Impressionnisme, First Edition (104 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Near Fine, DJ. First edition. small 8vo, off-white cloth, 1st ed.(1959), 117 pages, in Near Fine ( laminate along front joint separating) Dust Jacket with Slip Case. Lightly soiled & tanned Slip Case. Text in French.

Hard cover. First edition. 5x6 portfolio with 10 prints Very good in fair dust jacket. Prints are complete and in great shape as is the insert. The outer portfolio has long tears t some of the seams.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. Various(art) (illustrator). First Edition. Wraps (PB) in very good condition with some transfer of color from dust jacket to first inner pages. Dustjacket in very good condition with cover and edge wear. Museum catalogue of exhibit on display the 16th of July to the 29th of Sept. 1960. Unpaginated but around 50 pages of black and white and few color artwork.

Paperback. Condition: Fine. No Jacket. 1st Edition.

First Edition. Fine paperback copy, slight marks. Remains well-preserved overall. Physical description; 143 pages : illustrations ; 28 cm. Notes; "Normandie impressionniste, Caen"--Cover. Includes bibliographical references (pages 141-143). Subjects; Bathing beaches in art Exhibitions. Water in art Exhibitions. Impressionism (Art) France Exhibitions. Leisure in art Exhibitions. 3 Kg.

Paperback. Condition: Very Good. 1st. 319 pages, illustrations (some colour), map; 30 cm. Text in French/Texte en francais. Exhibition held at the Musee des beaux-arts, Lyon, 22 June to 9 September 2002. TRES BON ETAT. Legerement use. Firm binding, with one spine crease. Clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** L'Ecole de Barbizon: peindre en plein air avant l'impressionnisme = The Barbizon School: Painting Outdoors before Impressionism. *** CONTENTS: Portraits d'arbres, by Vincent Pomareede; L'e tude de l'e cole de Barbizon: une necessaire remise en question de l'histoire de l'art, by Vincent Pomarede; Songe a Barbizon, cette histoire est sublime, by Vincent Pomarede; Les peintres de Barbizon et l'Angleterre, by Olivier Meslay; Millet et la photographie, by Robert L. Herbert; Barbizon et la gravure, by Francois Fossier; Nature, poesie, description: Gautier et le paysage moderne avant 1848, by Stephane Guegan; L'ecole de Barbizon et les collectionneurs britaniques, by Linda Whiteley; La vie des peintres a Barbizon (1834-1875), by Marie-Therese Caille; La nature avant Barbizon, by Gerard de Wallens; Une succursale de l'Italie (1810-1840), by Gerard de Wallens; L'infini de la nature (1830-1860), by Vincent Pomarede; L'ecole moderne de paysage (1840-1860), by Vincent Pomarede; Rayonnements (1860-1870), by Vincent Pomarede. Size: 4to.

Soft cover. Condition: Good. First Edition Thus. Pp.36. This copy belonged to Irish Cork born artist Diarmuid Lyons.His signature & inscription on title page reads: Diarmuid Lyons Jeu de Paume 20-9-1951." He has also hand writtennote on the rear cover. Rear cover nicked with tear at upper edge.No loss. Light staple rust. Else good. Scarce guide Jean Leymarie (1919-2006) Born into a peasant family, he pursued his studies in Toulouse then Paris. After the Second World War, he began his museum career. He was curator at Museum of Grenoble from 1950 to 1955, director of the Musée national d'Art moderne from 1968 to 1973 and director of the French Academy in Rome from 1979 to 1985. He taught for a long time at the Swiss universities of Lausanne and Geneva and published several works on the history of art. He remains one of those who imposed 20th-century painting on French national museums.

Hardcover. Condition: Fair. No Jacket. 1st Edition. 31 x 23 cm. .11 page intro (French) followed by 64 plates of which one quarter are in colour. Classy book rather spoilt by grubby white cover but contents fine.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 320 pages; Description: 320 p. : ill. (some col. ) ; 32 cm. Subjects: Art, Modern--20th century. Color in art. Art--Psychology. Notes: Translation of De l'impressionnisme a l'art moderne. Bibliography: p. 320. 4 Kg.

Broché, couv. ill. Condition: Bon exemplaire. Edition originale. Exposition organisée de septembre à novembre 1974. 278 pages. Nombreuses illustrations. Textes de Huyghe, Adhemar, Clarke. Petit journal joint.

First Edition. Fine paperback copy, slight marks. Remains well-preserved overall. Physical description; 143 pages : illustrations ; 28 cm. Notes; "Normandie impressionniste, Caen"--Cover. Includes bibliographical references (pages 141-143). Subjects; Bathing beaches in art Exhibitions. Water in art Exhibitions. Impressionism (Art) France Exhibitions. Leisure in art Exhibitions. 1 Kg.

Couverture souple. Condition: Bon. Edition originale. L'appelation Groupe des Batignolles est née en 1870 par l'exposition d'un tableau de Fantin-Latour. Un Atelier aux Batignolles représente Manet portraiturant le critique Astruc, entouré de quelques amis dont Monet, Bazille, Zola, Renoir. Pour être plus complet le peintre aurait pu ajouter Cézanne, Pissarro, Nadar, Degas, Duranty, Sisley, Morisot et une vingtaine d'autres, collectionneurs, artistes ou journalistes. Tous se retrouvaient régulièrement au café Guerbois dans le quartier neuf des Batignolles où presque tous avaient pris des ateliers ou des logements. " Plus de 80 reproductions dont 31 sont à pleine page. Editions Frank Van Wilder, 2014, 21,2 x 24 cm, broché, couverture illustré à rabats, 168 pages.

Soft cover. Condition: Good. No Jacket. 1st Edition. 16 x 12 cm. .60 delightful pages with intro in French, English & German. Perfect present costing the price of one card in a shop!

First Edition. ~ Avant-propos de l'Auteur ~ Couverture illustrée et 12 planches hors-texte ~ Brochure originale ~ 188p+2f ~ 20x15x2cm. ~ Bon état ~ LANGUAGE: Français / Additional images available/// We accept PayPal & EU bank transfer in EUROS //.

Couverture souple. Condition: Très bon. Edition originale. In-4° , broché , 109 pages , nombreuses illustrations.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 320 pages; Description: 320 p. : ill. (some col. ) ; 32 cm. Subjects: Art, Modern--20th century. Color in art. Art--Psychology. Notes: Translation of De l'impressionnisme a l'art moderne. Bibliography: p. 320. 2 Kg.

Soft cover. Condition: Fine. No Jacket. 1st Edition. 28 x 24 cm.200 thick creamy pages of exhibition of Swiss owned impressionist paintings June to October 1984 at beautiful chateau gallery 'L'Hermitage' Lausanne. Usual high standard colour and b/w expensive catalogue the swiss do so well. Unfortunately very heavy for a soft edition so only posted within Switzerland.or bordering countries.otherwise huge loss to Artful Dodger unless buyer wishes to pay extra postage.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. 27 x 20cm .271 page catalogue in French to the usual high standard of Musee D'Art Moderne (Geneva) standards.

Paper covers. Condition: Fine. No Jacket. 1st edition. Scarcely used. Weight: 1.0 Language: French.

Condition: Collectible; Like New. [FIRST EDITION] Lausanne-Paris: La Bibliotheque des Arts, 1983. Large hardcover in dust jacket and publisher's slip case. Bound in red cloth with gilt lettering and decorations. Text in French. Endpapers are maps of Pont-Aven. 284 pages with profuse color and b/w illustrations, folded 24x19in.; broadside map, 'Plan de Pont Aven vers 1886'; laid in. Features the work of Gauguin, Bernard, Schuffenecker, Renoir, Monet, Maufra, Loiseau, Moret, Denis, Lacombe, Delavallee, Puigaudeau and Chamaillard, etc. Unused copy with no marks, NOT EX-LIBRARY. (up).

Hardcover. Condition: As New. No Jacket. 1st Edition. 24 x 21 cm. .232 creamy pages of top quality Skira art publication with this French translation of the original English work. Excellent account illustrated by relevant photographs of the era plus not so commonly reproduced masterpieces. Laminated board covers with the iconic Monet 'Soleil Levant' of 1872.

Soft cover. Condition: Near Fine. 1st Edition, Illustrated Edition. 27 x 24 cm. .199 luxury pages with 123 colour plates followed by 123 b/w thumbnails. Fabulous book at bargain price.

Soft cover. Condition: Very good. First Edition. 8vo (20 x 22 cm). 63 illustrations. Tan cloth covers with toning to edges, 2 cm tear to head of spine, lower right corner of upper cover bumped. Red titles to upper.Text block tight and unmarked.

Couverture rigide. Condition: Très bon. Edition originale. In-8° , relié , 266 pages , nombreuses illustrations.

Couverture souple. Condition: Neuf. Edition originale. Paris 2013 . 1 Volume/1. -- Neuf -- Broché cousu. Format in-4°( 28 x 23,2 cm )( 1470 gr ). ------ 255 pages richement illustrées. ************************ 4ème de Couverture : "" Le catalogue présente, pour la première fois réunies, les oeuvres des artistes italiens de la seconde moitié du XIXe siècle qui travaillèrent pour la célèbre galerie Goupil de Paris. De Boldini à De Nittis, de Mancini à Pasini, de Corcos à Sorbi, ce parcours dévoile l'histoire du marché de l'art, du goût et de la collection, raconte les échanges artistiques, culturels et commerciaux entre l'Italie, la France et les Etats-Unis et offre un panorama de l'ampleur de la diffusion et de l'appréciation des oeuvres d'art italiennes grâce à de nouvelles techniques d'impression et de reproduction. Les oeuvres présentées mettent en évidence le rayonnement et la portée de ces artistes italiens partenaires du succès d'une galerie qui par son esprit pionnier exposa, vendit et surtout développa les arts, instaura et diffusa sur une échelle internationale un goût nouveau pour la collection, dont les effets perdureront bien au-delà du nouveau siècle en devenir. "" ***************************** ref 439.

Couverture rigide. Condition: Comme neuf. Dust Jacket Condition: Très bon. Edition originale. In-4° , relié , 303 pages , nombreuses illustrations.

Soft cover. Condition: Fine. 1st Edition. Softcover, bound in wraps with flaps. Unmarked. Text in French.

1st Edition. Near fine copy in illustrated boards, in a good if somewhat edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Physical description: xvi, 476 pages: illustrations; 31 cm. Notes: Exhibition catalogue. The catalogue was simultaneously published in English and French editions (English title: Origins of Impressionism). Loyrette's contributions were originally written in French; Tinterow's in English. Includes bibliographical references (pages 468-473). Subjects: Impressionism (Art) France ; Exhibitions. Painting, French; Exhibitions. Painting, French 19th century; Exhibitions. Impressionism (Art). Painting Exhibitions France. Painting Exhibitions U.S.A. Painting France 19th century Exhibitions. Painting France 19th century. Genre: Bibliography. Exhibition catalogs. Illustrated. 1 Kg.

Couverture rigide. Condition: Très bon. Pas de jaquette. Edition originale. Editions Rencontre Date de parution : 1966 Description : In-8, 207 pages, relié cartonné, occasion, très bon état. TEXTE EN FRANÇAIS.

Soft cover. Condition: Fine. 1st Edition. In excellent condition. 2011, large softcover in thick wraps, 11" by 9". Trilingual text in English, Dutch, and French. Superb book published for an exhibition on the masterful 19th-century Romanian painter, who studied and worked for years in France, influenced by the Barbizon school and trends in French Impressionism. Finely printed and designed, with dozens of color plates -atmospheric paintings of pastoral scenes with mosaic patterns and superb execution, with some canvases foreshadowing the work of Sorolla. Long overdue publication on this overlooked artist - most highly recommended. Out of print and scarce.