Landscape Etching, Used (172 results)

Paperback. Condition: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. **Hardcover 1905 J.B. Lippincott printing.** Previous owner's signature on front free end page. Moderate loosening to binding. Secure packaging for safe delivery.

Hardcover. Condition: Used - Good. Chicago: Frederick J. Drake & Co., copyright 1906. 153 pages. Illustrated. 8.5 x 6", pictorial cloth. Cover rubbed, owner name, VG.

Hard Back. Condition: Book Very Good/Very Good +. Dust Jacket Condition: No Dustjacket. Presumed First Edition. 101 pages.Very clean brown binding - a library binding - with bright gilt titles to spine with library number at foot. Former Lambeth Public library reference copy book plate pasted to inside of front board, library stamp to title page with ink date stamp on verso o/w contents very clean. Four small sepia etchings by Roget as frontispiece.

Condition: Good. Dust Jacket Condition: No Dust Jacket. First Edition; First Edition. Viii + 100 pages with frontis plate illustrating four engravings. Notes and Memoranda on Turners engraved series Liber Studiorum, by John Pye, Edited , with additional observations, by John Lewis Roget. Bound in quarter leather & cloth. The top and lower edges of the spine are missing, otherwise a clean, very good copy with slight wear & slight soiling to spine, covers & corners. ; "Notes and Memoranda Respecting the Liber Studiorum of J. M. W. Turner, R. A. ," written and collected by the late John Pye, is an essential scholarly work that delves into the artistic nuances and historical significance of Turner's Liber Studiorum. This compilation, based on the notes of John Pye, an esteemed engraver, offers a detailed analysis of Turner's collection of prints, intended to educate both artists and connoisseurs in the principles of landscape painting. Pye's observations provide insights into Turner's techniques, thematic choices, and the innovative use of light and shade that characterizes the Liber Studiorum. The book also discusses the broader context of Turner's work, including his influence on the Romantic movement and his enduring legacy in British art. Pye's meticulous collection of memoranda not only serves as a valuable resource for art historians and enthusiasts but also enriches the understanding of Turner's creative vision and his profound impact on the art of landscape painting. Through this work, readers gain a deeper appreciation of Turner's artistic mastery and his philosophical approach to the natural world. ; Hardback; 21.7 x 13.7 cms; 100 pages Quarter Pig Leather with cloth boards.

Etching & Aquatint in Folder. Condition: Very Good Plus. Michael Foreman (illustrator). Limited Edition. An Etching & an Aquatint in a printed folder. A limited edition of 500. Dispatched Royal Mail First Class with tracking next working day or sooner securely boxed in cardboard. ref jns.

OriginalKupferstich-Portrait von ca. 1700 - Blatt-Maße ca. 10 x 11,5 cm - gut erhalten | original copper engraving portrait from circa 1700 - good condition. | // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

original Radierung von Mössmer nach Molitor aus der Zeitschrift "Faust" von 1856 - Blatt-Format: ca.35 x 24,5 cm- im Außenrand teils leicht fleckig, sonst gut erhalten. | Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.

no binding. Condition: very good. This finely executed photogravure titled SHERE is an original etching by Percy Robertson, R.P.E. (Royal Society of Painter-Etchers), published in the 1892 edition of The Magazine of Art by Cassell & Company, Ltd, with offices in London, Paris, and Melbourne. The image depicts the picturesque village of Shere, nestled in the Guildford district of Surrey, England, celebrated for its quintessential rural charm and historic architecture. The scene presents a tranquil view of the village in late autumn or early winter, with bare trees arching above a winding stream in the foreground and a woman standing solitary in a frost-kissed meadow. In the mid-ground, a narrow footbridge leads to a cluster of figures gathered near a church, its steeply pitched spire rising prominently among the trees. A horse-drawn cart and villagers along the path imbue the composition with pastoral life and gentle movement. The church, likely St. James' Church, anchors the spiritual and architectural heart of the village. The surrounding cottages, thick foliage, and soft tonal gradations enhance the idyllic atmosphere, showcasing Robertson's sensitivity to both place and season. At lower left, the print is signed "Percy Robertson R.P.E.", and the label affixed at bottom center reads: SHERE (Original Etching by Percy Robertson, R.P.E.), confirming its status as a signed original etching rendered in photogravure, a medium prized for its ability to capture fine detail and subtle shading in printmaking during the Victorian era. IMAGE SIZE: approx 9 1/2 x 6 1/2 Inches CONDITION: Cropped from original,As scanned. Heavy card stock. Signature in print .The image has beautiful depth and detail. Blank on Reverse side. This beautiful rare item would look great matted and framed. An art supply store can provide you with a selection of frames for old art treasures. This is a GENUINE Antique PRINT It is NOT a modern reproduction, ie. a laser scan, photocopy etc. It is the original from the Antique publication. This print was published on the date mentioned, or circa of the date mentioned at the top of the page. The term "print" is referred to an image on a piece of paper. The print I have for sale, like many antique maps prints that you see online, originate from an antique book or atlas publication. The publication may not always be known. If you have any questions, emails are welcome.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Original Kupferstich von Gabriel Perelle (1604-1677) aus dem 17. Jahrhundert. -- Blattmasse: ca. 21 x 11 cm. Plattenmasse: ca. 21 x 11 cm. -- etwas fleckig, knapprandig, sonst gut erhalten. || Original copper engraving by Gabriel Perelle (1604-1677) from the 17th century. -- somewhat stained, closely trimmed, otherwise in good condition. || Gabriel Perelle (1604-1677) und seine Söhne waren Pariser Kupferstecher im 17. Jahrhundert. Sein Hauptwerk konzentriert sich auf Schloss- und Gartenansichten sowie Landschaften. In seinem Atelier arbeiteten zeitweise die Söhne von Jacques Callot. 1665 wurde er von Ludwig XIV zum Directuer des Plans et des Cartes du Cabinet du Roi ernannt. // Gabriel Perelle (1604-1677) and his sons were Parisian engravers in the 17th century. His main work focuses on castle and garden views as well as landscapes. At times Jacques Callot's sons worked in his studio. In 1665 he was appointed Directeur des Plans et des Cartes du Cabinet du Roi by Louis XIV. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Engraving. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. This original engraving is in very good condition, full borders as published, images available. ; 9" x 6".

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art. He exhibited at the Royal Academy from 1922, and at the Royal Institute of Oil Painters, the Royal Institute of Watercolour Painters, and with the Lake Artists' Society. He had one-man shows at Barbizon House and Colnaghi's, and was a full member of the Royal Society of British Artists. From Wallace's own papers. See Image.

First edition. Single sheet of Arches paper (29 x 21 cm) printed with a tissue-guarded etching and aquatint on copper.Signed in pencil and numbered 176/500 by the artist.Fine in thin card folder.

Cloth. Condition: Very Good. 2 volumes in 1; red cloth with gilt lettering and green cloth title-label to spine; unpaginated; top-edge gilt. With the Bank of England Library's bookplate designed by John Farleigh to front endpaper. Looks at artists practising etching and engraving across Europe, and the landscape painters: J. S. Cotman, Davic Cox and Peter de Wint. Plentifully illustrated with mostly b/w plates, some colour. Minor darkening to spine, and some offsetting to front endpaper. This is a heavy item and may require additional postage if being shipped outside of Europe. 4to. Ex-Library.

No Binding. Condition: Fine. Dust Jacket Condition: Near Fine. Michael Forman (illustrator). Number 38 of an edition of 500 signed by the artist and contained in a printed paper folder. The print is in fine condition, the folder in near fine condition, lower right hand corner of front cover creased. Signed by Illustrator(s).

Blattmasse: ca. 17 x 12 cm. -- gut erhalten // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

First Edition. 21 x 15cm. Hardcover in half-leather prize binding, 287pp. Clifton College (Bristol) award label to front pastedown, dated 1931. This lavish publication was part of Seeley's 'The New Art Library' series edited by M.H. Spielmann and P.G.Konody. Profusely illustrated. Sections on the depiction of trees, clouds, water, snow, architecture, and artists' materials, etc. Oddly rare (the author, Frederick Glass, died in the year of the book's publication) - OCLC locates only two copies at the Royal Library of Belgium and the National Library of Scotland. 3cm closed tear to the margin of page 23, very small area of light pencil annotation to two pages. Top of spine slightly bumped. Otherwise good.

Johannes E. van Cuylenburgh (illustrator). 'SIGNED IN THE PLATE: "J.E. V. CUYLENBURGH."'A bucolic landscape featuring a wayfarer carrying a bundle, a cart pulled by a horse on a path, and resting sheep. A large farmhouse with surrounding trees completes the tranquil rural scene.Made by Johannes E. van Cuylenburgh after own design.Medium: Etching on wove (vellin) paper.Sheet size: 30.1 x 34.4 cm (11.85 x 13.54 inch). Image size: 10 x 8.3 cm. (3.94 x 3.27 inch).JOHANNES E. VAN CUYLENBURGH, ETCHING, RURAL SCENE, WAYFARER, HORSE CART, FARMHOUSE, 19TH-CENTURY ART, DUTCH LANDSCAPE | PCO-C43-35BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Johannes E. van Cuylenburgh (17931841) was a Dutch printmaker; Etcher, lithographer, watercolourist, painter, and draftsman, active in The Hague. Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Rare Roger Hebbelinck - Hand Signed in pencil lower right, Limited edition 98/350 Color Aquatint Etching Landscape pencil titled "Chemin paisible"translates to "Peaceful Path" plate impression approx 6 1/4 x 12 ins- overall dimensions 12 1/4 x 17 1/2 ins- look out for more Hebbelinck aquatints too Roger Hebbelinck (1912-1987) was a Belgian painter and printmaker. Roger Hebbelinck was a Belgian artist who was born in Brussels in 1912 and who died there in 1987. He was a painter, etcher, watercolorist and cinematographer. Education at the Academy in Brussels under Bastien, Delville, Van Strydonck, Stevens and Mathieu and at the Academy in Ixelles under Omer Dierckx. At the Academy of Brussels he was taught watercolor painting by I. van Mens and engraving by J. van Santen. He etched a large number of picturesque city corners in historic towns. He provided the etchings for the book Les Villages Illusoires by E. Verhaeren. As a filmmaker, he made the documentary La Naissance d'une Eau-forte, which won a prize at the Cannes Film Festival, and a documentary about the construction of the Atomium. Before the war, he set up an etching printing studio as a visual artist and etched many picturesque cityscapes in Belgium. He also etched and watercolored in the Netherlands (Bergen op Zoom) and the south of France and Spain. Also special are his color etchings that he made after works by his colleagues V. de Saedeleer and A. Saverys. He signed it with the pseudonym "Belin". . From the press: ?As an accurate observer, R.H. his whole soul in the rendering of his subjects which he manages to capture with great precision, but which also bear witness to a poetic vision. He masters his technique in an exemplary way and thus fits in with the tradition of etching practiced by Ensor and De Bruycker. His painting, however, leans again towards post-symbolism, apart from the surrealistic visual language. The entire oeuvre of R.H. shows that he is again and again fascinated by human existence in general and the environment to which the fate of the individual is connected in particular, which can be a city (Rome, Bruges) as well as the countryside or villages in Italy or Spain.? "near fine , light handling wear".

Henri Van der Poorten (illustrator). '"HVDP" (UPPER RIGHT CORNER)'A tranquil scene with a cottage surrounded by trees and a wooden fence in the foreground. A man leans on a stick, engaged in conversation with a seated woman and her child.Made by Henri Van der Poorten after own design.Medium: Etching with plate tone on wove (vellin) paper.Sheet size: 6.4 x 5.1 cm (2.52 x 2.01 inch). Image size: 6.4 x 5.1 cm. (2.52 x 2.01 inch).LANDSCAPE, COTTAGE, BELGIAN ETCHING, PASTORAL SCENE, HENDRIK JOSEF FRANCISCUS VAN DER POORTEN, 19TH CENTURY, RUSTIC LIFE, CONVERSATIONAL SCENE | PCO-C102-17BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Hippert & Linnig 1874-9.Biography engraver: Hendrik Josef Franciscus Van Der Poorten (17891874) was a Belgian engraver and painter known for his landscapes and animal depictions. He practiced etching, aquatint, and lithography and studied under Guillaume Herreyns at the Royal Academy of Fine Arts in Antwerp. Condition: good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Henri Van der Poorten (illustrator). 'INSCRIPTION IN VERSO: "H VAN DER POORTEN."'Etching of a rustic landscape by Henri Van der Poorten, depicting a cottage surrounded by trees, with a figure on horseback and another figure walking alongside. The composition captures the peaceful atmosphere of rural life.Made by Henri Van der Poorten after own design.Medium: Etching on wove (vellin) paper.Sheet size: 7.4 x 5.2 cm (2.91 x 2.05 inch). Image size: 6.7 x 4.5 cm. (2.64 x 1.77 inch).HENRI VAN DER POORTEN, RUSTIC LANDSCAPE, ETCHING, BELGIAN ART, 19TH CENTURY, PASTORAL SCENE, COTTAGE, HORSEBACK FIGURE, COUNTRYSIDE | PCO-C102-17BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Hendrik Josef Franciscus Van Der Poorten (17891874) was a Belgian engraver and painter known for his landscapes and animal depictions. He practiced etching, aquatint, and lithography and studied under Guillaume Herreyns at the Royal Academy of Fine Arts in Antwerp. Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Engraving and etching, state before publication details added, some fraying and creasing around edges, browned, vertical crease, strengthened on reverse, stain to top right,

No Binding. Condition: Fine. Bartolomeu Dos Santos (illustrator). 1st Edition. Bartolomeu Dos Santos etching in colour printed on hand made wove paper by Barcham Green. Signed, titled, and numbered 10/25 in lower margin by the artist in pencil. Fine copy. Image size 14.5 x 20.6 cm (5.75 x 8.25 inches) Sheet size 30 x 30cm (11.75 x 11.75 inches) Dos Santos, Bartolomeu (Portugal, Born, 1931) Recognized on an international level, Bartolomeu dos Santos is perhaps Portugal s most important printmaker of the twentieth century. He studied etching and engraving techniques at the Slade School of Fine Art, London. Later he became a Professor of printmaking (for 35 years) at this school and Emeritus Professor in Fine Art at the University of London. As well, he was an artist in residence and teacher at several universities in both Sweden and the United States. A constant innovator, Bartolomeu dos Santos s etchings often combine both stones and plates. He has illustrated a number of fine books with his etchings, including several by Jose Saramago. Since 1960 exhibitions of his etched art have taken place in the United States, Britain, Portugal, Macao and Japan. Such major institutions as the British Museum, London, the Bibliotheque Nationale, Paris, and the Museum of Modern Art, Rio de Janeiro, include his etchings in their permanent collections. In 2002 the Galeria Municipal Osiris, launched a major retrospective exhibition, entitled, Bartolomeu dos Santos Sonhos, Viagens e Realidades. Bartolomeu dos Santos currently lives and works in Tavira, Portugal. Signed by Author(s).

Martin van Waning (illustrator). '"NO 75. GELDERLAND."'Small etching showing a rural landscape featuring a windmill and open fields.Made by Martin van Waning after own design.Medium: Etching on wove (vellin) paper.Sheet size: 18 x 12 cm (7.09 x 4.72 inch). Image size: 7 x 5 cm. (2.76 x 1.97 inch).GELDERLAND, LANDSCAPE, ETCHING, WINDMILL, RURAL, PASTORAL, FIELDS, MINIATURE ARTWORK | PCO-EXPO-488BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Gijsbertus Martinus Wilhelmus Franciscus (Martin) van Waning (1889-1972) was a Dutch painter, sculptor and etcher. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Ernst Willem Jan Bagelaar (illustrator). 'SIGNED LOWER RIGHT: "BAGELAAR D. ET. F."'A landscape with figures (staffage), trees, and a distant village, showcasing Bagelaar's detailed style.Made by Ernst Willem Jan Bagelaar after own design.Medium: Etching and drypoint on hand laid (verge) paper.Sheet size: 13 x 8 cm (5.12 x 3.15 inch). Image size: 12.8 x 7.4 cm. (5.04 x 2.91 inch).ERNST WILLEM JAN BAGELAAR, DUTCH LANDSCAPE, ETCHING, DRYPOINT, TEMPERATE ZONE, 19TH-CENTURY ART | PCO-C43-31BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Hippert & Linnig, Le Peintre-graveur hollandais et belge du 19me siècle, 1879, nr. 69.Biography engraver: Ernst Willem Jan Bagelaar (1775-1837) was born in Eindhoven. He first entered the army, but early acquired a liking for the fine arts, and instructed himself in etching. He studied the arts by travelling through Germany and staying in Paris. Many of his etchings are based on his own designs. He had a liking of Jan Luyken, of whom he possessed a considerable collection of drawings. Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Ernst Willem Jan Bagelaar (illustrator). 'SIGNED LOWER RIGHT WITH PENCIL: "BAGELAAR F."'A detailed landscape etching with a farmer leading a cow along a path surrounded by dense trees.Made by Ernst Willem Jan Bagelaar after own design.Medium: Etching on hand laid (verge) paper. Watermark: Initials.Sheet size: 15.3 x 12.4 cm (6.02 x 4.88 inch). Image size: 12.3 x 9.3 cm. (4.84 x 3.66 inch).ERNST WILLEM JAN BAGELAAR, ETCHING, DUTCH LANDSCAPE, FARMER, COW, FOREST PATH, 19TH-CENTURY ART | PCO-C43-31BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Hippert & Linnig, Le Peintre-graveur hollandais et belge du 19me siècle, 1879, nr. 102.Biography engraver: Ernst Willem Jan Bagelaar (17751837) was a Dutch artist and engraver renowned for his delicate etchings and mastery of landscape compositions, often inspired by rural and natural themes. Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Etching. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. This fine engraving by well listed US engraver, painter and illustrator Paul Berdanier, is in very good condition, full wide borders as published, overall size 12" x 9", etching area 7" x 5". Berdanier studied art under Charles Hope Provost, in New York, Gustave Wolff, at the School of Fine Arts in St. Louis, and under Albert Gihon, in Paris. His art is included in the permanent collections of many museums in both America and France. ; 12" x 9.5".

No Binding. Condition: Very Good. Etching of an Indonesian landscape with ox-drawn plough. Signed and "Druk van den etser" in pencil. Please study image carefully. Overall size: 27.5 x 21.6 cm. Image size: 19.8 x 15 cm.

Rare Roger Hebbelinck - Hand Signed in pencil lower right Limited edition 74/350 Color Aquatint Etching pencil titled lower right "Le Cher?" plate impression approx 10 3/4 x 20 1./4 ins overall dimensions approx 19 1/2 x 25 ins look out for more Hebbelinck aquatints too Roger Hebbelinck (1912-1987) was a Belgian painter and printmaker. Roger Hebbelinck was a Belgian artist who was born in Brussels in 1912 and who died there in 1987. He was a painter, etcher, watercolorist and cinematographer. Education at the Academy in Brussels under Bastien, Delville, Van Strydonck, Stevens and Mathieu and at the Academy in Ixelles under Omer Dierckx. At the Academy of Brussels he was taught watercolor painting by I. van Mens and engraving by J. van Santen. He etched a large number of picturesque city corners in historic towns. He provided the etchings for the book Les Villages Illusoires by E. Verhaeren. As a filmmaker, he made the documentary La Naissance d'une Eau-forte, which won a prize at the Cannes Film Festival, and a documentary about the construction of the Atomium. Before the war, he set up an etching printing studio as a visual artist and etched many picturesque cityscapes in Belgium. He also etched and watercolored in the Netherlands (Bergen op Zoom) and the south of France and Spain. Also special are his color etchings that he made after works by his colleagues V. de Saedeleer and A. Saverys. He signed it with the pseudonym "Belin". . From the press: ?As an accurate observer, R.H. his whole soul in the rendering of his subjects which he manages to capture with great precision, but which also bear witness to a poetic vision. He masters his technique in an exemplary way and thus fits in with the tradition of etching practiced by Ensor and De Bruycker. His painting, however, leans again towards post-symbolism, apart from the surrealistic visual language. The entire oeuvre of R.H. shows that he is again and again fascinated by human existence in general and the environment to which the fate of the individual is connected in particular, which can be a city (Rome, Bruges) as well as the countryside or villages in Italy or Spain.? "near fine , light handling wear".