Kitaj, Signed (55 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. . NICE as pictured a First Edition a very good condition hardcover in a very good condition dust jacket price present gently read clean. With an inscription by Kitaj. Inscribed by Author(s).

Paperback. Condition: Very Good. First Edition. Wraps. 8vo. pp 72. ISBN: 1857099567. pp 72. Publisher's illustrated wrappers; illustrations in colour. Presentation inscription by Anthony Rudolf on title page: "Richard Love, Tony. Dec. 04". Near Fine. Ê. Signedes.

hardcover. Condition: fine. Dust Jacket Condition: fine. First. Numerous illustrations in color & in black and white. Small slim 4to. London: Philip Wilson, (2004). First Edition. Fine. Signed by the author on the title page.

Paperback. Condition: Very Good. First Edition. Inscribed/signed by artist along head of title-page. : 44 pp.; bw plates (some color), 4to. : Bright copy, no other markings, light bumping to bottom edges of first few pages, spine edge sunned with one scratch along front edge. : Well packaged, ships with tracking. Signed.

Paperback. Condition: Very Good. First Edition. Inscribed by artist on title page, dated same year as exhibition. : [28] pp.; bw ill., annotations, pictorial wraps, 23cm. : Tail of spine dented, else Fine. : Well packaged, ships with tracking. Signed by Author.

OKarton. 1. Auflage. 72 S. unpaginiert, mit 26 teils farbigen Illustrationen Einband sauber, kaum bestoßen, Vorderdeckel leicht knickspurig, Seiten sauber, auf Titelblatt mit SIGNATUR und WIDMUNG von WERNER HAFTMANN (Texte), Ronald Brooks Kitaj RA (* 29. Oktober 1932 in Chagrin Falls bei Cleveland, Ohio; 21. Oktober 2007 in Los Angeles, Kalifornien) war ein US-amerikanischer Maler, Grafiker und Zeichner, der sich Ende der 1950er Jahre in England niederließ. Kitaj zählte zu den wichtigsten Vertretern der britischen Pop-Art. Er begann mit verrätselten Allegorien und wandte sich in seinem späteren Werk einer verständlicheren figürlichen Darstellungsweise zu, die als School of Londonbekannt wurde. 0 Sprache: Deutsch Gewicht in Gramm: 300.

Soft Cover. Condition: Very Good. First Edition Thus. SIGNED and inscribed, "For Ellie and Peter with love from Kitaj". From the Collection of the writer and art historian Peter Clothier. ; 108 full-page plates in color and black and white, Essays by John Ashbery, Joe Shannon, and Jane Livingston. Interview with Kitaj by Timothy Hyman. Revised and expanded edition of the exhibition catalogue originally published by the Smithsonian Institution in 1981 on the occasion of the retrospective exhibition of R. B. Kitaj's work at the Hirshhorn Museum & Sculpture Garden, Smithsonian Institution, Washington, D. C. ; Tight and clean. Solid binding. Age-toning to covers. Interior is in excellent condition. ; 4to; 168 pages; Signed by Author.

Hardcover. Condition: Fine. 1st Edition. Signed by Andrew Lambirth. Book is in fine condition. 144pp with colour illustrations and photographs. Signed by Author(s).

Soft Cover. Condition: Very Good. This is a very good softcover copy with just light wear. SIGNED by the artist, R.B. Kiataj, in pen and briefly inscribed on the front endpaper. Otherwise completely clean. This catalog was prepared to accompany the exhibiion in New York at Marlborough during the month of April, 1979. Essay by Timothy Hyman. Checklist. 56 plates in black & white and color. 12" high X 8" wide, about 60 pages. This book will be securely wrapped and shipped with tracking. Signed by Artist.

Soft Cover. Condition: Very Good. First Edition; First Printing. Inscribed by the artist in red ink on the first page, "Love for my dearest Jeanne and Walter from their R. B." ; 56 full page plates including 6 in color. With an essay by Timothy Hyman. Published on the occasion of the exhibition at Marlborough Gallery, New York, in April 1979. ; Tight and clean. Solid binding. A touch of light shelf wear to wraps and some foxing to bottom of last two pages, otherwise a gently read book in Very Good condition. ; Signed by Artist.

Condition: Good. 4to. 167pp. Soft cover. Very Good. Color and black and white plates. From the collection of Peter Selz, Art History Professor at UC Berkeley. Signed by Peter Selz. Includes clipping of Kitaj's obituary. 2nd Edition.

Soft Cover. Condition: Near Fine. First Edition; First Printing. SIGNED and inscribed on the half title page by R. B. Kitaj. ; 56 full-page illustrations. Essay by Timothy Hyman. Published on the occasion of the exhibition at Marlborough Gallery. New York, April 1979. ; Tight, clean and crisp. SAunning to spine, otherwise in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; From the Collection of the writer and art historian Peter Clothier. ; 4to ; Signed by Author.

Paperback. Condition: Very Good. Signed. Age-toning, else VG copy in wraps. This copy INSCRIBED by Kitaj on first page. Green Apple Books and Music, Publisher Weekly's Bookstore of the Year 2014, has been San Francisco's favorite independent bookseller since 1967! Shipping costs on oversize / international orders will reflect actual shipping charges and may be more than quoted by ABE. We will need to contact you with true shipping costs and ask for authorization before adjusting cost.

Lex.-8°, Broschiert. Condition: Sehr gut. 48 Seiten Rares Heft im sehr gutem Zustand auf gestrichenem Zanders-Bütten. Eins von 100 vom Dichter signierten Exemplaren. Sprache: Englisch Gewicht in Gramm: 189.

Soft cover. Condition: Very Good. 1st Edition. San Francisco: Writing II; Four Seasons Foundation, 1966. First printing. Limited to 1,000 copies. Paperback. 21pp. Slim octavo [23 cm] Signed and dedicated by the author to artist R.B. Kitaj, also signed by Kitaj on ffep. Light sunning around cover edges, faint pencil marks on ffep. Signed by Author(s).

Hardcover with dustjacket in protective plastic overwrap; 160 pages, very good condition except small abrasion to top of dj; light foxing to top outer edge of pages; inscribed in red pen and signed by Kitaj at top of half-title page; no other internal marks. Foreign shipping may be extra.

Condition: Good. Text in English and German. Signed by the artist. Boards. Text and plates. Unpaginated.

Broschur. Condition: Gut. ohne Seitenangebe, dem unsignierten Katalog liegt eine Briefkarte bei signiert von dem amerikanischen Maler R.B. Kitaj (1932-2007). leichte Gebrauchsspuren, Ecken bestossen. with signed card. Size: 8°. Buch.

Hardcover. Condition: As New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed by Friedlander on the title page. Hardcover. Photographically illustrated laminated paper-covered boards, no dust jacket as issued. Photographs by Lee Friedlander. Foreword by Maria Friedlander. Afterword by R.B. Kitaj. 120 pp. with 94 duotone plates, beautifully printed by Meridian Printing, Rhode Island from separations made by Thomas Palmer. 9-3/4 x 9-3/4 inches. This first edition was limited to 1080 hardbound copies. Out of print. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). "A great photograph is like a great translation, which gives you a little something of a more gorgeous original. It's a short-lived illusion glancing my day. That's why we place photos of loved ones around the house. They escape the tomb, don't they? We read and reread them into a spectral life." --R.B. Kitaj. "I can sympathize with Kitaj that at times he would wish to look better in a certain photo, to be rendered differently. But there we are, both Kitaj and myself, I for more than forty years and Kitaj for over thirty, accepting ourselves as subjects for a photographer we trust." --Maria Friedlander From the publisher: "An intimate friendship of more than three decades is chronicled here, along with the aesthetic evolution of two major American artists. R.B. Kitaj's unusual, handsome, troubled, charismatic face has been a rich subject for Lee Friedlander's camera since the two artists became friends in 1970, when both were teaching at the University of California, Los Angeles. Kitaj begins and ends with photographs shot in Los Angeles, and the artist's passage from raw and vigorous young man to grizzly, white-haired prophet is charted through more than 90 images. A frank and moving series of images from 1994, focused on Kitaj during the days following his wife Sandra's sudden and unexpected death, achieve a disarming intimacy that could only have been the result of a deep and trusting friendship. Kitaj includes a reminiscence by Kitaj himself as well as an introduction by Friedlander's wife, Maria." Signed by Author. Signed.

First Edition. First edition. Hardcover. Features texts by Kitaj and Maria Friedlander. A collection of black and white photographs taken over the course of the long friendship between the Kitaj and Friedlander. Includes 96 duotones. A fine copy in photo-illustrated boards. No dust jacket as issued. Signed by Friedlander. Signed.

Paperback. 44p., 8.25x11.5 inches, texts in Norwegian and English, introduction, b&w and color plates from the exhibition, personal inscription signed as Kitaj on the half-title page, very good exhibition catalogue bound in yellow and green printed wraps with mild sunning. The catalogue for shows in London and Zurich.

Hardcover with dustjacket in protective plastic overwrap, 176 pages; very good condition; clean and crisp; signed by Kitaj at top of first page and dated N.Y.C. 1995; no other internal marks. Foreign shipping may be extra.

hardcover. Condition: near fine. Lee Friedlander (illustrator). First. With b/w photos throughout. 115 pages. Square 4to, off-white pictorial boards. (San Francisco): Fraenkel Gallery, (2002). First edition. A near fine copy. Inscribed by Friedlander.

Soft Cover. Condition: Very Good. First Edition; First Printing. SIGNED and inscribed, "For Ellie and Peter with love from Kitaj". From the Collection of the writer and art historian Peter Clothier. ; 48 full-page plates, some color. Introduction by Stephen Spender. Published on the occasion of the exhibition at Marlborough Fine Art, London, October 8 - November 7, 1980. ; Tight and clean. Solid binding. Tight, clean and crisp. A gently read book in Very Good condition. ; 4to; 58 pages; Signed by Author.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Signed in black ink-pen on the title page by Lee Friedlander and R. B. Kitaj. Friedlander has also numbered this copy 40/100. It is signed in the same black ink-pen on the glassine DJ by both artists. Quite uncommon. Signed by Author and Photographer. Book.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Limited special edition of 100 numbered copies signed twice each by Friedlander and Kitaj (once on the vellum-like dust jacket and again on the title page), and numbered. Hardcover. Photographically illustrated laminated paper-covered boards, with vellum-like dust jacket (only with this Limited Edition). Photographs by Lee Friedlander. Foreword by Maria Friedlander. Afterword by R.B. Kitaj. 120 pp. with 94 duotone plates, beautifully printed by Meridian Printing, Rhode Island from separations made by Thomas Palmer. 9 3/4 x 9 3/4 inches. Out of print.Very scarce. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's packaging. "A great photograph is like a great translation, which gives you a little something of a more gorgeous original. It's a short-lived illusion glancing my day. That's why we place photos of loved ones around the house. They escape the tomb, don't they? We read and reread them into a spectral life." --R.B. Kitaj. "I can sympathize with Kitaj that at times he would wish to look better in a certain photo, to be rendered differently. But there we are, both Kitaj and myself, I for more than forty years and Kitaj for over thirty, accepting ourselves as subjects for a photographer we trust." --Maria Friedlander From the publisher: "An intimate friendship of more than three decades is chronicled here, along with the aesthetic evolution of two major American artists. R.B. Kitaj's unusual, handsome, troubled, charismatic face has been a rich subject for Lee Friedlander's camera since the two artists became friends in 1970, when both were teaching at the University of California, Los Angeles. Kitaj begins and ends with photographs shot in Los Angeles, and the artist's passage from raw and vigorous young man to grizzly, white-haired prophet is charted through more than 90 images. A frank and moving series of images from 1994, focused on Kitaj during the days following his wife Sandra's sudden and unexpected death, achieve a disarming intimacy that could only have been the result of a deep and trusting friendship. Kitaj includes a reminiscence by Kitaj himself as well as an introduction by Friedlander's wife, Maria." Signed by Author.

Softcover. Condition: Very good. No jacket. Inscribed by Kitaj on the dedication page. Light edgewear.

First Edition. First Edition. INSCRIBED by R.B. Kitaj on the first blank: "For - / Love from Kitaj." Text in Spanish. Described by its author as "fiction painting," where words and images complement each other throughought by way of a game of complicities, correspondences, and mutual reflections. An extraordinary dialogue between a painter and a novelist: R.B. Kitaj, one of the great painters of our time, revealing for the first time the fascinating plot of his art alongside his life in the vicissitudes and conflicts of his time. On the other side of the "conversation," novelist Julián Ríos tries to uncover what lies beyond masks and ghosts, to reveal the enigma of the painted image, and to open eyes to words - "in the beginning was the seeing. and the word." To this end, three fictional characters sometimes extend the dialogue, introducing a counterpoint and dialectical critique. Bumped at the spine ends and corners, else book and jacket Near Fine. Signed.

First edition, first printing. Large format. Signed by the authors to the title page. Over 300 illustrations. Fine in cloth boards as published.

Soft cover. Condition: Fine. 1st Edition. Text in Garamont; number 78 of 100 (165) copies in black and other colours on Frankfurt paper, signed by the poet. Paste paper wrappers by Claire Maziarczyk. A fine copy. A collection of short, plain-spoken poems "guaranteed bot to cause Herpes, Leprosy, AIDS, Lumbago or Terminal Boredom.". Signed by Author(s).