Dana Claxton (42 results)

hardcover. Condition: Good. Grade 2 out 5 points. Used books with this grade may have any of the following: Moderate wear on cover and pages, personalized notes/names, stickers/labels, markings on pages, bends/creases on cover/spine, ex-library markings. May not include extra materials such as dust jackets, access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business.…

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: New. New.

Hardcover. Condition: New. First Edition; First Printing. New unread pictorial hardback first edition. 160 pages, unmarked ; DD0719 OVR62-2; 4to 11" - 13" tall; 160 pages.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardcover without dustjacket as issued, 160 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very Good. No Dust Jacket. Light scuffing on pictorial boards.: 160 pages.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: new. Hardcover. Known for her expansive multidisciplinary approach to art making Vancouver-based Dana Claxton, who is Hunkpapa Lakota (Sioux), has investigated notions of Indigenous identity, beauty, gender and the body, as well as broader social and political issues through a practice which encompasses photography, film, video and performance. Rooted in contemporary art strategies, her practice critiques the representations of Indigenous people that circulate in art, literature and popular culture in general. In doing so, Claxton regularly combines Lakota traditions with "Western" influences, using a powerful and emotive "mix, meld and mash" approach to address the oppressive legacies of colonialism and to articulate Indigenous world views, histories and spirituality. This timely catalogue will be the first monograph to examine the full breadth and scope of Claxton's practice. It will be extensively illustrated and will include essays by Claxton's colleague Jaleh Mansoor, Associate Professor in the Department of Art History, Visual Art & Theory at the University of British Columbia; Monika Kin Gagnon, Professor in the Communications Department at Concordia University, who has followed Claxton's work for 25 years; Olivia Michiko Gagnon, a New Yorkbased scholar and doctoral student in Performance Studies; and Grant Arnold, Audain Curator of British Columbia Art at the Vancouver Art Gallery. Known for her expansive multidisciplinary approach to art making Vancouver-based Dana Claxton, who is Hunkpapa Lakota (Sioux), has investigated notions of Indigenous identity, beauty, gender and the body, as well as broader social and political issues through a practice which encompasses photography, film, video and performance. Rooted in contempor Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: Fine. Dust Jacket Condition: No Dust Jacket as Published. Limited. (CAD) The cover states "Edition 500" so it may indicate that there are ony 500 copies of this book. No markings, Fine; no dust jacket as published. Boards, black end papers, no page numbers, [about 90 pages with each leaf consisting of a sheet folded in half and bound to the spine side. The interior of the leaf is printed in a red colour). The book consists of B&W hotos takedn by Claxton in Paris from June 4 to 6, 2006. There are no captions nor text. (1.8 JM HOZ 401/a2 Size: 8vo - over 7¾" - 9¾".…

Hardcover. Condition: Fine. No Jacket as Issued. Limited Edition. Signed and dated by Dana Claxton on half title page:"Thanks for supporting ART [unreadable] Dana Claxton, 2017"; one of 500 copies published; a solid, clean copy with no marking or underlining; collectible condition; illustrated with black and white photographs "taken by Dana Claxton during trip to Paris, France from June4-6, 2006"; unpaginated. Photography by Dana Claxton (illustrator). Signed by Author(s).…

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: As New. 1st Edition. First edition, first printing. As new hardback issued without dust jacket, clean and unmarked.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardback or Cased Book. Condition: New. Dana Claxton. Book.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: new. Hardcover. This book consolidates our understanding of Dana Claxton's dominant and recurring themes-indigenous history, culture, beauty and spirituality. While Claxton's art often alludes to the destructive legacy of colonialism, it also celebrates the resurgence of First Nations' presence and contemporary identity. What emerges is an artist delivering works of ever greater power and conviction. With her expansive and genre-defying practice-photography, videos, mixed-media installations, text works, performances and curatorial work-she continues to critically reimagine the space of the gallery to be accessible for wider Indigenous audiences and to uphold new understandings of beauty.Dana Claxton has been unwavering in her dedication to her practice for over 25 years and continues to progress as an artist, creating sophisticated and poignant works that, as art historian Michelle La Flamme describes, "stimulate a much-needed dialogue on the power of the image, the role of the gaze, the importance of history, and the possibilities for articulating Aboriginal subjectivity." - Leila Timmins Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: new.

[978-1-77327-050-0] 2018. (hardcover) Near fine. 160pp. 4to. Published in conjuncion with the exhibition of the same name organized by the Vancouver Art Gallery, curated by Grant Arnold, Audain Curator of British Columbia Art, and presented from October 27, 2018 to February 3, 2019. There is a cut from a box cutter to one board. Otherwise, as new.…

Softcover, 92 pages, in English and French; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Brand New. 160 pages. 11.00x9.25x0.75 inches. In Stock.

Hardback. Condition: New.

Condition: New.

Condition: New. 2021. Hardcover. . . . . .

Condition: New.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New. Special order direct from the distributor.