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Japan das Kernland Grossostasien. Ein Bildbuch. Herausgegeben: Matin Schwind und

Item Description: Rütten Loening,, Potsdam, 1944. 33 x 25 cm. 95 S. ISBN: Keine. Kartoniert / Soft cover. Ungebundenes nicht beschnittenes Exemplar, nicht geheftet- einzelne Lagen lose / Probedruck??? No jacket. Guter Zustand / Good condition. Einige Lagen wasserwellig / Papier brüchig - gebräunt / Einzelne Seiten mit Randeinrissen. Immer noch ein gutes Exemplar dieser so seltenen Ausgabe. 1. Auflage. Sprache: de. * Versandfertig innerhalb von 20 Stunden! Ein Buch das nicht im KVK - Karlsruher Virtueller Katalog für Deutschland, Schweiz, Österreich zu finden ist. Ebenfalls kein Eintrag im Katalog der Parlamentsbibliothek in Tokyo. Die "Japan-Bibliografie" von Hadamitzky verweist auch nicht auf den Titel. Ein Buch das an seiner historischen Brisanz nicht zu übertreffen ist.Achtung die Scans stammen von geringfügig, verkleinerten Kopien. Gf1 (MGT). Jpg. Bookseller Inventory # MGT422

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Nihon Sanbutsushi [trans.: Government Survey of the: ITO, Keisuke

ITO, Keisuke

Used Softcover First Edition

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From: Jonathan A. Hill, Bookseller Inc. (New York, NY, U.S.A.)

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Item Description: Very numerous full-page woodcuts. Five parts in 11 vols. [complete]. Large 8vo, orig. wrappers, orig. block printed title labels on upper covers, stitched as issued oriental style (newly threaded). [Tokyo]: Monbusho [Ministry of Education], 1873-77. First edition of this massive survey of the natural resources of Japan. Ito (1803-1901), Japanese physician and biologist who studied Western science under Franz von Siebold during the 1820s, became a professor at the University of Tokyo. He was a leader in public health projects and science policy from the beginning of the Meiji period through the rest of his career. He established a method of vaccination for use in Japan which many consider his greatest achievement as a medical doctor. The present work is a government-sponsored review of the natural resources of Japan. It is the first great survey of the country after the establishment of the Meiji era in 1868. Ito reviews the mineral, agricultural, and fishery resources of many of the Japanese islands in enormous detail. Each area, known for its own individual natural products, is fully described with details regarding production, industrial and artisanal uses, etc. The survey was never completed but this set is complete with all the published parts. The woodcuts are here in particularly fine and sharp impressions, richly inked. Most of the woodcuts are titled with Japanese characters and their western names in Roman type. Fine set. Complete sets are very rare as the five parts were each individually issued; it is difficult to assemble a complete set. Bookseller Inventory # 3076

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Journael ende historis verhael van de reyse: BROUWER, Hendrik.

Item Description: Cordier, Japonica, cols. 354-355; Howgego, to 1800, B169, V63; Landwehr & V.d. Krogt, VOC 372; Muller, America 358 ("of the highest interest"); Sabin 8427; STCN (7 copies). First edition of the account of the charting voyage by Maerten Gerritsz. Vries (1589-1646) to the north of Japan, together with the popular account of a Dutch West India Company voyage to Chile under Hendrik Brouwer (1581-1643). Brouwer, one of the directors of the Dutch West India Company, acted as the commander of a fleet of six ships, specially sent to the western coast of South America to activate the trade between the Dutch and the natives. During this voyage, which resulted in the first place in a better knowledge of that coast, Brouwer died at Chiloe and was buried at Valdivia in August 1643. Appended to that journal is the very important account of a charting voyage to Japan. That same year (1643) Maerten Gerritsz. Vries, got "instructions from Governor Van Diemen . to examine the countries to the north of Japan and to assess their economic and trading potential, particularly with regard to mineral wealth" (Howgego). He visited Hokkaido (Yezo) and Sakhalin, discovered the islands Iturup and Urup and gave his name to the strait between those islands. La Pérouse considered him one of the most eminent seafarers of his time. A couple of leaves slightly browned and a few occasional spots and smudges, otherwise a very good copy. Bookseller Inventory # 5466

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Graphic Scenes of the Japan Expedition: HEINE, Wilhelm (1827-1885)

HEINE, Wilhelm (1827-1885)

Published by GP Putnam & Company, New York (1856)

Used Folio

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From: Donald A. Heald Rare Books (ABAA) (New York, NY, U.S.A.)

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Item Description: GP Putnam & Company, New York, 1856. Folio. (20 1/4 x 14 1/2 inches). 12 ff. letterpress text. 10 lithographic prints (one tinted portrait of Perry from a daguerreotype by P. Haas, nine views by Heine [two of these chromolithographed, seven printed in two colours on india paper mounted]), all printed by Sarony & Co. 20th-century maroon half morocco over paper-covered boards, titled in gilt on spine, original wrappers bound in An important work recording Commodore Perry's expedition to Japan. William Heine was the official artist on Commodore Matthew C. Perry's expedition to Japan in 1853-54. On returning to the United States he produced several series of prints commemorating the trip. A group of six elephant-folio prints appeared in 1855, and the following year the present volume was issued, in a smaller format, with different images and with explanatory text. Both projects employed the New York lithographic firm of Sarony, among the best lithographers in the United States at that time. "As artistic productions, the pictures speak for themselves . none superior to them have been executed in the United States, and they have no cause to shun comparison with some of the best productions of Europe" (Introduction). Copies were produced tinted on regular paper as in the present copy and hand-coloured. The plates are numbered and titled as follows [1. portrait of Perry]; 2. Macao from Penha Hill; 3. Whampoa Pagoda; 4. Old China Street, Canton; 5. Kung-kwa at On-na, Lew-Chew; 6. Mia or road side chapel at Yokuhama; 7. Temple of Ben-teng in the harbor of Simoda; 8. Street and bridge at Simoda; 9. Temple of the Ha-tshu Man-ya-tshu-ro at Simoda; 10. Grave yard at Simoda Dio Zenge. Bennett describes the plates as "many times finer than those in the regular account of the Perry expedition." His remarks on the work's great rarity are confirmed by its absence from both of Cordier's Japanese bibliographies. Bennett, p.53; McGrath American Color Plate Books 123. Bookseller Inventory # 20647

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Graphic scenes in the Japan Expedition.comprising ten: Heine, Wilhelm

Heine, Wilhelm

Published by G. P. Putnam & Co, New York (1856)

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From: Rulon-Miller Books (ABAA / ILAB) (St. Paul, MN, U.S.A.)

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Item Description: G. P. Putnam & Co, New York, 1856. Large folio (approx. 20½ x 15"), consisting of a title page, and introduction leaf, and 10 leaves of descriptive text to accompany each of the 10 plates, of which one is a lithograph portrait of Commodore Perry from a daguerreotype by P. Haas, 2 chromolithographs, 7 lithographs printed in 2 colors on India paper and mounted (as issued), original pictorial wrappers with the title enclosed by 8 vignette scenes and an American eagle at the top, the wrappers backed in blue cloth; the whole in the publisher's quarter green morocco lettered in gilt on upper cover; some soiling of the front wrapper and title page a little spotted, but over all very good or better. Bennett, p. 53: "The plates are very beautiful Japanese scenes and places of special interest, many times finer than the plates in the three-volume regular account of the Perry Expeditionose in the regular account of the Perry expedition." Heine (1827-1885) was the official artist on Perry's expedition to Japan in 1853-54. The sketches he produced of the places he visited and the people he encountered there, together with the daguerreotypes taken by his colleague Eliphalet Brown Jr., formed the basis of the official iconograhy of the American expedition to Japan which remains an important record of the country as it was before the foreigners arrived in force. Upon his return to New York in 1855 he published several books: a collection of prints entitled Graphic Scenes of the Japan Expedition; and the 400 sketches which were included in Perry's official report, as well as his memoirs, Reiss um die Welt nach Japan (Leipzig, 1856). Bennett, p. 53: "The plates are very beautiful Japanese scenes and places of special interest, many times finer than the plates in the three-volume regular account of the Perry Expedition." McGrath, American Color Plate Books 123. Bookseller Inventory # 46791

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Nihon Kaisan chôriku zu. (Map of the: Ishikawa Ryusen. Woodblock-printed

Ishikawa Ryusen. Woodblock-printed map which introduced Japan to the West

Published by Edo, Sagamiya Tahe (1691)

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Item Description: Edo, Sagamiya Tahe, 1691. Soft cover. Book Condition: Good. 2nd Edition. (JAPAN)Ishikawa, (Tomonobu Toshiyuku) Ryusen. Nihon Kaisan chôriku zu. (Map of the Seas, Mountains, and Lands of Japan) Edo, Sagamiya Tahe (publisher) Genroku 4. 1691. Handcoloured woodblock-printed map of Japan (overall size 104 x 181cm; print area 81 x 167.5cm), made up of individual sheets. Folded in original blue paper wrapper decorated with plant motifs on soft cardboard (27 x 18.5cm); calligraphic title label; edges worn; rubbed. Preserved in stiff cloth folder. A superb large travel map of Japan, innovative for the wealth of additional detail contained. Charted are the provinces of ancient Japan, its fortified towns, land and water routes, post stations and ferry crossings. The size of the map allowed the inclusion of travel itineraries for the main highways, shipping and sea routes, as well as images of temples, shrines and other places of interest, The area covered extends from Ryuku (Okinawa) in the south west to Tsushima in the north and Matsumae (Hokkaido) in the north east; Korea and the sea of Busan feature in the northwest . The principal nautical routes are indicated; a table in the upper margin gives distances from Nagasaki (then the only port open) to China (Nanjing & Fukien), Indonesia (Jakarta), Vietnam (Tonkin), Cambodia, and Thailand. Numerous ships, decoratively depicted, are shown sailing from the west to the southern seas. A striking feature of the map are multiple squares in various sizes giving the locations of the castles of the Daimyo, or regional lords, sometimes with sketches of buildings and surrounds, and values of their fiefs with details of income from rice cultivation (koku-daka) Ishikawa (fl. 1680-1713), commercial cartographer, woodblock master, book illustrator and printmaker, created useful travel guides by re-designing and improving earlier shogunate maps with the latest available information on the country; his map of Japan was first published in 1689. He is thought to be a pupil of Hishikawa Moronobu. The German naturalist, Engelbert Kaempfer, acquired a copy of an Ishikawa map during his visit to Japan in 1692, and adapted it for his History of Japan published in 1727, the first western book on Japan. As the country was generally closed to foreigners at that time, Kaempfer’s version of the Ishikawa map remained the chief source of western knowledge of Japan, as it was successively plagiarized by French, Dutch, English and German mapmakers throughout the 18th and early 19th centuries. Some light wear, intersectional folds with occasional staining, a few minor repairs without loss, but generally in good, original condition. References: Lutz Walter,Japan, illustration no 65 & pp64-67 & 195-6; University of California, Berkeley, Japanese historical maps, C a 6; See also: Marcia Yonemoto, Mapping Early Modern Japan; Space, Place, and Culture in the Tokugawa period (1603-1868), pp98-100. Dutch invasion of Brazil. Bookseller Inventory # ABE-18058210815

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The History of Japan: giving an account: KAEMPFER, Engelbert

Item Description: Thomas Woodward and Charles Davis, London, 1728. Two volumes, folio, with an engraved additional title (dated 1727) and 45 plates and maps, many folding; titles printed in red and black; contemporary panelled calf, spines gilt. An exceptionally important book on Japan and an enormous pioneering collection of facts by the "truthful and learned traveller" as Voltaire described Kaempfer, who had reached Japan in 1690 after sailing from Batavia via Siam as a physician with the Dutch East India Company. Although much of his two-year stay was spent on the island of Deshima, to which the Dutch merchants were confined by the strict orders of the Tokugawa regime, he was twice able to accompany the annual Dutch embassy from Nagasaki to the Shogun's court at Edo (Tokyo). After Kaempfer's death in 1716 Sir Hans Sloane bought his botanical collections and library, including his unpublished manuscripts. Sloane's librarian, J.G. Scheuchzer, translated everything in the manuscripts that concerned Japan and published it in this form in 1727 under the aegis of the Royal Society. This English edition is therefore its first appearance in print in any language.Subsequent French versions derived from this English original became the source from which the philosophes, from Montesquieu and Voltaire to the Encyclopedists, took a good deal of their information. Kaempfer's information became the principal source for the many entries in the Enyclopédie concerning Japan: as the Encyclopedia of the Enlightenment points out, Koseki Takeshi has written of 219 separate entries relating to Japan in the Encyclopédie, the most significant being Diderot's "Japonais, Philosophie des".The History of Japan was 'for more than a century the chief source of Western knowledge of the country. It contains the first biography of Kaempfer, an account of his journey, a history and description of Japan and its fauna, a description of Nagasaki and Deshima; a report on two embassies to Edo with a description of the cities which were visited on the way; and appendixes on tea, Japanese paper, acupuncture, moxa, ambergris, and Japan's seclusion policy' (DSB). The Second Appendix, present in this issue, recounts the unsuccessful attempt of the English East India Company in 1673 to re-open direct trade with Japan after a lapse of 50 years.This is an example of the first edition, in its second and best issue with the extra Second Appendix containing 'part of an authentick journal of a voyage to Japan, made by the English in the year 1673'. This was not included in the first issue of the book that appeared in 1727, here unchanged except for the new title-pages (dated 1728) which specify the addition of the journal. Both volumes of the present copy have a 1728 title-page; some copies of this issue have mixed title-pages retaining a 1727 title-page in the second volume. Here the engraved title to the first volume retains its 1727 date. A couple of clean tears to plates; old repairs to spines of bindings. Bookseller Inventory # 3705972

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Fuso Hyakkiku fu [trans.: Album of One: JISOSEN
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Item Description: More than one hundred very fine full-page woodcut illus. 40; 35 folding leaves. Two vols. 8vo, orig. wrappers (minor worming in lower corners, touching the images, very skillfully repaired), orig. block-printed title label on each upper cover, new stitching. Kyoto: Kamisaka Kanbei, 1736. The chrysanthemum has been for many centuries the imperial flower of Japan, representing the Emperor and other members of the royal family. Such was the interest in this flower that in the late 17th and early 18th centuries, Japanese botanists concentrated on cross-breeding species of the chrysanthemum to propagate more than 200 new hybrids, creating ever more spectacular varieties. A speculation in chrysanthemums, which resembled the "tulip mania" of Holland of the early 17th century, took place. Every autumn saw chrysanthemum festivals. By the 18th century, almost the entire population of Japan was cultivating chrysanthemums, a fashion which continued to the mid-19th century. This is the finest illustrated book of the period on the chrysanthemum. There are more than one hundred fine woodcuts depicting the most spectacular species. For each illustration, the name of the variety is given, along with size, color, description of its parts, and origin, mostly with facing leaves containing early poetry regarding the chrysanthemum. The preliminary pages contain an introduction by Jisosen, a Kyoto monk, along with another preface by the chief monk of Todaiji, one of the most famous temples of Kyoto. This preface provides a history of the flower. Nice set and rare; no copy is listed in WorldCat. Pale dampstaining in lower outer corner of many leaves. Bookseller Inventory # 3410

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Kai sen Shu (One thousand kinds of: HIRASE, Y.

HIRASE, Y.

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From: Antiquariaat Junk (Amsterdam, Netherlands)

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Item Description: Kyoto 1912-21. 4 volumes. 4to (250 x 180mm). With 400 beautifully hand-coloured woodcuts. Contemporary silk bound volumes, in a Japanese cloth case. A complete copy of this very scarce beautifully produced Japanese work on shells. Hirase Yoichiro (1859-1925), Japans most famous conchologist at the turn of the century, established his own Conchological Museum in Kyoto in 1936 and founded the short-lived 'Conchological Magazine' in 1907. He assembled the largest collection of shells in Japan. "Four silk-bound volumes of this unique conchological publication were issued, each containing many illustrations produced from woodcuts and coloured by hand in traditional Japanese style. almost single-handed, he placed his country on the conchological map." (Dance, Hist. of Shell Collecting p. 181). "This is why I have used the wood-cut art, which has been existing a long time in Kyoto, and has advanced to an excellent state of development" (From the Introduction). A fine copy of a rare book illustrating Japanese shells in a traditional Japanese manner. "Kai Sen Shu is unique among conchological publications and is highly prized by each fortunate owner of a copy" (Dance, Shells p. 126). The title of the book is commonly quoted as 'Kai sen Shu' but the correct title according to Mr. Paul Callomon is 'Kai Chigusa'.Dance 150. Bookseller Inventory # 9452

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Hayashi, Yoshinaga (publisher). Grand plan of the imperial city of Kyoto

Published by Kyoto , Hayashi-Yoshinaga c1714-1717 (1717)

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From: Hünersdorff Rare Books ABA ILAB (London, United Kingdom)

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Item Description: Kyoto , Hayashi-Yoshinaga c1714-1717, 1717. Soft cover. Book Condition: Very Good. (Japan) Hayashi, Yoshinaga (publisher). Shinsen zoho Kyo oezu (A newly revised map of Kyoto & its surroundings) Kyo (Kyoto) Hayashi-shi Yoshinaga, c 1714-1717. Handcoloured woodblock printed map.(Overall size: 124 x 162cm; print area: 121 x158.8 cm) Surrounding mountain-scape outlined pictorially in shades of red, green and mauve; water-ways and city streets in yellow. With descriptions of main temples and shines, distance charts, indexes. Text in Japanese. Folded in original blue paper wrapper on soft cardboard (23.5 x 15.8cm); calligraphic title slip pasted on upper cover; edges worn; some wear and minor damage to intersecting folds, a few small tears, occasional light stains, but generally well preserved. Cloth folder. A large, revised 18th century tourist guide-map of Kyoto as imperial capital documenting the city in its prime before its destruction in the great fire of 1788. The Chinese influenced grid pattern layout is marked by a central axis from the south to the Imperial Palace in the north east. The guide contains entries on the residences of the daimyo, or feudal lords, and on the origins and history of Buddhist temples and Shinto shrines with details of sizes and location of individual Buddhas; including a number of world heritage sites : Golden Pavillion (north west), ‘Enryaku-ji’ temple (north east), ‘Kiyomukzu’ temple, and ‘Sanjūsangen-Dō’ (Temple of a 1000 Buddhas)(south east). Charts indicate distances from the Sanjo Obashi bridge on the Kamo river (south). The publisher, Yoshinaga Hayashi, moved from Osaka, and here gives his new address in Kyoto. Yamashita, Japanese Maps, page 132; Kazutaka Unno, History of Cartography, Book 2, Volume 2, page 346; Namba, Old maps of Japan, 68; cf. UC Berkeley, Japanese Historical Maps, (numerous editions). Bookseller Inventory # ABE-7575306505864750415

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Tindale, Thomas & Harriet R.

Published by Rutland & Tokyo, 1952. (1952)

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From: Veatchs Arts of the Book, ABAA (Hamburg, NY, U.S.A.)

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Item Description: Rutland & Tokyo, 1952., 1952. 4 volumes plus envelope. 13 1/4 x 10/ 3/4. Japanese-style bindings of hand-stenciled wraps & boards. Volumes contained in a Shufi-covered folding case. Case worn and soiled. One volume has a dime-sized brownish area on fore edge, but volumes are fine. With prospectus. Signed by Tindale in 1952 in Korea. One of the finest studies on Japanese paper and a magnificent production. Text in English. Replete with specimens, including old and rare documented papers from the 8th and 9th centuries. Volume I gives the history and description of Japanese papermaking, with numerous photos of processes and a fold-out plate of mounted fibers. There is an exquisitely hand colored facsimile of the ancient manuscript "Kamisuki Taigai" (process of papermaking) with English translation. It is accompanied by an envelope containing five different papermaking fibers.The Seki Collection, Volume II, has 127 French-fold pages with 187 tipped-in specimens, 2 folding maps. These specimens span the Nara period (710-793) to the 1950s (with some extraordinary decorated papers). The source of the early papers (usually a manuscript or a printed book) is documented. Size of the original sheet is given.Volume III, the Contemporary Collection has xxvi pages and 136 specimens (10 x 13) with descriptions. The specimens, from twenty districts, include decorated and imbedded papers. Volume IV is the watermarks collection, with 20 elaborate pictorial light-and-shade watermarks, made by a hand rubbing process unknown in the West. Five text pages describe the broadsides. Schlosser (No. 63) says 250 copies were planned; as few as 150 may actually have been done. See Henry Morris' Japonica for a 12 page description of this major work. Bookseller Inventory # 15390

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Nihon Kokon zeika Zukai]. Short Biographies of: MIKI, TEICKI (TEIICHI)
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Item Description: 1887, 1887. Large 8vo. Lvs 22 + 22, folded in the Japanese manner (fukuro-toji). Text in English and the illustrations have captions in English and Japanese (Kanji). With twenty double page colour woodcut prints. Original Japanese wrappers, printed paper labels on upper covers. First edition. According to the preface the editors originally planned to print ten volumes in this series but us we can understand only these two volumes were published. Another issue (two volumes) with bilingual text was published simultaneously. A collection of twenty biographies of famous people, for example: Iwakura Tomomi (19th century important statesman and ambassador); Murasaki Shikibu (10th century, famous authoress of The story of Genji); Sugawara no Michizane (9th century, learned scholar and statesman, worshipped as the god of literature); Prince Shotuko (died A.D. 620, great statesman and invented the first laws of Japan); Saigo Takamori (19th century samurai of the Satsuma daimo); Minamoto no Yoshiie ( 11th century, governor general of Mutsu); Takenouchi no Sukune (born in the first century, held various officies for more than 244 years) and; Empress Jingu Kogu (regarded as superhuman). Each story accompanied with an interesting and beautiful double page illustration. A lovely copy. Not in Cordier. Bookseller Inventory # 100071

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Mijn verblijf in Japan.: ASSENDELFT DE CONINGH,

ASSENDELFT DE CONINGH, C.T. VAN.

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Item Description: Amsterdam, gebroeders Kraay, 1856. 8vo (230 x 130mm). pp. (2), vi, 180, with illustration on title. Later half cloth, marbled sides. First and only edition. "Cornelis Theodoor van Assendelft de Coningh (1824-1890) had been in Japan in 1845 while serving as a junior officer on board a ship of the Dutch East India Company. Although on that occasion scarcely even setting foot on shore, he nevertheless seems to have gained a most favourable impression of the land. It was thus, he writes, with great pleasure that in May of 1851, now captain of the Joän and based in Surabaya, he received orders from the Dutch government to sail once more for Japan. He arrived in Nagasaki in August and stayed for three months, during which time he not only made the notes which form the basis of the present work, but did a small amount of research into records concerning the strange and elusive figure of Count Benyowsky. He is also author of two volumes of memoirs.The present work, a slim volume in paper covers, is as the title suggests a journal of the author's stay in Japan. It is perhaps chiefly of interest for the side-glances it affords on relations between the Dutch in Dejima and the officials of the bakufu" (Nipponalia. Books on Japan in European languages in the library of the Kyoto University of foreign studies, no. xix).Small dampstain to lower magin of title. A fine copy of this rare item.Provenance: Bookplate of C.C. Krieger.Cordier 522. Bookseller Inventory # 6866

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Vijf jaren in Japan. (1857-1863). Bijdragen tot: POMPE VAN MEERDERVOORT,

POMPE VAN MEERDERVOORT, J.L.

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Item Description: Leiden, Van den Heuvell & Van Santen, 1867-1868. 2 volumes. 8vo (245 x 160mm). pp. xii, 335, (i); pp. vi, 357, (i), with 2 coloured frontispieces, 12 plates of which 10 coloured and 1 coloured folding map. Publisher's pictorial wrappers (spines repaired). First and only edition. During the 1850s the Tokugawa government decided to strengthen its national defense and invited naval officers and technicians to Nagasaki. One of them was J. Pompe van Meerdervoort, a naval surgeon from the Netherlands. He was asked by the Japanese authorities to establish a new system of medical education in Nagasaki. Assisted by Matsumoto Ryôjun and Shiba Ryôkai he established a western style hospital with 124 beds and a medical school. When Pompe left Japan England, France and the USA were already strengthening their pressure on Japan to open up the country, and the Dutch influence, that had continued for 250 years, gradually began to decline. Nevertheless Pompes achievements and the outstanding role he played in the modernization of Japanese medicine are highly esteemed in Japan.Later in 1865 the school's name was changed to Seitoku-Kan and after the Meiji-Restauration, it became the origin of the Medical School of Nagasaki University. Pompe's memoirs "Five years in Japan" describe the changing international situation in East Asia together with his medical activities and many observations on the Japanese society at his time.Pompe also experimented with photography, collaborating with some pupils he had taken over from his predecessor, Dr. J.K. van den Broek. Van den Broek was the first to introduce photography in Japan during the years he practised there (1853-1857). Under his tuition, a Japanese doctor, Keisai, was learning to take photographs using the daguerreotype process invented in 1839.Among Pompe's students was the first professional photographer in Japan, Ueno Hikoma. He opened a photographic studio in Nagasaki in 1862. Another of Pompe's students, Uchida Kyuichi, became famous as the first photographer ever to photograph the Emperor and Empress.Most plates show Japanese people in costumes, the frontispiece in vol. 1 shows the bay of Nagasaki and the frontispiece in vol. 2 shows the medical hospital at Nagasaki.Provenance: Bookplate of C.C. Krieger.Cordier 588; Tiele 873; Landwehr, 'Dutch Books with coloured plates', 395. Bookseller Inventory # 6870

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De Medusa in de wateren van Japan,: CASEMBROOT, François de.

Item Description: Cat. NHSM, p. 480; Cordier, Japonica, col. 579; Nipponalia III, p. xviii; Tiele, Bibl. 234; Wenckstern, p. 44. First edition of an account of the battle that nearly ended the voyage of the Dutch corvette Medusa on its way to Yokohama, written by the commander of the ship François de Casembroot (1817-1895), captain-lieutenant in the Royal Dutch Navy. On 11 July 1863, the Medusa was attacked by the ships and batteries of the daimyo of Chôshû, Mori Takachika, as she passed through the straits of Shimonoseki at the entrance to the Inland Sea. The Chôshû were resentful of the official policy to welcome foreigners in Japan and attacked the Dutch ship. Although the crew bravely fought back, Medusa was struck 20 times and four members of the crew were killed. The following year this incident lead to the so-called Shimonoseki Campaign in which Dutch, French, British and American ships retaliated and secured a safe passage for foreign shipping through this important stretch of water.Fair copy, spots throughout (including the maps), the sides of the first and last three leaves lined with tape and a few other small repairs with tape as well. The original wrappers are soiled and damaged at the corners, and mounted on modern paper. The modern binding fine. Bookseller Inventory # H7EDQ7S9UCWU

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Doeff, Hendrik

Published by De erven François Bohn, Haarlem (1833)

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Item Description: De erven François Bohn, Haarlem, 1833. First edition. highlights. Octavo. Original paper wrappers. See description for condition. VIII, 268 Pages followed by 2 pages of advertisements. A rare and interesting account of Hendrik Doeff's recollections of the customs, traditions, religion and culture of Japan during his appointment as "opperhoofd", Dutch commissioner in the Dejima trading post in Nagasaki. Doeff, born in 1777, left Holland to go to Batavia in 1798 with the . Soon after arriving, he was sent to Decima, Japan in 1799 to succeed Gijsbert Hemmij as scribe, only to find that Decima had undergone many catastrophes. Doeff returned to Batavia to report the poor situation Deshima was in. Doeff was appointed as scribe to Willem Wardenaar who became the new opperhoofd of Deshima and together with 3 assistants, they left for Deshima in 1800 on the American ship 'Massachusetts'. The Dutch were at war with England and they did not dare to send a Dutch ship. Wardenaar was able to create order on Deshima but left after 2 years due to asthma and proposed to appoint Doeff as the new opperhoofd, which was carried out on August 22nd 1803. In the years to come, Doeff found himself in confronted with many problems which he resolved in a very diplomatic way. Various times the Russians and British tried to take control of trade monopoly that the Dutch had on Deshima. This failed and Doeff gained considerable respect from the Shogun. During the Napoleontic regime in Holland, Deshima was the only part in the world where the Dutch flag was raised. The British and Chinese were far more superior at sea and between 1807 and 1817 only one Dutch ship made it from Batavia to Deshima. Batavia was taken over by the British and Doeff was more or less on his own with only 6 other Dutchmen having survived terrible diseases. Doeff learned the Japanese language and is the first westerner known to have written haiku, two of which have been found in Japanese publications from the period of his stay in Japan. He also wrote the first Dutch-Japanese dictionary. In 1817 Doeff and his men finally left Deshima and headed back to Batavia. In 1819 he set sail to Holland, but the vessel struck water and was shipwrecked. Fortunately the passengers were picked up by the American ship "Pickering". With the shipwreck, Doeff saw all his notes made in the 19 years of his stay in Japan disappear in the sea, including his smuggled copy of the Dutch/Japanese dictionary. Fortunately a copy was presented by Doeff to the Shogun of Japan. The loss of his notes did however not stop Doeff publishing this wonderful work offered here, in which he explains in the foreword that the shipwreck and loss of his memoirs prevented him from writing a more detailed account. Hendrik Doeff was decorated for his loyalty and courage upon his return and a portrait was made by order of the state, which was considered a great honor. Unfortunately Doeff was unsuccessful in getting his wages for the many years he was unpaid during his appointment. Condition: Original speckled paper wrappers, Spine reinforced by 19th century washi paper; very slight water staining to the outer top margin of the first and second title page; Title and Introduction pages coming loose from binding (can be restored); Light water staining to outer margins of pages 145-174; light brownish water staining to pages 129-146 in the text. Overall a good copy. Extremely scarce and of great historical importance. A modern English translation of this title is avaialble. Provenance: Found in the attic of an 18th century gin distillery in Rotterdam. Bookseller Inventory # 14397

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Item Description: Japan, ohne Verlagsangabe, 1874. Book Condition: Gut. unp., ca. 1500 bis 2000 Seiten Broschierte Einbände mit späterem Folienüberzug, die Einbände etwas angestaubt und teils geringf. stockfleckig , Blattschnitt altersbedingt gebräunt, altersübliche Lesespuren, wenige Pergamin Zwischenblätter lose. Die mehrfarbigen Abbildungen in schöner frischer Erhaltung 634 ja Gewicht in Gramm: 5500 Broschiert , Format ca. 18 x 25 cm. Bookseller Inventory # 90456

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Various authors

Published by Shibundo 1966-2005, Tokyo (1966)

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From: Meijering Art Books (Heerewaarden, Netherlands)

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Item Description: Shibundo 1966-2005, Tokyo, 1966. First editions. Octavo. Softcover. Very good. A near complete run of the most important and influential magazine of the Japanese arts, comprising of Volume 1 to 472 (lacking only 26 issues!). Although the text is in Japanese, this magazine is considered the best on every subject of Japanese art and is highly regarded and sought after by museum curators throughout the world. A massive collection of knowledge! A list of the titles in English is available making it much easier to find the volumes one may need! (please note that we have only photographed a few issues as an example). Extremely scarce and hard to find such a complete run with the early issues. ------------------------- Missing volumes: 6, 14, 22, 24, 41, 64, 73, 89, 108, 111, 137, 142, 151, 155, 227, 305, 332, 390, 411, 425, 431, 434, 435, 444, 470, 471. Bookseller Inventory # 15466

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Oh, Nippon! (Oh, Japan!): Nobuyoshi Araki

Nobuyoshi Araki

Published by Miki Shuppan (1971)

Used Soft cover First Edition Signed

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From: AboveParBooks (Tokyo, Japan)

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Item Description: Miki Shuppan, 1971. Soft cover. Book Condition: Fine. 1st Edition. Araki's virgin (i.e., first) commercially published work. The condition of this copy is particularly fine. Includes purchase slip, full-page signature and caricature by Araki. An exceptional copy. Signed by Author. Bookseller Inventory # ABE-5588411947

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UTAGAWA, Sadahide.

Used Softcover First Edition

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From: Henry Sotheran Ltd (London, United Kingdom)

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Item Description: Yokohama, [1862]. Volumes one and two [of three], large 8vo. Original grey-blue wrappers, block-book binding, printed lettering pieces to front covers, custom-made modern flexible folder; 19 and 21 double-leaves with numerous woodcuts (including a bird's-eye view of Yokohama), one hand-coloured woodcut of an assemblage of Western flags and the Japanese rising sun as paste-down in volume one; stitching renewed, wrappers lightly spotted in places, lettering-pieces a little rubbed, lower cover of volume two with old Western label; otherwise well-preserved and clean internally. Very rare first edition of this delightful illustrated work on the social - sometimes comic - impact of the opening of the port of Yokohama through Commodore Perry in 1854, finely illustrated by one of the leading artists of the Yokohama School. Utagawa (1807-1873) was the most eminent pupil of Kunisada and worked prolifically under several studio names. He was among the Japanese artists to exhibit at the Paris Exposition in 1866 and is celebrated for his Yokohama imagery showing the cavorting Westerners, sometimes drunk in the streets of the growing international port city, Black Ships, Americans playing pool, enjoying pastime in the parlour, men and women galloping around town, traders and their outlandish habits and outfits. Bookseller Inventory # 2098208

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Writings [Japan Paper Edition] Comprising His Novels,: MÉRIMÉE, Prosper

MÉRIMÉE, Prosper

Published by New York Croscup & Holby Company (1905)

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From: Heritage Book Shop, ABAA (Tarzana, CA, U.S.A.)

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Item Description: New York Croscup & Holby Company, 1905. One of Thirty Sets Printed on Japan Paper MÉRIMÉE, Prosper. The Writings of Prosper Mérimée. Comprising His Novels, Tales and Letters to an Unknown. With an essay on the genius and achievement of the author by George Saintsbury, M.A. New York: Croscup & Holby Company, 1905. Japan Paper Edition. Limited to thirty numbered copies. Eight octavo volumes (9 x 6 inches; 228 x 152 mm). Etched frontispieces and plates in three states, one on India paper mounted, one on Japan Paper, and one hand-colored. Descriptive tissue guards. Each volume with a watercolor head-piece, initial, and border vignette. With a corrected galley proof sheet ("Proof Corrections as made by Prof. Saintsbury") tipped in to Carmen. Bound by La Belle Sauvage Bindery in full dark green crushed levant morocco. Covers elaborately bordered in gilt with fleur-de-lys cornerpieces in onlaid red morocco gilt. Spines in five compartments with four raised bands, gilt-lettered in three compartments, decoratively tooled in gilt in the remaining two compartments with a red morocco onlay in one compartment, gilt board edges and turn-ins, green silk doublures and liners, top edge gilt, others uncut. A fine set in an superb binding. Comprising: Carmen, Arsène Guillot, Abbé Aubain. Translated by Emily Mary Waller, the Lady Mary Loyd, and Dr. Edmund Burke Thompson. With illustrations by Gustave Fraipont and S. Arcos. [And:] The Double Mistake, Soul in Purgatory, The Venus of Ille. Translated by William M. Arnold, Olive Edwards Palmer, and Emily Mary Waller. With Illustrations by Gustave Fraipont, A. Bramtot, and J.J. Aranda. [And:] The Chronicle of the Reign of Charles IX. Translated by Prof. George Saintsbury, M.A. With illustrations by Edouard Toudouze. [And:] The Mosaic. Comprising Mateo Falcone, and Other Tales. Translated by Emily Mary Waller and Mary Helena Dey. With illustrations by J. Le Blaut, P. Sinibaldi, Luc Olivier Merson, Myrbach, Ed. de Beaumont, and Lalauze. [And:] Colomba. Translated by the Lady Mary Loyd. With illustrations by Gaston Vuillier. [And:] Letters to an Unknown. Translated by Olive Edwards Palmer. Illustrated with contemporary drawings and portraits. Two volumes. [And:] Last Stories and Translations. Translated by Emily Mary Waller and Louise Paul. With illustrations by A. Robaudi. Prosper Mérimée (1803-1870), "French dramatist and master of the short story whose works—romantic in theme but classical in style—were a renewal of classicism in a romantic age.Mérimée’s short stories, many of which are mysteries, best illustrate his imagination and somber temperament. Spain and Russia were his principal literary sources, and he was the first interpreter of Russian literature in France. Aleksandr Pushkin was his master, especially for his themes of violence and cruelty and the human psychology behind them. In one of Mérimée’s best-known stories, Mateo Falcone (1829), a father kills a son for betraying the family honor. The collection Mosaïque (1833) was followed by his most famous novellas: Colomba (1840), the story of a young Corsican girl who forces her brother to commit murder for the sake of a vendetta, and Carmen (1845), in which an unfaithful Gypsy girl is killed by a soldier who loves her" (Merriam-Webster’s Encyclopedia of Literature). HBS 65809. $4,000. Bookseller Inventory # 65809

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NARUMO, Kinjiro

Published by printed by the Yokohama Seishi Bunsha (1895)

Used Softcover

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From: Hordern House Rare Books (Surry Hills, NSW, Australia)

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Item Description: printed by the Yokohama Seishi Bunsha, 1895. Booklet of eight leaves folded in the Japanese manner within original colour illustrated wrappers with silk ties, 165 x 236 mm., featuring a double page plate of a domestic scene, with additional illustrations of 76 wares. A remarkable guide to Japanese domestic wares, with English language descriptions to 76 fully illustrated items. This booklet focuses on the kitchen and features an astonishing double-page plate showing the layout and arrangement of a Japanese period home, showing respective zones for food preparation, cooking and the entertainment of guests. Items specifically illustrated and described include lacquer wares, a charcoal-burning stove, lanterns, wooden buckets and items used in the tea ceremony. A beautiful copy of a very attractive and informative work. Wrappers gently creased otherwise excellent. Bookseller Inventory # 4010228

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Oh Nippon: Nobuyoshi Araki

Nobuyoshi Araki

Published by Miki Shuppan, Tokyo, Japan (1971)

Used Soft Cover First Edition

Quantity Available: 1

From: booksGYOZANDO (TOKYO, A., Japan)

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Item Description: Miki Shuppan, Tokyo, Japan, 1971. Soft Cover. Book Condition: Good. First Edition. Softcovered book. A complete set. Sunburned and stained as usual especially its spine. And the edges of the front are partly rubbed. However the plates inside still keep good plus conditions: almost no outstanding rubbed nor chipped spot. Bookseller Inventory # 000969

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Bunken Edo Oezu [Large Map of Tokyo]: Kanemaru, Hikogoro

Kanemaru, Hikogoro

Published by Suharaya Mohei, Edo [Tokyo] (1794)

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Item Description: Suharaya Mohei, Edo [Tokyo], 1794. Softcover. Book Condition: Near fine. Kanemaru, Hikogoro (illustrator). The largest colour printed map of Edo (Tokyo) produced in the Edo period. Includes an inscription in which is recorded the population of Tokyo in 1804 and the number of houses. The population of women and men in Yoshiwara (the red-light district of Tokyo) is also recorded. Original wrappers, wear to extremities, as usual, scrapes to lower wrapper. Occasional small marks to contents. Woodblock-printed and hand-coloured. Text in Japanese. Scarce. Used book. Bookseller Inventory # 461

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Nippon Gekijo Shashincho -- Japan, A Photo: Daido Moriyama

Daido Moriyama

Published by Muromachi-Shobo (1968)

Used Soft cover First Edition Signed

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Item Description: Muromachi-Shobo, 1968. Soft cover. Book Condition: Near Fine. 1st Edition. Moriyama's first commercially published work, from 1968. This copy is signed by Moriyama, together with his mentor Hosoe, and dated Jan. 10, 1969. The book itself is in good condition, with some fading to spine, as is typical for this title, but no other major issues. The fragile slipcase has one nick on the obverse, otherwise no major issues. Also includes original postcard insert. Needless to say, a copy with a contemporaneous signature by Moriyama, with Hosoe, is rare and very desirable. Please feel free to contact me with any questions. Signed by Author(s). Bookseller Inventory # ABE-14070693104

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Audsley, George Ashdown

Published by Charles Scribner's Sons, New York (1884)

Used leather_bound Signed

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From: Royoung Bookseller, Inc. ABAA (Ardsley, NY, U.S.A.)

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Item Description: Charles Scribner's Sons, New York, 1884. leather_bound. Folios, 16 1/2 x 13 inches. Limited edition: Artist's Proof Copy, 48 of 60 for America, signed by Audsley. Two frontispieces, 70 chromolithographs and 35 heliogravure plates, all with tissue guards. There are nine sections which cover: Drawing, Painting, Engraving & Printing, Embroidery, Incrusted Works, Metal, Cloisonné Enamel, Modeling & Carving, Heraldry. He and his brother William were successful British architects, George held Ruskin's aesthetic in great esteem, and was one of the earliest British authorities on Japanese art publishing. Watered silk endpapers, joints and extremities rubbed, backstrips, interior contents clean, backstrips blistered and desiccated. Orig. decorated and richly gilt purple-brown morocco. Very good. 2 vols. Bookseller Inventory # 20409

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Japan Theater, Photo Album: Daido Moriyama

Daido Moriyama

Published by Muromachi Shobo, Tokyo, Japan (1968)

Used Soft Cover First Edition

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From: booksGYOZANDO (TOKYO, A., Japan)

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Item Description: Muromachi Shobo, Tokyo, Japan, 1968. Soft Cover. Book Condition: Very Good. First Edition. Softcovered book housed in an original boards slipcase. Beautiful condition. The slipcase is lightly sunburned and stained as usual, but the title letters printed on it is still vivid. And the book itself, the spine of which and some margins of pages are in some parts lightly sunburned, however the other parts including the plates inside are intact and very good condition.: no outstanding worn nor foxed spot. Bookseller Inventory # 001631

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JAPANESE POSTER] O^saka Mainichi Shimbunsha

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From: Boston Book Company, Inc. ABAA (Boston, MA, U.S.A.)

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Item Description: 1936. Paperback. [JAPANESE POSTER] Osaka Mainichi Shimbunsha. KAGAYAKU NIPPON DAIHAKURANKAI [THE GREAT EXHIBITION OF BRILLIANT JAPAN] & KAGAYAKU NIPPONHAKU Annaiki. The poster was printed by Osaka Seihan printing company in their patented high-quality "HB" process, which they used to reproduce the effect of color woodblock, etc. With an (unread) artist's seal. Dated on the recto April/May 1936 this large poster (60.8 X 107 cm.) displays bold colors and near abstract design which shows the progress of Japanese industry as a freighter ship evolves pictorially in ascent through a great gear wheel, to an airplane, and then a skyscraper with pennants, all mediated by repeated circular images of a golden sun and red sun akadama images from the national flag. Considering its size, the fragility of the paper and its age, the edgewear and creasing, along with a bit of foxing, leaves this piece still unusually clean and bright with older backing and color restoration. Presents very well. Perhaps the most interesting and arresting piece of industrial art design from its time we have seen in a poster format. The accompanying large 8vo. brochure in color wraps is the guidebook for the Exposition. Printed as a revised edition at the time of the show, 1936. Illustrated internally with b+w photo illustrations of exhibits, ceremonies, etc., etc. The rear cover reproduces the very poster that we are offering here. The guidebook is quite worn, with some paper repairs. Very scarce and interesting combination of these ephemeral items from Japan's prewar golden age of design. Bookseller Inventory # 85308

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Bauhaus 50 Years" - Publications and Original: n/a

Item Description: Various, Tokyo, 1971. Softcover. Book Condition: g to vg. First edition. Catalog, newsletters, newspaper clippings, and leaflets with three handwritten manuscripts for lectures and articles from the collection of Yoshihisa Miyauchi, architecture critic and editor for various Japanese magazines and publishers, concerning the remarkable exhibition celebrating the 50th anniversary of the Bauhaus, curated for the National Museum of Modern Art, Tokyo. The traveling exhibition "50 years Bauhaus" was organized by Herbert Bayer, Ludwig Grote, Dieter Hönisch, and Hans Maria Wingler and shown around the world from 1968-1971 starting with the Württembergischer Kunstverein, Stuttgart. From there the exhibition traveled to the Royal Academy of Arts, London, Stedlijk Museum, Amsterdam, Musée National d'Art Moderne, Paris, Illinois Institute of Technology, Chicago, Art Gallery of Ontario, Toronto, Art Museum, Pasadena, and finally to the National Museum of Modern Art, Tokyo. The venue in Tokyo with it's architectural design and its historical ties to the Bauhaus "practically breathes the spirit of the Bauhaus" as Franz Krapf, the German ambassador, put it at the opening of the Tokyo exhibition.1. Catalog for the exhibition "Bauhaus 50 Years" at the National Museum of Modern Art, Tokyo, February 6 - March 21, 1971. Tokyo. Kodansha, 1971. First edition. Square Octavo. 24pp. Original illustrated blue wraps with white lettering on cover. There was no extensive Japanese catalog for the comprehensive 50th anniversary exhibition of the Bauhaus in the Tokyo museum that hosted the first major Bauhaus exhibition in Japan in 1954. The studies and activities of the Japanese students at the Bauhaus received little attention but they were instrumental in promoting the Bauhaus in Japan. Bauhaus methodology was adopted by several Japanese schools including the Jiyu Gakuen School and the New Bauhaus, founded in 1932 in Tokyo. One of the outstanding Japanese students at the Bauhaus was Yamawaki Iwao who, after returning to Japan in 1932, created the famous photo-collage "Der Schlag gegen das Bauhaus (The blow against the Bauhaus)."The traveling exhibition of some 2,000 objects, including Bauhaus-trained and inspired Japanese architects, organized by the Federal Government of Germany presented all disciplines taught at the Bauhaus, architecture, painting, sculpture, design, typography, theater, photography, and crafts. Illustrated with a selection of 42 exquisite b/w photographs. Text in Japanese, intros in Japanese, English and German. Light wear along edges, minor rubbing and light foxing on covers. 2. Newsletter No. 195, March 1971, of National Museum of Modern Arts Tokyo. Issue featuring Bauhaus exhibit vol. 1. Large Octavo. 8pp. Illustrated white wraps with black lettering on cover. In-text b/w photographs of venues and artwork. Text in Japanese. Issue with moderate foxing, horizontal folding crease and two punch holes. Warps and interior in overall good- condition. 3. Newsletter No. 196, March 1971, of National Museum of Modern Arts Tokyo. Issue featuring Bauhaus exhibit vol. 2. Large Octavo. 8pp. Photo-illustrated white wraps with black lettering on cover. In-text b/w photographs of venues and artwork. Text in Japanese. Issue with light to moderate foxing, mostly along margins, two punch holes. 4. Printed leaflet of 1971 Bauhaus exhibition (10 x 7 1/4"). Yellow paper with b/w reproductions of photographs of artwork and green and black lettering. Versos blank. Horizontal folding creases with small crease in upper left corner of one of the leaflets. Otherwise both in very good condition. 5. Printed leaflet of a lecture at the National Museum of Modern Art, Tokyo entitled "About the Bauhaus." Yellow paper with black lettering. Verso blank. Red underlining of one printed line. Horizontal folding crease. Otherwise in very good condition. 6. Drafts of lectures by Yoshihisa Miyauchi for an art course at the National Museum of Modern Arts, Tokyo, entitle "About the Bauhaus." One original handwritten draft of 3 pages with a set of co. Bookseller Inventory # 39732

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Autograph Letter in Japanese calligraphic script to: Gehrig, Lou)

Gehrig, Lou)

Published by [Japan (1934)

Used Softcover Signed

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From: James Cummins Bookseller, ABAA (New York, NY, U.S.A.)

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Item Description: [Japan, 1934. Book Condition: Fine. Pen and ink on long folded sheet of paper. 36 x 7 in. Presented to Lou Gehrig from the Children of Japan. Gehrig barnstormed around Japan in 1934, joined by Babe Ruth, his manager Connie Mack and a dozen other players. Gehrig brought his wife Eleanor, intending the trip to be the first leg of their delayed honeymoon. Gehrig and Ruth were no longer on speaking terms, and an encounter between Eleanor and Ruth involving prodigious amounts of champagne and caviar in the slugger's cabin further cemented the estrangement. The present letter, written in Japanese and presented to Gehrig from "the children of Japan," is a touching note offering good wishes to Gehrig's mother, with whom he was very close.Translation of the presentation letter:Dear Mr. Gehrig: "I am very happy to learn that you are a good filial son to your Mom. I hear that fact from someone and read about it in a magazine. I like and respect my own Mother very much. So, I would like to give something from Japan to your Mom. I was thinking and thinking, but I could not know what was a good and appropriate gift.After much consideration and thought, I decided it might be good to send your Mom the Nippon Shichi Fukujin or Japan's Seven Lucky Gods. It is close to Christmas - your country. So these Seven Lucky Gods will bring many happinesses to your Mom. This is really a 'tsumaranai mono,' not-so-fine a thing, a trifling thing of no major importance whatsoever. I wish some Japanese person in the US to explain to you about the Seven Lucky Gods. I hope you and your Mom will have a good fortune. I ask the Seven Lucky Gods to bring this gift to you. I am afraid the gift for your Mom is not so fine. Japanese children said to you, Mr. Gehrig, 'yoroshiku' to say 'hello' to you and your Mom. For a long time you have been active and working hard. Please come to Japan again. With your Mom! To have sightseeing. The children of Japan. November."[With:] 3 books on Japanese culture and tourism from Gehrig's library.From the collection of Ruth Martin Quick, a former girlfriend of Gehrig who later became a very close friend of Gehrig's mother, Christina. The collection included Gehrig's jersey worn on the 1934 Japan trip (which sold for over $500,000 at auction in 2011), a signed baseball, and other memorabilia. Provenance: Jeffrey Quick of Whippany, N.J., son of Ruth Martin Quick, a friend of Lou Gehrig Pen and ink on long folded sheet of paper. 36 x 7 in. Bookseller Inventory # 300422

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