Knights Round Table, Signed (18 results)

Trade Paperback. Condition: Good. Edge wear and creasing to cover, specifically double reader's crease along front of spine, one guided. Unmarked pages. Author's inscription on front cover page. All Orders Shipped With Tracking And Delivery Confirmation Numbers. Signed By Author.

Paperback. Condition: Good. 1st Edition. Internally in very good condition, cover has some marking and fading. Appears to be signed by author: 'To Leslie with best wishes from Ron 20.3.59'. Signed by Author(s).

Condition: Good. 2018. No Edition Remarks. 361 pages. Signed by the author. Paperback book with pictorial cover. Signed by the author with dedication to first page. Promotional bookmark inserted to first page. Binding remains firm. Pages remain bright and clear with black marking to final page. Paper cover has mild edgewear with curling to corners. Spine is in good condition.

Condition: VG, NO dj. 1st. 12mo. 54pp. Signed by the author. Some foxing to end papers and boards, but text. clean.

Condition: As New. CHAU3369? This is an original 10" x 8" hand signed photo for Gabriel Woolf as Sir Percival in Knights Of The Round Table which has been personally signed by the actor where his signature rests perfectly accompanying his portrait in mint condition and undedicated?too. You wont source better.

Hardcover. Condition: Very Good. RACKHAM Arthur 1867-1939 (illustrator). Limited Edition. The Deluxe edition, & one of 500 copies signed by the illustrator, Arthur Rackham, in full vellum, a little marked & rubbed at edges, corners bumped, gilt titles & tooling. Spine, faded, gilt titles & tooling, edges bumped. Internally, half title, publishers details to verso, Rackham signed limitation, coloured frontispiece with guard, title, [6], (v-xxiv), 509 pp, 16 mounted coloured illustrations by Rackham, each with a captioned tissue guards, 7 full page B&W illustrations by Rackham and 66 B&W illustrations within text, bookplate to fpd (Amy Beatrice Huntington), ownership inscription to front free endpaper, a few tiny marks to title, tissue-guard to first plate with few very small nicks to fore-edge, some light offsetting & some light browning to endpapers, t.e.g., others uncut, many partly unopened. (281*226 mm) (Riall p130/1. Latimore/Haskell p47/8). Signed by Illustrator(s).

Hardcover. Condition: Good. 3 volume set. Hardcovers. Lacks slip case. Hardcover. Minor shelf wear. Vol. 1: xv, 222 pp.; Vol. 2: 269 pp.; Vol. 3: 273 pp. B&w illus. Spine heads of v.2-3 frayed. One of 1500 copies signed by the illustrator Robert Gibbings. This copy number 1236. Signed.

Hard Cover with Slipcase. Condition: Very Good+. Limited Edition. Three oversized hardcovers with blue cloth spines with gilt lettering; boards covered in blue and cream-patterned paper; limited edition 1393/1500; signed by Robert Gibbings. Books in very good plus condition: spines are slightly sunned with a little scuffing and slight soiling; no wear to books; straight; hinges strong; clean and unmarked; pages slightly toned. Slipcase is only in good minus condition with some wear, soiling, and scuffing. Will require extra for shipping. Size: Folio - over 12 - 15" tall. Signed by Illustrator(s). Book.

Hardcover. Robert Gibbings (illustrator). Three tall quarto (7-3/4" x 12-3/4") volumes bound in half blue linen and armorial-decorated boards. Illustrated with handsome wood engravings by master engraver Robert Gibbings who also designed the book. Preface of William Caxton. Edited, with spelling and punctuation modernised, by A. W. Pollard. Printed at the Golden Cockerel Press. Copy #323 of 1500 printed at the Golden Cockerel Press and SIGNED by the illustrator on the colophon page. One of the finest productions of the press. Foxing to first and last few pages, heaviest to pastedowns and endpapers, then very light. Very Good, lacking the slipcase.

Hardcover. Robert Gibbings (illustrator). Three tall quarto (7-3/4" x 12-3/4") volumes bound in half blue linen and armorial-decorated boards. Illustrated with handsome wood engravings by master engraver Robert Gibbings who also designed the book. Preface of William Caxton. Edited, with spelling and punctuation modernised, by A. W. Pollard. Printed at the Golden Cockerel Press. Of a total of 1500 copies SIGNED by the artist on the colophon page, this copy has the number (1144) struck through and next to it written in ink "Office Copy." It also bears the Club's blindstamp stating it is one of 15 presentation copies. One of the finest productions of the press. Wear to the head of the spine of the second volume with slight loss of cloth. Still Near Fine in a Very Good slipcase.

Hardcover. Robert Gibbings (illustrator). Three tall quarto (7-3/4" x 12-3/4") volumes bound in half blue linen and armorial-decorated boards. Illustrated with handsome wood engravings by master engraver Robert Gibbings who also designed the book. Preface of William Caxton. Edited, with spelling and punctuation modernised, by A. W. Pollard. Copy #1205 of 1500 printed at the Golden Cockerel Press and SIGNED by the illustrator on the colophon page. One of the finest productions of the press. Tasteful bookplates on each front pastedown. Splits to slipcase but complete and attractive. About Fine in a Good or better slipcase.

Soft cover. Condition: Good. Flint, W. Russell (illustrator). 1st Edition Thus, Limited. First edition thus, four volume softcover set printed on handmade paper and bound in full vellum with hand-sewn head bands, green ribbon closures, cream placeholder ribbons, and gilt top edge treatment. Published between 1910-1911, marked limited no. 135/500 paper copies, and one of ten vellum copies for sale. The first volume is SIGNED by the illustrator (Flint) at the limitation statement. All four volumes have waving to their text blocks with some bubbling and warping to the vellum covers and to the paste downs. The set also has rubbing with some areas of discoloration to the covers, light bumps to the spine ends and cover corners, mild sunning to the spine, a touch of bowing to the head bands, and varying degrees of wear to their placeholder ribbons. Additionally, Volume I has some shallow creasing to the vellum at the head of the spine, and lacks the placeholder ribbon, while Volume IV has significant damage to its upper rear closure ribbon with only about half of it remaining. Otherwise this is a solid, tight Good+ four volume set. Additional images are available upon request.

Hard Cover. Condition: Good. Rackham, Arthur (illustrator). First Edition. Stated at limitation page: "This Edition Consists of Five Hundred Copies Signed by the Artist: 'No. 123, Arthur Rackham'". Rare signed, limited edition printed by MacMillan & Company of London. Large 9" x 11 1/2 x 2 1/2" design weighing over 5 lbs. Cream vellum (leather) boards, gilt embossed cover and spine titles, moderate shelf wear generally, some discoloration, wear to bottom area apprx. 1" high x 3" long. Bright gilt cover design features finely detailed bugler knight on regaled horseback; gilt spine design features stylized royal lion w/gilt bands. Frontispiece color plate by Rackham: "How Arthur drew his sword Excalibur for the first time". Pages generally very good; some discoloration, wear to bottom edge of first fifty, first few w/some missing material to same lower area, and moderately throughout, slightly increasing at back few pages. Couple leaves remain uncut. Bind good. Feature sixteen color plates in brilliant subdued hues and seven in black & white by Arthur Rackham. Each color plate features fine tissue guard w/caption. Additional partial-page imagery, headers, tailpieces, symbology and decoration throughout. Attractive, near good first edition. Sir Thomas Malory (1405 - 1471) collected all the ancient tales of the mythical Arthur and published them under the title Le Morte D'Arthur. The characters are familiar: Lancelot and Guinevere, and Tristan and Isolde, here in the definitive account of the Arthurian legends. The vigorous, eloquent epic tale of valor is noted for having been written in the best English prose of the Fifteenth Century. Include 5-page detailed glossary. Printed by R. & R. Clarke, Limited, Edinburgh. 509 pages. Insured post. Size: 4to - over 9¾" - 12" tall. Signed by Artist.

Hardcover. Condition: Near Fine. 1st Edition. First Edition. A sharp copy of this limited edition of 250 copies SIGNED by Arthur Rackham. The book is in nice shape. The binding is tight, and the boards are crisp with light wear to the spine and edges. The pages are clean with no writing, marks or bookplates in the book. Overall, a lovely copy SIGNED by Rackham in collector's condition. We buy SIGNED Rackham books. Signed by Author(s).

Abridged from Malory's Morte d'Arthur by Alfred W. Pollard. xxiv, 509 pp. Illustrated in color and black and white by Arthur Rackham. Folio, publisher's full gilt-decorated vellum, t.e.g. First edition; No. 33 of 500 copies signed by Arthur Rackham. The vellum binding is dust-soiled and there is a five-inch crack to the rear inner hinge; contents fine. Rackham has added a small original pen drawing of a prancing jester(about 4-1/2 x 3 inches) to the colophon page, initialled A.R. and dated 9.12.17.

Rackham, Arthur. First Rackham edition, deluxe limited issue of 500 copies (this is #145), numbered and signed by the artist on the colophon. Illustrated by Arthur Rackham. 16 full-page color tipped-in plates, 5 black-and-white, with many in-text illustrations. xxiv, [1]508, [1]pp. 1 vols. Folio. Rackham received the commission to illustrate this superb edition of Thomas Malory's tragic royal masterpiece adapted here by British bibliographer Alfred W. Pollard in the midst of World War I, which may have influenced the dark overall aspect of his artwork, which, while remaining incredibly beautiful, centers nonetheless on themes of combat, conflict, sorrow, and death. Publisher's full white vellum, stamped in gilt on cover and spine; top edge gilt; some light foxing, primarily to fore edges; printed tissue guard for each color plate; bookplate of E. A. Parker on first pastedown endpaper; in custom gray buckram folding box Illustrated by Arthur Rackham. 16 full-page color tipped-in plates, 5 black-and-white, with many in-text illustrations. xxiv, [1]508, [1]pp. 1 vols. Folio First Rackham edition, deluxe limited issue of 500 copies (this is #145), numbered and signed by the artist on the colophon.

Four volumes, 48 tipped in color illustr plus title page illustr, vellum in dust jackets with slipcases, top ties and bookmark, 168, 179, 208, 212. Corners and spines bumped, endpapers have offsetting from ties, tiny tears to deckled edges, scattered light spotting, silk bookmarks fraying, volume 1 has a bookplate, spotting to one tissue guard and margins of the page that illustr is attached to (not on illustr), volume 2 has light soiling in the margin of the page of the illustr opposite p. 104 (not on the illust), text block of volume 3 is cracking, dust jackets have sunned spines, small tears, chipping and volume 4 is missing approx 1 1/2" near the lower edge, boxes are well worn, faded, torn, bumped, peeling and splitting. Contents are very good. WITH 48 BEAUTIFUL TIPPED IN COLOR ILLUSTR BY RUSSELL FLINT AND SIGNED BY THE ARTIST IN THE FIRST VOLUME, LIMITED TO 500 COPIES. THIS IS #289.

Condition: Very Good. PFAS177 This is a rare opportunity to secure this antique 5.5" x 3.5" hand signed photo for Maureen Swanson who has personally autographed the souvenir where her signature rests perfectly accompanying her portrait.? Small places to allow mostly surface or small and light and otherwise excellebt graded vg+ grading but as stated overall great allowing and undedicated?too. You surely wont find a better autograph listing for this historic actress anywhere.Maureen Ward, Countess of Dudley (25 November 1932 16 November 2011), was a British actress. Born in Glasgow, Scotland, she was the daughter of James Swanson. As Maureen Swanson, she featured in British pictures during the 1950s and retired from acting in 1961, following her marriage to Viscount Ednam. She had a role in Moulin Rouge (1952), then a larger part in Valley of Song (1953). She had a strong support role in MGM's Knights of the Round Table (1953), and was the female lead in Hammer's film noir Third Party Risk (1954). Swanson was also in episodes of The Vise, and had a supporting part in Orders Are Orders (1955).?