Death by Moore, Signed (23 results)

Condition: Very Good. Signed Copy . Inscribed by author on front endpage.

Soft cover. Condition: Fine. Bright and crisp copy. Signed by the author on the title page. Signed by Author(s).

Hardcover. Condition: Collectible - Acceptable. Dust Jacket Condition: Fair. First Edition. Inscribed to previous owner and signed by the author in pen on title page. First edition by number code. Shelf wear on edges of dust jacket. Signed By Author.

Paperback. Condition: As New. Paperback. Cover shows very minor shelving wear, otherwise an unblemished copy. Signed by Author.; 100% Satisfaction Guaranteed! Ships same or next business day! Signed by Author.

Paperback. Condition: Very Good. Very Good. Gently used with NO markings in text; binding is tight. SIgned by author.Pasadena's finest independent new and used bookstore since 1992.

Hardcover. Condition: Good. 1st Edition. SIGNED by the author. Good copy with clean, unmarked text. Ex-library but with no exterior library markings on the dust jacket. The dust jacket has seen better days and has some color patching from where the spine label was removed but is still present. Signed by Author.

[24p] 7x8.5 inches, illustrated with block-print drawings, prose poetry, very good chapbook in stapled light-olive pictorial wraps signed by the author at the top left corner of the rear cover. previous owner's name to center of same. Laid in is a one page piece by the author entitled "Talks with Chester" (Chester's her dog) signed and dated 1/2008. Very good.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Blue boards with white titles to the spine. Clean pages. Firm binding. Jacket is not price clipped. Signed by the author to the title page. Professional seller. All pictures are of the actual book that is for sale. Books are dispatched in cardboard packaging and dust jackets are placed in removable protective covers. Signed By Author.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Blue boards with silver lettering to the spine. Clean pages. Firm unread binding. Signed by the author to the title page. Jacket is not price clipped. Professional seller. All pictures are of the actual book that is for sale. Books are dispatched in cardboard packaging and dust jackets are placed in removable protective covers. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Blue boards with silver titles to the spine. Clean pages. Firm binding. Jacket is not clipped. Signed by the author to the title page. Professional seller. All pictures are of the actual book that is for sale. Books are dispatched in cardboard packaging and dust jackets are placed in removable protective covers. Signed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Hard Cover. Condition: Near Fine, no inscriptions. Dust Jacket Condition: Near Fine, not price clipped. 1st UK Edition, First Printing. Signed by the author on the title page "Enjoy! Ian Moore". Signed by Author(s).

Hardcover. Condition: As New. Dust Jacket Condition: As New. First. As new condition. Signed 1st edition. Signed by Author.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. 1st Printing. Signed to the title page. Brand new copy. Signed by Author(s).

First edition, first print. Hardback. A 'Follet Valley' title. Book and dust jacket are in Fine condition. SIGNED by the author, without dedication, to the title page. Jacket fitted with a new removable clear cover. Securely packaged.

First edition, first print. Hardback. Book and dust jackt are in new Fine condition. A 'Follet Valley' title. SIGNED by the author to the title page, without dedication. Jacket fitted with a new removable clear cover. Securely packaged.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. 1st Printing. Signed to the title page. Unread copy. Signed by Author(s).

First edition, first print. Book is new in Fine condition. SIGNED and dated by the author to the title page without dedication. A 'Follett Valley' title. Jacket fitted with a new removable clear cover. Securely packaged.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine condition. Signed 1st edition. Signed by Author(s).

Condition: VG. Baltimore 1897 first edition. Cushing & Company. Hardcover. small octavo. Green cloth with gilt trim. 102p. **Signed by author in presentation to Cyrus A Stevens. VG . no dj. Hard-to-find in original first edition but especially a signed copy of this book is especially scarce.

Condition: Fair. Signed Copy . Book Good. No dust jacket. Signed/Inscribed by author on front endpage. (mystery, crime).

First Edition. Octavo, hardcover, lacking the dust jacket. Inscribed by Knight to front endpaper. Spine leaning, wear to corners and along spine including small tear to spine cloth, bit of staining to rear cover, very good. Signed.

Hardcover. Condition: Near Very Good. Limited Edition. Limited to 99 numbered signed copies. Book measures 26x20.5.cm. illustrated frontis, 34pp. Bound in original publishers wood-effect patterned paper boards, paper title label. Boards rubbed, wear loss on corners edges. Generally binding in good condition. Internally, pages clean. A good clean copy. Size: Quarto. Signed by Author.

SIGNED, LIMITED EDITION, no. 14 of 99. 4to, pp. 34, incl. b/w photographic frontis of Sava Botzaris' sculpture, 'Olive Moore', pasted to verso facing title page. Original wood-effect patterned paper boards, printed paper label to upper board. Bottom edge untrimmed. Printed on grey paper in black ink, first initial green. Slight bend to boards, wear to lower extremities, corners bruised, some darkening and cockling. Signed by Moore in black pen, in her minute hand, to limitation page. Else, clean, bright and tight. In the original delicate glassine dust-jacket (preserved by a second brown paper one, fashioned by PO, with hand-written title to spine): worn and torn. Near fine/ good-only Jisc LHD locates 7 copies (5 legal deposit libraries (except NLW/LGC), UoNottingham & Senate House Library). A rather glorious copy of this fragile and oddly attractive edition of Moore's meditation on D H Lawrence, which sold out almost immediately and within a year was "almost impossible to obtain." The elusive British author and journalist Olive Moore (pseud. of Miriam Constance Beaumont Vaughan; 1901-1979), described, variously, as an "enfant terrible of British literature," "a cross between Virginia Woolf and Djuna Barnes, but with a more biting wit," and, aptly for this title, "the female Lawrence," is perhaps best known for her sudden disappearance from the London literary scene from 1934. Recent scholarship, which has significantly swelled knowledge of her later life and work, reveals that "despite her rising success and notoriety as a novelist, Moore was clearly unhappy": "I feel on the verge of collapse; all day; I weep down streets, uncontrolled and unladylike," she wrote to the poet Rex Fairburn in 1932, the year her friends, Charles Lahr and Alec Bristow of the Red Lion Bookshop, published her Lawrence essay (Cavey, 2022). Lahr had known Lawrence well and Blue Moon Press had published the first unexpurgated edition of his final poetry collection Pansies three years earlier. 1932 saw a glut of Lawrence-related publications, the author having died in 1930. A marked departure from her earlier three novels (all published by Jarrolds), Further Reflections proved Moore's penultimate (literary) publication and was included in her final outing, the collection of pensées, The Apple is Bitten Again (Wishart, 1934), as she was "sick and tired of being quoted and plagiarised without acknowledgement". The striking photographic frontis featuring Sava Botzaris' sculpture of the author was also reproduced in The Apple Is Bitten Again (as well as being reused in the Dalkey Archive Press edition of Moore's Collected Writings (1992)). Moore had married the Serbian sculptor in 1924; they separated in the late 1930s and divorced sometime in the following decade. Sophie Cavey (2022) 'Olive Moore: A new biography' in Feminist Modernist Studies, 5:1, pp. 1-20.