Early Romantic Opera (39 results)

Condition: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0824029046. …

Condition: Good. Volume 1-2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2500grams, ISBN:0824029240.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: new.

Condition: New. 2026. hardcover. . . . . .

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Near Fine. No Jacket. Garland Publishing, Inc.; 1 edition (1978). Opera in 3 acts. "First performance: Paris, Theatre Feydeau, July 18, 1791." French words. Facsimile of the 1791 ed. published by J.H. Naderman, Paris (Red cloth. Gilt spine title}. Exlibrary copy. No wear. Clean unmarked. Looks as New Unused book. 12.2"x9.1"X1.4". abe75310. For International and/or Expedited shipping contact seller.…

Condition: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: Good. Volume 1-2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2500grams, ISBN:0824029267.…

Hardback. Condition: New. An interdisciplinary study of how early nineteenth-century science and opera articulated a transnational romantic vision of harmony between self and nature, and how this ideal gave way to mid-century realism and social conflict.The end of the Napoleonic era ushered in a transnational outlook for Europe, where the traditional boundaries that separated people, ideas and things were blurred in favour of a unified and cosmopolitan vision for society. The result of this shift created a 'romantic vision', a new way to perceive the imagined potential of the self in correspondence with the infinite reality of the natural world. Early nineteenth-century scientists such as Alexander von Humboldt (earth sciences), Franz Anton Mesmer (mesmerism), Johann Wilhelm Ritter (galvanism) and Frédéric Dubois d'Amiens (hysteria) are explored in this context to see how the romantic vision was reflected in their work and received by society. Seeing opera as a confluence of all the arts and encompassing a similar romantic vision, this book examines three paradigmatic operas that contend with the forces of nature: Weber's Der Freischütz (1821), Meyerbeer's Robert le diable (1831) and Donizetti's Lucia di Lammermoor (1835). In these three highly successful works from separate operatic traditions, the unseen, inner world of nature reveals a wholeness of the self with the divine, showcasing a healthy optimism for society.The book concludes by discussing Gounod's Faust (1859), a work that highlights the struggle of an early-16th-century scientist and places it against the context of the social revolutions of 1848 and the seminal publication of Charles Darwin's The Origin of Species in 1859. In this post-1850 era, the potential of the unseen reality of nature is cast aside and replaced with the certainty of the everyday-the violence of man against man, the struggle for power and the destruction of nature itself.…

Hardcover. Condition: Near Fine. Garland Publishing, Inc.; 1 edition (1978). Hardcover (Red cloth. Gilt spine title}. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.2"x9.25"X1.25". be75312. For International and/or Expedited shipping contact seller.

Hardcover. Condition: Near Fine. No Jacket. Garland Publishing, Inc.; 1 edition (1980). Hardcover (Red cloth. Gilt title on the spine}. Exlibrary copy. No wear. Clean unmarked. Looks as never used. NEARFINE. 12.2"x9.2"X1.2". be75314. For International and/or Expedited shipping contact seller.

Hardcover. Condition: Near Fine. No Jacket. Garland Publishing, Inc.; 1 edition (1978). Hardcover (Red cloth. Gilt title on the spine}. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.2"x9.1"X1.2". be75311. For International and/or Expedited shipping contact seller.

Hardcover. Condition: Near Fine. No Jacket. Garland Publishing, Inc.; 1 edition (1979). Hardcover (Red cloth. Gilt spine title}. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.2"x9.2"X1.2". be75315. For International and/or Expedited shipping contact seller.

Hardcover. Condition: Near Fine. No Jacket. Garland Publishing, Inc.; 1 edition (1980). Hardcover (Red cloth. Gilt title on the spine}. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.2"x9.1"X1.5". be75312. For International and/or Expedited shipping contact seller.

Hardcover. Condition: Brand New. 208 pages. 9.21x6.14x9.21 inches. In Stock.

Hardcover. Condition: Near Fine. TWO VOLUMES SET. Garland Publishing, Inc. (1982). Hardcover (Red cloth. Gilt title on the spine}. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.1"x9.25". be75296. For International and/or Expedited shipping contact seller.

Hardback. Condition: New. An interdisciplinary study of how early nineteenth-century science and opera articulated a transnational romantic vision of harmony between self and nature, and how this ideal gave way to mid-century realism and social conflict.The end of the Napoleonic era ushered in a transnational outlook for Europe, where the traditional boundaries that separated people, ideas and things were blurred in favour of a unified and cosmopolitan vision for society. The result of this shift created a 'romantic vision', a new way to perceive the imagined potential of the self in correspondence with the infinite reality of the natural world. Early nineteenth-century scientists such as Alexander von Humboldt (earth sciences), Franz Anton Mesmer (mesmerism), Johann Wilhelm Ritter (galvanism) and Frédéric Dubois d'Amiens (hysteria) are explored in this context to see how the romantic vision was reflected in their work and received by society. Seeing opera as a confluence of all the arts and encompassing a similar romantic vision, this book examines three paradigmatic operas that contend with the forces of nature: Weber's Der Freischütz (1821), Meyerbeer's Robert le diable (1831) and Donizetti's Lucia di Lammermoor (1835). In these three highly successful works from separate operatic traditions, the unseen, inner world of nature reveals a wholeness of the self with the divine, showcasing a healthy optimism for society.The book concludes by discussing Gounod's Faust (1859), a work that highlights the struggle of an early-16th-century scientist and places it against the context of the social revolutions of 1848 and the seminal publication of Charles Darwin's The Origin of Species in 1859. In this post-1850 era, the potential of the unseen reality of nature is cast aside and replaced with the certainty of the everyday-the violence of man against man, the struggle for power and the destruction of nature itself.…

Hardcover. Condition: Near Fine. No Jacket. TWO VOLUMES SET. Garland Publishing, Inc. (1980). Hardcover (Red cloth. Gilt spine title}. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.2"x9.2". be75307. For International and/or Expedited shipping contact seller.

Hardcover. Condition: Near Fine. No Jacket. TWO VOLUMES SET. Garland Publishing, Inc. (1978). Hardcover (Red cloth. Gilt spine title). Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.2"x9.1". be75305. For International and/or Expedited shipping contact seller.

Hardcover. Condition: Near Fine. No Jacket. SECOND VOLUME ONLY. Garland Publishing, Inc. (1980). Hardcover (Red cloth. Gilt spine title) . Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.2 ."x9.2"x0.8". be75405. For International and/or Expedited shipping contact seller.

Hardcover. Condition: Good+. Large oblong red hardback covers. Shelf wear and rubbing to the spine edges and corners. The pages are clean and tightly bound. A scarce title. Includes photographic facsimiles of these original scores of these classic operatic works.

paperback. Condition: Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Pub Date: Unknown in Publisher: Unknown Idiot the bridal chamber Merry emperor hanging autumn Hei Hu not return the the Guangxu Zhu Mu Hui Zhao generation TianJiao 7 dramaFour Satisfaction guaranteed,or money back.…

Hardcover. Condition: Near Fine. No Jacket. TWO VOLUMES SET. Garland Publishing, Inc. (1980). Hardcover (Red cloth. Gilt spine title}. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.2"x9.1". be75299. For International and/or Expedited shipping contact selle.

qu-fol. ca. 400 S. OLn. Einband gering berieben und bestoßen, Bibliotheksdoublette (gestempelt, ausgesondert).

Hardcover. Condition: Near Fine. No Jacket. TWO VOLUMES SET. Garland Publishing, Inc. (1981). Hardcover (Red cloth. Gilt title on the spine}. Exlibrary copy. No wear. Clean unmarked. Looks as never used. VERYGOOD+. 12.3"x9.25". be75295. For International and/or Expedited shipping contact seller.