Published by "Printed in Privacy" - The Overbrook Press, Stamford, CT, 1949
First Edition
Paperback. Condition: Very Good. First Edition, Limited to 1,000 Copies. Stamford, CT: "Printed in Privacy" - The Overbrook Press, 1949. First edition, limited to 1000 copies. Private printing of an address delivered by Cleland at the Newberry Library in Chicago. Blue wraps with cover label, 32 pages. Some slight cover fading around the edges, otherwise fine condition. First Edition, Limited to 1,000 Copies. Soft Cover. Very Good. 8vo - over 7¾" - 9¾" tall.
Published by Overbrook Press, The, Stamford, 1949
Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
First Edition
8vo. paper wrappers, paper cover label. 32 pages. First edition, limited to 1000 copies. This copy inscribed by the author. Spine lightly sunned. paper wrappers, paper cover label.
Published by Overbrook Pressq, Stamford, 1949
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
First Edition
pamphlet. Condition: fine. Limited. 32pp. stiff wrappers., paper label. Stamford: The Overbrook Bress, 1949. Limited Edition. Fine. An Address delivered at the Newberry Library before the Society of Typographic Arts.
Published by Overbrook Press, Stamford,, 1949
Seller: Bertram Rota Ltd, Kintbury, United Kingdom
First Edition
US$ 11.66
Quantity: 1 available
Add to basketWrappers. First Edition. One of 1,000 copies Wrappers a little faded, otherwise a very nice copy; with the errata slip tipped-in.
Published by 8vo, pp.32 + colophon + errata, Printed in privacy, The Overbrook Press, Stamford, Connecticut, 1949., 1949
Seller: Collinge & Clark, London, United Kingdom
First Edition
US$ 41.66
Quantity: 1 available
Add to basketSoft cover. Condition: Fine. 1st Edition. One of 1000 copies handset in Lutetia and Stationers Semiscript types and printed in blue and black on Worthy Hand and Arrows paper. Blue paper covers with printed label. A fine copy in its original envelope. Designed by T.M. Cleland. A second edition was printed in 1950.
Published by Percy Lund Humphries & co. Ltd., London, 1930
First Edition
Cloth. 4to. First edition. Very good, in like dust jacket with some chips. Extremities lightly rubbed. Profusely illustrated in beautiful color and black & white original reproductions of examples of fine printing throughout. Some plates tipped in. Foldout illustrations. Advertisements.
Published by Printed in privacy, The Overbrook Press, Stamford, Connecticut, 1949. One of 1000 copies. & self-published (?) insert dated 1950. ALS probably unpublished., 1950
Seller: Peter Keisogloff Rare Books, Inc., Brecksville, OH, U.S.A.
First Edition Signed
Soft cover. Condition: Very Good. 1st Edition. 8 x 5 1/2", 32pp. Blue wrappers, printed title label on front cover, some fading of spine, cover edges, cellophane tape marks on lower inner covers, inscribed blank front flyleaf shows some separation from inner front cover. Bookplate of Cleveland, Ohio based publisher (World Publishing) & book collector & author Ben D. Zevin. An address delivered at the Newberry Library, Chicago; November 5th, 1948 before the Society of Typographic Arts on the occasion of the opening of an exhibition of the author's works. Plus a copy of a 9 x 12" (4)pp. printed & illustrated insert "2 Letters In Praise of Progress In the Typographic and the Social Arts" (this has been folded twice to be inserted into the book). With an ALS laid in. Written in a fine italic hand by calligraphic master & English born book illustrator & designer Cleland. On a sheet of 8 1/2 X 11" stationary with T. M. Cleland's address printed at the top (T. M. Cleland R.F.D. 2 Danbury, Conn.). ALS has a 2 1/2" round rubber stamp "Received Jan 28 1952 9:00" partially obscuring the printed address but not any of the calligraphy; folded twice for insertion into the book, small cellophane tape stain in lower right corner, small staple holes near upper left corner. (Text): "January 25, 1952 Dear Mr. Zevin: It was indeed good of you to write me the fine letter I have received from you today, and I am in consequence more than ever glad that I obeyed my impulse to write to Mr. [William] Targ as I did about the excellence of your edition of my friend Paul Bennett's book. Your letter is not only gratifying. but illuminating in that I now understand better than I did why it is possible for a large and consequential publishing house to undertake a monumental project like the Bruce Rogers [World] Bible and also turn out a trade book which is exemplary in its category. The reason lies, of course, in the personal interest and taste of the head of the concern [Zevin]. Your works are sufficient evidence that you are in accord with my views of what is quaintly called 'modernism' in the graphic arts; but I ^ am elated to know that you approve my expression of them as well. Since you like 'Harsh Words' I am sending herewith a more recent printed manifestation of my malevolence on this subject which-if you have not seen it-I hope may also entertain you and be an added support to your own convictions. I sent a copy to Mr. Targ who tells me ^ he had not seen it before; so I have hope you have not. I enclose another item of no importance but which may amuse you. It is printed in what was intended for a travesty on the 'new' typography, but the most amusing thing about it is that many of the 'avant garde' boys took it seriously and thought it good design! Its always unsafe to burlesque a burlesque. Sincerly TMCleland Mr. B.D. Zevin The World Publishing Company Cleveland, Ohio" ALS overall in fine condition. The copy of "Progress" is a presentation copy with an italic inscription & signature at top of front flyleaf: "With kind regard and congratulation to B. D. Zevin TM Cleland January 1952". The humorous insert refered to is the text of 2 letters sent to Donald S. Klopfer, then president of The American Institute of Graphic Arts (AIGA) dated March 15, 1950 & May 1, 1950. It reproduces the 1950 Certificate of Excellence Printing for Commerce Exhibition awarded to Cleland by AIGA & also a repro. of "[.] a genuine hand-wrought leather medal in recognition of the great strides it [AIGA] had made in demolishing the outworn standards of excellence which have impeded the triumphal march of the typographic arts towards new horizons [.]" designed by Cleland. This humorous brochure it quite scarce: "[.] Every detail of this superb example of the printing art [an AIGA exhibition catalogue] shows that it has been carefully planned upon the biblical precept that it is better to give than to receive-i.e., better to give pains than to take pains.". Signed by Author(s).