Exposition by Paul Albert (37 results)

Paperback or Softback. Condition: New. Analyses Microbiologiques Du Pouvoir D�sinfectant Des Syst�mes de MM. Hermite Et Howatson, Rapport: Commission de l'Exposition Internationale d'Hygi�n. Book.

Condition: New.

Paperback or Softback. Condition: New. Livre d'Or de l'Exposition de P�zenas, 21 Mai-1er Juin 1925. Book.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Print on Demand. This captivating book analyzes the renowned Symbolist painter and artist Albert Besnard's extensive body of work. The author presents Besnard's artistic journey, exploring the evolution and diversity of his techniques and the philosophical underpinnings that shaped his creative vision. Delving into the depths of Besnard's paintings, drawings, and murals, the book examines their rich symbolism, emotional depth, and masterful use of light and color. Through insightful commentary and a detailed analysis of specific works, the author illuminates the artist's preoccupation with capturing the interplay between nature and human experience, presenting a captivating study of Besnard's exploration of the human condition and his lasting legacy in the art world. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Couverture souple. Condition: Comme neuf.

Taschenbuch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Soft Cover. Condition: Good. First Edition. Text: French. 48 p.; ill.; 25 x 32 cm; 390 g. Shelfwear. Sticker on front cover.

69 pp., qqs. ill. et pl. h. t. Gr. in-8 - br., petit manque sur le plat sup.

Kartoniert / Broschiert. Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Condition: New.

Soft cover. Condition: Fair. Approximate translation of the French title into English; "Retrospective Museum, Class 34, Ballooning at the International Universal Exhibition of 1900 in Paris. Installation Committe Report." A French history and catalogue of the exhibition. 69 pages with illustrations and several plates. Bound in original gray paper covers printed in black. Spine heavily chipped and worn. Binding loose. A fair but intact copy, in tissue dust protector. Book.…

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Soft cover. Condition: Very Good. 1st Edition. Sm.8° - 18pp - Color & B/w reproductions. Brochure of the Swiss National Exhibition Lausanne 1964. Text in French, German and Italian language. Original boards. In Very good condition.

Condition: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .…