Georgius, Signed (13 results)

Broschur. 154 S. + Kartenanhang (z.T.auffaltb.). 24 x 16 cm. Grüngraue OBrosch.m.illustr.(Karte) OSchutzumschl. Sehr gut erhalten. 405 Gramm.

Gr-8vo. 202, (2) S. und nn. Abbildungsseiten. OKt. Kapitale gering eingerissen, sonst gute Erhaltung. Mit handschriftlicher, signierter Widmung Axers für Günther Christian Hansen auf Vortitel. = Academia Scientarum Polona, Institutum Studiis Classicis Promovendis. / Komitet Nauk o Kulturze Antycznej. Bibliotheca Latina medii et recentiores aevi. Band XXI. Aus dem Nachlass von Prof. Günther Christian Hansen, 13.12.1929 - 25.8.2013 (Klassische Philologie und Patristik). Hansen widmete sich besonders der Edition der Texte der klassischen Antike und der frühen Christenheit. Sprache: mehrsprachig.

8°. 442 Seiten. Reihe : Publikationen der Akademie der Augustiner-Chorherren von Windesheim, Bd. 5. 1 Orig.-Kartoniert. Ordentliches Exemplar mit einer schönen Widmung des Verfassers u. einer "Replik" des Widmungsempfängers.

Soft cover. Condition: Good. 1st Edition. 26 pp. Recent wrappers. Title page soiled. Small piece broken off upper blank corner of title page. Page 26 quite browned. First Edition. INSCRIBED BY GEORGE LOGAN on the verso of the title page: "Mr. Lister from his Hbl Servt: the Author". George Logan, grandson of James Logan, received his M.D. degree from the University of Edinburgh in 1779. After his return to America in 1780, Logan gave up medicine for agriculture and political office. In 1798, on his own authority, Logan went to France to prevent war between France and the United States. The Federalists denounced his actions, and proceeded to enact the so-called Logan Act, which--to this day--prohibits private individuals from engaging in diplomatic negotiations. OCLC locates copies in these US libraries: American Antiquarian Soc., American Philos. Soc., Johns Hopkins, Maryland, Library Co., National Library of Medicine, New York Acad. Med., Pennsylvania, College Physicians Phila., Yale. Signed by Author(s).

Hardcover. Condition: Very Good. 1st Edition. TREW, Christoph Jakob (1695-1769) - EHRET, Georg (1708-1770). Plantae selectae quarum imagines ad exemplaria naturalia Londini, in hortis curiosorum nutritamanu artificiosa doctaque pinxit Georgius Dionysius Ehret. Nuremberg, 1750-1773. 10 parts in one volume. Folio (20 x 13 5/8 inches). Fine engraved general title-page HEIGHTENED IN RED AND GOLD (issue without the sectional title-pages), 3 mezzotint portraits of Trew, G.D. Ehret, and J. J. Haid, 100 MAGNIFICENT hand-colored engraved plates after Georg Dionysius Ehret by Johann Jakob Haid, each with the first word of the caption HEIGHTENED IN GOLD. Fine contemporary mottled calf each cover decorated with a gilt border of fine foliate, animal and bird tools, the spine in eight compartments with seven raised bands, with red morocco lettering piece in the second, and the others decorated with a magnificent gilt lily tool, surrounded by small gilt pomegranate tools within a border of dentelles (extremities a little scuffed). Provenance: with the bookplate of Hjalmar Hartmann (1870 1945), Danish horticulturist and seed manufacturer. First edition, and the magnum opus of the long and fruitful collaboration between Trew and Georges Ehret, and Trew. Ehret traveled widely, sending back hundreds of botanical drawings and paintings, which were included in the present work. For "Plantae Selectae", the level of botanical interest and exotic appeal were how the two chose which illustrations to use. They had to decide on a way to present these tropical subjects to the public that had only recently been introduced to Europe. Johannes Jacobus and Johannes Elias Haid translated Ehret's exceptional and remarkably sensuous watercolors into hand-colored engravings that represented everything Ehret's work was about. Ehret had met Linnaeus in 1736 and the latter's work moved the artist to analyze the structure of the plant before trying to represent it. The Latin text was written by Trew and describes each plant, the history of its discovery and additional comments. Each species is compared with descriptions written by other botanical authors in order to definitively classify each plant. This great work was not finished until after Ehret's death, though his instructions were followed as to the layout. Linnaeus praised this work in a letter to Trew, calling it one of the great miracles of the century. Like his father before him Ehret trained as a gardener, initially working on estates of German nobility, and painting flowers only occasionally, another skill taught him by his father, who was a good draughtsman. Ehret s "first major sale of flower paintings came through Dr Christoph Joseph Trew, eminent physician and botanist of Nuremberg, who recognized his exceptional talent and became both patron and lifelong friend. Ehret sent him large batches of watercolours on the fine-quality paper Trew provided. In 1733 Trew taught Ehret the botanical importance of floral sexual organs and advised that he should show them in detail in his paintings. Many Ehret watercolours were engraved in Trew's works, such as Hortus Nitidissimus (1750 86) and Plantae selectae' (1750 1773) [as here], in part two of which (1751) Trew named the genus Ehretia after him. "During 1734 Ehret travelled in Switzerland and France, working as a gardener and selling his paintings. While at the Jardin des Plantes, Paris, he learned to use body-colour on vellum, thereafter his preferred medium. In 1735 he travelled to England with letters of introduction to patrons including Sir Hans Sloane and Philip Miller, curator of the Chelsea Physic Garden. In the spring of 1736 Ehret spent three months in the Netherlands. At the garden of rare plants of George Clifford, banker and director of the Dutch East India Company, he met the great Swedish naturalist, Carl Linnaeus, who was then formulating his new classification based on plant sexual organs. Ehret painted a Tabella (1736), illustrating the system, and sold engravings of it to bota. Signed by Author(s).

Pp. Condition: Sehr gut. 507 S. : Ill., Kt. ; 24 cm mit persönlicher Widmung vom Herausgeber signiert Sprache: Deutsch Gewicht in Gramm: 1055.

Condition: Good. Engraving on laid paper. Mounted on support sheet. Signed in the plate. 16.4 x 11.7 cm (sheet). Very Good. Sheet trimmed to the plate mark. Light surface soiling.

1. Original-Schabkunstblatt von Elias Haid (in der Platte signiert) auf rückseitig unbedrucktem Büttenblatt mit dekorativ abgesetztem Plattenrand in brillianter fotorealistischer Ausführung, bildliche Darstellung ca. 21 x 13 cm, Blattgröße ca. 31 x 22,5 cm, sehr gut erhalten, sehr selten 2100 gr.

XVIII Seiten, inkl. Titelblatt; S. (III) mit großem allegorisch-ornamentaler Holzschnitt-Vignette, im Stock signiert 'G.S.', 1 kleine Vignette am Schluss. - Orig.-Fadenheftung, ohne Einband; 4to.(ca. 20,5 x 18 cm). *** 1. AUFLAGE, ORIGINALAUSGABE DER SELTENEN GEBURTSTAGSCHRIFT; besteht zum größten Teil aus Melchiors Kommentar zum Prolog des Lukrez inkl. deutscher Übersetzung einiger Textpassagen, am Ende dann die Lobreden der beiden Studenten. - Die Feier fand wohl im Ansbacher (damals 'Onolzbach') 'Gymnasium Carolinum' statt, dessen Namensgeber (nach seinem 1733 geborenen Sohn Carl Alexander) im Jahre 1737 der 20 Jahre später verstorbene Gatte der Markgräfin, Karl Wilhelm Friedrich von Brandenburg-Ansbach (1712-1757, genannt der Wilde Markgraf) war. --- Titelblatt unten mit schwungvoller handschriftlicher Annotation der Zeit (Tinte): ''Illustri Academiae'', minimale Gebrauchsspur; SEHR GUTES EXEMPLAR DER FRAGILEN PUBLIKATION.

1. Original-Kupferstich von Sandrart (in der Platte signiert) auf rückseitig unbedrucktem Büttenblatt mit dekorativ abgesetztem Plattenrand, alt auf Trägerkarton der Zeit montiert, Plattenrand ca. 19 x 14,5 cm, Blattgröße ca. 22,5 x 16,5 cm, in der rechten unteren Ecke alter Sammlerstempel einer skandinavischen Sammlung, sehr gut erhalten, sehr selten 2100 gr.

1. Original-Kupferstich von Beck (in der Platte signiert) auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 28,5 x 16,5 cm, Blattgröße ca. 30 x 18 cm, sehr gut erhalten, sehr selten 2100 gr.

34,5 x 25,5 cm. Condition: Gut. Kupferstich. Hulle, Anselm - C. Galle. NICOLAUS GEORG VON REIGERSBERG, Ritter und Kanzler, Mitunterzeichner des Westfälischen Friedens. Halbporträt nach links im Oval, mit reicher Verzierung. In der Platte Signiert, Blatt Nr. 60. Tadellos erhalten, Breitrandig. HULLE, Anselmus von ( eigentlich Ans. Hebbelynck), Maler, geb. in Gent 1601 gestorben nach 1674. Wurde bekannt durch seine zahlreichen Porträts und Kirchenbilder. Seine Bekanntschaft verdankt er im besondseren Maße den berühmtesten Stechern seiner Zeit, die seine Porträts stachen. Allen voran PIETER DE JODE II., geb. 1606 in Antwerpen und gest. nach 1674 in England. Das Blatt entstammt dem Werk " PORTRAITS DES HOMMES ILLUSTRES. " ( Porträts berühmter Personen die im 17. Jahrhundert gelebt haben, verlegt bei Francois van der Plaats in Amsterdam, 1706. NICOLAUS GOERGE TO REIGERSBERG, knight and chancellor of the Westphalia peace. Half portrait in oval, with rich decoration. Signed in the plate, folio number 60. In excellent condition, expanded bordered. Hulle, Anselmus (actually Ans. Hebelynck), painter, born at Geneva 1601; died after 1674. He became famous trough his several portraits and church paintings. His famous he owes in particular the most famous engravers of his time, which etched his portraits. All ahead PIETER DE JODE II., born 1606 at Antwerp and died after 1674 in England. The folio emanates of the volume ?PORTRAITS DES HOMMES ILLUSTRESS?? (Portraits of famous people which lived in the 17th century, published by Francois van der Plaats at Amsterdam, 1706.) deu S 7|1313BG Sprache: Deutsch Gewicht in Gramm: 444.

34,5 x 25,5 cm. Condition: Gut. Kupferstich. Hulle, Anselm - Peter de Jode. GEORG CHRISTOPH FREIHERR VON HASLANG, für Kurbayern, 1602 - 1684. Baron von Haslang, Hohenkammer und Giebing, studiert seit 1619 in Ingolstadt, Gesandter auf dem Reichstag in Regensburg und Wien.Bayerischer bevollmächtigter in Münster, wohnte im Kloster Gravenhorst am Krummen Timpen, bzw. im Hof des Freiherrn zu Ketteler zu Assen am Breul. Halbporträt nach links im Oval, mit reicher Verzierung. In der Platte Signiert, Blatt Nr. 61. Tadellos erhalten, Breitrandig. HULLE, Anselmus von ( eigentlich Ans. Hebbelynck), Maler, geb. in Gent 1601 gestorben nach 1674. Wurde bekannt durch seine zahlreichen Porträts und Kirchenbilder. Seine Bekanntschaft verdankt er im besondseren Maße den berühmtesten Stechern seiner Zeit, die seine Porträts stachen. Allen voran PIETER DE JODE II., geb. 1606 in Antwerpen und gest. nach 1674 in England. Das Blatt entstammt dem Werk " PORTRAITS DES HOMMES ILLUSTRES. " ( Porträts berühmter Personen die im 17. Jahrhundert gelebt haben, verlegt bei Francois van der Plaats in Amsterdam, 1706. GEORGE CHRISTOPH BARON TO HASLANG, for cure Bavarians, 1602 - 1684. Baron of Haslang, Hohenkammer and Giebing, studies until 1619 at Ingolstadt , ambassador of the parliament at Regensburg and Vienna. Bavarian agent at Muenster, lived at monastery Gravenhorst at Krummen Timpen alternatively at the court of baron to Kettler to Assen near Breul. Half portrait to the left in oval, with rich decoration. Signed in the plate, folio number 61. In excellent condition, expanded bordered. Hulle, Anselmus (actually Ans. Hebbelynck), painter, born at Geneva 1601; died after 1674. He became famous trough his several portraits and church paintings His famous he owes in particular the most famous engravers of his time, which etched his portraits. All ahead PIETER DE JODE II., born 1606 at Antwerp and died after 1674 in England. The folio emanates of the volume ?PORTRAITS DES HOMMES ILLUSTRESS?? (Portraits of famous people which lived in the 17th century, published by Francois van der Plaats at Amsterdam, 1706). deu S 7|1314BG Sprache: Deutsch Gewicht in Gramm: 444.