Faust Vocal Score (63 results)

Hardcover. Condition: Good. Hardcover 1902 edition. Covers and text in good condition. Binding firm. Notes in pencil, and red pencil to some pages. {323 pages}.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. paperback This item shows wear from consistent use but remains in good readable condition. It may have marks on or in it, and may show other signs of previous use or shelf wear. May have minor creases or signs of wear on dust jacket. Packed with care, shipped promptly.

Hardcover. Condition: Good. Retired library book with usual library markings. Text free of underlining, writing and highlighting. 323 pages.

Soft cover. Condition: Very Good. Dust Jacket Condition: G+ to VG-. Late 19th Century Edition. This antique piano/vocal score is in English only, with no attribution to either the libretto or the translation. The 1887 date is speculation on my part, but the original owner, one Stephen Chase, has signed the cover and dated his acquisition as "May 25, 1887". CONTENTS: internal title page, Table of Characters, Outline of Sections; 372 pages. CONDITION: this copy shows its age rather well, though the covers are soiled and shelf-worn, with a couple edge/corner chips. It appears that the front cover has been reattached with near-invisible archival tape. The interior, in contrast, is unmarked but for the names of two singers in the margin next to the characters Margaret and Faust [Mrs. Henschel & Geo. J. Parker]. It is otherwise uncompromised, with only the faintest hint of age-tanning. This very collectible and usable copy is now in a clear, snug, protective polypropylene bag with backing board.…

Hardcover. Very Good: shows only little discernible wear, but there are two tiny gouges in the front panel; the backstrip and the portion of the rear panel near the hinge have been rather heavily sunned and the top edge of the panels has blanched a bit as well (the gilt titles at the backstrip are still bold and bright, but the blanching to the backstrip has lessened their visibility somewhat. The front panel and its titles are unaffected: bold and clearly legible); the corner tips are a mite 'soft', but no apparent bumping. The binding leans slightly, but remains perfectly secure; the text shows very sparse pencil marks, and the pages have tanned slightly, due to aging; former owner's name at the top of the front free endpaper. A flawed, but handsome copy: structurally sound and tightly bound: clean, sturdy, presentable, despite the sunning. NOT a Remainder, Book-Club, or Ex-Library. Large Format 4to. vi, 323 pages. Libretto by J. Barbier and M. Carre. Vocal Score containing the Complete Ballet-Music by Leo Delibes. Translated by H.T. Chorley, Revised and Completed by Dr. Th. Baker. Essay on the Story of the Opera by H.E. Krehbiel. Ed. 549. Green cloth over boards with gilt titles at the front panel and backstrip. Decorated Endpapers. First Edition; later printing (probably in the 1950s). Hardback: Lacks DJ. First Edition; later printing (probably in the 1950s).…

Paperback. Condition: new. Paperback. (Vocal Score). French/English. Translated by Martin. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Soft cover. Condition: New. Berlioz' operatic masterpiece is now performed regularly in concert halls worldwide, despite the poor reception received at it Paris premiere in 1846. This is a new, digitally-enhanced, corrected reprint of the score originally issued in 1911 by Costallat & Cie., Paris. Charles Malherbe prepared the piano reduction to serve as a companion vocal score for the full score issued as part of the Berlioz Complete edition - ultimately left incomplete thanks in part to Malherbe's passing in the very year this score was issued. This very readable A4-sized vocal score will be appreciated by performers, students and Berlioz aficionados everywhere. The matching full score, study score and orchestra parts are also available from Serenissima Music. …

Hardcover. Condition: Very Good. No Jacket. In excellent almost unused condition. Circa 1960s or earlier. English and French.

Condition: New.

Paperback. Condition: New. Paperback. An Unused, unmarked and unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day.

Hardcover. Condition: Good. Hardcover. No dust jacket. Pages are clean and unmarked. Covers show light edge wear with rubbing/light scuffing. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day.

paperback. Condition: Acceptable.

Condition: As New. Unread book in perfect condition.

1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank), 132 pp. Named cast includes Barbot, Balanqué, Reynald, Cibot, Carvalho, Faivre, and Duclos. Bound with: Adam, Adolphe 1803-1856. Le Brasseur de Preston Opéra-Comique en trois Actes Paroles de MM. de Lenven et Brunswick. Représenté pour la première fois a Paris sur le Théatre Royal de l'Opéra-Comique le 31 Octobre 1838 Partition Piano et Chant: 15 francs. [Piano-vocal score]. Paris: Bichault [PN 4932 R.], [ca. 1900]. 1f. (recto title, verso blank), 1f. (blank), [i] (contents), 102, [i] (blank), 103-240, [i] (blank), [i] (decorative device) pp. Large octavo. Quarter red leather with textured red cloth, spine in decorative compartments gilt, titling gilt, decorative endpapers. Binding slightly worn; remnants of label to spine. Browned; occasional foxing; some leaves trimmed; several leaves partially detached; some signatures split; annotation in pencil to verso of free front endpaper; small publisher's facsimile handstamp to upper margin of first page of music. First performed, to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust, Part I (in the French translation by Gérard de Nerval) in Paris at the Théâtre Lyrique on 19 March 1859. To most opera lovers today, Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason, for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online.…

Cloth Hardback. Condition: Good. This is the vocal score to Gounod's FAUST; Ex-Libra copy with normal libray's stamps & labels; 323 pages; book is tight; sunning to the spine; some nicks to the edges of the cloth boards; rubbing & marks to the boards, interior pages in GOOD COND.

Paperback. Condition: Very Good. French over German words. Slight wear.

Large octavo. Original publisher's decorative green wrappers printed in black and red. 1f. (recto decorative title, verso blank), 1f. (recto content, verso blank), 236 pp. Text in english and French. Wrappers slightly worn; upper partially detached; spine split and torn with portions lacking. Some signatures split or splitting. Hopkinson 54D(q). In four parts to a libretto by the composer and Almire Gandonnière after Gérard de Nerval's French translation of Johann Wolfgang von Goethe's Faust, Le Damnation de Faust was first performed in concert in Paris at the Opéra-Comique (Salle Favart) on December 6, 1846 and as a fully staged opera in five acts by Raoul Gunsbourg for the Monte Carlo Opéra on February 18, 1893.…

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Condition: new. Paperback. (Vocal Score). Italian Only. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

hardcover. Condition: Very Good. Unmarked hardcover no jacket. 1964 owner's name inked on front decorated endpaper.

Hardcover. Condition: VG. Date approximate (not dated). Presentation copy to tenor Richard Taylor by the on the occasion of his first European performance at the Chateau de la Napoule 1/25/73. Typescript program affixed inside front cover. Signatures of several attendees. Very nice clean copy. Text free of highlighting and writing. Tightly bound in green cloth. Light wear to extremities.…

Condition: New. In.

Paperback. Condition: New.

Paperback. Condition: Brand New. 336 pages. 11.00x7.75x1.00 inches. In Stock.

Quarto. Original publisher's dark orange wrappers with titling within architectural border. 1f. (recto title, verso blank), 1f. (recto preface, verso blank), [3]-5 (dramatis personae, synopsis, and contents), 6-236 pp. Wrappers detached with minor chips, tears, and tape repairs to edges; former owner's signature ("E.B. Shinmon") to upper wrapper; spine lacking. Some signatures split; former owner's signature to title; tape repair to upper margin of p. 131, not affecting music. Third version. [?]First American edition. First performed, to a libretto by Jules Barbier and Michel Carré after Carré's Faust et Marguerite and Johann Wolfgang von Goethe's Faust, Part I (in the French translation by Gérard de Nerval) in Paris at the Théâtre Lyrique on 19 March 1859. To most opera lovers today, Gounod is essentially the composer of Faust and Roméo et Juliette and with good reason, for it would be difficult to defend the critical position that these are not his best works for the stage." Steven Huebner in Grove Music Online.…

Condition: Used - Very Good. VG hardback. 1966 edition with text in French and English; vocal score with piano accompaniment; no annotations; tightly bound in green cloth with gilt lettering to front and spine; spine and parts of panels slightly faded; otherwise, a clean, tidy copy.

Condition: New.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.