French Connection, Signed (12 results)

hardcover. Condition: very good. Dust Jacket Condition: good. Stated first edition. NOT an ex library book. Signature of author on the title page. First Edition, Serial Number 38 written on half title page. 126 pages. Dust jacket has tears taped on reverse side, rubbing. Price is clipped. Signed by author.

Condition: Good. 1978. First Edition. 177 pages. Signed by the author. Blue and white paperback book with pictorial cover. Flat signed by Author. Pages are lightly tanned and thumbed at the edges, with light foxing. Binding has remained firm. Paper cover is lightly rub worn and thumbed with light shelf wear to edges and corners. Light creases to corners and spine.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First Edition / First Print. Paperback copy, no dustjacket as issued. 288pp. Signed by author in black ink to ffep. Not library copy, no creasing to spine, small mark to text block. (56/7). Signed by Author(s).

Soft cover. Condition: Very Good. No Jacket. 1st Edition. First Edition / First Print. Paperback copy, no dustjacket as issued. 288pp. Signed, inscribed and dated by author in black ink to title page. Not library copy, no creasing to spine. (62/3). Signed by Author(s).

Condition: As New. CHAU2962 This is a large 10" x 8" hand signed photo for Tony Lo Bianco of The French Connection? who has personally autographed the souvenir where his signature rests perfectly accompanying his portrait in mint condition.

Couverture rigide. Condition: Très bon. Edition originale. In-8° relié, paginé de 23 à 41 - envoi autographe de l'auteur COPY SIGNED BY THE AUTHOR. Dédicacé par l'auteur.

Paperback. Condition: Good. Paperback. This is a Miscellaneous Lot of Magic Ephemera, including DVDs, how-to instructions, performers programs (some signed), ticket stubs from shows, headshots, and a boxed magic trick with all parts included and instructions. While some of the printed instructions have mild creasing and wear, all items are generally clean and unmarked with sound bindings. DVDs lack scratching or wear. An overall solid collection of magic-related items and ephemera. This set is heavy and oversized and will require additional postal charges to ship internationally. Please contact us today for an international shipping quote. IN THIS COLLECTION: -Lance Burton Program Book [SIGNED, with 2 Ticket Stubs and Show Pamphlet] -Marco the Magi's Production of "Le Grand David and his own Spectacular Magic Company" (Performer's Program) -Expressions of a World Champion Magician (SIGNED) -Meir Yedid's Memorable Magic: English/French Edition (SIGNED) -Kenneth Feld Presents Siegfried and Roy at the Mirage (1990) -Kenneth Feld Presents Siegfried and Roy at the Mirage (1998) -Lance Burton: Master Magician (Performer's Program) -Cirque Du Soleil (Souvenir Program, 1998, with 2 Ticket Stubs) -Stevens Magic Emporium Presents: Solid Silver Levitation -The Crazy Man's Handcuffs -Blue Crystal Magic Trick Set (With "Crystal" box, plastic gimmick card, transparent blue sheet, and instructions) -Fire Proof (Magic Trick Pamphlet) -The How To Book of the Zombie -Further Tips on Zombie -Fire Magic (Fire Eating Plus Many Fire Tricks) -Cardboard Connection: "The World's Only Linking Card Routine" -Headshot of Andre Kole with Performance Pamphlet (SIGNED) -Cardboard Photograph of Mark Wilson (signed) -The Upton Rising Card Trick (Hand Printed Card Numbered 324/600) -Flaming Head Chest (Printed Instructions) -The P.K. Factor (Printed Instructions) -Steve Dusheck's World Famous Wunderbar [SIGNED] -Steel Ball and Mirror (Printed Instructions) -Impromptu Linking Coathangers (Printed Instructions) -Squeeze Through (Printed Instructions) -Homemade DVD Labeled "Siegfried and Roy's Last Performance 20/20" -DVD Instructions for 2 Magic Tricks (Dani DaOrtiz's Followers and Lennart Green's Mirror Count) -Wonder by Design DVD; Franz Steinmeyer's Palingenesia DVD -Material from an Unincluded/Unknown Book (A small plastic sheet, a pair of 3D glasses, and a printed paper reading "WARNING! ATTENTION! READ THIS FIRST! Turn to page 102 in this book RIGHT NOW.").

Hardcover. Condition: Good. 1st Edition. "The French Connection" by Robin Moore 1969 - First Edition, First Printing Hand Signed, Inscribed & Dated Vintage Hardcover Book with Dust Jacket 8 1/2" x 6" 309 Pages The jacket is in good to good minus condition with light edge wear and rubbing. The jacket is protected with a removable Mylar cover. The hardcover book is in good to good minus condition, free from rips, tears, bends, and writing. There is a small light stain on page 54. The book has been hand signed, inscribed & dated by the Robin Moore in black ink on the first title page. The boards are in good to good minus condition with mild edge wear. The binding is tight and square. Signed by Author(s).

GROSSFOTO, EIGENHÄNDIG SIGNIERT.

Condition: Very Good. Quarto, one and a half pages (on one leaf), 7 November 1882. Light horizontal and vertical creases where folded for posting; small piece of clear tape to a short split at one end of the crease across the middle (on the blank bottom half of the second page, well clear of any text); an appealing item in excellent condition. The catalyst for the discord appears to have been Hippeau's biting lampoon of Gounod in the issue of 29 October 1882. Saint-Saëns had hitherto been listed prominently on the covers as an official collaborator of the magazine; his name is absent from the issue of 13 November. His relationship with Hippeau, however amicable, was already strained. 'The clearly pro-Wagner inclination of the editor quickly created a violent polemic between Hippeau and Saint-Saëns, founder of the Société nationale de musique. Saint-Saëns harshly criticized Hippeau's Wagnerian opinions, considering them a danger for the future of French music' (Doris Pyee: 'La Renaissance musicale, 1881-1883', Baltimore, 2007). The lengthy letter pulls no punches. After some initial expressions of friendship, Saint-Saëns leaves us in no doubt about the strength of his attitude and sentiments. A broad translation of the second part follows: 'Standing back to avoid being hurt is not in my character. I must be forthright, and no finessing of details can save my name, at the head of a journal like a banner, from being associated with it in the eyes of the public. The stance of the journal not being in accordance with my ideas, I cannot allow my name to remain attached to it. My decision, I have told you and I repeat it again, is irrevocable. I do not know what obligations you are under, and I am not anxious to know. I only regret, in every respect, that you have failed to understand the advantage you might have gained in publishing a paper that is truly French, as well as truly modern. Now it is too late; you have equivocated too long, and if, against all probability, you wished to take this path, it could be only with a new journal and a new organisation. I do not know if you know me well enough to understand what it has cost me to act in this way. I hope you do, however, and will not cease to count on your friendship, and assure you that you may always count on mine in everything that does not do damage to my artistic conscience. Affectionately yours, C. Saint-Saëns'. Signed by Author(s).

Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Richard M. Golden Possibly the most famous event in Louis XIV's long reign (1643-1715) was the Revocation of the Edict of Nantes, issued by the French king on 17 October 1685 and registered five days later by the parlement of _Paris, a sovereign judicial institution having jurisdiction over approximately one-half of the kingdom. The Edict of Fontainebleau (the Revocation's technical name, derived from the palace southeast of Paris where Louis had signed the act) declared illegal the public profession of Calvinist Protestantism and led perhaps as many as 200,000 Huguenots/ as French Protestants were known, to flee their homeland. They did so despite royal decrees against emigration and the harsh punishment (prison for women, the galleys for men) awaiting those caught escaping. The Revocation is a landmark in the checkered history of religious toleration (or intolerance); Huguenots, many Roman Catholics, and historians of all persuasions have heaped scorn on Louis XIV for withdrawing the Edict of Nantes, issued by his grandfather, Henry IV (1589-1610). King Henry had proclaimed the 1598 Edict to be both 'perpetual' and 'irrevocable. ' Although one absolutist king could not bind his successors and although 'irrevocable' in the context of French law simply meant irrevocable until superseded by another edict, historians have accused Louis XIV of 2 breaking faith with Henry IV and the Huguenots. Louis did only what Henry prob ably would have done had he possessed the requisite power.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 162 pp. Englisch.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Richard M. Golden Possibly the most famous event in Louis XIV's long reign (1643-1715) was the Revocation of the Edict of Nantes, issued by the French king on 17 October 1685 and registered five days later by the parlement of _Paris, a sovereign judicial institution having jurisdiction over approximately one-half of the kingdom. The Edict of Fontainebleau (the Revocation's technical name, derived from the palace southeast of Paris where Louis had signed the act) declared illegal the public profession of Calvinist Protestantism and led perhaps as many as 200,000 Huguenots/ as French Protestants were known, to flee their homeland. They did so despite royal decrees against emigration and the harsh punishment (prison for women, the galleys for men) awaiting those caught escaping. The Revocation is a landmark in the checkered history of religious toleration (or intolerance); Huguenots, many Roman Catholics, and historians of all persuasions have heaped scorn on Louis XIV for withdrawing the Edict of Nantes, issued by his grandfather, Henry IV (1589-1610). King Henry had proclaimed the 1598 Edict to be both 'perpetual' and 'irrevocable. ' Although one absolutist king could not bind his successors and although 'irrevocable' in the context of French law simply meant irrevocable until superseded by another edict, historians have accused Louis XIV of 2 breaking faith with Henry IV and the Huguenots. Louis did only what Henry prob ably would have done had he possessed the requisite power. 162 pp. Englisch.