Darrel Austin (20 results)

Paper. Condition: Good. Good paper copy ex. cat, 8 pp, 8 4/C illus, 2 B/W illus and 3 pp text.

Softcover. Condition: Very Good-. No Dust Jacket. There is some rubbing and soiling to the cover. The back cover has a couple of small stains. There is some light creasing. Someone drew a small boot on the back cover in ink.

Softcover, staple bound, 12 pages, very good condition; clean and crisp; no internal marks.

Softcover. White ill. wraps. 16 pp. Numerous color plates. Accompanied a 1990 exhibition. Includes an essay. VG- (Ex-gallery lib., small label at front cover, ink stamping and pencil marking at title page).

Stapled Card Stock. Condition: Good. No Jacket. First Edition. Moderately worn copy. 12 pages.

First Edition. First Edition. Catalog for the December 25, 1954 to January 29, 1955 exhibition at Perls Galleries, New York. 9 x 6 inches. Near Fine in saddle-stapled card wrappers.

Softcover, staple bound, 8 pages, very good condition; clean and crisp; no internal marks.

Softcover, staple bound, 8 pages, very good condition; clean and crisp; no internal marks.

Softcover, staple bound, 8 pages, very good condition; clean and crisp; no internal marks.

First Edition. First Edition. Catalog for the October 27 to November 21, 1959 exhibition at Perls Galleries, New York. 9 x 6 inches. Near Fine in saddle-stapled card wrappers.

First Edition. First Edition. Catalog for the November 28 to December 23, 1961 exhibition at Perls Galleries, New York. 6 x 9 inches. Near Fine in saddle-stapled card wrappers.

First Edition. First Edition. Catalog for the October 2-28, 1950 exhibition at Perls Galleries, New York. 6 x 9 inches. Near Fine overall in saddle-stapled card wrappers.

First Edition. First Edition. Catalog for the January 2 to February 2, 1957 exhibition at Perls Galleries, New York. 6 x 9 inches. Light toning to the extremities, else Near Fine in saddle-stapled card wrappers.

Condition: Good. NY 1955 first edition. Perls Galleries. oblong octavo wraps . Art exhibition catalogue. 14 paintings shown in monotone illus. Good Plus, light wear.

Condition: Good. 8vo. [Oblong] [12 pp.] Stapled Wraps, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Condition: Good. 8vo. [Oblong] [8 pp.] Stapled Wraps, Deckled Edges, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Condition: Good. 8vo. [8 pp.] Stapled Wraps, Deckled Edges, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Condition: Good. 8vo. [12 pp.] Stapled Wraps, Deckled Edges, Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.…

Condition: Good. 8vo. Oblong, Stapled Wraps 16 pp. Very Good. Color Plates. From the Peter Selz collection.

Ephemera. 1944 and 1945. Both catalogues: Single sheets folded in half; bw cover illus. with black lettering. 2 internal bw illus. Catalogue of 19 pastels from the exhibit of April 17 to May 20, 1944 and catalogue of 25 paintings exhibited from October 8 to November 3, 1945. Perls Galleries billed, on the back of both catalogues, works by Austin and many others, as "For the Young Collector" - Modern French and American Paintings, Water Colors, Drawings and Prints. Perls Galleries, originally located in New York City at 32 East 58 Street, was founded in 1937 by the German brothers Frank Richard Perls and Klaus G. Perls. Perls Galleries, New York, initially sold works by the French modernists Maurice Utrillo (18831955) and Raoul Dufy (18771953). After 1939, Klaus Perls ran the New York gallery with his wife Amelia (Dolly) Blumenthal. Perls Galleries specialized in African art, French modernism, and work by contemporary American artists. Darrel Austin is one of America's most unique artists. "Born in Raymond, Washington in 1907, he resided in New Fairfield Connecticut from the early 1940s until his death in 1994. Until his death, Austin was represented by Perls Galleries in New York City starting in 1940 and Harmon-Meek Gallery since 1964. Among contemporary American artists Darrel Austin has often been thought of as a loner in the sense that his work is unlike any art movement either during his lifetime or since. Austin has created a unique world, separate but similar to ours with its own particular landscape, its own sun and moon, its own beasts, and its own race of whimsical humanoid inhabitants." (Harmon-Meek Gallery). VG- with light shelf wear; no marks, chips, tears. …