Evergood Years, Signed (6 results)

Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. Boldly signed by artist Philip Evergood on front free endpaper, dated 1946 (the 'P' is a full 2 inches in height). A Good copy of the first edition hardcover in jacket (wear to edges of boards with chip to top of spine; jacket rubbed with chip to top of spine and some soiling, separating at front flap fold).108pp Half-title: Philip Evergood. Foreword by Herman Baron; essay by Oliver Larkin. Notable for the 2 tipped-in color plates, plus statement by the artist. Over 60 Color & b/w Illustrations.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Bound in pale blue boards, generally in very good condition. With an inscription from the artist to George Perret who was a NYC art dealer. He wrote the foreword to a book related to Philip as photographed. The jacket shows some soiling and minor edgewear. Inscribed by Author(s).

Condition: Collectible. Limited/Numbered/Signed/First. nFINE. Pale blue boards. The limited edition was restricted to 150 copies. Opposite the title page is an original frontis color etching of a miner - pencil signed and numbered 141/150. Evergood was based in NYC having studied in Paris. Discovered by the great art collector Joseph Hirshhorn, he worked in oils, sculpture, etchings and lithography, having studied with both André Lhote and Stanley William Hayter. His works have been highly sought after since then and examples can be found in the collections of America's most renowned museums. Scarce nFINE copy. Very desirable/collectible book with signed etching. [B13]. Signed by Author/Artist.

Hardcover. Condition: Very Good. No Jacket. LIMITED EDITION. (New York). (Aca Gallery). (1946). Square 4to. LIMITED SIGNED EDITION, one of 150 copies with signed and numbered frontis. Additionally inscribed. Lean to spine. Toning to edges of text block. Tearing to page 31 with starting to spine at verso. Minimal finger creasing to fore-edge of leaves throughout. Chipping to spine ends with tearing and creasing to spinal margins. Wear with exposure to all corners. Bumping to tail edge of soiled and rubbed boards. Occasional creasing and scratching to boards with toning to outer margins. Good. Limited signed edition, one of 150. Author.

Hardcover. Condition: Very Good. First edition. Exhibition catalogue. Small quarto. 108pp. Illustrated with two tipped-in color plates and numerous black-and-white plates. Printed paper-covered boards. Prints a three-page statement by Philip Evergood, and an essay, "The Humanist Realism of Philip Evergood," by Oliver Larkin. Short bumped tear and thin chip at the crown, split in front joint, very good or better lacking the dust jcket. Inscribed by Evergood on the front flyleaf: "To John Shepherd, On the first real visit of myself and work to the Grand city of Detroit. Philip Evergood, 1953.".

Condition: Collectible. Limited/Numbered/Signed/First. nFINE/VG+. Pale blue boards. complete jacket with 2 minor edge chips. FLAT SIGNED by AUTHOR-ARTIST with inscription dated 1950 on ffep, to patrons of his artwork. The limited edition was restricted to 150 copies. Opposite the title page is an original frontis color etching of a miner - pencil signed and numbered 150/150, making this the absolute last copy produced. Evergood was based in NYC having studied in Paris. Discovered by the great art collector Joseph Hirshhorn, he worked in oils, sculpture, etchings and lithography, having studied with both André Lhote and Stanley William Hayter. His works have been highly sought after since then and examples can be found in the collections of America's most renowned museums. Scarce nFINE copy with jacket. Very desirable/collectible book with signed etching. RARE with double signatures. [B13]. Signed by Author/Artist.