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Published by Sternberg, 2007
ISBN 10: 1933128240ISBN 13: 9781933128245
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
Book
paperback. Condition: Good. Pck Blg. Crease/bruise to cover and pages.
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Published by München, Goethe Institut,, 1980
Seller: Antiquariat Matthias Drummer, Berlin, Germany
38 nicht nummerierte Seiten. Mit s/w Fotos zu den vorgestellten Filmen. In englischer Sprache. Die linke obere Ecke durchgängig mit Knickspur, das vordere Deckblatt angeschmutzt. Insgesamt aber durchaus ordentliches und innen sauberes Exemplar. Sprache: Deutsch, Gewicht in Gramm: 93. Original-Klammerheftung, 18x14cm, Zustand: 3.
Published by Goethe-Institut, 1980
Seller: Avol's Books LLC, Madison, WI, U.S.A.
Book
Paperback. Condition: Fine. Faint scratch at lower edge of acetate cover, otherwise Fine.
Published by Camden House, 2008
ISBN 10: 1571133658ISBN 13: 9781571133656
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United Kingdom
Book
Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
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Published by Camden House, Rochester, 2008
ISBN 10: 1571133658ISBN 13: 9781571133656
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
Book First Edition
hardcover. Condition: very good. First. Black & white illustrations. x, 361 pages. 8vo, pictorial boards. Rochester: Camden House, (2008). First edition. Remnants of sticker at tail of spine. Infrequent ink underlining, otherwise a near fine copy.
Published by Goethe-Institut, Munchen; Munich, 1996
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 103 pages, illustrations; 24 cm. Text in German and English. SEHR GUT+. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Size: 8vo.
Published by Goethe-Institut, Munchen, 1996
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Paperback. Condition: Very Good. 24 x 21 cm. 103 pages. Text in English and German.
Published by Goethe Institut, Munchen, 1996
Seller: Allen's Bookshop, Baltimore, MD, U.S.A.
Book
Soft cover. Condition: Very Good. No Jacket. 1st Edition. 103pp. Illustrated. Dual German/English text.
Published by Goethe-Instistut, München, 1980
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Near Fine. First edition. Edited and with Foreword by Ulrich Gregor. Designed by Klaus Tom Reimer. 16mo. Stiff 5½" x 7" cards, printed on one side, and broadbound at one corner. Among the artists discussed are Dore O. Nekes, Bastian Clevé, Wilhelm and Birgit Hein, Klaus Wyborny, Heinz Emigholz, and Werner Nekes. ,
Published by Goethe Institut, Munchen, 1980
Seller: Bij tij en ontij ..., Kloosterburen, NL, Netherlands
Experimental binding, 14 cm, 48 pp. Ills.: black and white illustrations. Cond.: goed / good.
Published by Camden House, 2014
ISBN 10: 1571139176ISBN 13: 9781571139177
Seller: Saint Georges English Bookshop, Berlin, Germany
Book
Hardcover. Condition: Very Good. Privately owned, unmarked text, light edge wear to printed boards, no dust jacket, Ships from Berlin Bookshop BXn32.
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Published by Camden House, 2019
ISBN 10: 1640140689ISBN 13: 9781640140684
Seller: Palimpsest Scholarly Books & Services, Brooktondale, NY, U.S.A.
Book First Edition
Hardcover. Condition: New. 1st Edition. Hardcover volume, measuring approximately 6.25" x 9.5", is new. xiii/265 pages. "Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years. In the German Democratic Republic during the 1970s and 1980s, more than two hundred films and videos, many of them experimental, were made outside government-run institutions despite legal restrictions on independent filmmaking, and despite the state-owned DEFA studio system's resistance to experimental film. Many were by professional artists who incorporated their painted, sculpted, and performed works in their films and then re-integrated their films into their other artistic endeavors. In addition to showing and debating their films informally in private, these artists worked within existing institutions, establishing annual meetings at Dresden's Academy of Fine Arts, publishing on experimental film in official journals, and even exhibiting films at the Academy of Arts in Berlin. Though pursued as political subversives by the Stasi and dismissed as dilettantes by older critics, these artists frequently engaged their detractors in open debate, advancing their creative itineraries by exposing conceptual problems lurking in the histories of art and cinema. Through extensive archival research, formal analyses of over a dozen films, and interpretation of their relation to their creators' work in other media, Seth Howes documents the rich allusiveness and intellectual probity of experimental filmmaking in East German socialism's final years. Individual chapters examine Lutz Dammbeck's incorporation of painting, dance, literature, and experimental film into a critique of the (mass-)mediation of experience; the Autoperforationsartisten's use of film to problematize the notion of the "performance document"; Greifswald-based artists' integration of film into mail-art projects that crossed political borders and boundaries between media; and Yana Milev's blending of film and installation art to theorize the organization and segmentation of urban spaces.".
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Published by Sternberg Press, 2011
ISBN 10: 1934105015ISBN 13: 9781934105016
Seller: Book Deals, Tucson, AZ, U.S.A.
Book
Condition: Very Good. Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any).
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Published by München : Goethe Institut, 1980
Seller: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany
Book
Fächer mit Buchschraube. Condition: Sehr gut. 38 unpaginierte Seiten. DE: Sehr guter Zustand, mit leichten altersbedingten Gebrauchsspuren. - Text: Engl. / Transparentes Cover mit Ill. / Mit Texten und Filmstills von der vorgestellen künstlerischen Positionen. / EN: Very good condition, with small signs due to aging. Text language: English. With a transparent, illustrated cover. Binding: One book-screw: fold + unfold. / Texts and Filmstills. Artists: Dore O. Nekes Bastian Clevé Wilhelm und Birgit Hein Klaus Wyborny Heinz Emigholz Werner Nekes. / In most screen histories film still means nothing more than "narrative" cinema. The link between film and industry and the entertainment needs of a large public is still an implicit precondition for films, as if the nature of film were determined by these factors. Critics or film historians at best differentiate beween "superior" ("artistic") and "trivial" cinema. The possibility that film could be something totally different, an experiment in an exclusively personal sense, that does not think in terms of utility or profitability or of a presentation to a particular public, without being tied to an industrial or commercial basis, a piece of work in the service of filmic form, a contribution to the extension or definition of film as a means of expression, - all this is often lost sight of, pushed aside or not even admitted as a possibility, because of certain fixed attitudes concerning film. (The argument runs as follows. Because of the high production costs involved, film is a means of mass communication that cannot afford the luxury of breaking out of its pre-determined course, of rethinking its own position, its language, or its relationship to the other arts). This basic attitude is also to be found amongst many film critics." Sprache: Englisch Gewicht in Gramm: 550.
Published by Suhrkamp
ISBN 10: 3518004719ISBN 13: 9783518004715
Seller: dsmbooks, Liverpool, United Kingdom
Book
paperback. Condition: New. New. book.
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