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Published by Ashgate Publishing Limited, Aldershot, 2007
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Published by Taylor & Francis Ltd, 2017
ISBN 10: 1138256021 ISBN 13: 9781138256026
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Published by Routledge 2017-03-06, 2017
ISBN 10: 1138256021 ISBN 13: 9781138256026
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Add to basketPaperback. Condition: Brand New. reprint edition. 293 pages. 9.00x6.00x0.75 inches. In Stock.
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Published by Routledge 2007-06-28, 2007
ISBN 10: 0754654214 ISBN 13: 9780754654216
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Published by Taylor & Francis Ltd, 2007
ISBN 10: 0754654214 ISBN 13: 9780754654216
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Add to basketHardcover. Condition: Brand New. illustrated edition. 293 pages. 9.25x6.25x1.25 inches. In Stock.
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The word 'iconoclasm' is most often used in relation to sculpture, because it is sculptures that most visibly bear witness to physical damage. But damage can also be invisible, and the actions of iconoclasm can be subtle and varying. Iconoclastic acts include the addition of objects and accessories, as well as their removal, or may be represented in text or imagery that never materially affects the original object. This book brings together a collection of essays each of which fundamentally questions the meaning of the word iconoclasm as a descriptive category. Each contribution examines the impact of iconoclastic acts on different representational forms, and assesses the development and historical implications of these various destructive and transformative behaviours.
Language: English
Published by Taylor & Francis Ltd, 2007
ISBN 10: 0754654214 ISBN 13: 9780754654216
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Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The word 'iconoclasm' is most often used in relation to sculpture, because it is sculptures that most visibly bear witness to physical damage. But damage can also be invisible, and the actions of iconoclasm can be subtle and varying. Iconoclastic acts include the addition of objects and accessories, as well as their removal, or may be represented in text or imagery that never materially affects the original object. This book brings together a collection of essays each of which fundamentally questions the meaning of the word iconoclasm as a descriptive category. Each contribution examines the impact of iconoclastic acts on different representational forms, and assesses the development and historical implications of these various destructive and transformative behaviours.