Dictionary Musicians, Signed (4 results)

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Paper covers with a blue cloth spine. Limited and numbered edition, this being no. 18 of 30. Signed by author. Includes a note requesting "suggestions, corrections and/or additions". In Very Good condition throughout. Signed by Author(s).

Hardcover. Condition: Very Good. George Grove's signature tipped in on front pastedown of volume 1. In 5 volumes, no dust jackets but all very good condition with only minor wear and no signs of fading. 1927 edition. Signed by Author(s).

Gilt Cloth. Condition: Very Good Minus. Dust Jacket Condition: No Dj as Issued. Sir George Grove (illustrator). 3rd Edition. a rare early edition of the famous Dictionary of Music. original publisher in 4 thick 8vo volumes, revised after the 1877 1st and the 1889 2nd editions with additions. early Groves are rare. Original green cloth. almost OIive colored cloth, joints a tad frayed as usual. Note each volume is about 900 pages long. a masterpiece of musical scholarship with a bargain price. shipping is extra for North America and over seas, these are heavy volumes. Size: Royal 8vo. By the Owners. Hard Cover.

Grove`s Dictionary of Music and Musicians in Five Volumes 1929. Third Edition Edited By H. C. Colles, M. A. (Oxon.) THE third edition of Grove`s Dictionary of Music and Musicians makes an attempt to face a problem which has been accumulating for nearly fifty years. The original work was far more than a compendium of knowledge on a large number of sub jects; it gained its peculiar position of authority from the fact that each one of its larger articles embodied the considered opinion of its author and was stamped with his individuality both in its critical estimate and its literary expression. Initials at the end of each article placed responsibility on the contributor. Twenty five years later increased knowledge and the passage of time disproving prophecy made correction of innumerable details necessary in articles by authors no longer able to revise their own work. The Editor of the second edition devised the method of additions in square brackets in the text, thus on the whole preserving the integrity of the original while giving the reader the benefit of later research. To continue that method into a third edition, however, was hardly possible or desirable. Large numbers of such additions must confuse the issue, they do in fact destroy the integrity of the original and are bewildering to the reader who uses the Dictionary for purposes of reference. A more drastic method, therefore, seemed called for and has been adopted. Every article in the Dictionary has been reconsidered and its contents viewed as material to be accepted or rejected as the case may be, but in any case to be remodelled at discretion in accordance with a definite plan of arrangement. This, it must be admitted, has meant doing. a certain amount of violence to the prerogative of the individual contributor, but every practicable means of securing justice to his work has been adopted. The use of the word `revised` (rev.) after the author`s initials means that the article has been reshaped and generally shortened but not materially altered as regards the facts related and views expressed therein. The words with additions (with addns.) mean that facts of some importance in themselves but not making un tenable the original writer`s general thesis have been incorporated. Wherever these facts assume any large place in the revised article the initials of the new contributor have been added to indicate their source. Occasionally the word `abridged` is placed after the author`s initials as an indication that a fuller treatment of the subject by the same writer was contained in earlier editions. These pro visions apply to the great mass of articles of moderate length, both biographical and technical. The articles of the larger kind have been dealt with by other methods. A great many, even some by the most eminent among Sir George Grove`s contributors, have been replaced by new articles written by specialists of to-day. Others have been retained, but with substantial additions, in some cases amounting to supple mentary articles or sections signed by their authors` initials. Others, again, notably Sir George Grove`s own monumental articles on Beethoven, Mendelssohn and Schubert, have been revised principally by means of footnote annotations. Cross-headings and side-headings have been inserted to guide the eye of the reader in his search for a particular point, and the process of revision has included many other devices, serving to correlate the several parts of the Dictionary, and to avoid duplication of its matter. By these means space has been secured for the inclusion of a very large number of new names and subjects without greatly increasing the size of the work. The responsibility for the many decisions which the revision has involved must rest with the Editor, but in arriving at them he has had the benefit of an immense fund of helpful advice from many sources. The new contributors include many names everywhere recognised as among the first authorities of the day o.