Gropper, First Edition (51 results)

Paperback. Condition: Near Fine. First Edition. 18 pp.; b/w ill., pictorial stapled-wraps, 8vo.: Touch of rubbing to corners, else Fine and unmarked: Well packaged in a box, ships with tracking.

Paperback. 128p., b&w illustrations with a half dozen in color, 11x8.5 inch museum catalogue wraps, wraps edgeworn, old price sticker on front wrap, else very good condition.

Paperback. Condition: Very Good. First Edition. Softcover. First edition. Very Good condition, with small tear at top of spine. All else is clean and crisp. Catalogue published to accompany an exhibition of Gropper's work held at the Joe and Emily Lowe Art Gallery in Florida in 1968. Includes a critique, some statements by Gropper, a chronology, a bibliography, and the catalogue, including plates in black-and-white and color. 128 pp.

Hardcover. Condition: Good. 1st Edition. ex-lib hardback book in good+ condition.

Soft Cover. Condition: Very Good. First Edition; First Printing. Tight and clean. A hint of age-toning with minor foxing spots to cover, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library. ; Six full page reproductions in black and white. Essay by Wahneta T. Robinson. Published on the occasion of the exhibition at the Long Beach Museum of Art November 5 - December 3, 1972.; 8vo 8" - 9" tall.

Stapled Wraps. Condition: Good. First Edition. Assumed first edition. Good in stapled wraps. Wraps show some tanning, split to top of spine, some light edge-wear with a ffew shallow chips. Interior pages show some mild browning. This is a catalogue from a 1940 art opening in NYC. Pictures in interior remain crisp. An unusual piece of memorobilia.

hard cover. Condition: Very Good. Dust Jacket Condition: Fair. First Edition. NY: The Macaulay Company. (1933). 158p. Illustrated. Hard bound. With dust jacket. Aside from a previous owners name on the top of the first free end-page and a bit of age-toning to the paper, this is a very good, clean copy. The dust jacket has done its job well and the covers are still bright, but the dust jacket itself, although still in one piece, has many chips and tears and is quite worn. Bottom inch and a half are missing from the spine of the dust jacket.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers. Gropper's "Sketch for Interior Deparrtment Mural" is on the cover of this issue. The color insert is not present in this issue.

Paperback. Condition: Very Good. First Edition. [21] pages, chiefly illustrations (some color), stapled wraps, 4to. ; Bright unmarked interior, bumped wraps with rubbing/a touch of foxing and one small tear to bottom edge of front wrap. : Well packaged, ships with tracking.

Soft cover. Condition: Very Good. 1st Edition. First edition. Exhibition catalogue. No page count. Black and white depictions of art work. Very minor wear, else very good. (ART3).

First 4to, cloth. (3) pp of text plus 60 b/w illustrations. Cover discoloration and spine wear; no dj.

24 x 17 cm. Condition: Gut. 1. Auflage. 500 Seiten Innen sauberer, guter Zustand. Hardcover, Pappeinband, mit den üblichen Bibliotheks-Markierungen, Stempeln und Einträgen, innen wie außen, siehe Bilder. Einband etwas angestaubt. - Eine Glaubenslehre zwischen Irenik und Kontroverstheologie im Zeitalter der Reformation. - Studien zur systematischen Theologie und Ethik, Band 6. B04-11-03E Sprache: Deutsch Gewicht in Gramm: 880.

Soft cover. Condition: Fine. 1st Edition.

23,5 x 16,5 cm. Condition: Gut. 1. Auflage. 259 Seiten Die Anfänge der Kattholischen Reform in Deutschland. Innen sauberer, guter Zustand. Leineneinband, mit den üblichen Bibliotheks-Markierungen, Stempeln und Einträgen, innen wie außen, siehe Bilder. (Evtl. auch Kleber- und/oder Etikettenreste, sowie -abdrücke durch abgelöste Bibliotheksschilder). Handschriftlicher Textvermerk auf dem Vorsatz. Ohne Schutzumschlag. Reihe: Reformationsgeschichtliche Studien und Texte Heft 75 DC-10-1 Sprache: Deutsch Gewicht in Gramm: 588.

(=Reformationsgeschichtliche Studien u. Texte; 75). Erste Ausgabe. (Mit Register). - Titelblatt mehrfach gestempelt; Rückenschildchen; Rücken/Einband tls. verblasst, sonst gut erhalten. - X, 259 S. Orig.-Leinen-Bd.

EA, 278 S., private HLwd., etw. schiefgelesen, sonst gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Erste Ausgabe. - First Edition. - Kl. StaV, sonst schönes Exemplar. - 125 S. Orig.-Leinen-Bd.

4°, Pp. Condition: Wie neu. 1. Aufl. 62 S. : zahlr. Ill. ; 33 cm neuwertig Sprache: Deutsch Gewicht in Gramm: 792.

4°, Pp. Condition: Wie neu. 1. Aufl. 62 S. : zahlr. Ill. ; 33 cm neuwertig Sprache: Deutsch Gewicht in Gramm: 734.

Soft cover. Cover Title. 4to. pp. [16]. illus. throughout. wrs. Exhib. Cat.

Soft cover. Cover Title. 4to. pp. [24]. illus. throughout. wrs. Exhib. Cat.

Soft cover. Condition: Very Good. 1st Edition. SOFT COVER IN VERY GOOD CONDITION,INCLUDES MURAL SKETCHES FOR DETROIT MICHIGAN NORTHWESTERN POST OFFICE.

softcover. Condition: Nearly fine copy. Profusely illustrated (illustrator). 1st. 4to, 128 pp., Inscribed & signed by the artist in 1968 and with a small drawing on the half-title page.

Soft cover. Condition: Near Fine. 1st Edition. Large Format Soft Cover Catalog 10 1/4" X 8". Near Fine. Inscribed To Social Artist Wiliam Gropper And His Spouse: "To Bill & Sophie With Great Admiration For His Work And Thankful That You Are A Member Of The Aca Group. Herman. With All My Love To Sophie & Boill. Ella." Also, "To My Friend Bill Gropper- Nicolai Cikovsky 1959". Herman Baron Was The Founder Of The Aca Galleries (Also Known As American Contemporary Art And A.C.A. Gallery) In 1932 And Served As Its Director Until His Death In 1961. Inscribed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: No DJ as Issued. 1st Edition. A lovely, tight, clean hardcover in very good condition; upper front corner bumped, faint sunning to spine. Bound in quarter leather and limited to 100 copies printed for the Joe and Emily Lowe Art Gallery, contains original lithograph by signed by Gropper, number 31/100. Slipcase in good minus condition with cracks to paper, wear and rubbing. Photos available upon request.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 128 Pp. Grey Cloth Lettered In Black. First Printing. Fine In Fine Dust Jacket. Warmly Inscribed By The Artist To Social Artist William Gropper: "For Bill Gropper, With Love And Best Wishes And The Hope That We Will One Day Meet Again- Noel- March 1975". Noel Counihan (1913 -1986) Was An Australian Social Realist Painter, Printmaker, Cartoonist And Illustrator Active In The 1940S And 1950S In Melbourne. An Atheist, Communist, And Art Activist, Counihan Made Art In Response To The Politics And Social Hardships Of His Times. He Is Regarded As One Of Australia's Major Artists Of The 20Th Century. Counihan Was Born On 4 October 1913 In Albert Park, Then A Working-Class Suburb Of Melbourne. He Attended The St Paul's Cathedral, Melbourne Choir School (Closed In 1929), Then Caulfield Grammar School In 1928. He Studied Part-Time Under Charles Wheeler At The National Gallery Of Victoria Art School In Melbourne During 1930-31, Where He Met The Social Realists Herbert Mcclintock And Roy Dalgarno. Social Realism, The Belief That Art Should Reflect The Realities Of Society Under Capitalism, Was The Artistic Doctrine Of The Communist Party Of Australia, And In 1931 Counihan Became A Confirmed Atheist And A Member Of The Party. He Helped Found The Workers Art Guild, And Began Printmaking, Producing Linocuts And Lithographs For Communist Magazine Covers And Pamphlets As Well As Designing Banners. During The Great Depression Counihan Participated In The "Free Speech" Fights In Brunswick, Organized By The Communist Party In Response To A Victorian State Government Law Banning "Subversive" Gatherings. Dozens Of Members Of The Unemployed Workers Movement Were Arrested, And Unemployed Meetings At The Intersection Of Phoenix Street And Sydney Road, Brunswick Were Dispersed By Police. As Part Of This Fight, A Young Counihan Addressed A Crowd From A Locked Cage On Top A Truck. Police Had To Cut Him Out, To The Jeers Of The Crowd, As He Continued Speaking. From 1934 Counihan Worked As A Cartoonist For Various Publications, Including The Bulletin And The Communist Party's Paper, The Guardian From 1945 To 1949 And Again From 1952 To 1958. He Spent Extended Periods In Hospital With Tuberculosis During The Second World War. With The Encouragement Of The Artist Yosl Bergner, He Began To Paint. He Developed A Personal Style Based On The Social Realist Approach, Producing Compassionate Images Of Workers And Their Working Lives. Counihan Maintained That The Artist Had A Duty To "Gather Information From The Political Developments Of The Time." His 1955 Painting On Parliament Steps Won The George Crouch Memorial Prize In 1956. Counihan Remained Loyal To The Communist Party During Its Various Splits And Despite Its Declining Support In The 1970S And 1980S. His 1973 Posthumous Portrait Of Hugh Gemmell Lamb-Smith - Who Had Taught Counihan At Caulfield Grammar And, As Well, Had Encouraged His Artistic Endeavors Whilst He Was There - Was Largely Painted From Memory. In 1979, Counihan Contributed The Entry On Footballer Roy Cazaly To Volume 7 Of The Australian Dictionary Of Biography. The Counihan Gallery, Managed By City Of Moreland Council, Is Named In His Honor. A Short Distance Away From The Gallery, Outside The Brunswick Mechanics Institute On Sydney Road, A Free Speech Memorial Has Been Built By Artist Simon Perry To Commemorate The Free Speech Fights By The Unemployed In 1933 And Noel Counihan's Part In Them. Inscribed by Illustrator(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. 51 Pp. White Boards. First Printing, 1944. Very Scarce, Worldcat Shows Only Four Institutional Holdings. Light Usage. Dust Jacket Priced Rs 6/-, 7S6d. Dust Jacket Worn, Small Chips At Edges. Book Inscribed At Length By Yeh Chien-Yu And Dated April 1947 In New York City Ny, With Much Additional Text In Chinese And The Artist's Red Stamp. Also With An Extra Set Of Pp. Iii-Vi, The Foreword And Introduction, Which Apparently Were Used As A Prospectus For The Book.Ye Qianyu (Or, Yeh Ch'ien-Yü; Born Ye Lunqi (???); 1907 -1995) Was A Chinese Painter And Pioneering Manhua Artist. In April 1927,Ye Qianyu, Together With Fellow Cartoonists Huang Wennong And Lu Shaofei Released A Publication Dedicated To Manhua, Called Shanghai Manhua (Or Shanghai Sketch). The Original Three, Joined By Eight More Artists Including Zhang Guangyu, Ding Song, And Wang Dunqing, Formed The Shanghai Sketch Society (Also Translated As Shanghai Cartoon Association) In The Autumn Of 1927, China's First Association Dedicated To Manhua. The Association Successfully Relaunched The Shanghai Manhua On 21 April 1928. Ye Drew Several Covers For The Magazine And The Back Page Of The Publication Carried His Comic Strip, Mr. Wang. Inspired By The American Strip Bringing Up Father And Portraying The Daily Life Of The Middle And Lower Classes Of Shanghai, Mr. Wang Became One Of China's Most Famous Cartoons, Eventually Being Made Into 11 Films In The 1930S And 40S. In June 1930 Shanghai Manhua Was Merged Into Modern Pictorial, ????), Of Which Ye Became An Editor While Continuing His Mr. Wang Series. When Japan Invaded China And Occupied Shanghai In 1937, Ye Qianyu, Together With A Group Of Fellow Shanghai Cartoonists, Formed The "National Salvation Cartoon Propaganda Corps", Which Included Well-Known Artists Zhang Leping, Lu Zhixiang, Te Wei, And Hu Kao. Ye's Lover, Liang Baibo, Was The Only Female Member. It Was Funded By The Kuomintang Government. Ye Went To Hong Kong Prior To Its Fall To The Japanese In December 1941. In 1943 He Temporarily Worked For The Us General Joseph Stilwell As A War Correspondent In India. Throughout His Travels He Drew Many Sketches Of Wartime Scenes, Including A Series Entitled Escape From Hong Kong. After The Surrender Of Japan In 1945, Ye Qianyu Went To The United States, Where He Held A Series Of Exhibitions To Show And Sell His Artworks. In 1947, Ye Became A Professor At The Beijing Art Academy. When The Cultural Revolution Began In 1966, Ye Qianyu Was Accused Of Being A Kuomintang (Kmt) Agent And Was Imprisoned For Seven Years. Ye Qianyu Was Politically Rehabilitated In 1979. Ye Qianyu Was Married Three Times. In 1940 Ye Qianyu Met The Dancer Dai Ailian In Hong Kong. Dai Ailian Lived Until 2006, And Is Now Known As The "Mother Of Chinese Ballet". Ye's Last Wife Was Wang Renmei, A Famous Actress Who Had Been Previously Married To The "Film Emperor" Jin Yan. Amiya Chandra Chakravarty (1901-1986) Was Literary Secretary To Rabindranath Tagore From 1924 To 1933. He Was Also A Close Associate Of Mahatma Gandhi, Walking With Gandhi In The Salt March Of 1930. Following His 1933 Journey With Tagore, He Left India To Study At Oxford University, And In 1937 Earned A D.Phil. He Moved Back To India In 1940 To Become A Professor Of English At The University Of Calcutta. In 1948, Chakravarty Moved To The Us To Join The Department Of English In Howard University, Became A Fellow Of The Institute For Advanced Study In Princeton During 1950-51, And A Professor At Many Universities. He Wrote Both Poetry And Prose And A Number Of Articles In Journals. He Wrote Many Verse Collections In Bengali. His Poetry Reflects Idealism, Humanism And A Great Love Of Nature And Beauty. He Served As A Delegate To The United Nations For India Chakaravarty Edited A Number Of English Translations Of Tagore's Works. Inscribed by Illustrator(s).

Gebundene Ausgabe. Condition: Sehr gut. 1. Aufl. 159 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Schutzumschlag weist leichte Gebrauchsspuren auf. Sprache: Deutsch Gewicht in Gramm: 1202.

Hardcover. The product is a first edition, second printing of the book "Broken Earth" by Maurice Hindus, published in 1926 by International Publishers. The book, focusing on the history of the Soviet Union, is written in English and comes in hardcover format. It is an original edition, making it a valuable collectible for history enthusiasts and book collectors alike. With the presence of a special attributes like being a 1st edition, this book holds historical significance and would be a prized addition to any collection.; 10.00 x 8.00 x 4.00.

Soft cover. 2 Volumes. 8vo/4to. pp. 18; [48]. illus. throughout. wrs. Exhib. Cat.