Gerusalemme, Signed (15 results)

Oversize Hardbound. Condition: FINE/ Good+. (signed, 1st). As new except for gift inscription signed by Rueben Hecht (Ed.) to Howard Fast. Dust jack has light foxing to all edges, a few tiny tear to top edge and sunned and age soiled spine. 89 pages of "Selected Photographs accompanied by Bible Verses, Sayings of the Sages, and Words of Famous Personalities" ( Hebrew, German, English, French, Spanish, Portuguese, Dutch, Danish(?) & Yiddish(?)) of full-page black and white photos of Jerusalem + "Explanations of the Photographs" (English, German, French, Spanish & Hebrew0). 13x9.5".

Testo della conferenza tenuta all'Università Cattolica di Milano nell'aprile del 1978. Dedica autografa dell'Autore. Brossura editoriale, pp. nn (217 - 230), in 8°.

Condition: BUONO USATO. IED. ITALIANO Legatura in mezza tela con piatto in simil pelle. Titolo in oro al dorso. Pagine in buono stato con bruniture, così ai tagli. Dedica autografa dell' Autore alla guardia. Numero Pagine 240.

Brossura. Condition: discrete. Cm.24,4x16,6. Pg.24. Brossura editoriale. Dedica autografa dell'Autore al piatto anteriore. Saggio presentato al Concorso bandito dal circolo Torquato Tasso fra gli studenti secondari per il centenario della morte del Poeta e premiato con medaglia d'oro. 50 gr.

Brossura. Condition: buone. Cm.20,7x14,5. Pg.56. Brossura editoriale. Dedica autografa dell'Autore al frontespizio. 80 gr.

Brossura. Condition: buone. Cm.24x15,8. Pg.48. Lievi tracce d'uso alla brossura editoriale. Dedica autografa dell'Autrice al piatto anteriore. 80 gr.

Brossura. Condition: discrete. Cm.18x11,8. Pg.VIII, 72. Coperta muta. Dedica autografa dell'Autore. 100 gr.

Opuscolo vintage. Estratto dal Giorn. Stor. d. Lett. Ital., volume 122, 1944 P. 1 e segg. Dedica autografa dell'autore. Segni di biro in copertina. Piega centrale. Ordinario segno del tempo.

Hardcover. Condition: Near Fine. First Edition. 8vo - over 7¾" - 9¾" Presentation copy, signed and inscribed in red ink by illustrator Eugene Berman with an original drawing on half title: 'To Karen Leong with many thanks and love E.B. 19 61 Roma May 27, 1961.' The drawing, in the same color and stle as the illustrations Berman made for the book, is of a festival masque with eyes surrounded by rays like that of the sun. Karen Leong was the wife of noted Chinese-American artist James Leong, who was a close friend of Berman. The books is near fine, the mylar jacket is present but chipped, and the pictorial slipcase is present with minor wear. Publisher's prospectus laid in.Illustrated By Eugene Berman.

Hardcover. First Edition. Edition limited to 1000 numbered copies (this being #117). Facsimile of the edition published by Luigi Sacchi in 1842-44. Two volumes in one. xciv, 278, 384pp. Spectacular full calf two-tone binding with diamond motifs, gilt and blind decorations on the sides, spine with five raised bands and elaborate gilt decorations, all edges gilt. Full calf two tone doublures, turn-ins tooled in gold, gilt inner dentelles, moiree free endpapers. The binding is signed by Codina of Milano. Printed on ultra thin Cina paper. With two maps and several in-text illustrations. Text in Italian. A couple of light scuffs to rear panel. A bright near fine copy. Lacks the simple paper slipcase. ; Quarto.

Heft. Condition: Gut. 14 Seiten Guter Zustand/ Good In Italian. Signed by the author. ha1019254 Sprache: Italienisch Gewicht in Gramm: 100.

Engraved titles signed "G. L" engraved by Pomp. Lapi, and 21 engraved by F. Gregory, Joan Lapi or Pomp. Lapi mostly after designs by Joan. Lapi, one being by Pomp. Lapi. A few tears along edge of engraved image from impression. 2 vols. Sm. 12mo. Italian boards. Rebacked in maroon gilt. Boards rubbed, marginal browning and light spotting of text, else a very good copy Engraved titles signed "G. L" engraved by Pomp. Lapi, and 21 engraved by F. Gregory, Joan Lapi or Pomp. Lapi mostly after designs by Joan. Lapi, one being by Pomp. Lapi. A few tears along edge of engraved image from impression. 2 vols. Sm. 12mo.

In Parigi, appresso Agostino Delalain, Pietro Durand, Gio. Claudio Molini [da' torchi di Francesco Agostino Quillau), 1771. Deux volumes grand in-8° (154 x 228 mm) sur papier de Hollande, composés: au tome I, de 3 feuillets gravés (frontispice, titre, dédicace), 331 pages et 10 figures hors-texte; au tome II, de 2 feuillets gravés (titre, frontispice), 340 pages et 10 figures hors texte. En tout, 2 frontispices avec le portrait du Tasse et de Gravelot, 2 titres avec vignettes gravés par Drouet, une dédicace gravée avec vignette par Le Roy, 20 figures hors texte, 9 grands culs-de-lampe et 14 petits à la fin des chants, 20 bandeaux avec portraits (avec les noms en italien), le tout dessiné par Gravelot et gravé par Bacquoy, Duclos, Henriquez, Leveau, Lingée, Le Roy, Massard, Mesnil, Née, Patas, Ponce, Rousseau et Simonet. Reliure de l'époque en plein veau jaspé, triple filet doré sur les plats, filet sur les coupes et dentelles intérieures dorées, dos à nerfs orné, pièces de titre et de tomaison olive, tranches dorées. Reliure en très bel état, à part deux épidermures au bas du second plat du tome II et des coins très légèrement émoussés. Ex-libris rectangulaires collés sur les premiers contreplats des volumes: André Gutzwiller, banquier et bibliophile bâlois (1923 2014). Cohen-De Ricci, 974-975: «très belle édition publiée par G[iusto] Conti [(ca 1720-ca 1790), qui signe la dédicace à"Egidio Earle cavaliere Inglese", Paris, 1er janvier 1771], avec illustrations superbes». Brunet V, 667, qui n'appréciait pas du tout les productions du XVIIIe siècle, consent tout de même à qualifier l'ouvrage d'«assez belle édition» .

2 volumes in-4 (294 x 218 mm) de (3) ff. gravés (frontispice, titre et dédicace), 331 pp. - (2) ff. gravés (frontispice, titre), 340 pp., maroquin rouge, filets gras et maigres en encadrement sur les plats, dos à nerfs ornés d'un décor à la grotesque doré, coupes et bordures décorées, gardes de tabis bleu, tranches dorées sur marbrure (reliures de l'époque). Exceptionnel exemplaire réimposé au format in-4 sur grand papier de Hollande. L'ouvrage parut au format in-8. Cohen signale l'existence d'exemplaires au format in-4 mais il ne peut en citer qu'un seul, celui du prince Radziwill en maroquin vert. Premier tirage de ce qui est peut-être la plus belle illustration de Gravelot. 2 portraits-frontispice du Tasse et de Gravelot, 2 pages de titre gravées par Drouet, une dédicace gravée ornée d'une vignette par Le Roy, 20 figures hors texte, 20 vignettes en-tête avec portrait, 9 grands et 14 petits culs-de-lampe, le tout d'après Gravelot et gravé par Baquoy, Duclos, Leveau, Lingée, Née, Patas, Ponce? Les vignettes avec les portraits portent les noms en italien, marque de tout premier tirage. Magnifique exemplaire. Cohen, Guide de l'amateur de livres à gravures du XVIIIe siècle, 974-975 : "Très belle édition publiée par G. Conti, avec illustrations superbes". - Gordon Ray, The Art of the French illustrated Book 1700 to 1914, n°22A : "Handsome and delightful book? Gravelot was thus enabled to present a joyous running commentary not only on Tasso's poem but sometimes on his own plates interpreting it. Without mocking chivalry, he makes it a source of sympathetic amusement".

Venetia, dal Sarzina, 1625, in-4°, 23,5 x 17 cm, copper engraved title page + (21) pp + 255 pp with 20 full page coper engravings printed on recto only, contemporary full vellum binding. Nice copy. Early edition of one of the most famous epic poems in European literature, entirely printed in italic. The plates are by Iacomo and Francesco Valegio, some are signed in the plate. (Not in Graesse, who notes a 1611 edition with only 6 engravings). Ex-libris Nordkirchen (Duke of Arenberg).