINE TOTALI SON 28, A SOFFIETTO numero pagine: 14 + 14 BIANCHE formato: 22.5X17.5 stato conservazione: BUONO.

Milano, Galerie Schwarz, 1962, in-4, legatura editoriale in piena tela beige, figura impressa in rosso e nome di Crippa in nero sul piatto anteriore, custodia, pp. [8] + 10 acqueforti (8 a colori) entro passepartout in cartone, con acetato trasparente di protezione, ciascuna preceduta da un carta recante testi di Schwartz (con le 8 pagine iniziali in totale le pagine di testo sono, dunque, 28). Esemplare n. 60 di una tiratura di 100 copie (75 + XXV copie). Bellissimo volume contenente dieci acqueforti originali firmate di Roberto Crippa e testi di Arturo Schwarz, editore, gallerista scrittore e poeta. Collana Antologia internazionale dell'incisione contemporanea: i contemporanei. Ottime condizioni di conservazione. R. Jentsch, I libri d'artista italiani del Novecento, Torino, Edizioni Umberto Allemandi & C., 1993, p. 119 e illustrazione n. 178.

ROBERTO CRIPPA "Sgraffio" 29 x 26 cm - ORIGINAL SCRATCHED BOARD, SIGNED BY THE ARTIST. IN FINE CONDITION. Roberto Crippa (Monza, 1921 - Bresso, 1972) was an Italian painter and sculptor. His artistic training took place in the late 1940s at the Brera Academy in Milan. In these years he got to know Aldo Carpi, Carlo Carrà and Achille Funi. His first production is characterized by a figurative style influenced by Picassian cubism, but his friendship with Fontana led him to join the spatialist movement and to sign its manifesto in 1950. Already in 1948 he was invited to exhibit at the Venice Biennale, where I will also return in 1950, 1954 and 1956. The Fifties saw the participation of Crippa 'Manifesto dell'Arte Spaziale'. His production of these years is characterized by a series of paintings, the Spirali, of a geometric and abstract character, where the painter with a circular, but never perfectly round gesture, creates involuted spaces from which rays ideally projected out of the two-dimensionality of the canvas. Subsequently, Spirali become denser, fuller and interlaced with each other and are called Totem. Also known abroad for his works, Crippa reached New York, where he met the surrealists Max Ernst, Victor Brauner and Yves Tanguy. The mid-1950s marked the transition to polymaterial works, which evolved to include materials such as iron, bronze, steel, but also asbestos, cork, newspaper and tissue paper, combined with different materials and colors. Having been the victim of a flight accident and forced into wheelchairs for almost a year, Crippa continues to paint and exhibit internationally. Of these early sixties are the polymaterial and abstract landscapes, and his Amiantiti series, made with thin asbestos sheets applied on an engraved table. He died in 1972 due to a plane crash involving his pupil Piero Crespi.