Cunningham by Cunningham Imogen, Signed (21 results)

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. 1st Edition. Boston: New York Graphic Society, 1979. 1st edition, inscribed by author on half-title, NF/VG+. Tall book has light wear to one corner. DJ has wear to upper spine, corners & edges. Lighter wear to lower spine & corners, 3 closed tears on back panel. 120 duotone photos (60 by Cunningham in the portrait section, 31 by the author, 12 by Cunningham and more by others in the interview section. Double-column text in the interview section. Nice copy, 188 pp. BPA&P2. Inscribed by Author(s).

Soft cover. Condition: Good. Imogen Cunningham (signed) (illustrator). This is an issue of Aperture devoted to San Francisco photographer Imogen Cunningham (1883-1976). 40 pp. of b/w photography with scattered text. Signed by photographer on first page under her self portrait. Some sunning of cover. Signed by Illustrator(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Slightly oversized volume illustrated with B&W photos. The 2nd Printing. INSCRIBEDon the title page and dated (1975) by Cunningham, but NOT Signed! A clean copy in a clean jacket . ; Signed by Author. Signed by Author(s).

Softcover. Condition: Very good. No jacket. Profusely Illustrated (illustrator). Inscribed by Cunningham to printer Adrian Wilson. Some shelfwear.

Hardcover with dust jacket. Condition: Fine. Dust Jacket Condition: Near Fine. Imogen Cunningham (illustrator). First Edition. 4to. Pp. 126, [2], 60. Frontis. black & white photographic self-portrait of Imogen Cunningham. Illustrated with Cunningham's black & white photography, including sixty photographic plates. Bound in white cloth, spine lettered in silver. Clean and fresh throughout. In the dust jacket, with black & white photographs by Imogen Cunningham on front and rear panels, price of $19.95 intact on front flap. Just a trace of edge-wear. Signed by the author on title-page. A fine survey of the Portland-born photographer who was married to printmaker Roi Partridge in Seattle, before they moved to Mills College in the Bay Area. Dust jacket is now housed in a clear, removable archival protector.

Profusely Illustrated (illustrator). First Edition. First edition. Softcover. 110 pages. Exhibition catalog for a show that ran March 23 through April 21, 1974. Features a foreword by LaMar Harrington and an introduction by Margery Mann. Includes over 70 black and white images, a checklist, a list of previous exhibitions, and a selected bibliography. A clean very near fine copy in photo-illustrated wrappers. Signed and inscribed by Cunningham on the title page to another photographer. Signed.

Hardcover. Condition: Very Good. Limited ed. This book does not have an original photograph included. Copy number 15 of 150 numbered and signed by the photographer. Introduction by Margery Mann. Black and white photographs. Photographic endpapers. Half-bound in black leather with black cloth covers, title in silver on front cover and spine. Slipcased in black cloth. Some fading to spine and edges of slipcase. 4to, 110pgs.

Condition: Good. Typed letter signed with release form and information on the Imogen Cunningham Photography Award 11" x 8.5" on Friends Of Imogen Cunningham letterhead, 4 pp. Very Good. Imogen Cunningham Photography Awards brochure present.

Paperback. Condition: Near Fine. 1st. 110 pages, illustrations; 29 cm. Index of Art in the Pacific Northwest Series, no. 7. Published in connection with an exhibition shown at the Henry Art Gallery, University of Washington, March 23 to April 21, 1974. PRESENTATION COPY. Signed by the photographer Imogen Cunningham in the year of publication, with a personalized inscription. Age toning. *** CONTENTS: I. Early years in Washington, 1910-1915; II. Northern California portraits, 1921-1936; III. Artists, actors, writers, 1923-1940; IV. Plants, 1923-1946; V. Later portraits, 1953-1973; VI. Heads, legs, hands, 1965-1973. Size: 4to. SIGNED. Collectible.

Hardcover with dustjacket, unpaginated; good condition: the dj has moderate degree of rubbing marks, mostly vertical black lines near the edges; internally very good condition; no internal marks. Signed "Imogen Cunningham" on a plain white card which is taped to the first blank page. Laid in is a copy of a typed letter on Cunningham's stationary sent to Lee Witkin in 1975. Also laid in are 4 stapled Xeroxed pages from the Friends of Imogen Cunningham regarding the proposal for a Cunningham commemorative stamp. Many newspaper clippings and exhibition announcement card also laid in. Foreign shipping may be extra.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 2nd Edition. Art. 2nd printing, 1971. Beautiful copy in a lightly worn and soiled dust jacket, which has not been price clipped, but has moderate foxing to the reverse of the jacket. Book issued in and black and cream cloth with black titles. Quarto. Unpaginated with (94) plates. Illustrated with 94 b/w plates. Inscribed by Cunningham to Ann Broughton, whose relative is featured on Page 77, on the title page. With an introduction by Margery Mann. Inscribed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition. Quarto, pp 110. Introduction by Margery Mann. Bound in black cloth covered hard boards with silver lettering to the spine and in the original dust jacket which is unclipped ($15.00). SIGNED and inscribed by Cunningham to the title page: "By the hand of Imogen | for John Temaschke at Blanche's | Aug 17, 1974". Blanche's was a restaurant in San Francisco and laid into the book is a 1979 article from the San Francisco Chronicle about Blanche's with a photograph of Imogen Cunningham and the restaurant's owner together. The book has a ten page introduction by Margery Mann followed by the b/w plate reproductions of Cunningham's photographs, one per page. A lovely book in Fine condition and in a Near Fine jacket which is yellowed to the spine and front. Signed by Author(s).

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. University of Washington Press, Seattle, 1974. This is the limited, slipcased edition 97 of 150 numbered and signed by Imogen Cunningham, lacking the print as usual. Half-bound in black leather with black cloth covered boards, title in silver on front cover and spine. The book is absolutely clean, unmarked and certainly appears unread. The boards are flawless, the gilt is bright and clean. The linen slipcase has done its job over the last 50+ years with only some very light shelf wear. A spectacular example. Signed by Author(s).

Hardcover. Condition: Very Good +. Dust Jacket Condition: Very Good. First edition. SIGNED. Unpaginated. Quarto [28cm]. 1/4 white paper with black boards. Title stamped in black ink on spine. Spine just a touch rolled. Head of boards sunned. Dust jacket is a bit toned and soiled. Signed by Imogen Cunningham on the title page. Cunningham was a highly awarded photographer primarily known for her shots of urban landscapes, nudes and nature photography. This book represents the first full-length treatment of her work, presenting 94 of her finest photographs, dating from 1901-1970.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Imogen Cunningham (illustrator). 1st Edition. 1st. Edition 1970 , Black cloth hardcover with the dust jacket, unpaginated . With 94 black & white full page plates by Ms. Cunningham, this copy is inscriber and signed by her on the title page. Condition : Fine , with very light edge foxing . DJ is Very Good with light rubs and a very small tear at the top corner Size: 4to - over 9¾ - 12" tall. Signed By Photographer. Book.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Imogen Cunningham (illustrator). 1st Edition. First Edition (NAP; University Of Washington Press= NAP). Signed and inscribed by Imogen Cunningham to artist and photographer Ann Parker (her work is included in the collections of the Whitney Museum, The Metropolitan Museum of Art, and the Getty Museum) and her husband the artist and writer, Avon Neal. There's also a separate signed letter to Ms. Parker on Ms. Cunningham's stationary (see photo). The letter of thanks is unusual. Reference video of Ms. Cunningham telling Johnny Carson that she had come on his show to 'thank those who I never answered, this is going to thank them and tell them that I'm not going to answer.' In the letter she writes: 'By now you will understand what kind of a responder I am-- deviled to death and I have not thanked you for the beautiful shot done in Mexico,' You can see the textured black & white covers in the photos. They're exceptionally clean. The black lettering on the spine is nicely bright. The cover edges and corners are in very solid shape, no rubbing. The page edges look very good. The book is square and the spine is straight. The binding is very solid from cover to cover with nicely tight pages throughout and nicely tight covers as well. The interior of the book is in excellent condition. The inside covers and end papers are a textured light gray. They look very good, no soiling. The pages are exceptionally clean. There are two tiny, light tan spots on the half-title page. There is one tiny gray spot off the middle edge of one page, far from her photograph. I didn't find any other soiling (if you would even call either of those soiling) on any of the other pages. The pages are also free of any conspicuous wear. I didn't find any turned-down corners or placeholder creases. There is a tiny (1/4 inch), light crinkle off the top edge of the first seven pages. There are no tears on any of the book's pages. There are no markings in the book. There are no attachments of any kind. And Imogen Cunningham's signed inscription represents the only writing be found anywhere. The photographs are all in excellent condition. Her talent is on display throughout. Here are some of her subjects: Cary Grant, Joseph Sheridan, the Bruton Sisters, Marian Simpson, Upton Sinclair, Rebecca Hume, Amedee Ozenfant, Helena Mayer, Herbert Hoover, Gertrude Stein, Shen Yao, Lyonell Feininger, Morris Graves, David Park, Merce Cunningham, Ruth Asawa, Theodore Roethke, Anna Freud, Man Ray, August Sander, John Roeder, and Wynn Bullock. The Introduction by the photographer and critic Margery Mann runs twenty pages. The dust jacket presents nicely. I've had it in a fitted protective cover for all the years that I have owned the book. There is some toning at some of the edges, particularly on the rear cover adjacent to the top edge and the spine. The spine itself does not appear to be toned. There are also a few darkish spots. two off the top edge of the rear cover. There is a small (3/8th") tear off the top edge of the spine and one other small, thin tear (1/4") off the rear top edge. The large flaps look pretty much perfect, no soiling, no wear of any kind. The jacket is NOT price-clipped, not clipped at all. From the dust jacket: 'This book, the first full-length treatment of Imogen Cunningham's work, presents ninety-four of her finest photographs, dating from 1901 to 1970. Although she has photographed a variety of subjects, she is best known for her studies of individual plants and for her portraits. A portrait photographer, as she says, must be 'hung up on people,' and Margery Mann's warm and uninhibited Introduction shows this gifted artist as a woman of tremendous charm and unquenchable spirits. With Edward Weston, Ansell Adams, Paul Strand, and other photographers living in the San Francisco area she helped to change the direction of West Coast photography. The famous f/64 Group, which they founded, was dedicated to the honest, sharply defined image, rejecting the furry, soft-focus 'pictorialism' then in vogue.'. Inscribed by Author(s).

Condition: Good. Typed letter signed with envelope 11" x 8.5" on Morrie Camhi letterhead, Very Good. RE: Imogen Cunningham Photography Awards.

Condition: Good. Typed letter signed with envelope 11" x 8.5" on Beth Van Hoesen Adams letterhead, Very Good. RE: Imogen Cunningham Photography Awards.

Condition: Good. Typed letter signed 11" x 8.5" on Friends Of Imogen Cunningham letterhead, with illustrations and MS notes in margins. Very Good.

First edition. First edition. 126 pp [lx full page photographs]. 8vo. Photographer Judy Dater wrote and conducted the interviews that comprise this monograph in association with the Imogen Cunningham Trust. The dedication on the half title is to Adrian Wilson of the trust and to his wife Joyce Lancaster; "To Joyce + Adrien [sic] Two very special people- many thanks for all of your help and support. With love Judy 10-28-79" Gray cloth boards with gilt on spine; fine. Inscribed on half title. Dust jacket has some toning and light bumping at head of spine, else a near fine copy 126 pp [lx full page photographs]. 8vo.

Freud, Anna (1895-1982). Fine portrait photograph by Imogen Cunningham (1883-1976), with Freud's signature ("Anna Freud") in ink on the mount. Signed and dated by the photographer in pencil on the mount. San Francisco, 1957. 192 x 162 mm. (image); 291 x 245 mm. (mount). Cunningham's San Francisco studio label on the verso, with "Neg. No. 12" in pencil; reproduction rights stamp. Fine. Freud's daughter and intellectual heir, as captured by one of the foremost photographers of the 20th century. .