Garache, Signed (5 results)

Condition: Good. Claude GARACHE (illustrator). First Edition. Claude GARACHE | Nu rouge assis | Year: 1981 | Medium: lithograph - lithographie | Dimensions: 34 × 50 cm | Image Size: 34 × 50 cm | Support: laid paper - papier vergé | Signature: signed and numbered in pencil - signé(e) et numéroté(e) au crayon | Edition: 75 copies | Editor: Michel Vokaer - Bruxelles | Condition: in very good condition - en très bon état.

Soft cover. Condition: Very Good. 1st Edition. Claude Garache. Original engraving. Signed and marked H.C. by the artist in pencil, 40cm x 32cm. Crca 1980. Signed by Author(s).

Broché. Condition: D'occasion - Très bon état. Envoi signé de l'auteur. Livre en très bon état. Envoi rapide et soigné dans enveloppe à bulles.

Paperback. Condition: vg. Limited First edition. 1/150. Folio. [4], 32, [6]pp. Uncut. Original lithographic wrappers by Jean Capdeville. Book contained in a grey paper covered chemise which is housed in a grey paper covered slipcase, with title label laid on front cover. Limitation page signed by the six artists. This striking monograph on painters Claude Garache, Amable Arias, Matieu, Jean Capdeville, Gérard Fromanger, and sculptor Joan Gardy-Artigas is one of the 150 copies of the deluxe edition printed on Vélin de Rives, of which this is No. 9. It is complete with its eight original lithographs (including wrappers), and two b/w photographic reproductions of sculptor Joan Gardy-Artigas' work. Dent at lower back joint of slipcase. Text in French. Slipcase in overall good-, chemise, wrappers and interior in very good condition. 'Derrière le Miroir' accompanied each exposition at the Galerie Maeght in Paris France. The first issue appeared in 1946, The last #253 of the collection in 1982. DLM is born out of the passion of Aime and Marguerite Maeght. The first issues were intended by Aime Maeght to be spread among a large public, with original lithographs. 10,000 Copies were printed and distributed through kiosks. This failed completely and the remaining copies were sold by weight to finance the printing of issue 4, which was printed at only 1500 copies and was the catalog for the George Braque exhibition at the Galerie. Jacques Kober and Rene Char wrote the texts. This concept was continued in later issues combining great writers with great artists. In 1947, Adrien Maeght, joined the firm of his parents and assisted his father in the layout and execution. The artists created original lithographs to illustrate DLM. Mourlot did the lithographic printing and the text was printed by Union in issues 4-115. From 116-148, DLM was shot in the studios of Aime Maeght. Since 1960 an edition 'deluxe' was issued, on Arches paper, limited to 150 copies.

In-4, en feuilles, couverture estampée à froid (étui de l'éditeur). Leurs voix ne s'élèvent pas contre le silence, elles en prolongent la substance nocturne et lente. D'autorité elles sont venues occuper cette place que le reste du monde tout autour leur reconnaît en s'apaisant. Tordant la fibre où semble s'être blotti le rêve, elles délient non loin d'elles, entre leurs doigts, la monodique berceuse. Edition originale de ces textes écrits après l'audition des chants Aré aré que les femmes des îles Salomon chantent à deux voix pour bercer leurs enfants ou pleurer leurs morts. Claude Garache les accompagne de 3 eaux-fortes originales tirées en rouge (dont un hors-texte sur japon Zairei et 2 disposées face à face en double page sur un papier vélin fort) et d'un bois original hors texte imprimé en noir. Tirage limité à 80 exemplaires numérotés sur papier vergé Zerkall-Bütten, signés par l'auteur et l'artiste. Un des 5 premiers exemplaires, seuls à comporter un dessin original signé par Claude Garache et une suite des gravures dont chaque épreuve est justifiée et signée par l'artiste.