Lautrec, Signed (75 results)

Hard Back. Condition: Fine. Dust Jacket Condition: Near Fine. Mitchell, Bob - Jacket Design (illustrator). First Printing Stated. 234 Pages. Blue boards with black quarter-spine with silver lettering and decoration. Author's three inked-lines inscription on the half-title page To Susan, con mucho gusto, Norman Zollinger. The author patterned this story after Albuquerque attorney, Jim Toulouse. Jack Lautrec is a maverick Albuquerque, New Mexico, defense attorney some members of his profession consider him past his prime, one who can't resist taking on the most hopeless cases, the more impossible the better. And his multi-cultural sunbelt city is seemingly willing to supply one after another. But he's never been called on to defend a client in quite the way he must defend his latest one. Young artist Luis Esquibel has been caught red-handed burying the body of a beautiful model, and it's an open- and-shut matter, until Lautrec starts unraveling the police department's "airtight" case, uncovering a conspiracy of lies and silence that no one, least of all his client, wants exposed. Jack has always worked alone, but this time he is teamed, to his surprise, with his partner, and daughter, strong-willed, attractive Marty. She has always steered clear of his kind of law, but this time she has her own reasons for joining him, secrets which link her with the crime and the criminal. Against the backdrop of the picturesque old Southwestern city of Albuquerque, Zollinger weaves a tale of murder, intrigue, and dangerous loyalties, as father and daughter pick their way through two different worlds. Inscribed By the Author.

Hardcover. Condition: Fine. First Edition, First Printing (stated). First Edition, First Printing stated. Hard cover 8vo. Fine and unmarked book in About Fine unclipped DJ w/rubbed rear panel. INSCRIBED AND SIGNED BY AUTHOR on 1/2 title page. 234pp. 234 p. Inscribed and SIGNED By Author. Book.

Hardcover. Condition: Good. No Jacket. Signed "to Gene con mucho gusto Norman Zollinger." Boards fairly clean, a couple of dark spots on pages, newpspaer clipping inside cover about author. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. 234 pp., Inscribed by the author, bound in 1/4 black cloth over blue paper covered boards, price intact on the dust jacket flap. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. First Edition, First Printing. Not price-clipped ($16.95 price intact). Published by Dutton, 1990. Signed by author on title page. Octavo. Black cloth over blue boards stamped in silver. Book is very good. Sharp corners and spine straight. Binding tight and pages crisp. Previous owner inscription on half title page. Dust jacket is very good. Xx pages. ISBN: 9780525247845. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. PHOTOS (illustrator). 1st Edition. INSCRIBED BY THE AUTHOR OF FRONT ENDPAPER A DELIGHTFUL LOOK AT THE ARTIST AND THE PARIS HE LIVED IN FOR THE YOUNGER READER BOOK IS AS NEW AND APPEARS UNREAD FULL NUMBER LINE A HISTORY OF TOULOUSE -LAUTREC'S CAREER JACKET IS BRIGHT AND UNCLIPPED WITH A VERY SMALL CURL AT TOP ORIGINAL PRICE 17.95. Inscribed by Author(s).

Soft cover. Condition: Very Good. Exhibition softcover catalog for Vienese show, sprache: German, association copy, inscribed by Novotny to Meyer Schapiro, art critic and historian/author on fep, 102pps + 51 plates some in colour. Inscribed by Author(s).

Condition: Fair. Signed Copy . Book Good. No dust jacket. Inscribed by Phillip Dennis Cate on second front endpage. English, with some French. (french art, letters).

Hardcover. Condition: As New. No Jacket. 1st Edition. First printing. Author inscribed on the title page. 9-1/2" X 7-1/2", 127pp. Inscribed by Author(s).

Hardcover. Condition: Used - Very Good. Dust Jacket Condition: Good. In French, English and German. Spine, binding and cover all fine; contents clean, inscription on inside cover. Dustcover good, some wear on edges, a little faded, protected by a plastic sleeve. Gifted to the previous owner by Joan Collins (though not signed by Miss Collins). 32 pages plus 24 plates pages. Signed.

Hardcover. Condition: Very Good. 46pps, wraps, attributions by noted French art historian Charles Ramus who has signed fep, ill, VG. Signed by Author(s).

Limited/Numbered Edition. Edition limited to 150 copies of which this is #150. Plate number thirteen from the portfolio Cabaret Lautrec. The plate measures 28x38.5 cm (11x15"). Printed on high quality Fedrigoni paper and signed by the artist. From the author of "Le bordel des muses" and "Vincent et Van Gogh". ; Prints.

Limited/Numbered Edition. Edition limited to 150 copies of which this is #150. Plate number eight from the portfolio Cabaret Lautrec. The plate measures 28x38.5 cm (11x15"). Printed on high quality Fedrigoni paper and signed by the artist. From the author of "Le bordel des muses" and "Vincent et Van Gogh". ; Prints.

Limited/Numbered Edition. Edition limited to 150 copies of which this is #150. Plate number eleven from the portfolio Cabaret Lautrec. The plate measures 28x38.5 cm (11x15"). Printed on high quality Fedrigoni paper and signed by the artist. From the author of "Le bordel des muses" and "Vincent et Van Gogh". ; Prints.

Limited/Numbered Edition. Edition limited to 150 copies of which this is #150. Plate number ten from the portfolio Cabaret Lautrec. The plate measures 28x38.5 cm (11x15"). Printed on high quality Fedrigoni paper and signed by the artist. From the author of "Le bordel des muses" and "Vincent et Van Gogh". ; Prints.

Limited/Numbered Edition. Edition limited to 150 copies of which this is #150. Plate number nine from the portfolio Cabaret Lautrec. The plate measures 28x38.5 cm (11x15"). Printed on high quality Fedrigoni paper and signed by the artist. From the author of "Le bordel des muses" and "Vincent et Van Gogh". ; Prints.

Limited/Numbered Edition. Edition limited to 150 copies of which this is #150. Plate number four from the portfolio Cabaret Lautrec. The plate measures 28x38.5 cm (11x15"). Printed on high quality Fedrigoni paper and signed by the artist. From the author of "Le bordel des muses" and "Vincent et Van Gogh". ; Prints.

Limited/Numbered Edition. Edition limited to 150 copies of which this is #150. Plate number six from the portfolio Cabaret Lautrec. The plate measures 28x38.5 cm (11x15"). Printed on high quality Fedrigoni paper and signed by the artist. From the author of "Le bordel des muses" and "Vincent et Van Gogh". ; Prints.

Limited/Numbered Edition. Edition limited to 150 copies of which this is #150. Plate number two from the portfolio Cabaret Lautrec. The plate measures 28x38.5 cm (11x15"). Printed on high quality Fedrigoni paper and signed by the artist. From the author of "Le bordel des muses" and "Vincent et Van Gogh". ; Prints.

Limited/Numbered Edition. Edition limited to 150 copies of which this is #150. Plate number one from the portfolio Cabaret Lautrec. The plate measures 28x38.5 cm (11x15"). Printed on high quality Fedrigoni paper and signed by the artist. From the author of "Le bordel des muses" and "Vincent et Van Gogh". ; Prints.

Original Wraps. Condition: VG+. No Jacket. Original green hard paper wraps with white tiles and designs to the front. SIGNED and INSCRIBED by noted artist James McGarrell and his wife to an ailing friend, " Muffle tour ears in thick (?) at the phone's imperious ring,dear Henry; sip soft soups that jell; distain alike sweet Jameson's or Reisling; think gleefully of crowrds in Hell--- come off it, Henry, vite, get well. Jim and Ann Mc Garrell ". This copy is VG+. Exterior is rich and clean with minimal rubbing at the spine and along the edges. Inside is crisp, unmarked, and firmly bound. Only minimal even tonng. 48 pp.Philip Hofer wrote the introduction. Signed by Illustrator(s).

Hardcover. First Edition. First printing. Very Good copy in Very Good jacket. Inscribed and signed by authors on front free endpaper and verso ffep, respectively. In red cloth covers with black lettering of Lautrec on front cover and black lettering on spine. Square and intact binding. Clean and unmarked endpapers and text pages. Light wear. Jacket is intact with price on upper front flap. Light wear. In new protective jacket cover. Photos upon request. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. 274pp hardback, signed by authors to verso of half-title limited edition this being number 75/190 de-luxe edition green cloth red-lettered light marks to boards, with tipped-in colour and bw plates, extremities of wrapper rubbed, top edge of wrapper frayed over spine. Signed by Author(s).

Condition: Acceptable. in-8, broché, 367 pp. Envoi autographe signé de l'auteur à l'éditeur René Wittmann. Couverture poussiéreuse, légère tache au dos. En l'état.

53pp., br.orig., non coupé, signé avec dédicace par l'auteur, bel état, extrait des "Mélanges d'archéologie et d'histoire" publiés par l'Ecole française de Rome T.16, [texte du journal en latin].

Hardcover. Condition: Very good. Dust Jacket Condition: Very good. First Printing [Stated]. [6], 234 pages. Inscribed on the half-title page: To Christina--con mucho gusto! Norman Zollinger. Ink notation inside the front cover. After agreeing to represent a man who was caught burying the corpse of a fashion model, Albuquerque lawyer Jack Lautrec uncovers a conspiracy of silence and lies lurking behind the supposedly open-and-shut case. Jack Lautrec is a maverick Albuquerque, New Mexico, defense attorney. Some members of his profession consider him past his prime, one who can't resist taking on the most hopeless cases--the more impossible the better. And his multicultural sunbelt city is seemingly willing to supply one after another. But he's never been called on to defend a client in quite the way he must defend his latest one. Young artist Luis Esquibel has been caught red-handed burying the body of a beautiful model, and it's an open-and-shut matter, until Lautrec starts unreveling the police department's "airtight" case, uncovering a conspiracy of lies and silence that no one--lest of all his client--wants exposed. Jack has always worked alone, but this time he is teamed, to his surprise, with his partner--and daughter--strong-willed, attractive Marty. She has always steered clear of his kind of law, but this time she has her own reasons for joining him. Norman Zollinger was a prolific writer of Western novels. In 1971 Zollinger left a high-paying job with the family business he had brought into the era of technology to pursue his love of writing. He taught writing at the University of New Mexico and also held workshops for physically challenged veterans while writing his novels, including his prize winners, Riders to Cibola: A Novel and Rage in Chupadera. Zollinger's stories are sagas that follow Mexico's quest for independence, and his heroes and heroines are the revolutionaries, cowboys, soldiers, Native Americans, and pioneer women who forged the history of the region. The protagonist of his Meridian: A Novel of Kit Carson's West is cartographer Bradford Stone, who travels with scout Kit Carson and John C. Fremont and maps their journeys during the westward expansion. Even the inexperienced Bradford soon realizes that Fremont's purpose is to capture land, specifically California, for himself. Zollinger was a mainstream novelist who set his stories in the West. If someone said his books were regional, he insisted that his region was the human heart. Derived from a Publishers Weekly article: Zollinger has crafted a compelling mystery set in the Southwest. Jack Lautrec is a lawyer of the old school who always gets personally involved with the lost causes--and often with the lowlifes--he defends. This time the cause is Luis Esquibel, a young Hispanic artist accused of murdering his model, a black woman who was hiding from a radical Muslim group set on destroying her. The case and its resolution seem obvious, at first: Esquibel was caught burying the body by two cops on patrol. But Lautrec senses that there's more than meets the eye, especially since his client's not talking. The irascible, handicapped lawyer must do battle with his old enemy, the D.A., and with the brutalizing prison environment to find the real killer before the system does in the sensitive Esquibel. When the case turns controversial and someone takes a shot at Lautrec while he's unwillingly walking his neighbor's dog, he wins the reluctant help of his stuffy civil law partner and daughter Martine, who wants her father to upgrade his clientele--but not for the expected reasons. There are entertaining false leads and trails, but the real charm of Lautrec is the combative yet loving relationship of Lautrec pere and fille.

Folio (ca. 34 x 26 cm). Mit zahlr. Abbildungen. 412 SS., 1 Bl. OLn. mit OSchutzumschlag (im Schnitt etw. stockfleckig, sonst in gutem Erhaltungszustand). Mit eigenh. Bes.-Vermerk des Wiener Kunsthistorikers Eckart Knab, der Mitarbeiter in der Albertina war.

Couverture rigide. Condition: bon. RO40155727: 1952. In-8. Relié. Etat passable, Plats abîmés, Dos abîmé, Fortes mouillures. 142 pages. Illustré de nombreuses photos héliogravées en noir et blanc hors texte, et de nombreuses photos en couleur encollées hors texte. Couverture fortement défraîchie et se détachant. Envoi d'auteur inconnu en page de garde. . . . Classification Dewey : 750-La peinture et les peintres.

Hardcover. First Edition; First Printing. Very Good+ in a Near Fine dust jacket. Owner imprint on title page. ; Personalized by Herbert D. Schimmel on FEP, with personal bookplate on front pastedown and FEP. ; 9.6 X 6.5 X 1.4 inches; 522 pages; Signed by Author.

DIE MASKE Buchdruckerei Winterthur AG, Offizin, 1. Auflage 1957, ERSTAUSGABE, 95 SS. gebunden (Hardcover, Bütten 8 to), gut erhalten - limiriertes, nummeriertes Exemplar # 141/350, von Gotthard Jedlicka mit eigenhändiger Widmung, Datum 3. FEbruar 1957, Unterschrift signiert.