Landscape Etching, Signed (20 results)

no binding. Condition: very good. This finely executed photogravure titled SHERE is an original etching by Percy Robertson, R.P.E. (Royal Society of Painter-Etchers), published in the 1892 edition of The Magazine of Art by Cassell & Company, Ltd, with offices in London, Paris, and Melbourne. The image depicts the picturesque village of Shere, nestled in the Guildford district of Surrey, England, celebrated for its quintessential rural charm and historic architecture. The scene presents a tranquil view of the village in late autumn or early winter, with bare trees arching above a winding stream in the foreground and a woman standing solitary in a frost-kissed meadow. In the mid-ground, a narrow footbridge leads to a cluster of figures gathered near a church, its steeply pitched spire rising prominently among the trees. A horse-drawn cart and villagers along the path imbue the composition with pastoral life and gentle movement. The church, likely St. James' Church, anchors the spiritual and architectural heart of the village. The surrounding cottages, thick foliage, and soft tonal gradations enhance the idyllic atmosphere, showcasing Robertson's sensitivity to both place and season. At lower left, the print is signed "Percy Robertson R.P.E.", and the label affixed at bottom center reads: SHERE (Original Etching by Percy Robertson, R.P.E.), confirming its status as a signed original etching rendered in photogravure, a medium prized for its ability to capture fine detail and subtle shading in printmaking during the Victorian era. IMAGE SIZE: approx 9 1/2 x 6 1/2 Inches CONDITION: Cropped from original,As scanned. Heavy card stock. Signature in print .The image has beautiful depth and detail. Blank on Reverse side. This beautiful rare item would look great matted and framed. An art supply store can provide you with a selection of frames for old art treasures. This is a GENUINE Antique PRINT It is NOT a modern reproduction, ie. a laser scan, photocopy etc. It is the original from the Antique publication. This print was published on the date mentioned, or circa of the date mentioned at the top of the page. The term "print" is referred to an image on a piece of paper. The print I have for sale, like many antique maps prints that you see online, originate from an antique book or atlas publication. The publication may not always be known. If you have any questions, emails are welcome.

First edition. Single sheet of Arches paper (29 x 21 cm) printed with a tissue-guarded etching and aquatint on copper.Signed in pencil and numbered 176/500 by the artist.Fine in thin card folder.

No Binding. Condition: Fine. Dust Jacket Condition: Near Fine. Michael Forman (illustrator). Number 38 of an edition of 500 signed by the artist and contained in a printed paper folder. The print is in fine condition, the folder in near fine condition, lower right hand corner of front cover creased. Signed by Illustrator(s).

Johannes E. van Cuylenburgh (illustrator). 'SIGNED IN THE PLATE: "J.E. V. CUYLENBURGH."'A bucolic landscape featuring a wayfarer carrying a bundle, a cart pulled by a horse on a path, and resting sheep. A large farmhouse with surrounding trees completes the tranquil rural scene.Made by Johannes E. van Cuylenburgh after own design.Medium: Etching on wove (vellin) paper.Sheet size: 30.1 x 34.4 cm (11.85 x 13.54 inch). Image size: 10 x 8.3 cm. (3.94 x 3.27 inch).JOHANNES E. VAN CUYLENBURGH, ETCHING, RURAL SCENE, WAYFARER, HORSE CART, FARMHOUSE, 19TH-CENTURY ART, DUTCH LANDSCAPE | PCO-C43-35BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Johannes E. van Cuylenburgh (17931841) was a Dutch printmaker; Etcher, lithographer, watercolourist, painter, and draftsman, active in The Hague. Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Rare Roger Hebbelinck - Hand Signed in pencil lower right, Limited edition 98/350 Color Aquatint Etching Landscape pencil titled "Chemin paisible"translates to "Peaceful Path" plate impression approx 6 1/4 x 12 ins- overall dimensions 12 1/4 x 17 1/2 ins- look out for more Hebbelinck aquatints too Roger Hebbelinck (1912-1987) was a Belgian painter and printmaker. Roger Hebbelinck was a Belgian artist who was born in Brussels in 1912 and who died there in 1987. He was a painter, etcher, watercolorist and cinematographer. Education at the Academy in Brussels under Bastien, Delville, Van Strydonck, Stevens and Mathieu and at the Academy in Ixelles under Omer Dierckx. At the Academy of Brussels he was taught watercolor painting by I. van Mens and engraving by J. van Santen. He etched a large number of picturesque city corners in historic towns. He provided the etchings for the book Les Villages Illusoires by E. Verhaeren. As a filmmaker, he made the documentary La Naissance d'une Eau-forte, which won a prize at the Cannes Film Festival, and a documentary about the construction of the Atomium. Before the war, he set up an etching printing studio as a visual artist and etched many picturesque cityscapes in Belgium. He also etched and watercolored in the Netherlands (Bergen op Zoom) and the south of France and Spain. Also special are his color etchings that he made after works by his colleagues V. de Saedeleer and A. Saverys. He signed it with the pseudonym "Belin". . From the press: ?As an accurate observer, R.H. his whole soul in the rendering of his subjects which he manages to capture with great precision, but which also bear witness to a poetic vision. He masters his technique in an exemplary way and thus fits in with the tradition of etching practiced by Ensor and De Bruycker. His painting, however, leans again towards post-symbolism, apart from the surrealistic visual language. The entire oeuvre of R.H. shows that he is again and again fascinated by human existence in general and the environment to which the fate of the individual is connected in particular, which can be a city (Rome, Bruges) as well as the countryside or villages in Italy or Spain.? "near fine , light handling wear".

No Binding. Condition: Fine. Bartolomeu Dos Santos (illustrator). 1st Edition. Bartolomeu Dos Santos etching in colour printed on hand made wove paper by Barcham Green. Signed, titled, and numbered 10/25 in lower margin by the artist in pencil. Fine copy. Image size 14.5 x 20.6 cm (5.75 x 8.25 inches) Sheet size 30 x 30cm (11.75 x 11.75 inches) Dos Santos, Bartolomeu (Portugal, Born, 1931) Recognized on an international level, Bartolomeu dos Santos is perhaps Portugal s most important printmaker of the twentieth century. He studied etching and engraving techniques at the Slade School of Fine Art, London. Later he became a Professor of printmaking (for 35 years) at this school and Emeritus Professor in Fine Art at the University of London. As well, he was an artist in residence and teacher at several universities in both Sweden and the United States. A constant innovator, Bartolomeu dos Santos s etchings often combine both stones and plates. He has illustrated a number of fine books with his etchings, including several by Jose Saramago. Since 1960 exhibitions of his etched art have taken place in the United States, Britain, Portugal, Macao and Japan. Such major institutions as the British Museum, London, the Bibliotheque Nationale, Paris, and the Museum of Modern Art, Rio de Janeiro, include his etchings in their permanent collections. In 2002 the Galeria Municipal Osiris, launched a major retrospective exhibition, entitled, Bartolomeu dos Santos Sonhos, Viagens e Realidades. Bartolomeu dos Santos currently lives and works in Tavira, Portugal. Signed by Author(s).

Ernst Willem Jan Bagelaar (illustrator). 'SIGNED LOWER RIGHT: "BAGELAAR D. ET. F."'A landscape with figures (staffage), trees, and a distant village, showcasing Bagelaar's detailed style.Made by Ernst Willem Jan Bagelaar after own design.Medium: Etching and drypoint on hand laid (verge) paper.Sheet size: 13 x 8 cm (5.12 x 3.15 inch). Image size: 12.8 x 7.4 cm. (5.04 x 2.91 inch).ERNST WILLEM JAN BAGELAAR, DUTCH LANDSCAPE, ETCHING, DRYPOINT, TEMPERATE ZONE, 19TH-CENTURY ART | PCO-C43-31BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Hippert & Linnig, Le Peintre-graveur hollandais et belge du 19me siècle, 1879, nr. 69.Biography engraver: Ernst Willem Jan Bagelaar (1775-1837) was born in Eindhoven. He first entered the army, but early acquired a liking for the fine arts, and instructed himself in etching. He studied the arts by travelling through Germany and staying in Paris. Many of his etchings are based on his own designs. He had a liking of Jan Luyken, of whom he possessed a considerable collection of drawings. Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Ernst Willem Jan Bagelaar (illustrator). 'SIGNED LOWER RIGHT WITH PENCIL: "BAGELAAR F."'A detailed landscape etching with a farmer leading a cow along a path surrounded by dense trees.Made by Ernst Willem Jan Bagelaar after own design.Medium: Etching on hand laid (verge) paper. Watermark: Initials.Sheet size: 15.3 x 12.4 cm (6.02 x 4.88 inch). Image size: 12.3 x 9.3 cm. (4.84 x 3.66 inch).ERNST WILLEM JAN BAGELAAR, ETCHING, DUTCH LANDSCAPE, FARMER, COW, FOREST PATH, 19TH-CENTURY ART | PCO-C43-31BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Hippert & Linnig, Le Peintre-graveur hollandais et belge du 19me siècle, 1879, nr. 102.Biography engraver: Ernst Willem Jan Bagelaar (17751837) was a Dutch artist and engraver renowned for his delicate etchings and mastery of landscape compositions, often inspired by rural and natural themes. Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Rare Roger Hebbelinck - Hand Signed in pencil lower right Limited edition 74/350 Color Aquatint Etching pencil titled lower right "Le Cher?" plate impression approx 10 3/4 x 20 1./4 ins overall dimensions approx 19 1/2 x 25 ins look out for more Hebbelinck aquatints too Roger Hebbelinck (1912-1987) was a Belgian painter and printmaker. Roger Hebbelinck was a Belgian artist who was born in Brussels in 1912 and who died there in 1987. He was a painter, etcher, watercolorist and cinematographer. Education at the Academy in Brussels under Bastien, Delville, Van Strydonck, Stevens and Mathieu and at the Academy in Ixelles under Omer Dierckx. At the Academy of Brussels he was taught watercolor painting by I. van Mens and engraving by J. van Santen. He etched a large number of picturesque city corners in historic towns. He provided the etchings for the book Les Villages Illusoires by E. Verhaeren. As a filmmaker, he made the documentary La Naissance d'une Eau-forte, which won a prize at the Cannes Film Festival, and a documentary about the construction of the Atomium. Before the war, he set up an etching printing studio as a visual artist and etched many picturesque cityscapes in Belgium. He also etched and watercolored in the Netherlands (Bergen op Zoom) and the south of France and Spain. Also special are his color etchings that he made after works by his colleagues V. de Saedeleer and A. Saverys. He signed it with the pseudonym "Belin". . From the press: ?As an accurate observer, R.H. his whole soul in the rendering of his subjects which he manages to capture with great precision, but which also bear witness to a poetic vision. He masters his technique in an exemplary way and thus fits in with the tradition of etching practiced by Ensor and De Bruycker. His painting, however, leans again towards post-symbolism, apart from the surrealistic visual language. The entire oeuvre of R.H. shows that he is again and again fascinated by human existence in general and the environment to which the fate of the individual is connected in particular, which can be a city (Rome, Bruges) as well as the countryside or villages in Italy or Spain.? "near fine , light handling wear".

Willem de Zwart (illustrator). 'SIGNED IN DARK BROWN INK BOTTOM RIGHT: W. DE ZWART'A rural scene with pollard willows and a small waterway, etched with rich tonal detail.Made by Willem de Zwart after own design.Medium: Etching, drypoint, and plate tone on hand laid (verge) paper. Watermark: Crown.Sheet size: 22.4 x 18.1 cm (8.82 x 7.13 inch). Image size: 18.1 x 14.3 cm. (7.13 x 5.63 inch).WILLEM DE ZWART, WILLOWS, ETCHING, DRYPOINT, JAPAN VELLUM, DUTCH ART, LANDSCAPE, RURAL SCENE | PCO-EXPO-486BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: The Mesdag Collection, The Hague, Inventory number: hwm0803.Biography engraver: Willem de Zwart (18621931) was a Dutch artist renowned for his impressionistic etchings, especially of nature and rural scenes. Condition: very good, given age. Light toning around edges; overall excellent condition. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Paulus van Liender (illustrator). 'SIGNED "P. V. L. F." IN THE BOTTOM LEFT CORNER.'A tranquil winter scene with bare trees, a thatched farmhouse, and people engaging in winter activities, possibly skating or conversing near the frozen water. A distant church adds depth to the composition.Made by Paulus van Liender after own design.Medium: Etching in sepia on hand-laid (verge) paper. Watermark: Pro Patria / Dutch garden.Sheet size: 13.6 x 13.5 cm (5.35 x 5.31 inch). Image size: 12.8 x 12.5 cm. (5.04 x 4.92 inch).PAULUS VAN LIENDER, WINTER LANDSCAPE, ETCHING, DUTCH ART, 18TH CENTURY, SOLITARY HOUSE, RURAL SCENE, SEASONAL ART | PCO-C43-43BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Collectie Rijksmuseum 2(2).Biography engraver: Paulus van Liender (17311797) was a Dutch artist and printmaker known for his detailed etchings of landscapes and rural scenes. His work often depicted seasonal themes and idyllic Dutch countryside views. Condition: good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Engelbertus Matthias Engelberts (illustrator). 'PLATE SIGNED "E. M. ENGELBERTS INV. ET SCULP." DOCUMENTED ON VERSO WITH BIOGRAPHICAL DETAILS ABOUT THE ARTIST.'A tranquil landscape featuring two figures fishing near a stream, framed by trees and foliage. The scene includes a gently cascading stream and a detailed depiction of natural surroundings, capturing the essence of pastoral beauty.Made by Engelbertus Matthias Engelberts after own design.Medium: Etching on hand-laid (verge) paper.Sheet size: 15.1 x 10.8 cm (5.94 x 4.25 inch). Image size: 15 x 10.5 cm. (5.91 x 4.13 inch).ENGELBERTUS MATTHIAS ENGELBERTS, PASTORAL LANDSCAPE, FISHING SCENE, 18TH CENTURY, ETCHING, EUROPEAN ART, REALISM, NATURE, SERENE COUNTRYSIDE | PCO-C102-05BACKGROUND INFORMATIONVery rare; this print is mentioned in older literature, but rarely seen.State: Only state.Reference: Ref: Weigel 16676. .Biography engraver: Engelbertus Matthias Engelberts (1731-1807) was theologian. He designed several book illustrations. Condition: good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No Binding. Condition: Very Good. Anthony Gross (illustrator). 1st Edition. Anthony Gross engraving on copper on hand made thick paper. Signed titled and numbered by the artist in pencil. Made in 1978. In very good clean condition. Image/plate size 231 x 368 mm (9 x 14.5 inches) Sheet size 320 x 490mm (13 x 18.5 inches) Reference: Herdman 7805 (Reynolds 295) Herdman states that there were three states and the edition was 75 copies. Signed by Author(s).

Oblong 4to. Or.cl. 217pp. Profusely illustrated in colour. 1st ed. Sl.foxing on spine else fine in the slip-case which has a little foxing and a small moisture mark on one corner. Copy No.6. Very Scarce Signed limitation slip loosely inserted. The coloured etching is one of 50 copies in the copies numbered 1 to 50.

Excellent impression, original etching plate, small clean tear top right corner, repaired, no affect, some remnants of mounting tape at edges on back, no affect to front, minor soiling at bottom edge, no affect, overall s beautiful piece, rare. Signed in the plate ?I.H.? at center, Funck number ?78? at lower left. Allegorical scene, copy reverse after Marcantonio Raimondi, after Raphael (Bartsch XIV.272.356); male figure blowing two trumpets, another carrying a slab of stone, two figures at right holding a speher and two figures on left looking on, impression from the Funck series. [See BM description]. Hieronymus Hopfer (c1500-1550), German etcher, son of Daniel Hopfer and brother of Lambert Hopfer, worked with his father to recreate prints by etching. Daniel Hopfer is believed to be the first to utilizing etching in printmaking. Little is known of Hieronymus, most of his works were published copies after Germans such as Durer and Cranach, and Italians as Barberi and Campagnola. Marcantonio Raimondi (c1480-1534), Italian engraver, began engraving copies of Durer in Venice c1506-08, for which Durer famously brought legal charges against him. After 1506, Raimondi primarily engraed designs of Raphael and his circle. Citations: BM: 1845, 0809.1460. Hollstein 46.11. Bartsch VIII. 517.41 Bartsch XIV.272.356.

No Binding. Condition: Very Good. anthony gross (illustrator). 1st Edition. Anthony Gross etching signed, titled in pencil by artist. From a numbered edition of 50 copies of which this is number 13 . Printed on wove paper. Somelight creasing along top margin else very good.Plate size 415 x 595 mm (16.25 x 23 3/8 inches) Reference: Herdman 5801. Signed by Author(s).

Adrianus Serne (illustrator). 'PLATE SIGNED "A. SERNET 1792" IN THE TOP LEFT CORNER; NUMBERED "2" IN THE TOP RIGHT CORNER.'A quiet forest scene with travelers resting along a dirt path. The lush trees and rural setting emphasize the peaceful atmosphere of the landscape.Made by Adrianus Serne after own design.Medium: Etching on hand-laid (verge) paper.Sheet size: 24 x 17.7 cm (9.45 x 6.97 inch). Image size: 16.1 x 12.5 cm. (6.34 x 4.92 inch).ADRIANUS SERNET, FOREST LANDSCAPE, TRAVELERS, ETCHING, HAARLEM, 18TH-CENTURY DUTCH ART, PUBLIC ROAD, RURAL SCENE, NATURE | PCO-C102-02BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Hippert & Linnig 2.Biography engraver: Adrianus Serne (1773-1853) was a Dutch printmaker from Haarlem. Known for his detailed etchings of rural and forested scenes, Serne's works exhibit a keen eye for nature and tranquility. Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condition: Fine. Original etching (approximately 3.75 x 2.25 inches), printed on laid paper (5.25 x 4 inches). A fine copy, Signed by Haskell in the plate and in pencil just below the plate mark edge. Protégé and friend of James McNeill Whistler, who taught him the art of etching, Haskell was an important American artist and illustrator, best known for his etchings and intaglio prints. A superb example of one of his early landscape etchings.

Condition: Very good condition. Signed etching in the lower margin and in the plate, by the master print maker, Scottish artist David Young Cameron. The dramatic landscape is likely in Scotland, depicting massive dark rock formations set in a broad valley. Perhaps the Firth of Lorne, as a distant rock formation resembles this famous estuary. Cameron was highly skilled at capturing stillness and mood, the atmosphere of a specific place. Cameron's (1865- 1945) subjects included landscapes and architectural studies, of which he produced a number of popular 'sets' ("The Clyde Set", "The North Holland Set" and "The North Italian Set"). He produced relatively small editions of his prints, highly sought after by collectors. In 1929 one such work sold for the record breaking sum of L640, equivalent to around £36,000 today. 14 x 9 1/2", paper 15 x 11". Slight even toning, with residue of masking tape at verso of top edge.

Condition: Matted. Signed in pencil by the artist. no watermark. On ivory thick Japan paper, with wide margins. 96 x 156 mm. Schneider 129, only state Signed in pencil by the artist. no watermark. On ivory thick Japan paper, with wide margins. 96 x 156 mm.