Georges Braque by Einstein (15 results)

Softcover. Limited to 700 copies. Grey glued wraps with white lettering on cover and spine. 140 pgs w/ frontis & 102 bw plates; 1 color litho. glassine wrapper. text in French. Color plate with tissue guard intact. Majority of pages are unopened. Photo is of another copy from our collection. Good (scuffs to glassine. spine ends rubbed & chipped w/ glassine chipped. textblock split at pg 140 w/ minor splits to multiple minor splits to closing plate section).…

Condition: Neuf.

Softcover. Limited to 700 copies. Grey glued wraps with white lettering on cover and spine. 2 preliminary leaves, 13-140 pages, 2 leaves including plates frontispiece prior to p. 13 102 bw and 1 color plate that appears to be a lithograph. Text is in French. Lacks a signed etching. Pages remain bright with instances of foxing. Good+ (glassine jackets scuffed, marked & foxed; may have chipping & tears to edges, corners & spines. spines split; glue & binding intact.).…

Soft cover. Condition: Poor. No Jacket. 1st Edition. There appear to have been 955 examples of this edition issued, of which this is one of 700 unnumbered copies without special additions. Full page illustrations throughout including frontispiece. End papers are smudged and grey card wraps are worn to extremities. Spine is separating, creased and desiccated with loss of pieces, and some reattachment of others. The spine of the glassine cover has chips and nicks around the edges. Internally clean with many pages unopened throughout. Poor. Acquired from Maude Lloyd, an admired leading dancer with Ballet Rambert in the 1930s. With her husband, Nigel Gosling a renowned art critic, she later wrote, influential dance books and reviews under the joint pseudonym, 'Alexander Bland'. When Rudolph Nureyev defected in 1961, Margot Fonteyn asked them to befriend him which they gladly did offering him freedom of their house. Gosling edited his autobiography. Nureyev wrote an admiring memoir of him in Observer of the Dance anthologising Goslings reviews, "He and Maude were like my family.".…

Soft cover. Condition: Very Good. 1st Edition. 16° - 15pp -B/w Photo reproductions (G. Braque portrait by Kurt Blum). Georges Braque (Argenteuil 1882 - Paris 1963) Frecnh artist. Exhibition Catalog. Original wrappers. In Very good condition.

Soft cover. Condition: Good. 1st Edition. 4to. Grey glued wraps with white lettering on cover and spine. 140 pp w/ frontis & 102 b/w plates; 1 colour litho. glassine wrapper. text in French. Paper at spine, worn an dfrayed with loss at head and foot of spine. Glassine, frayed and torn, missing most of spine.…

Condition: New.

140 + 4 S. + Abbildungsanhang. OBrosch. m. OSch. In franz. Sprache. Nr. 193 von 700 Expl. Mit allen Tafeln, davon eine farbig. - St. a. V., Seiten unaufgeschnitten, Gbrsp., kl. Randläsur auf den letzten Bll., R. m. Fehlstellen, wie üblich, fachmännisch m. Japanpapier geschlossen. - Braque, (1882 - 1963), studierte Malerei in Le Havre und Paris. Ab 1907 entfernte sich Braque vom Fauvismus und näherte sich Cezannes strukturiertem Stil an. Durch eine Begegnung mit Picasso in dessen Atelier, veränderte sich seine Formgebung erneut und näherte sich so allmählich dem Kubismus, für den er berühmt wurde. Nach dem 1. Weltkrieg und einer Kopfverletzung, entfernte er sich zunehmend vom Kubismus und Picasso und ging eigene Wege. (Zitat). …

Soft cover. Condition: Very Good. None. 1st Edition. EDITIONS DES CHRONIQUES DU JOUR - PARIS A. ZWEMMER, LONDON(and) E. WEYHE, NEW-YORK-CITY. (TEXT IS IN FRENCH) IL A ETE TIRE A PART DE CET OUVRAGE. LE SEPTIEME DE LA COLLECTION XXe SIECLE, CINQUANTE EXEMPLAIRES NUMEROTES DE 1 A 50 AVEC DEUX EAUX-FORTES ORIGINALES DE BRAQUE SIGNEES PAR L'ARTISTE ET UN PLANCHE EN COULEURS SUPPLEMTAIRE; DEUX CENTS EXEMPLAIRES NUMEROTES DE 51 A 250 AVEC UNE EAU-FORTE ORIGINALE SIGNEE BAQUE; CINQ EXEMPLAIRES DE PRESSE ET SEPT CENTS EXEMPLAIRES NON NUMEROTES CONSTITUANT L'EDITION ORIGINALE. (Translated means): It has been drawn from this work, the seventh of the XXth (20th) century collection, fifty copies numbered 1 to 50 with two original Braque etchings signed by the artist and an additional color board (Print/litho?) two hundred copies numbered from 51 to 250 with an original (Print?) signed by Braque; five press copies and 700 unnumbered copies constituting the original edition. Gray wraps with white lettering on front cover. Rear cover is present but detached with large chips missing from edge closest to spine and spine strip is missing. Front cover with small chips towards spine hinge. Contents are complete and clean. Most every other page unopened (Still joined together). Book protected by Archival Polyester Protective Cover. This copy is most likely one of the 700 unnumbered copies. "In July 1934, (The Gallery) Alex Reid & Lefevre opened the first Braque retrospective to be held in England" This copy SIGNED BY BRAQUE was presented to an employee (Sales.who also purchased a few art pieces from Braque) of the gallery during that retrospective and dated by Braque as well "July 34 London". Collation: Blank, Half-Title with Limitation page on verso Signed and Dated by Braque (July 1934), Frontispiece, title-page, 140 pages (Numbering actually starts at page 13) with previous pages unnumbered. Plates are listed and numbered with Roman numerals I-XCVI (1-96) TEXT IS IN FRENCH. Georges, Braque (illustrator). ARTIST.…

Taschenbuch. Condition: Neu. Neuware - »Schauend ändert man Menschen und Welt«: So lautete ein Grundsatz Carl Einsteins. Gegenstände der Kunst und ihre Geschichte galten ihm als Werkzeuge, um die politischen, sozialen und kulturellen Zeitläufe begreifen und verändern zu können. In seiner Schrift »Über Georges Braque und den Kubismus« von 1934 tritt er dafür ein, Braque vor den »beschreibenden Coiffeuren« seiner Zunft zu schützen.Wissend um das Gefahrenpotential von Bildwirkungen, forderte Einstein die Unmittelbarkeit in der Anschauung und die Eigenverantwortlichkeit des Betrachters gegenüber den Werken ein. Methodisch eingelöst wurde diese Herangehensweise in der Publikation von Bildtafeln, welche die Eigenständigkeit der Werke dokumentieren sollten. Ein doppelter Humanismus gegenüber dem Bild wie dem Betrachter durchzieht Carl Einsteins Analyse des Kubismus, die in ihrer detaillierten Nahsicht am Objekt, in der sprachlichen Brillanz und in der wegweisenden methodischen Ausrichtung inspirierend und aktuell ist.…

Taschenbuch. Condition: Neu. Über Georges Braque und den Kubismus | Handapparat | Carl Einstein | Taschenbuch | 240 S. | Deutsch | 2013 | DIAPHANES AG | EAN 9783037344187 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.…

In-4°, 140p. + XCVI planches. Edition originale. Un des 700 exemplaires non numérotés. Illustré de 102 planches hors texte, dont une en couleurs. Dos restauré. Broché, couverture illustrée rempliée.

First edition, first printing. One of 700 unnumbered copies from an edition of 955. Large format. French text. Some uncut pages. Extensively illustrated. Very good paperback, original acetate cover missing in parts and top and bottom of the spine missing.

Zurich 2013, 238 pp., b&w photos, paperback 9783037344187 (code O-125).

Brosch. 4°, 23 S. Text u. 32 Tafeln, 4 Bl. Anzeigen. Kleiner handschriftlicher Rückentitel, Einband etw. lichtrandig u. gebrauchsspurig, Papier etw. gebräunt. EA. Mit einem Text von Carl Einstein (3 S.) und u. a. dem Verzeichnis der ausgestellten Werke in 183 Nummern. Erschienen zur Ausstellung.