Egon Schiele, Signed (16 results)

27 SS. Mit 31 Abbildungen von original- und druckgraphischen Arbeiten. Obrosch. Mit 5zeiliger Widmung des Verfassers a.d. Vortitelblatt. - Kapitale und Umschlag etwas bestoßen.

Cloth. Condition: Very Good. Dust Jacket Condition: Good/Very Good. First Edition. Inscribed by the author on the fep. A bright firm book in a slightly worn dj Size: 4to - over 9¾" - 12" tall. Iinscribed by author.

Softcover. Condition: sieheBeschreibung. Zeichnungen und Aquarelle. Br. 142 S. 4° Sehr gut erhalten, vom Autor signiert. Deutsch broschiert/Taschenbuch. Signatur des Verfassers.

Hardcover. Condition: Very Good. Inscribed by Author(s).

31 S., 1 Bl. mit zahlr. großteils farb. Abb. im Text und auf Tafeln. Erste Ausgabe dieser reich illustrierten Monographie mit mehrzeiliger eigenhändiger signierter Widmung der Autorin am Titel. - Englischer Text. - Etw. gebräunt. *** *** Copyright: Matthaeus TRUPPE Buchhandlung & Antiquariat - Stubenberggasse 7 - A-8010 Graz - ++43 (0)316 - 829552 *** *** Sprache: Englisch Gewicht in Gramm: 600 Kl.-4°. OKart. (kl. Gebrssprn., leicht gebräunt).

Hardcover without dustjacket as issued, 42 pages; very good condition; clean and crisp; inscribed to Paul [Bridgewater] and signed by "John" [Kelly] at bottom of first blank page; no other internal marks. Folded advertisement for the performance laid in. Foreign shipping may be extra.

Softcover/Paperback. 335 Seiten, reich bebildert. ; 29 cm In einem guten Erhaltungszustand, mit nur sehr geringfügigen Gebrauchsspuren. Diese Ausgabe wurde vom Autoren, Rudolf Leopold signiert. B6/29 Sprache: Deutsch Gewicht in Gramm: 2286.

Hardcover. Condition: Gut. einige (illustrator). kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Leinen - Gewicht: 528 - Illust.: einige - Zustand: Gut - Signiert, Schutzumschlag eingerissen, berieben.

Softcover. Condition: Sehr gut. 1. Auflage. Außen wie Innen einwandfrei Erste Seite mit Widmung: "Für Barbara herzlichst am 1.August 2012 Thomas" Anzunehmen es handelt sich dabei um den Autor Johann Thomas Ambrózy Format: 30 x 21 cm Seiten: 268. Signatur des Verfassers.

Condition: Good. Wraps. 9.5 x 15 cm, 18 illus. Presentation copy from the author to Herschel Chipp.

4°, Original - Pappband. 177 S., mit 120 Abb. Rücken und Deckeln etwas berieben und bestoßen. Ansonsten sauberes und gut erhaltenes Exemplar. Texte in deutscher und japanischer Sprache. Vortitel mit eh. Widmung von Leopold. ****An unsere Kunden in Deutschland: Versand nach Deutschland einmal in der Woche ab Freilassing mit der Deutschen Post.*** - Sprache: Deutsch Gewicht in Gramm: 1400.

First Edition, First Printing. Text in German. Signed and inscribed by the author Wolfgang Georg Fischer to Billy Wilder, the great film director and noted modern art collector, with a long inscription in German on the title page which translates as ÒFor Billy Wilder, a warm dedication, along with my best wishes for the New Year 1995, convinced that the new perspective can create a new world (cf. page 47, A BirdÕs Eye View of the World [title of the bookÕs chapter]) - Wolfgang Georg Fischer, London, January 12, 1995.Ó Additionally, laid in is a lond two page Typed Letter Signed written in German from Fischer to Wilder talking about the book and discussing at length various tribute efforts for the German poet Else Lasker-Schuler. With a complete translation of the later into English included. Near fine copy. Wilder owned original art by Egon Schiele. In 1989, Wilder decided to auction a portion of his art collection which brought 32.6 million dollars. 200 pages extensively illustrated in color. Paperbound in stiff wrappers.

Folio. 12 collotypes plus title-page (inscribed and signed), table of contents with edition notice (signed), and introduction. Loose as issued within printed half-cloth portfolio. (With): 7 letters from Lányi to Schiele, February-August 1917. 13½ pp. The only set of reproductions of Schiele drawings issued during the artist's lifetime and under his supervision: an unnumbered proof copy inscribed by the 26-year-old Schiele to his 24-year-old wife Edith (née Harms) and signed with his monogram. The inscription reads: "Der Maler ist noch nicht der Künstler, - / Es ist der Geist der Kunst geschaffen hat. / zum 30. Mai 1917 / meiner lieben Frau" ("The painter is not quite the artist - it is the spirit that created art. For my dear wife on 30 May 1917"). Poignantly, Edith would succumb to the Spanish flu just over a year later, six months pregnant, followed three days later by Schiele himself. - The portfolio is accompanied by seven letters by the publisher Richard Lányi (1884-1942) to Schiele. In them Lányi urges Schiele to design the title-page himself and encloses a two-page diagram suggesting the layout. He recommends that two identical portfolios should be brought out, one for Schiele's drawings and a second for paintings (the latter was not realised, probably due to Schiele's untimely death). On 26 May 1917 he sends Schiele the "430 (or 435)" title-pages with instructions on numbering them: "Bitte No. 1-400 zu numerieren, den Rest bitte statt der Nummer mit 'Probedruck' zu bezeichnen". Schiele appears to have completed this task on May 30th, when he inscribed the present supernumerary proof copy to his wife. - The introduction page was later signed and inscribed by the writer and critic Leopold Liegler (1882-1949), a friend of Lányi and Karl Kraus, identifying himself as the author of this text: "Diese Einleitung wurde von mir auf Wunsch des Verlegers verfasst" (Vienna, 17 November 1942). - Bolliger, Dokumentations-Bibliothek IV, 489.

Hardcover. Condition: Fine. Large Folio 42 by 63 cms. Egon Schiele in prison. 10 facsimile sheets based on originals from the Albertina Graphic Collection. Graz/Austria, 1990. Unpaginated. [36 pp] Original pale green black edged textured boards lettered in black and white. Signed 'In order to remember your visit to Tullen C N Nebehay' with his loosely inserted printed visiting card. The 10 highly attractive colour prints are tipped in and mostly measure about 45 by 30 cms. One of the prints is supplied twice, one loosely inserted at rear, a classic Schiele image of a chair and a jug. Faint foxing to the front endaper o/w fine. Excellent condition. Signedes.

SCHIELE - Gr.-8°. 57(1) S. Mit 1 mont., photogr. Front. OHPergaminband m. goldgepr. Rücken- u. Deckeltitel. Goldauflage stellenw. abgelöst, Rücken rissig und an beiden Kapitalen lädiert, Ecken bestoßen, im Falz angeplatz. - Beiliegend: montierter Zeitungsausschnitt (Schiele auf dem Totenbett, fotografiert von Martha Fein). Nr. 28 von 100 Exemplaren einer Vorzugsausgabe auf Japan-Dokumentpapier gedruckt, handschriftlich nummeriert u. vom Herausgeber im Impressum signiert.

Medium: Oil An oil on wood particle board painting by American artist E.K. Buckley from early 2000 measuring approximately 48 x 24 inches. Although unsigned it is unquestionably the work of this talented artist. Shipped professionally and insured. Thanks for looking.E.K. Buckley grew up outside of Chicago in Park Ridge. She graduated from the University of Kansas in Lawrence and later attended the Pallet &amp Chisel School of Fine Arts back in Chicago. She rented a studio in 1999 in Chicago's Flat Iron building where she connected with the artists that would lead to CHARCOLL [the chicago artists?? collective]. CHARCOLL [the chicago artists?? collective] was founded by E.K. Buckley &amp Chris Johnson in 2000 to centralize web presence and network DIY artists interested in showing outside of the conventional gallery scene. They produced back to back monthly shows in 2004 to spark interest in the growing Pilsen local artists?? movement and since have branched out to exhibit with their small group in Chicago and abroad. Buckley and Johnson founded the Chicago Artists' Collective in early 2000. CHARCOLL began with David Moskow, Jojo Baby, Sarah Beckstrom, Karen Gagich and other Flat Iron artists. Buckley found spaces and produced shows, while her partner Chris Johnson created this website to get their work online and promote the events. Buckley and Johnson ran it themselves until a large space opened up in the Chicago arts neighborhood, Pilsen.In 2004 CHARCOLL ran back to back shows in the donated Pilsen warehouse space on Halsted's gallery stretch. CHARCOLL became a close collaboration led by Buckley and her husband, Chris Johnson with directors Zsofia Otvos, Clara Batton Smith and Melissa Kolbusz. These core artists produced shows that exhibited up to thirty artists and performers at a time, and they continued to work together through 2007. In 2007, Buckley moved to Brooklyn and handed CHARCOLL operations in Chicago to Zsofia Otvos while she organizes the fall exhibition for the group in the Red Hook neighborhood of Brooklyn.Although primarily an oil painter, she also works in charcoal, pastel, photography, music, video and creative writing. Heavily influenced by Francis Bacon, Jose Saramago, Egon Scheile, Willem De Kooning, Richard Mastroleonardo and David Lynch, Buckley believes art must tap into the personal images that lie in the collective unconscious. She describes much of her work as stained glass windows in her imaginary cathedral or library of saints. Source: charcolldotcom On Jun-12-11 at 16:02:34 PDT, seller added the following information: Sellers: Get your own map of past buyers. Fast. Simple. Region of Origin: US Size Type: Large (Greater than 30in.).