Edward Corbett: Signed (2 results)
More imagesPublished by San Francisco Museum of Art 1969
- Softcover
- First Edition
- Signed
Seller: Moe's Books, Berkeley, CA, U.S.A.Moe's Books
Contact seller4-star sellerCondition: Used - Very good
US$ 200.00
US$ 6.50 shippingShips within U.S.A.Quantity: 1 available
Softcover. Condition: Very good. No jacket. Inscribed by Corbett to artist Richard Diebenkorn inside the front cover. Diebenkorn also wrote his name on the title page. Covers shelfworn. Small bar code label from the Richard Diebenkorn Foundation on the last page.
Published by San Francisco: Collectors Press . 1967
- Signed
- Manuscript
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Used - Good
US$ 200.00
US$ 10.00 shippingShips within U.S.A.Quantity: 1 available
Condition: Good. 2 pages, partially handwritten. Signed in ink by artist and printer.Collectors Press no. 107Corbett exhibited at a gallery in Monterey, sent his canvases off to the San Francisco Art Annual and taught first at San Francisco State Teachers College and then at the San Francisco School of Fine Art. But he was still… having a hard time figuring out how to paint.Most of the art activity of the era apparently left him cold. On the international scene, Picasso was turning out instant masterpieces between breakfast and lunch--but Corbett was not a fan. On the other hand, the American social realists, clinging to an outworn style, provided no inspiration.Corbett also hated the dinky little School of Paris still lifes that were pouring out of Europe. The idea of exploring psychological states or archetypal myths through art didn't appeal to him, either. Despite his broodings about the corrupt state of society, he recoiled from unpretty subjects. ("There is enough ugliness and neurosis in the world without putting it down on canvas," he once told his students.)In a few years, he would voice his discomfort with Action Painting, the leading style of Jackson Pollock, Franz Kline and others, championed in New York by critic Harold Rosenberg.Provenance: Estate of Ernest F. De Soto.
