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Digital Image Reality Affect by Strutt Daniel (14 results)
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Condition: As New. Unread book in perfect condition.
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Digital Image and Reality : Affect, Metaphysics and Post-cinema
Book 95 of 111: Film Culture in TransitionSeller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
US$ 68.91
US$ 20.14 shipping
Ships from United Kingdom to U.S.A.Quantity: 10 available
Add to basketCondition: New.
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Digital Image and Reality : Affect, Metaphysics and Post-cinema
Book 95 of 111: Film Culture in TransitionSeller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
US$ 69.31
US$ 20.14 shipping
Ships from United Kingdom to U.S.A.Quantity: 10 available
Add to basketCondition: As New. Unread book in perfect condition.
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The Digital Image and Reality: Affect, Metaphysics and Post-Cinema
Book 95 of 111: Film Culture in TransitionLanguage: English
Published by Taylor & Francis Ltd, 2025
ISBN 10: 1041187653 ISBN 13: 9781041187653
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
US$ 68.94
US$ 20.61 shipping
Ships from United Kingdom to U.S.A.Quantity: 1 available
Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
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The Digital Image and Reality : Affect, Metaphysics and Post-Cinema
Book 95 of 111: Film Culture in TransitionLanguage: English
Published by Taylor & Francis Ltd Dez 2025, 2025
ISBN 10: 1041187653 ISBN 13: 9781041187653
Taschenbuch. Condition: Neu. Neuware - The media technologies that surround and suffuse our everyday life profoundly affect our relation to reality. Philosophers since Plato and Aristotle have sought to understand the complex influence of apparently simple tools of expression on our understanding and experience of the world, time, space, materiality and energy. The Digital Image and Reality takes up this crucial philosophical task for our digital era. This rich yet accessible work argues that when new visual technologies arrive to represent and simulate reality, they give rise to nothing less than a radically different sensual image of the world. Through engaging with post-cinematic content and the new digital formats in which it appears, Strutt uncovers and explores how digital image-making is integral to emergent modes of metaphysical reflection - to speculative futurism, optimistic nihilism, and ethical plasticity. Ultimately, he prompts the reader to ask whether the impact of digital image processes might go even beyond our subjective consciousness of reality, towards the synthesis of objective actuality itself.
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The Digital Image and Reality: Affect, Metaphysics and Post-Cinema (Film Culture in Transition)
Book 41 of 111: Film Culture in TransitionUS$ 184.53
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The Digital Image and Reality: Affect, Metaphysics and Post-Cinema
Book 41 of 111: Film Culture in TransitionUS$ 182.89
US$ 56.88 shipping
Ships from Germany to U.S.A.Quantity: Over 20 available
Add to basketGebunden. Condition: New. Dan Strutt is a lecturer in the department of Media, Communications and Cultural Studies at Goldsmiths, University of London, where he teaches film theory and analysis alongside social, cultural and economic theory. Having worked on research projects with C.
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The Digital Image and Reality : Affect, Metaphysics and Post-Cinema
Book 41 of 111: Film Culture in TransitionLanguage: English
Published by Taylor & Francis Sep 2019, 2019
ISBN 10: 9462987130 ISBN 13: 9789462987135
Buch. Condition: Neu. Neuware - The media technologies that surround and suffuse our everyday life profoundly affect our relation to reality. Philosophers since Plato and Aristotle have sought to understand the complex influence of apparently simple tools of expression on our understanding and experience of the world, time, space, materiality and energy. The Digital Image and Reality takes up this crucial philosophical task for our digital era. This rich yet accessible work argues that when new visual technologies arrive to represent and simulate reality, they give rise to nothing less than a radically different sensual image of the world. Through engaging with post-cinematic content and the new digital formats in which it appears, Strutt uncovers and explores how digital image-making is integral to emergent modes of metaphysical reflection - to speculative futurism, optimistic nihilism, and ethical plasticity. Ultimately, he prompts the reader to ask whether the impact of digital image processes might go even beyond our subjective consciousness of reality, towards the synthesis of objective actuality itself.
