Garde, Signed (378 results)

Condition: Good. Signed Copy . Inscribed by author on half title page. Corners bumped. Cover slightly scuffed. Foxing on edges.

Soft cover. Condition: Very Good. Softcover INSCRIBED BY THE AUTHOR to the first owner, in VG condition: light handling, slight to light wear, otherwise unmarked. 264 pages. [12oz]. Signed by Author(s). Book.

Soft Cover. Condition: Near Fine. First Edition; First Printing. SIGNED on title page by Seth Rogovoy. Tight, clean and crisp, with previous owner's small bookplate to inside cover, otherwise As New. No remainder mark. ; 8vo; 281 pages; Signed by Author.

Soft cover. Condition: Very Good+. No Jacket. 1st Edition. Signed by the Author in Blue Ink on the Title Page, $17.99 Publishers Cover Price, light surface wear to the covers. Inscribed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. INSCRIBED. Black cloth, lettered in copper foil. Slightly rubbed extremities. Dust jacket VG with sunned spine panel, mild rubbing to extremities, now in mylar. 1st ed. Inscribed by author on half-title, signed as "Bill," personalized and "with best friendly and historical wishes." Size: 4to - over 9¾" - 12" tall. Inscribed by Author(s). Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Light shelfwear to jacket.; Great chefs and recipes from Louisiana. Signed by Nancy Ross Ryan. ; quarto; 157 pages.

Soft cover. Condition: Fair. No Jacket. AVANT-GARDE, VENICE HIGH SCHOOL, CA., V. 15, 1973, eds Emily Klein and Todd Lempert, Venice High, 1973, 56p, stapled pamphlet pb, covers bumped/scuffed/creased, text clean, solid binding, SIGNED/INSCRIBED BY EDITOR KLEIN----5.00. Signed by Author(s).

hardcover. Condition: Good. Dust Jacket Condition: Includes dust jacket. Signed. Inscribed by the author, Some heavy wear and tear to the dust jacket.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Some B/W Photos (illustrator). First Edition. Dust jacket in good condition. First edition, first printing. SIGNED by the author. Shelf and handling wear to cover and binding, with general signs of previous use. Boards and dust jacket show signs of wear. All pages are intact, binding is sound. Clean and unmarked. Secure packaging for safe delivery. signed by author.

Hardcover. Condition: Near fine. Dust Jacket Condition: Near fine. Hardcover. Octavo. 164pp. Incl. selected bibliography. INSCRIBED by Ah-jeong, "Dear Dick." Some rusty spots on fore-edge, otherwise clean and nice.

Soft cover. Condition: Fine. Inscribed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. hardback book and dust jacket in near fine condition,signed by the author. Signed by Author(s).

Paperback. Condition: Fine. 1st. 1st ed. 48p. Line Drawings. Color Illustrations of uniforms. Wraps. SIGNED & inscribed. Fine Copy. Signed by Author.

Paperback. Condition: Fine. 1st. 1st ed. 48p. Illustrations. Some Color. Wraps. SIGNED & inscribed. Fine copy. Signed by Author. Book.

Paperback. Condition: Very Good. First printing. Paper wraps with some discoloration to covers and light edge wear; clean. Well bound copy. Text is totally unmarked on very lightly age-toned paper. Inscribed and signed by both authors. The inscription part has an ink stamp on it. Reads "Pour Monsieur Pierre Clemens / en homage / Claude Leibel /oise Perrier".

Condition: Very Good. Signed Copy . Signed/Inscribed by author on half title page.

127pp, (5.5 x 8.5 inches), b&w photos. Very Good in wrappers (soft cover). Covers slightly worn and sunned, otherwise clean, tight, no bumps, tears or creases, no markings. This is a booksellers catalog with descriptions and prices for 1283 items. A useful resource. SIGNED and inscribed by Wirshup to Spencer Maxwell, erstwhile Santa Fe bookman. Signed by Author.

Soft cover. Condition: Fine. Fine copy. Signed by author on title page. Signed by Author(s).

Hardcover. Condition: Fair. 1st Edition. Alfred a Knopf, 1988 1st Fair signed by Kenneth Koch. Signed by Author(s).

Couverture souple. Condition: Bon. Edition originale. Le métier de garde du corps est en train de s'imposer dans les moeurs. Il répond à des règles précises aussi bien au niveau du droit qu'au niveau de paramètres qui sont expliqués ici, souvent à travers l'expérience de l'auteur. Dédicacé par l' auteur Bredean Gavril Publié par C. Corlet en 1998, broché avec une couverture souple en bon état, format 21x15 cm , 176 pages. Dédicacé par l'auteur.

Condition: Fair. SIGNED and INSCRIBED by author, Sonnenschmidt. Quarto, hardcover, in pictorial boards. Some corner wear, and light puffiness to corners of pages (possible moisture stain) else VG. 272 pages W/ Index, B&W Photo Illus, Menus and Colored table layout pages. Foreword by Henry Ogden Barbour. A highly recommended book for caterers. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. AP5 - A first edition (numberline starts at "1") hardcover book SIGNED by author (first name only) and inscribed to previous owner on the half-title page in very good condition in very good dust jacket that is mylar protected. Book lightly bowed, dust jacket and book have some bumped corners, light discoloration and shelf wear. 9.25"x6.25", 156 pages. Satisfaction Guaranteed. Susan Vanderborg examines the role of paratexts - notes, prefaces, marginalia, and source documents - in shaping the reading communities for American experimental poetry published since 1950. Since 1950, Vanderborg notes, American avant-garde poetry has been dominated by two seemingly contradictory impulses: a disruption of language as transparent communication and a need to contextualize the poets' word games for readers. For many authors, the solution has been the creation of a split text - a difficult, elliptical, disjunctive poetry accompanied by more accessible paratexts: creatively arranged essays, notes, source histories, and other references that serve as necessary complements to the poetry rather than as secondary commentary. Paratexts, which tend to be more colloquial and readable than the poetry, provide a forum in which to discuss issues of audience and community. Vanderborg examines both the innovations and the limitations of paratexts in redefining the poet's community, using the writing of six poets who represent different stages in the evolution of this form: Charles Olson, Jack Spicer, Susan Howe, Charles Bernstein, Lorenzo Thomas, and Johanna Drucker. In his parenthetical asides and poetically written essays, Vanderborg points out, Charles Olson is the most optimistic of the six in terms of the poet's ability to portray a literary community that continually redefines its boundaries to include new perspectives and readers. Jack Spicer interrupts his own poetry books with prose notes and letters: exegetical paratexts, Vanderbord explains, that also betray great ambivalence about the danger posed to the artist when a poetic text is circulated publicly. Both Susan Howe and Charles Bernstein argues, self-consciously align themselves with marginal poetic traditions against a canonical literary history, attempting to retrieve lost or neglected writings. The relation between poetic text and communal paratext in their books is deliberately oppositional. Vanderborg concludes with the visual paratexts of Lorenzo Thomas and Johanna Drucker, who incorporate movie stills and other popular culture icons throughout their poetry to satirize national narratives of both conformity and rebellion. Although interest in paratexts has been increasing, Paratextual Communitiesis the first book-length study of their role in contemporary American avant-garde poetry. Sixteen illustrations enhance this important book. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

Trade Paperback. Condition: Fine. 1st Paperback Edition. Large paperback in excellent condition, no significant flaws to this clean, attractive copy which is signed by the author on the half-title page, Illustrated with photos; ; 388 pages; Signed by Author.

Paperback. Condition: Fine. Fine in wrappers, 508 pages, 50 ills. This copy is SIGNED by Bradley on the half-title page. In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene's social, cultural, and economic dynamics. Building on the neighborhood's punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York's experimental culture. In 2005, New York's rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Inscribed and signed by the author on the front endpaper. The book is square and unmarked; corners and spine ends unbumped. The dust jacket is not priced; Brodart protected. Signed by Author(s).

Condition: As New. Dust Jacket Condition: As New. Hbk, square 8vo, 4424pp, illustr in b+w, SIGNED by the author on title page, a new and unread copy, excellent clean tight and unmarked in fine, unclipped and sleeve-protected dj, as new.

Trade Paperback. Condition: Near Fine. A clean, unmarked book with a tight binding. Slight edge wear. Inscribed by author. 288 pages. Keywords: Futurism, Poetics, Poetry, Manifestos. Inscribed By Author.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. ix, 268 pages : illustrations (some color). Binding fresh, corners sharp; gift inscription from author at title page pointing out that the Mexican subject matter is "close in avant-garde spirit to Weimar Germany" else contents fine. 1020 grams. Inscribed by Author(s).

Hard Cover. Condition: Very Good+. Dust Jacket Condition: Very Good. First Edition. Cornell University Press, 1977, First Edition, 8vo, 287 pages. Inscribed and signed by editor on title pages. Book very good+ and jacket in very good condition. Size: 8vo - over 7¾" - 9¾" Tall.

Soft cover. Condition: Very Good. 1st Edition. Inscribed by the author on the dedication page. Light wear to the edges and corners, slightly peeling at the lower front corner. Inscribed by Author(s).