King James Version Bible, Signed (15 results)

Hardcover. Condition: Very Good. No Jacket. Lg. 8vo. Red cl. w. red lettering on gilt fields. Backstr. and bottom edges faded. Signed by editor, with date, ffep. Xx, 715pp. incl. concise index and sel. quotations. Signed by Author(s).

Hardcover. Condition: As New. Still wrapped in plastic. ; 8vo - over 7¾" - 9¾" tall; Signed by Author.

Hardcover. Condition: Very Good. Dust Jacket Condition: very good. First Edition. Octavo, 205 pages, clothbacked boards; white dj torn at rear panel Presentation Copy to the Hales, inscribed by Olson Oct. 1, 1982, adding "This book was conceived / and produced in the 'Hale" / house at 306 Cecil St., Waynoka, Ok." By taking the four gospels and eliminiating duplication, then combining the remaining scripture and setting it in chronological order, the editor has simplified the story of Jesus and made it easier to read and understand.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Tattered DJ. This volume is signed by the editor. 715pp. Very good although the front hinge is loose. (loc 633/1).

Condition: Good. Signed Copy . Inscribed by editor on half title page. Highlighting inside. Writing inside. (bible ) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Cloth. Condition: Good. Dust Jacket Condition: Good. 1st Edition. This Bible is a complete and uncompromising handbook defending the scientific accuracy of a special, literal, God-ordained creation--integrated with the complete Bible text to demonstrate the inerrant inspiration and unity of scripture and the authenticity of Jesus' incarnation. Introductory notes for each Bible book, appendices, maps, thumb tabs, and a concordance are included. This copy is SIGNED BY THE AUTHOR on the half-title page. Shows signs of use; initial pages are crinkled; notes are on the FFEP and the presentation page. Signed by Author(s).

SIGNED by Spiros Zodhiates (Editor). Genuine leather bible is in LIKE NEW condition. Dust cover and inside pages have no wear. NO writing/marks/highlighting. The pages are crisp and clean with no tears/wrinkling. Binding is nice and tight. Looks unread! Please see pics for more details. We ship daily!

Hardcover. Condition: New. Dust Jacket Condition: New. Barry Moser (illustrator). 1st Edition. Barry Moser (illustrator). 1st edition. 1st printing. Holy Bible--King James Version. Designed and illustrated by Barry Moser. Viking Studio, New York, 1999. 994pp. 12 x 8.75 inches. Oatmeal cloth over boards with gilt design on front and spine. NEW. Dust jacket and book both in very fine condition. This is the Viking trade edition from the limited letterpress edition of the Holy Bible published by Pennyroyal Caxton Press. Moser spent four years handcrafting 232 engravings in all. First printing, with full number line. SIGNED by Barry Moser on the colophon page in pencil. He refused to sign any copies in ink. Sewn-in ribbon bookmark. Signed by Illustrator(s).

Hardcover (Full Leather). Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Holman Edition. Imperial quarto. Black leather boards with gilt lettering. Rubbing and toning overall and minor wear to the edges. A presentation copy inscribed in calligraphy: "Presented to Hazelwood Mission by Mrs. Thomas B. Grooms in Memory of husband Thomas B. Grooms Feb. 5, 1961." Interior pages clean and unmarked. Binding tight. Red ribbon bookmark torn free but present. Photos upon request. International shipping billed at cost.; Folio 13" - 23" tall; 1086 pages.

Hardcover. Condition: Very Good. Two Volume Set in Slipcase, New King James Version and King James Version. Limited Edition, #3013. First Printing, 1982. Case in Good condition. No markings. Jesus words in red. Excellent condition. One hardcover and one leather cowhide bible. This special Collector's Edition was produced for the Old Time Gospel Hour in a limited edition and made available to a few special friends. Limited Edition page signed by Jerry Falwell, registered in the name of "William H. Clifton". Historic Oklahoma Bookstore on Route 66. Packages shipped daily, Mon-Friday.

Hardcover. Condition: Fine. Dust Jacket Condition: Near fine. First Edition. The trade edition of the Pennyroyal Bible, illustrated by Barry Moser. This claims to be the only Bible published in the 20th century designed and illustrated by a single artist. [18], 994, [12] pages. 8-1/2 by 12-1/4 inches. With 232 original illustrations. First trade edition (with a numberline ending in 1). A fine copy in a fine dust jacket with small flaws in the parchment-style jacket. This copy has the printed card that wrapped the book when it was in shrinkwrap. This copy is inscribed to the previous owner by Moser on the colophon page.

232 engravings by Barry Moser (illustrator). Limited Edition, one of 500 copies. The Viking Studio edition of the beautifully designed and illustrated Bible originally printed by his Pennyroyal Caxton Press. In addition to Moser's 232 striking illustrations, he meticulously designed the typography and layout of each page of text. It was conceived as a reading Bible, and presents Frederick Scrivner's 1873 edition without the interruption of verse numbering. This copy is inscribed and signed by Moser to noted bookseller Justin Schiller with an inscription which reads, "For my dear friend, my Sanballat, Justin Schiller / with affection and thanks--". Now the Biblical character Sanballat is the saboteur of dreams (he tried to sabotage Nehemiah's dream of rebuilding Jerusalem), but don't worry, Moser isn't suggesting that Schiller was trying to thwart this Bible project, No, he just means that Schiller quite literally IS his Sanballat--Schiller having been the model for the illustration of Sanballat within the book of Nehemiah. Fine in a fine dust jacket. Bound in coarse ecru cloth over boards with gilt-stamped spine and upper board, integral silk ribbon bookmark. No significant wear to book or jacket. Cloth over boards. Quarto. [xiv], 994, [10] pages.

Hardcover. Condition: Fine. Folio. (64)pp. Dineâs riveting expressionistic woodcuts depict objects and characters in Revelation, such as a skull, a cloud, the Beast, the serpent, and a two-page spread of angelâs wings. The text is set in Garamond, with the voices of God and the angels distinguished by type size. To ensure that the pages would lie flat, Andrew Hoyem himself sewed the signatures concertina-style over a flexible core of plastic and nylon fiber. The binding is quarter-inch laminated oak boards with a lightning-bolt device by Dine, backed in white alum-tawed pigskin. One of the major modern artistâs books, Dine draws on a long tradition of illustrated Apocalypses, from Dürer to the present. A bright, crisp copy showing none of the spine toning to which this book is prone. Prospectus laid in. (Arion Bibliography 10). One of 150 copies, signed by Jim Dine and by the printer, Andrew Hoyem.

Hardcover. Condition: Fine. Dine, Jim (illustrator). Limited Edition. (The Arion Press) THE APOCALYPSE: THE REVELATION OF SAINT JOHN THE DIVINE: THE LAST BOOK OF THE NEW TESTAMENT FROM THE KING JAMES VERSION OF THE BIBLE, 1611. WITH TWENTY-NINE PRINTS FROM WOODBLOCKS CUT BY JIM DINE. San Francisco: The Arion Press, 1982. LIMITED EDITION; #139 of 150 copies, signed by the artist, and one of only 8 copies of the special box edition with the skull sculpture. Folio - 15" x 11". White pigskin backed oak boards with lightening-bolt pattern to front and back covers, with titles blind-stamped to spine, for what is a magnificent copy of the book. Original publisher's special oak box, limited to just eight examples thereof, housing a relief sculpture of a skull face by Jim Dine, cast in bonded plaster and individually painted by the artist; book is housed in a recessed tray located in the base of box, which is held in place by way of four flush-mounted oak latching mechanisms. [64] pp. This was the tenth book published by The Arion Press, and the first in collaboration with a major American artist; letterpress text set by hand and printed damp on French handmade Apta Velin from the Richard De Bas Mill; illustrated with twenty-nine black and white woodblock prints by Jim Dine. Included with this offering is a copy of the original [4] pp. prospectus for the book. The condition of all three items, i.e., the prospectus, the book and the sculptural box is FINE. Only three copies of the original prospectus located on OCLC/WorldCat. RARE. No copies of the special edition of eight in the sculptural box located on OCLC/WorldCat, and only two copies have appeared at auction since its issue in 1982. EXCEEDINGLY RARE. Signed by Illustrator(s).

WITH A CONTEMPORARY FORE-EDGE BY LEWIS, of flowers centering on a quotation within a wreath "|Blessed is he that [word faded]" and signed Lewis fecit 1656.". 12mo (169 x 115 mm.}. With a most unusual contemporary watercolor painting on the fore edge of the book, displaying a design of flower and acorns surrounding a central green wreath which encloses the following inscription: "March 13 1665 Martha White Order my Aedes (?) in thy Word ps: 119 (?)" According to Webber in 1001 Fore-edge Paintings (p. 12), the earliest date on a fore-edge painting by Lewis is a 1651 Bible now in NYPL, dated 1653 on fore-edge and similarily depicts flower, animals and a motto. VERY EARLY AND RARE Signed by the London firm of Stephen and Thomas Lewis, the earliest known bindery to paint both the firm's name and a year directly on the fore-edge paintings. Their fore-edges were typical of the time, featuring elements from nature such as flowers, animals, or birds, and they incorporated ofdten a wreath, as here, with a quote from Scriptures. This copy is additionally enhanced by its contemporary ownership by a woman reader. Provenance: contemporary ownership inscriptions of Martha Reyner, "Martha Reyner her Booke with the price 0-18" (front flyleaf) and "Martha Thompson Her Book Ano Domini 1705 et Praetorum huius [drawing of a bird]." In a fleece-lined green morocco folding case. Rebacked with original spine laid down, top headband partly frayed, one nick to leather on front cover, some slight fading of gilt Contemporary black goatskin, elaborately tooled in gilt, small central oval onalys of calf at center of a large rectangular onlaid panel, spine in 7 compartments with 6 raised bands, red morocco lettering piece in one. Laid into full green pebbled morocco drop box WITH A CONTEMPORARY FORE-EDGE BY LEWIS, of flowers centering on a quotation within a wreath "|Blessed is he that [word faded]" and signed Lewis fecit 1656.". 12mo (169 x 115 mm.}.