Landscape Figures, Signed (47 results)

First Edition. Softcover. Presentation copy inscribed y the Author on title-page. 77pp. Near fine.

Soft cover. Condition: New. New and pristine! Pictorial wraps; 223 pages; signed by author on title page. Signed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. 1994 1st ed. INSCRIBED title p. by author. 222pp. cloth tall 8vo: near Fine in a Fine dj [bookplate; else nrF] Sixteen pioneering men & women are depicted herein by the award winning biographer, among them Meriwether Lewis, John Kirk Townsend, James & Granville Stuart, Pretty-Shield, Calamity Jane, et al. Inscribed by Author(s).

Hardcover. Condition: Good. First, Limited Edition. Octavo, 76 pages, faded green cloth; signed wood engraving by Nason on top cover Limited to 750 copies. Presentation Copy inscribed by Wiggam in 1936 to "Elsie Trescott". (possibly the actress). With five inner wood engravings inside by Thomas W. Nason.

hardcover. Condition: Used; Very Good. Second Printing Before Publicati. New York, 1936; signed by author; green cloth covered boards; covers faded; spine edges frayed; illustration pasted to front board; 8vo - over 7 3/4" to 9 3/4" tall; end papers toned; Interior is clean and unmarked; 76 pages. Signed by Author.

Hardcover. Illustrated by Wood Engravings Thomas Nason (illustrator). Very good, nameplate inside front cover. 4pp have paperclip rust; SIGNED. Book of poems. ; 8vo.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Marbled boards with gray spine. Decorative yellow dust jacket. Signed by the author on the forward end paper. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First edition. Very good or better in very good dust jacket. Signed. (Pages: 93) Former owner's gift inscription on front endpaper.

Harcover. Condition: Very Good. Dust Jacket Condition: Good. Wood Engravings By Thomas W. Nason (illustrator). Second Printing Before Publication. Jacket has a little wear to spine and edges and has browned a bit, but looks nice in a mylar protective sleeve. It is not price-clipped. Size: 8vo - over 7¾" - 9¾". Signed by Author(s). Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Good. First Edition. Limited to 750 copies signed by author. Book is fine and unmarked. Jacket has a 1" spine chip and a 1/2" chip to the bottom inside corner, and is otherwise very good, clean and bright. Brodart jacket protector added. Still presentable and very scarce. Signed.

Trade Paper. Condition: Good. First Edition. 8vo. 217 pp. Signed by the author on the half-title page. Laid in is a folded pamphlet with biographical information about the author. Owner's label on half title-page, covers show some general wear, slightly darkened, a couple of small chips along spine, pages are clean and crisp. A worn but signed copy of the author's first book, a collection of poetry and short stories. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First Edition / First Print. Hardback copy in dark green cloth boards with gold gilt lettering to spine. Unclipped dustjacket in new removable protective clear sleeve. 216pp. B/w illustrations within text. Signed and inscribed by author in blue ink to ffep. Not library copy. (27/4). Signed by Author(s).

Hardcover. Condition: Good. Dust Jacket Condition: Fair to Good. Thomas W Nason (illustrator). 2nd Printing Before Publication. 2nd Printing Before Publication & SIGNED -- To Parker Kaehler The Anne Goodsell Poetry Prize 1936 from the E T H S Faculty -- Francis L Bacon & Has DJ (DJ has wear) -- EMAIL for Pictures. Signed by Author(s).

Trade Paperback. Condition: Very Good. First Edition. Minor wear to tips of cover, a few tiny spots on front cover, and corner creases to rear cover. One page biographical profile of author laid-in. Canadian author's first book; collection of poems and plays. 217 pp. Briefly inscribed by author on half-title page "To ___ / David Helwig". Signed by Author.

Condition: Fair. SIGNED! London: John Murray, 1947. Limited 1st edition. Copy #69/100. Sm 4to hardcover. 224pp. Illustrations, some color. Signed by author on limitation page. Good book. No dust jacket. (Greece, Travel) Inquire if you need further information.

Free endpapers slightly embrowned, some spotting of edges and prelims, dustwrapper slightly darkened at spine and a little frayed. Signed by the author on the half-title.

Soft cover. Condition: Near Fine. 1st Edition. UK paperback. Slim. 14pp. INSCRIBED to poet Charles Tomlinson. Near fine condition. Signed by Author.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 441 pages: illustrations, 29 cm. Signed by the author Del Deo dated 1994. Very good in jacket. Inscribed by Author(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Nason, Thomas W. (illustrator). Limited Edition. 76 pages. First edition, first printing. Inscribed by Wiggam on the first sheet. One of 750 copies. Illustrated by Thomas W. Nason. Near fine book in a very good+ dust jacket with light edge wear. A very nice copy! Inscribed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition. SIGNED BY THE AUTHOR and dedicated to fellow poet and critic Charles Nelson on the free endpaper, with no other markings. Stated first edition of a LIMITED EDITION of 750 COPIES. Superb woodcuts by Nason. A clean, unmarked and unclipped copy with a small closed tear to the upper front panel corner protected by an archival Mylar jacket cover.

Soft cover. Condition: Fine. No Jacket. 1st Edition. 14pp poem thread bound within plain white thin card inner covers. Fawn thin card wrap-around outer covers with black and gilt lettering. No inscriptions. As new condition. Laid in is a typed letter from the author/publisher to Alan Tucker (former bookseller of Stroud, Gloucestershire) dated 20th Nov 2000. This refers to a number of publications as well as this book. The letter also refers to an off-print article (enclosed) written by the author and published by the University of Warwick in Angelaki (the Journal of Theoretical Humanities), Vol.5; No.1, April 2000. All now protected in clear archival envelope. Inscribed by Author(s).

Hardcover. Condition: Very Good. First Edition. Hardback. No Dustjacket. 8vo. pp 238. Signed presentation copy: ' To Alison and Brooke from Catriona with love , Edinburgh, May 1954.' Novel set in Scottish coastal town. Front endpapers slightly foxed, covers slightly dull and very slightly soiled but VG. Signedes.

Couverture souple. Condition: bon. RO60113119: 1997. In-12. Broché. Etat d'usage, 1er plat abîmé, Dos satisfaisant, Intérieur frais. 96 pages. Illustré de nombreuses photos en couleur et en noir et blanc dans le texte. Envoi manuscrit de l'un des auteurs en page de faux-titre. . . . Classification Dewey : 97.2-Dédicace, envoi.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition, First Printing. Signed 1st Edition. A nice copy of an extremely rare signed book. Correct first printing. Shortlisted for the Booker Prize in 1969. Signed by the author directly to the title page. Also inscribed in the author's hand "For Michael Curtis" and dated 1970 on the end paper. I am not sure who Michael Curtis was, but this is one of several Barry England titles inscribed to Michael Curtis that are available / searchable online. This is considered one of the rarest signed Booker Prize shortlisted titles. Near Fine book with no writing or flaws. Top stain intact and unfaded. Near Fine jacket. Not price clipped. No foxing. A beautiful copy. From the Richard Alston collection - see more details at Firsteds.

Ernst Willem Jan Bagelaar (illustrator). 'SIGNED LOWER RIGHT: "BAGELAAR D. ET. F."'A landscape with figures (staffage), trees, and a distant village, showcasing Bagelaar's detailed style.Made by Ernst Willem Jan Bagelaar after own design.Medium: Etching and drypoint on hand laid (verge) paper.Sheet size: 13 x 8 cm (5.12 x 3.15 inch). Image size: 12.8 x 7.4 cm. (5.04 x 2.91 inch).ERNST WILLEM JAN BAGELAAR, DUTCH LANDSCAPE, ETCHING, DRYPOINT, TEMPERATE ZONE, 19TH-CENTURY ART | PCO-C43-31BACKGROUND INFORMATIONSource: unknown, to be determined.Reference: Hippert & Linnig, Le Peintre-graveur hollandais et belge du 19me siècle, 1879, nr. 69.Biography engraver: Ernst Willem Jan Bagelaar (1775-1837) was born in Eindhoven. He first entered the army, but early acquired a liking for the fine arts, and instructed himself in etching. He studied the arts by travelling through Germany and staying in Paris. Many of his etchings are based on his own designs. He had a liking of Jan Luyken, of whom he possessed a considerable collection of drawings. Condition: very good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Larry Erskine Thomas (illustrator). Larry Erskine Thomas (1917-1986) African American listed artist. Figures in an Ethiopian Landscape . watercolor on paper signed and dated lower right "Larry Erskine, 1951 " approx 11 1/4 x 15 1/2 ins Born in Baltimore, Larry Erskine Thomas was a painter, art educator and museum exhibition designer. In 1949, Thomas moved to Ethiopia and taught technical and mechanical drawing in Addis Ababa for eight years. There, he befriended the father of a young artist Skunder Baghossian, introducing Skunder and his family to American jazz via the Voice of America radio programming. His art was exhibited internationally through the Art in Embassies program, including Gems of Africa, a 1967 solo exhibition sponsored by the Bureaus of African Affairs and the Cultural Affairs of the U.S. Department of State. In 1967, Thomas joined the staff at the Smithsonian Institution's Anacostia Neighborhood Museum, Washington, DC, where he was a programs manager through the 1970s. His 1956 painting The Potter's Daughter was included in the landmark exhibition The Barnett-Aden Collection at the Anacostia Museum in 1974. He studied art at the Walter Vincent Smith Museum, Springfield, MA, Massachusetts State College, the Artists Students League and the Metropolitan Museum of Art, New York. His 1967 painting Africa: the Source was in sold in African American Art from the Johnson Publishing Company at Swann Galleries on January 30, 2020 for $52.500. look out for other works by the artist too ? good, spots (see close ups) marks and glue residue on the back?

Jacob Ernst Marcus (illustrator). 'J.E. MARCUS F. MAART 1815'A large rustic figure in heavy coat and broad-brimmed hat stands with hands resting on a staff, gazing outward. In the distance, a woman and child walk a path bordered by sparse foliage and fencing. Rolling hills and a dramatic clouded sky form the background.Made by Jacob Ernst Marcus after own design.Medium: Etching on wove (vellin) paper.Sheet size: 32 x 24 cm (12.6 x 9.45 inch). Image size: 19.3 x 10.3 cm. (7.6 x 4.06 inch).JACOB ERNST MARCUS, GENRE ETCHING, RUSTIC FIGURE, LANDSCAPE, COUNTRYSIDE, STUDIEBEELDEN, 1815 | DOOS-MARCUSBACKGROUND INFORMATIONPublished as part of the series "Studiebeelden en Fragmenten" (Study Images and Fragments), a series of 105 etchings, various sizes, signed and dated in the plate between December 1807 and June 1816, published by S. de Grebber in Amsterdam. Later republished as: Studie-prentwerk / Etudes gravees (Study printwork).Biography engraver: Jacob Ernst Marcus (1774-1826) was a Dutch painter, etcher, engraver, and lithographer. Born on Sint Eustatius and later active in Amsterdam, he studied under Reinier Vinkeles and was awarded for his graphic work. He became director of engraving at the Royal Academy of Fine Arts. Condition: very good, given age. Light foxing, minor margin wear. Strong plate impression, clean central image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jacob Ernst Marcus (illustrator). 'J.E. MARCUS F. JULY 1814.'A gently sloping rural landscape with a bare-branched tree on the right and two seated men conversing beneath it. In the distance, three figures walk along a path, carrying loads. Detailed vegetation throughout.Made by Jacob Ernst Marcus after own design.Medium: Etching on wove (vellin) paper.Sheet size: 32 x 24 cm (12.6 x 9.45 inch). Image size: 17.8 x 11.4 cm. (7.01 x 4.49 inch).DUTCH LANDSCAPE ETCHING, 19TH CENTURY COUNTRYSIDE, TRAVELERS RESTING PRINT, TREE STUDY PRINT, PASTORAL SCENE | DOOS-MARCUSBACKGROUND INFORMATIONPublished as part of the series "Studiebeelden en Fragmenten" (Study Images and Fragments), a series of 105 etchings, various sizes, signed and dated in the plate between December 1807 and June 1816, published by S. de Grebber in Amsterdam. Later republished as: Studie-prentwerk / Etudes gravees (Study printwork).Biography engraver: Jacob Ernst Marcus (1774-1826) was a Dutch painter, etcher, engraver, and lithographer. Born on Sint Eustatius and later active in Amsterdam, he studied under Reinier Vinkeles and was awarded for his graphic work. He became director of engraving at the Royal Academy of Fine Arts. Condition: very good, given age. Light foxing and mild soiling at the margins; very sharp and clean impression of the plate. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condition: Good. Crayon drawing of a landscape with a m,ill and figures. on wove paper. Sheet size: 24,5 x 19,3 cm. (9,6 x 7,6 inch). Image size: 18,5 x 15 cm. (7,3 x 5,9 inch).Hand signed.Made by 'O.G.J. Schlencker' after an anonymous artist. Condition: Good, given age. Light soiling and creasing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: LANDSCAPE WITH MILL AND FIGURESPCO-C21-02.

Pp. 224, 8 coloured plates, black & white title page vignette and numerous text illustrations (4 full page and one double page), full page map, printed endpapers, index; wide med. 8vo; t.e.g., others uncut; qr. cream cloth, spine lettered in gilt, patterned papered boards, upper board decorated in gilt, edges of boards lightly browned and a trifle rubbed; book label of David Levine, Sydney, on verso of upper free endpaper, the free endpapers slightly offset, a couple of faint spots of foxing; John Murray, London, 1947. One of 100 numbered copes on hand-made paper, signed by the author/artist. Signed.