Finnegans Wake, Signed (32 results)

Paperback. Condition: Very Good -. This book is from the library of Dr. Bryan Shelley, author of Shelley and Scripture (published by Oxford University Press). Inscribed by Walt Litz to Dr. Shelley on half title page. Contains underlining and penciled index by Dr. Shelley. Small stain on front cover from price sticker. Full refund if not satisfied. Inscribed by author.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Hardcover, in dust jacket. SIGNED by author, with brief inscription to local London, Ontario author Don Gutteridge. Mild shelf-wear and toning only. Otherwise clean, tight and unmarked. Very neat -- a sound and handsome volume. Size: 8vo - over 7¾ - 9¾" tall. Signed and Inscribed by Author. Book.

Hardcover. Condition: As New. Dust Jacket Included. 1st Edition. First printing. 8vo. xiv, 264 pp. Illustrated. Original binding. Association copy: INSCRIBED by Verene on the title page to his colleague, Rudolph "Rudi" Makkreel, with a quote in latin. This book came from the library of noted Kant and Dilthey scholar, Rudolf Makkreel, who also taught at Emory. This is a tight, fine book in a bright, fine DJ. Inscribed by Author(s).

Paperback. Condition: Good. No Jacket. Dust jacket missing. Limited edition. SIGNED and inscribed by the author. Shelf and handling wear to cover and binding, with general signs of previous use. This is a hardcover edition. Boards slightly bowed, betray fading and nicks and other signs of wear and imperfection commensurate with age. Binding is tight and structurally sound. Pages unmarked. Number 141 of 150. Sealed in plastic for shipping. Secure packaging for safe delivery. signed and inscribed by author.

hardcover. Condition: near fine. First. 91 pages (1-69 pages Etrog & 70-91 Cage). Tall 8vo, bound in printed corrugated cardboard, printed in black & red on boards and spine. Toronto: Black Brick Press in collaboration with The Dolmen Press, Dublin. Limited edition -- from a total of 900 copies, this one of 150 copies signed by both Etrog and Cage at rear. This copy has an additional inscription from Etrog at front. Faint stains on cover, else a fine copy. This unusual volume was published in conjunction with the Joyce Centenary Festival in Toronto, 1982. Sorel Etrog pays homage to Joyce in this typographic collage.

Hardcover. Condition: Fine. 1st Edition. SIGNED LIMITED EDITION. This Limited Edition of 425 copies is SIGNED by James Joyce. A beautiful copy bound in the original red cloth with only slight wear to the edges. The binding is tight, with no cocking and the boards are crisp with slight wear. The pages are exceptionally clean and appears to be unread. There is NO writing, marks or bookplates in the book. A wonderful SIGNED by the author. We buy SIGNED James Joyce First Editions. Signed by Author(s).

Hardcover. Condition: Fine. 1st Edition. Limited Edition of of 425 copies printed. This copy is authentically SIGNED by James Joyce in green ink on the limitation leaf. A magnificent copy. The book is in excellent condition and appears UNREAD. The book is bound in the ORIGINAL publisher's cloth. The binding is tight with NO cocking or leaning and the boards are crisp. There is NO writing, marks or bookplates in the book. A spectacular copy with the publisher's slipcase SIGNED by the author. Signed by Author(s).

Hardcover. Condition: Very Good. First Edition. Hardback. Small 8vo. 12 by 16.5 cms. 36 unnumbered pages : coluor illustrations with quotes from Finnegans Wake. Spine reads (incorrectly) 'Water parted from the say.' Signed presentation from the author ' To Blanche Thanks and Happy Bloomsday 100! D J Schiff 6/ 16/04." Notes: First printing "An itsy bitsy product of The Wonderworker Press." Each page neatly encased in plastic "Number 14 of 15" Fine. Rare! Only one copy found at WorldCat (OCLC) the worldÕs largest library catalogue. In North Carolina. Signedes.

Paperback. Condition: Very good. Paperback Octavo. wraps 732 pp inscribed by editor Edward Burns on the title page Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders. Signed.

Condition: Very Good. 1957. Hardback. Limited edition of 100, this is number 40. Signed by Mary Manning. Fine in fine dust wrapper, and with mylar wrap. DW lightly sunned to spine. Previous bookseller's mark on ffep. Lightly toned, text is crisp and clear. A fine volume. KEYWORDS: James Joyce, Finnegan's Wake. First edition copy. . . .

Paperback. Condition: Very Good with no dust jacket. 44 pages; Width: 9.25" Height: 12.25". From the author's foreword: I have mined the immense "Unterwealth" of "Finnegans Wake," not with the aim of illustrating Joyce's mythic narrative, but rather to tap into the energies of his truly protean language, and thus to bring about new contexts of word and image. Condition / Notes: This vintage volume is bound in blue stiff paper wrappers with black-and-white illustration. There is light rubbing and scuffing to the exterior. The binding is solid. The work consists of full-page artworks consisting of geometric shapes and phrases from the text of James Joyce's "Finnegans Wake." The pages are clean and without markings. There is an afterword John Yau. Laid in at the front of the volume is a letter from the author to a Dr. Stuart, a "fellow member of the James Joyce Foundation," offering him a complimentary copy of the book, as well as two advertisement sheets related to this work and signed in facsimile. Pressed out crease to back cover. Vintage American Art & Joyciana Laid-In Presentation Letter Irish Literature James Joyce.

Hardcover. Condition: Fine In Fine Box. Fascimile. Fascimile. Hardcover. "Finnegans Wake is a novel by James Joyce, written in 1939. It is considered one of the most complex books in English literature, as well as being unique in its experimental writing style. The purpose of the work is to visually display this complexity. Using a classic 1965 edition by Faber and Faber, the book was disbound, woven and rebound, respecting the original order of the pages and preserving the same cover. The new edition consists of 4 volumes covering the four parts and 450 pages of the original edition." [Artist Statement] Concept and weaving by Ximena Pérez Grobet. Unbinding and rebinding by Poncho Martínez. Assistant, Teresa del Junco. The unique copy was placed in 2020 at the Thomas Fisher Rare Book Library at the University of Toronto. Before it was sent off, Ximena had the work carefully documented, leaf by leaf, volume by volume. She then sought to have an edition produced that might make the monumental work more accessable to a broader audience. Thus this edition embodies as much as can be captured of the original, maintaining the four volumes (mirroring Joyce's sections) and housed in a pictorial flapped slipcase, the inner flap of which contains a printed description of the project. Tight, bright, and unmarred. Color pictorial wraps housed in a matching flapped slipcase. 8vo. np. Illus. (colored plates). Numbered limited edition of 300. Signed by the artist.

Condition: Near Fine. Dust Jacket Condition: dj. First printing. Inscribed first edition, association copy, of this effort to unpuzzle Joyce's famously inscrutable masterpiece - signed to the famed Jungian analyst Erlo Van Waveren. Erlo Van Waveren practiced psychotherapy in New York with his wife Ann for more than four decades. Both studied with Carl Jung and were regular attendees at the Jung Institute. Campbell himself was famously influenced by Jung (and edited an edition of his work), an influence heavily reflected in this, Campbell's first book, which investigates Joyce's "monomyth," an idea deeply indebted to the renowned psychologist's idea of the "collective unconscious." The van Waverans were also instrumental in the establishment of the Bollingen Series, which published Campbell's most important work THE HERO WITH A THOUSAND FACES. It was Elro and Ann who introduced Paul and Amy Mellon (benefactors of the series) to Jung, after whose Bollingen Tower the series was named and whose work served as its driving influence. A warm and significant association. 8'' x 5.25''. Original green cloth boards. Original price-clipped yellow printed dust jacket. [2], xiv, 366, [2] pages. Inscribed by Jung on the front endpaper: "For / Erlo Van Waveren / unconscious and all / from / Joseph Campbell." Jacket with touches of sunning, edgewear. Couple of faint spots of soll. Spine and front panel mildly sunned. Book has slight lean. Overall, bright and sound. Near fine in a very good plus jacket. Signed.

First Edition. First edition. Hardcover. One of only 200 limited edition copies done at the Stinehour Press and printed on Mohawk Superfine paper at the Meriden Gravure company. Previously printed as a special supplement to volume 15 of the James Joyce quarterly. A fine copy in paper covered boards with cloth spine and in a fine slipcase. No dust jacket as issued. Signed by Cage on the limitation page. A very fresh copy of this fairly uncommon book. Signed.

Condition: Fine. Publisher's red cloth binding. Spine stamped in gold. Mustard colored cloth covered slipcase Signed Limited Edition, #274 of 425 copies, signed by James Joyce.

Condition: Very Good+. Dust Jacket Condition: Very Good. First Edition. First trade edition. In original, unclipped, jacket in a protective sheet. The jacket has some edge wear, chipping, and light toning to the spine. Bound in red cloth over boards with gilded lettering and lines on the spine. Square corners, no lean, slight push at the head of the spine. Long and lower edges roughly trimmed. Many pages uncut, though also loose from being handled. Some toning to edges. Toning to pastedowns, a few preliminary pages, and final page of text; infrequent elsewhere. Joyce's follow-up to his Ulysses, Finnegans Wake, was written between 1922 and 1939. It was initially published in installments, and its title was only revealed with the final publication. Its use of language, lack of normal structure, and use of characters baffled and baffle many readers though some consensus has formed around themes, etc. Preceded by a 425-print run of signed limited editions. Pages:(8) 628 Dimensions:9(13/16) x 6(9/16) x 1(9/16).

HARDCOVER. Condition: Very Good+. Limited edition. Signed by James Joyce on dedication page, Copy number 380 of 425cc. 628pp, large octavo in salmon cloth boards, no slipcase, gilt title/author/date to spine, top page edges gilt, deckled edges; tight binding, slight edge wear, tiny faint spot at top front and rear boards, very light fading to spine, some pages remain uncut, bookplate of Florence M. Lankershim to FFEP, interior clean throughout, Very Good+ in mylar. First published in 1939, this was Joyce's final work. Signed, Limited Edition.

Hardcover. Limited Edition, #122/425. Octavo, 628 pages. In Very Good condition. Bound in publisher's brick red buckram, spine stamped in gilt. Uncut and unopened as issued. Housed in publisher's yellow cloth slipcase, stamped "Made in England" inside of the case. With very light edgewear. A few preliminary leaves and final leaves apparently reinforced with cloth tape, a bit over-opened. Slipcase sturdy, but with some wear and staining, cloth beginning to detach in one corner. MC Consignment. Shelved case 2. References: Slocum & Cahoon A49. A letter from the Viking Press, September 9, 1947, states: "We also brought out and sold a limited edition of 310 copies the sheets of which were imported from the English publisher Faber & Faber. Our limited edition is identical with that of the British publisher and bears both imprints. The covers for the limited edition were made in England but the actual binding was done in the United States." 310 copies were sent to the United States instead of the 300 noted in the statement of limitation (Slocum & Cahoon). 1402430. Shelved Dupont Bookstore. Signed.

First signed limited edition, number 115 of only 425 large-paper copies signed by Joyce. Large octavo, original red cloth, titles to spine in gilt, top edge gilt, original publisher's yellow cloth slipcase. Signed by James Joyce on the limitation page. In near fine condition. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear, in serialized form, in Parisian literary journals transatlantic review and transition, under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety, on 4 May 1939. The work has assumed a preeminent place in English literature. Anthony Burgess praised the book as "a great comic vision, one of the few books of the world that can make us laugh aloud on nearly every page." Harold Bloom called the book "Joyce's masterpiece", and wrote that "[if] aesthetic merit were ever again to center the canon [Finnegans Wake] would be as close as our chaos could come to the heights of Shakespeare and Dante." Modern Library named it one of the 100 best English-language novels of the 20th century.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition . A free adaptation for the theater by Mary Manning. Tall 8vo, in original cloth and dust jacket. One of only 100 copies signed by Mary Manning for the Poets' Theatre Series. Near fine in near fine dust jacket which has slightly darkened on the rear panel.

London, Faber and Faber, und New York, 1939. Gr.-8°. 4 ungez. Bl., 628 Seiten. Roter Original-Buckramleinenband mit goldgeprägtem Rückentitel, Kopfgoldschnitt (Vorderdeckel gering fleckig, Ecken minimal bestoßen). Original red cloth. Slocum-Cahoon A 49. - Erste Ausgabe in limitierter Auflage dieses wunderbar verflixten und wortverspielten Textes. Nr. 408 von 425 num. Exemplaren, von Joyce im Druckvermerk handschriftlich signiert. - Vorderer Vorsatz mit kleinem Einriß im Bug. Zweiseitig unbeschnitten. First (limited) edition. Original Buckram wrappers. On two sides uncut. Our item No. 408 of 425 numbered copies on large handmade (mould) paper. Signed by Joyce in the colophone. A near fine copy (cover slightly brightened in some parts). Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Hardcover. First Edition. Original red buckram with gilt lettering on the spine. Copy #222 of 425 numbered copies printed on handmade paper and SIGNED by the author on the limitation page. One of the most important books of modern English fiction, if not one of the more readable. "Joyce insisted that each word, each sentence had several meanings and that the 'ideal lecteur' should devote his lifetime to it, like the Koran" (Connolly, THE MODERN MOVEMENT, 81); "The greatest failure in literature" (Burgess, 99 NOVELS: THE BEST IN ENGLISH SINCE 1939, page 25). Touch of wear to the heel of the spine which is mildly sunned. Lacking the original slipcase but with a custom-made slipcase in its place. Near Fine in a Fine custom slipcase.

Hardcover. Condition: Very Good. Limited Edition. Faber & Faber, UK, 1939. Signed, Limited, Numbered. One of 425 Limited edition copies. Signed by James Joyce. Pages are clean; text is unmarked, binding is tight and square. Light wear to cloth boards at spine ends and edges. Text block is clean. Hard cover in original salmon cloth with titles on spine in gilt, top edge gilt, fore edge and foot of handmade paper untrimmed. Housed in an expertly restored yellow slipcase inside a custom slipcase.

First Edition, First Issue, Signed by James Joyce and limited to 425 copies only, of which this is number 341. 8vo, publisher's original red buckram lettered in gilt on spine, t.e.g., other edges untrimmed. Yellow cloth slipcase expertly re-created as the original. 628. A fine copy, very handsome, bright and clean, very well preserved and without wear. The slipcase in beautiful condition. IMPORTANT FIRST EDITION SIGNED BY JAMES JOYCE. A very desirable copy of this, the best and scarcest issue of the first editions. No book has ever been more ambitiously conceived than Joyce's FINNEGAN'S WAKE. If ULYSSES represents the pinnacle of the Modernist movement, FINNEGAN'S WAKE is a step beyond; it stands in the same relation to ULYSSES as ULYSSES does to A PORTRAIT OF THE ARTIST.an extension which is also a completely new conception. Joyce envisioned the book as nothing less than a "history of the world." Seventeen years in the writing, and composed in a sort of meta-language--"an Esperanto for the art of fiction"--it stands as a unique monument to language and literature and the modern age. Slocum and Calhoun A49; Bradbury, The Modern World, 157-176. About this work, he stated "'I might easily have written this story in the traditional manner. Every novelist knows the recipe.But I, after all, am trying to tell the story of this Chapelizod family in a new way. Time and the river and the mountain are the real heroes of my book. I am trying to build many planes of narrative with a single aesthetic purpose.'" (Ellmann).

Hardcover. Condition: Gut bis sehr gut. Verleger: Reison Verlag . Datum: 1994. Orig.Pappbd., 70 Seiten mit zahlr., teils ganzs. farb. Lichtdrucken, diese wurden von Veit Hofmann auf den Drucktraeger gezeichnet und in der Leipziger Lichtdruck-Werkstatt auf Hahnemuehlepapier gedruckt. Auflage: 250 + 50 Exemplare. Dieses ist Exemplar Nr. 114/ 250, hs. signiert/numbered and signed copy. Einband berieben. Insgesamt gut bis sehr gutes Exemplar. Signatur des Verfassers.

One of 300 numbered copies, signed by the artist. 4 vols., 24 x 17cm, 44 + 44 + 36 + 36pp. Original publisher's softcover wrappers with original folding case. Spain, Nowhereman Press.  Fine.  In 2013, Ximena Pérez Grobet transformed a 1965 Faber & Faber copy of James Joyce's Finnegans Wake into a unique piece of book art. She 'altered it by unbinding it and cutting each page into thin strips of paper, almost line by line and then used two knitting needles to put them back together in the same order, thus recomposing the text of the novel; the text ends up compressed, each page knitted, I then rebound the book with its original cover.' 'A different, also plastic means is thus used to show the deep complexity housed in Finnegans Wake. I thereby convert Joyce's language into material and establish a new form of visual reading that not only respects the original structure, but also seeks to preserve the rhythm and form of style beyond the need for meaning, thus maintaining the original format and material of the publication and creating a visual tribute to the novel and its author.'  This facsimile, produced in an edition of 300 copies in 2022, presents Pérez Grobet's unique and important work in a more accessible format. .

Condition: Near Fine. Signed Limited Edition. First edition, signed limited issue. Number 334 of limited 425 copies signed by James Joyce. 628 pp. Bound in publisher's red cloth with spine lettered in gilt; top edge gilt. In original yellow cloth-covered slipcase. Near Fine with trivial fading to spine. Foxing and soiling to slipcase, light edge wear. A handsome copy of Joyce's final, linguistically complex novel that took him seventeen years to complete; scarce. Slocum & Cahoon A49.

Offprint from the journal of Comparative Literature Studies. Inscribed by the author above the title, "For Sam Beckett with warm regards, David". Hayman is a literary critic and professor at the University of Wisconsin-Madison who participated in the publication of Joyce's complete manuscripts, and has also written a number of essays on Beckett's works. Ten-page pamphlet, staple-bound. Horizontal crease from folding. Excellent condition.

First edition, signed limited issue, number 366 of 425 copies signed by the author, printed on handmade paper, and specially bound; complete with the publisher's slipcase. The limitation was split between the British and American markets and sold simultaneously with the trade issues on 4 May 1939. "The most conspicuous innovation of Finnegans Wake is its use of 'dream-language'. After Ulysses Joyce believed that he had 'come to the end of English', and his last novel is a pervasive layering of multilingual puns in successive drafts which produces a fabric rich in semantic possibilities" (ODNB). Burgess, 99 Novels: The Best in English Since 1939, p. 25; Connolly, The Modern Movement 87; Slocum & Cahoon A49. Large octavo. Original red buckram, spine lettered and ruled in gilt, top edge gilt, other edges uncut, leaves unopened. Housed in publisher's yellow cloth slipcase. Later compliments slip from Patricia MacManus (1914-2005) of the Viking Press, marking the publication of Steinbeck's East of Eden on 19 September 1952, loosely inserted. Spine very gently sunned and bumped at foot, minor rubbing, internally clean; lightly soiled slipcase with wear to edges and two short splits: a near-fine copy.

First Edition. FINNEGANS WAKE, Faber & Faber, 1939, first edition, some faint grey specks along the spine, else a tight vg+ copy. Of 425 specially bound copies, this is 1/125 copies of the English issue SIGNED by the author. Among the most controversial and important 20th century works of literature.