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Published by John Tallis & Company, London & New York
Seller: Librería Raíces, Alicante, Spain
Art / Print / Poster
Lámina. Condition: Bueno. From the Original Design by Hogarth/ Engraved by W. Radelyffe/ Medidas del grabado 15x12 Size: 27x20.5. Grabado.
Published by John Tallis & Company, London & New York
Seller: Librería Raíces, Alicante, Spain
Art / Print / Poster
Lámina. Condition: Bueno. From the Original Design by Hogarth/ W. Hogarth/ Medidas del grabado 15x12 Size: 27x20.5. Grabado.
Published by Folio Society, London, 1950
Seller: Hand Picked Books, London, United Kingdom
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. William Hogarth (illustrator). 1st Edition. Decorated boards. Tight binding. Clean pages, some foxing to end papers and text block. Jacket slight foxing, otherwise excellent, in protective sleeve.
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1730 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 241 Volume 2 Language: English.
Published by William Hogarth und seine Zeit oder London im 18. Jahrhundert Blatt 4, aus, 1850
Seller: ANTIQUARIAT H. EPPLER, Karlsruhe, Germany
Art / Print / Poster
34x26cm um 1850. Blatt gering fleckig, oben kl. Einrisse, gerahmt bestimmt nett anzuschauen. Sprache: Englisch,
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1730 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 297 Language: English.
Published by Rieger, Stuttgart, 1857
Seller: Antiquariat Kastanienhof, Pirna, Germany
Softcover. Condition: Gut. 12,2 x 15,2 cm Grafik, Papier altersbedingt etwas gebräunt, sonst GUTES EXEMPLAR---Blattgröße: 15,5 x 23 cm. , 1 Seiten. nein.
Published by Göttingen, Dieterichsche Buchhandlung um 1850., 1850
Seller: Plesse Antiquariat Minzloff, Bovenden, Germany
Art / Print / Poster
2 Blatt, gestochen von E. Riepenhausen. Schöner kräftiger Abzug mit breitem Rand. Blatt 1 mit wenigen Braunflecken. - 1756 brach der Siebenjährige Krieg aus, der für England den Kampf gegen Frankreich und um die Kolonien bedeutete. Man registrierte französische Truppenbewegungen an der Kanalküste. Eine Invasion schien bevorzustehen und war jedenfalls der Inhalt vieler Gerüchte. In dieser Situation entstanden die beiden Radierungen als Propaganda im Interesse des eigenen Landes. Sie instrumentalisierten in passender schwarz- weiß Manier alte Vorurteile. Sprache: Deutsch Gewicht in Gramm: 1000 Plattengröße ca. 21 : 24 cm, Blattgröße 28 : 38,5 cm. Stich aus: Hogarths Werke in verkleinerten aber vollständigen Copien. Neue Ausgabe von H. Loedel. Tafel 39 und 40.
Publication Date: 1833
Seller: K Books Ltd ABA ILAB, York, YORKS, United Kingdom
Book
No Binding. Condition: Very Good. Hogarth (illustrator). A pair of original antique prints, engraved by T Phillibrown and C Armstrong, from the paintings by Hogarth. Mounted (matted) and ready to frame . Very good condition .
Published by The Johns Hopkins University Press, Baltimore, MD, 2003
ISBN 10: 0801873916ISBN 13: 9780801873911
Seller: The Print Room, Lilley nr Luton, United Kingdom
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Jacket after William Hogarth (illustrator). 1st Edition. First edition, first impression with full number line. Some slight edge wear to top and bottom of jacket and spine, corners very slightly rubbed, not price clipped (no published price), no inscriptions, internally clean tight and square, overall a vg+ copy. 418pp, illustrated. In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or the Church of England. In 'Hogarth's Harlot' Professor Ronald Paulson explains this absence of official censure through a detailed examination of the parameters of blasphemy in eighteenth century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. Discerning a profound spiritual and cultural shift from atonement and personal salvation to redemption, incarnation, and acts of charity and love, Paulson focuses on such influential factors as English anti popery and anti Jacobitism, as well as the ideas of the English Enlightenment. Offering imaginative and deeply informed readings of a wide range of artistic works, engravings by Hogarth, poems by Milton, Pope, Christopher Smart and Blake, plays by Nicholas Rowe and George Lillo, paintings and sculptures by Benjamin West, John Zoffany, Joseph Wright of Derby, and Louis François Roubiliac, and oratorios by George Frederic Handel, Paulson explores the significance of the medium in which artists produced 'sacred parody' and how these works both reflected and influenced attitudes toward the nature of Christianity in England. As England's faithful began to worry less about everlasting felicity in heaven and more about life on earth, these diverse artists provided them with new ways of thinking about both their spiritual and their social existence. Quite a scarce book.
Publication Date: 1797
Seller: BALAGUÉ LLIBRERÍA ANTIQUÀRIA, Santa Coloma de Farners, GIRON, Spain
Art / Print / Poster
Sin Encuadernar. Condition: Bien. Grabado por T. Cook, dibujado por W. Hogarth. London, Published by G. G. & J. Robinson, 1797. Original de la época. 58 x 43 cm. Papel algo oscurecido por los vértices.
Published by Baldwin, Cradock and Joy, London, 1822
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
Engraving. Image measures 12.5 x 15 1/8". Sheet measures 17.5 x 23". Often referred to as the French and Indian War (1756-1763), the otherwise-known Seven Years War reignited British concerns of a French invasion, as well as a culturally-ingrained anti-French feeling among the populace. With his usual skill for satirical detail, Hogarth allows us to gain the British perspective of a war so often only considered an American conflict. This print and its companion piece "France" illustrate the stark contrasts between the French and their significantly better-off adversaries, the English. Here, we glimpse at the patriotism of British citizens who are lining up to join the cause against France. This is in contrast to Hogarth's depiction of the poor hungry peasants who are chained and forced into the service across the channel. One man even stands on his tip-toes to meet the height requirements for the British army. A small crowd gathers around a caricature of King Louis XV who is made to curse the British for their naval victories. The robust nature of Hogarth's British people serves as an additional reminder of the superiority of Britain's constitutional monarchy and prosperity. This plate was reissued in an 1822 publication The Works of William Hogarth by Baldwin, Cradock and Joy ho purchased the original copper-plates in 1818 from the Boydell sale who had in turn bought the plates from Hogarth's widow. This edition is unique because these were the last prints to be made from the original plates and were restored by the royal engraver, James Heath. The print is in very good condition with deluxe margins. Minor wear to margins not affecting the image. William Hogarth (1697-1764) is considered by many scholars and print enthusiasts as the grandfather of English graphic satire, but he was also an accomplished oil painter, portraitist, engraver, and draughtsman. Hogarth mastered the art of depicting human nature and all of its hypocrisies in society with graphic satire. The universality of his humor and the all-too-human characters featured in his works make Hogarth's satires remarkable. This print represents the epitome of Hogarth's skills as an artist and as a conscientious observer of humanity.
Published by The Whole Works of the Celebrated William Hogarth. 1806., 1806
Seller: Peter Harrington. ABA/ ILAB., London, United Kingdom
Two fantastic prints depicting the Invasion of France and England. " The Invasion" represents one of William Hogarth's most didactic sets of engravings. Created at the beginning of the French and Indian War (also termed the Seven Year's War) an invasion from France seemed probable. William Hogarth thus used this pair of engravings to boost public morale. Copper engraving. Uncoloured. Good condition. Watermarks at the margins and top left and right corners, slightly affecting the image. Size: 39.6 x 33.9 cm. (15½ x 13½ inches).
Published by Hogarth., London., 1756
Seller: Asia Bookroom ANZAAB/ILAB, Canberra, ACT, Australia
Etching and engraving 31.8 × 37cm on paper 46.4 × 62.2 plate-mark 36.2 × 41.1 cm. and twelve-line verse caption. An eighteenth century reprint in fine condition. A propaganda print initially executed at the outbreak of the Seven Years War in 1756. In response to a feared invasion of England by France, Hogarth completed two views one of England and one of France to show the comparative state of affairs in the two countries. Each was accompanied by twelve lines of verse penned by Hogarth's friend and the greatest actor of the age, David Garrick. The prints differed from others of the time by their show of morale and optimism in a social climate that was decidedly panicked and defeatist.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Two prints depicting the Invasion of France and England. Size of page: 23,5 x 29 cm. ( 9,5 x 11,5 inch). On strong paper. Hogarth pinxt . / T. Cook sculp. / Published by Longman, Hurst, Rees & Orme, July 1st. 1807 . Druckgrafik.
Published by London: Baldwin and Cradock, circa 1838., 1838
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Engraving on thick woven paper. 13 1/2 inches x 17 1/4 inches. Paulson Print No. 180. Good condition, some foxing. Printed from the original plates.
Published by The Whole Works of the Celebrated William Hogarth. 1806., 1806
Seller: Peter Harrington. ABA/ ILAB., London, United Kingdom
Two fantastic prints depicting the Invasion of France and England. " The Invasion" represents one of William Hogarth's most didactic sets of engravings. Created at the beginning of the French and Indian War (also termed the Seven Year's War) an invasion from France seemed probable. William Hogarth thus used this pair of engravings to boost public morale. Copper engraving. Uncoloured. Good condition. 2 closed tears to bottom margin on England plate Size: 39.6 x 33.9 cm. (15½ x 13½ inches).
Published by The Whole Works of the Celebrated William Hogarth. 1806., 1806
Seller: Peter Harrington. ABA/ ILAB., London, United Kingdom
Two fantastic prints depicting the Invasion of France and England. " The Invasion" represents one of William Hogarth's most didactic sets of engravings. Created at the beginning of the French and Indian War (also termed the Seven Year's War) an invasion from France seemed probable. William Hogarth thus used this pair of engravings to boost public morale. Copper engraving. Uncoloured. Very good condition. Size: 39.6 x 33.9 cm. (15½ x 13½ inches).
Seller: Libreria Oreste Gozzini snc, Firenze, FI, Italy
[S.l., fine XVIII sec. - primi del XIX sec.] coppia di incisioni in rame all'acquaforte: France: mm. 320x394 (l'impronta della lastra), mm. 466x638 (il foglio); England: mm. 320x390 (l'impronta della lastra), mm. 468x637 (il foglio). Ottime condizioni, con amplissimi margini. Ambedue le incisioni sono dai rami originali, nel terzo ed ultimo stato descritto da Paulson (Hogarth's Graphic Works, ed. del 1965, nn. 202 e 203). Firmate in lastra: design'd & etch'd by W.m Hogath. Sappiamo che i rami originali di Hogarth furono usati l'ultima volta nell'edizione delle incisioni curata da Heath nel 1822; in questo caso furono stampati su "wove paper". Nelle incisioni qui messe in vendita, la carta, sebbene molto spessa, lascia intravedere filoni e vergelle: dovrebbe quindi trattarsi d'una tiratura antecedente a quella curata da Heath nel 1822. La coppia:
Published by London: Baldwin, Craddock and Joy., 1822
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Two engravings on two pages of Whatman paper. 11 1/2 inches x 18 inches and 11 1/2 inches x 14 3/4 inches. Paulson Print Nos. 202 and 203. Good condition, some foxing. Printed from the original plates.
Publication Date: 1749
Seller: L'Estampe Originale ABAA/ILAB-LILA, Saratoga, CA, U.S.A.
none. Dust Jacket Condition: none. HOGARTH, WILLIAM (illustrator). Unknown. 1749. Engraving. Paulson 180ii/ii. Image: 13à ¾ x 17à ¼. With large margins. Hogarth appears on the left with sketchbook in hand. A satirical view of the English Gate at Calais, lampooning the French for their devotion to fashion and the Roman Catholic Faith. Hogarth had visited Calais in 1748,